The Poetic Screenplay: A Collection of Articles
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In 2006, he took to script writing; in 2011, he wrote a lyric and epic poem After spring, which served as basis for a new genre, poetic screenplay. He laid the theoretical foundation for the concept of poetic screenplay, defined it, and described its main features. Being a reformer, he proposed dividing the treatment in two parts: prose and poetic.
Aleksey Snezhin
This collection contains articles by academicians and researchers who have been studying a new genre in the Russian cinedramatic art—The Poetic Screenplay.
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The Poetic Screenplay - Aleksey Snezhin
© 2015 Aleksey Snezhin. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 06/01/2015
ISBN: 978-1-5049-4359-8 (sc)
ISBN: 978-1-5049-4360-4 (e)
Any people depicted in stock imagery provided by Thinkstock are models,
and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Compiled and designed by A. I. Snezhin
Poetic Screenplay. A collection of articles / Edited by A. I. Snezhin—M.: Angel, 2012.—56 pages.
This collection contains articles by academicians and researchers who have been studying a new genre in the Russian cinedramatic art—the poetic screenplay.
Contents
Poetic Screenplay as a New Genre in Russian Cinedramatic Art
The Evolution of Genres in Cinedramatic Art: From Alexander G. Rzheshevsky’s ‘Emotional Screenplay’ to Alexey I. Snezhin’s ‘Poetic Screenplay’
The Issue of the ‘Poetic Screenplay’ Genre and its Implementation in Creative Works by Alexey Snezhin
POETIC SCREENPLAY
AS A NEW GENRE IN
RUSSIAN CINEDRAMATIC ART
The development of the cinematographic art is often associated with the emergence of new genre forms with particular substantive features. Genres always arise in time
[14, page 93], sensitively responding to the essential needs of society. Ample evidence of this can be seen in our modern cinedramatic art.
In this article, we will analyze the notion of the screenplay, define its basic elements and types, and examine a new genre—the poetic screenplay—which has sprung up relatively recently in cinematographic art.
Key words: poetic screenplay, new genre, Russian cinedramatic art, substantive features.
In The New Explanatory Dictionary of Word Structure in the Russian Language by T. F. Yefremova, the word screenplay is defined as follows:
Screenplay—a literary and dramatic work written as a basis for producing a motion picture or a television movie [5, page 251].
At this stage, we can single out the four main elements that make up a screenplay:
• the descriptive part (screenplay prose)
• the