Penrod
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Booth Tarkington
Booth Tarkington (1869–1946), who achieved overnight success with his first novel, The Gentleman from Indiana (1899), is perhaps best remembered as the author of the popular Penrod adventures and Seventeen. He was awarded two Pulitzer Prizes for Literature and in 1933 received the Gold Medal for Fiction from the American Academy of Arts and Letters.
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Reviews for Penrod
65 ratings5 reviews
- Rating: 4 out of 5 stars4/5Eleven-year-old Penrod Schofield, his wistful dog Duke, his friend Sam Williams, and his black neighbors Herman and Verman are the young protagonists of this investigation into how much mischief a resourceful young boy can get up to in pre-World War I Midwestern America. Penrod likes Marjorie Jones, but he explodes the pageant in which she is a willing and he an unwilling participant, he gives her four-year-old brother Mitchy-Mitch a two-cent piece that the boy promptly swallows, and he douses her and her brother with tar—though, admittedly, he was provoked by their both calling him “little gentleman.” Despite its frequent obstacles to love, the book ends with Marjorie giving Penrod a note that reads, “Your my bow.”For a while, the bully Rupe Collins is Penrod’s hero, until Rupe picks on Verman, when Penrod’s attitude changes toward him—and Herman and Verman make short work of the bully, anyway. Penrod has a brief career in the show business, with his acts being several rats in a box, a stray dachshund, the tongue-tied Verman and the index-fingerless Herman, plus Roderick Magsworth Bitts, who is goaded into admitting that he is indeed related, as a nephew, to the Rena Magsworth who had just been convicted of multiple murders. Penrod’s adventures also include filling the hat of his sister’s admirer with tar, because that officious young cleric keeps calling him “young gentleman.” He also succeeds in coaxing the boy out of the nicest boy in town, and does it in the boy’s own yard with his mother watching from the window.The unreconstructed, casual racism of the American Midwest in 1914 is evident in Penrod, and someone has published an expurgated edition in this decade, though it seems to me we ought to be able to see what people enjoyed with all its warts, or leave it on the shelf.
- Rating: 4 out of 5 stars4/5Very funny book about an 11-year-old boy, in the same vein as Tom Sawyer. Some jarring references to black characters that are no longer used today.
- Rating: 3 out of 5 stars3/5Booth Tarkington has long been an author that I felt I should sample, and so I decided to start with Penrod. Penrod is the main character and a young boy of 11 growing up in Indiana in the early 1900’s. Penrod was originally published in 1914 and although considered as a novel, really consists of a collection of loosely connected short stories. The tone and style of the book reminded me a great deal of Tom Sawyer. Penrod prides himself in being considered the “worst boy in town” and each chapter provides him a way of sustaining his reputation. Although this book harkens back to a younger America and a simpler time, it is quite dated and there would be little in the book that would appeal to the younger reader of today. There are plenty of examples of the casual racism that was so prevalent in books published in the first half of the 20th century, but I suspect Tarkington himself would not consider himself a bigot. It is wise to keep in mind the time in which this book was written, although it is hard not to be distracted by these racial slurs.My first exercise in reading Booth Tarkington brings me confidence that I could tackle something a little more ambitious and I think I will be looking at The Magnificent Ambersons at some point in the future. Penrod, although at one time a very popular book, has little that one can relate to today other than giving us a glimpse of mid-western life before World War I.
- Rating: 4 out of 5 stars4/5I loved the book 60 years ago and my father liked it before me. When I read it (as I have several times), I think of my Dad and the times he lived in. In many ways, better times and certainly more innocence then now.
- Rating: 3 out of 5 stars3/5I just picked this randomly off the shelf having no idea it was more of a light, juvenile story. It was at times quite humorous to follow the travails of this energetic, creative 11 - 12-year-old boy. Tarkington captures the unique qualities of the single-mindedness of a boy of this age.....everything is an adventure to be acted upon immediately without any chance of considering the consequences until way too late. There are definitely some harsh racial attitudes that are rather odd to read today, but were certainly the norm back when this was written. It is a testament to how far we've come in that respect when even i felt a little uncomfortable reading some lines in the book. Not a bad thing for anyone to experience for the purposes of perspective. I have read nothing too awfully deep so far from Tarkington, but this was definitely the light easy read. One can only assume that the Pulitzer winner, 'The Magnificent Ambersons' will have more meat......i'll let you know! As to this one....i liked it, but did not love it.
Book preview
Penrod - Booth Tarkington
Chapter I. A Boy and His Dog
Penrod sat morosely upon the back fence and gazed with envy at Duke, his wistful dog.
A bitter soul dominated the various curved and angular surfaces known by a careless world as the face of Penrod Schofield. Except in solitude, that face was almost always cryptic and emotionless; for Penrod had come into his twelfth year wearing an expression carefully trained to be inscrutable. Since the world was sure to misunderstand everything, mere defensive instinct prompted him to give it as little as possible to lay hold upon. Nothing is more impenetrable than the face of a boy who has learned this, and Penrod’s was habitually as fathomless as the depth of his hatred this morning for the literary activities of Mrs. Lora Rewbush—an almost universally respected fellow citizen, a lady of charitable and poetic inclinations, and one of his own mother’s most intimate friends.
Mrs. Lora Rewbush had written something which she called The Children’s Pageant of the Table Round,
and it was to be performed in public that very afternoon at the Women’s Arts and Guild Hall for the benefit of the Coloured Infants’ Betterment Society. And if any flavour of sweetness remained in the nature of Penrod Schofield after the dismal trials of the school-week just past, that problematic, infinitesimal remnant was made pungent acid by the imminence of his destiny to form a prominent feature of the spectacle, and to declaim the loathsome sentiments of a character named upon the programme the Child Sir Lancelot.
After each rehearsal he had plotted escape, and only ten days earlier there had been a glimmer of light: Mrs. Lora Rewbush caught a very bad cold, and it was hoped it might develop into pneumonia; but she recovered so quickly that not even a rehearsal of the Children’s Pageant was postponed. Darkness closed in. Penrod had rather vaguely debated plans for a self-mutilation such as would make his appearance as the Child Sir Lancelot inexpedient on public grounds; it was a heroic and attractive thought, but the results of some extremely sketchy preliminary experiments caused him to abandon it.
There was no escape; and at last his hour was hard upon him. Therefore he brooded on the fence and gazed with envy at his wistful Duke.
The dog’s name was undescriptive of his person, which was obviously the result of a singular series of mesalliances. He wore a grizzled moustache and indefinite whiskers; he was small and shabby, and looked like an old postman. Penrod envied Duke because he was sure Duke would never be compelled to be a Child Sir Lancelot. He thought a dog free and unshackled to go or come as the wind listeth. Penrod forgot the life he led Duke.
There was a long soliloquy upon the fence, a plaintive monologue without words: the boy’s thoughts were adjectives, but they were expressed by a running film of pictures in his mind’s eye, morbidly prophetic of the hideosities before him. Finally he spoke aloud, with such spleen that Duke rose from his haunches and lifted one ear in keen anxiety.
"‘I hight Sir Lancelot du Lake, the Child,
Gentul-hearted, meek, and mild.
What though I’m but a littul child,
Gentul-hearted, meek, and——’ Oof!"
All of this except oof
was a quotation from the Child Sir Lancelot, as conceived by Mrs. Lora Rewbush. Choking upon it, Penrod slid down from the fence, and with slow and thoughtful steps entered a one-storied wing of the stable, consisting of a single apartment, floored with cement and used as a storeroom for broken bric-a-brac, old paint-buckets, decayed garden-hose, worn-out carpets, dead furniture, and other condemned odds and ends not yet considered hopeless enough to be given away.
In one corner stood a large box, a part of the building itself: it was eight feet high and open at the top, and it had been constructed as a sawdust magazine from which was drawn material for the horse’s bed in a stall on the other side of the partition. The big box, so high and towerlike, so commodious, so suggestive, had ceased to fulfil its legitimate function; though, providentially, it had been at least half full of sawdust when the horse died. Two years had gone by since that passing; an interregnum in transportation during which Penrod’s father was thinking
(he explained sometimes) of an automobile. Meanwhile, the gifted and generous sawdust-box had served brilliantly in war and peace: it was Penrod’s stronghold.
There was a partially defaced sign upon the front wall of the box; the donjon-keep had known mercantile impulses:
The O. K. RaBiT Co.
PENROD ScHoFiELD AND CO.
iNQuiRE FOR PRicEs
This was a venture of the preceding vacation, and had netted, at one time, an accrued and owed profit of $1.38. Prospects had been brightest on the very eve of cataclysm. The storeroom was locked and guarded, but twenty-seven rabbits and Belgian hares, old and young, had perished here on a single night—through no human agency, but in a foray of cats, the besiegers treacherously tunnelling up through the sawdust from the small aperture which opened into the stall beyond the partition. Commerce has its martyrs.
Penrod climbed upon a barrel, stood on tiptoe, grasped the rim of the box; then, using a knot-hole as a stirrup, threw one leg over the top, drew himself up, and dropped within. Standing upon the packed sawdust, he was just tall enough to see over the top.
Duke had not followed him into the storeroom, but remained near the open doorway in a concave and pessimistic attitude. Penrod felt in a dark corner of the box and laid hands upon a simple apparatus consisting of an old bushel-basket with a few yards of clothes-line tied to each of its handles. He passed the ends of the lines over a big spool, which revolved upon an axle of wire suspended from a beam overhead, and, with the aid of this improvised pulley, lowered the empty basket until it came to rest in an upright position upon the floor of the storeroom at the foot of the sawdust-box.
Eleva-ter!
shouted Penrod. Ting-ting!
Duke, old and intelligently apprehensive, approached slowly, in a semicircular manner, deprecatingly, but with courtesy. He pawed the basket delicately; then, as if that were all his master had expected of him, uttered one bright bark, sat down, and looked up triumphantly. His hypocrisy was shallow: many a horrible quarter of an hour had taught him his duty in this matter.
"El-e-vay-ter! shouted Penrod sternly.
You want me to come down there to you?"
Duke looked suddenly haggard. He pawed the basket feebly again and, upon another outburst from on high, prostrated himself flat. Again threatened, he gave a superb impersonation of a worm.
"You get in that el-e-vay-ter!"
Reckless with despair, Duke jumped into the basket, landing in a dishevelled posture, which he did not alter until he had been drawn up and poured out upon the floor of sawdust with the box. There, shuddering, he lay in doughnut shape and presently slumbered.
It was dark in the box, a condition that might have been remedied by sliding back a small wooden panel on runners, which would have let in ample light from the alley; but Penrod Schofield had more interesting means of illumination. He knelt, and from a former soap-box, in a corner, took a lantern, without a chimney, and a large oil-can, the leak in the latter being so nearly imperceptible that its banishment from household use had seemed to Penrod as inexplicable as it was providential.
He shook the lantern near his ear: nothing splashed; there was no sound but a dry clinking. But there was plenty of kerosene in the can; and he filled the lantern, striking a match to illumine the operation. Then he lit the lantern and hung it upon a nail against the wall. The sawdust floor was slightly impregnated with oil, and the open flame quivered in suggestive proximity to the side of the box; however, some rather deep charrings of the plank against which the lantern hung offered evidence that the arrangement was by no means a new one, and indicated at least a possibility of no fatality occurring this time.
Next, Penrod turned up the surface of the sawdust in another corner of the floor, and drew forth a cigar-box in which were half a dozen cigarettes, made of hayseed and thick brown wrapping paper, a lead-pencil, an eraser, and a small note-book, the cover of which was labelled in his own handwriting:
English Grammar. Penrod Schofield. Room 6, Ward School Nomber Seventh.
The first page of this book was purely academic; but the study of English undefiled terminated with a slight jar at the top of the second: Nor must an adverb be used to modif——
Immediately followed:
"HARoLD RAMoREZ THE RoADAGENT
OR WiLD LiFE AMoNG THE
ROCKY MTS."
And the subsequent entries in the book appeared to have little concern with Room 6, Ward School Nomber Seventh.
Chapter II. Romance
The author of Harold Ramorez,
etc., lit one of the hayseed cigarettes, seated himself comfortably, with his back against the wall and his right shoulder just under the lantern, elevated his knees to support the note-book, turned to a blank page, and wrote, slowly and earnestly:
CHAPITER THE SIXTH
He took a knife from his pocket, and, broodingly, his eyes upon the inward embryos of vision, sharpened his pencil. After that, he extended a foot and meditatively rubbed Duke’s back with the side of his shoe. Creation, with Penrod, did not leap, full-armed, from the brain; but finally he began to produce. He wrote very slowly at first, and then with increasing rapidity; faster and faster, gathering momentum and growing more and more fevered as he sped, till at last the true fire came, without which no lamp of real literature may be made to burn.
Mr. Wilson reched for his gun but our hero had him covred and soon said Well I guess you don’t come any of that on me my freind.
Well what makes you so sure about it sneered the other bitting his lip so savageley that the blood ran. You are nothing but a common Roadagent any way and I do not propose to be bafled by such, Ramorez laughed at this and kep Mr. Wilson covred by his ottomatick.
Soon the two men were struggling together in the death-roes but soon Mr Wilson got him bound and gaged his mouth and went away for awhile leavin our hero, it was dark and he writhd at his bonds writhing on the floor wile the rats came out of their holes and bit him and vernim got all over him from the floor of that helish spot but soon he managed to push the gag out of his mouth with the end of his toungeu and got all his bonds off.
Soon Mr Wilson came back to tant him with his helpless condition flowed by his gang of detectives and they said Oh look at Ramorez sneering at his plight and tanted him with his helpless condition because Ramorez had put the bonds back sos he would look the same but could throw them off him when he wanted to Just look at him now sneered they. To hear him talk you would thought he was hot stuff and they said Look at him now, him that was going to do so much, Oh I would not like to be in his fix.
Soon Harold got mad at this and jumped up with blasing eyes throwin off his bonds like they were air Ha Ha sneered he I guess you better not talk so much next time. Soon there flowed another awful struggle and siezin his ottomatick back from Mr Wilson he shot two of the detectives through the heart Bing Bing went the ottomatick and two more went to meet their Maker only two detectives left now and so he stabbed one and the scondrel went to meet his Maker for now our hero was fighting for his very life. It was dark in there now for night had falen and a terrible view met the eye Blood was just all over everything and the rats were eatin the dead men.
Soon our hero manged to get his back to the wall for he was fighting for his very life now and shot Mr Wilson through the abodmen Oh said Mr Wilson you—— —— —— (The dashes are Penrod’s.)
Mr Wilson stagerd back vile oaths soilin his lips for he was in pain Why you—— ——you sneered he I will get you yet—— ——you Harold Ramorez
The remainin scondrel had an ax which he came near our heros head with but missed him and ramand stuck in the wall Our heros amunition was exhaused what was he to do, the remanin scondrel would soon get his ax lose so our hero sprung forward and bit him till his teeth met in the flech for now our hero was fighting for his very life. At this the remanin scondrel also cursed and swore vile oaths. Oh sneered he—— —— ——you Harold Ramorez what did you bite me for Yes sneered Mr Wilson also and he has shot me in the abdomen too the——
Soon they were both cursin and reviln him together Why you—— —— —— —— ——sneered they what did you want to injure us for——you Harold Ramorez you have not got any sence and you think you are so much but you are no better than anybody else and you are a—— —— —— —— —— ——
Soon our hero could stand this no longer. If you could learn to act like gentlmen said he I would not do any more to you now and your low vile exppresions have not got any effect on me only to injure your own self when you go to meet your Maker Oh I guess you have had enogh for one day and I think you have learned a lesson and will not soon atemp to beard Harold Ramorez again so with a tantig laugh he cooly lit a cigarrete and takin the keys of the cell from Mr Wilson poket went on out.
Soon Mr Wilson and the wonded detective manged to bind up their wonds and got up off the floor—— ——it I will have that dasstads life now sneered they if we have to swing for it—— —— —— ——him he shall not eccape us again the low down—— —— —— —— ——
Chapiter seventh
A mule train of heavily laden burros laden with gold from the mines was to be seen wondering among the highest clifts and gorgs of the Rocky Mts and a tall man with a long silken mustash and a cartigde belt could be heard cursin vile oaths because he well knew this was the lair of Harold Ramorez Why—— —— ——you you—— —— —— —— mules you sneered he because the poor mules were not able to go any quicker —— you I will show you Why—— —— —— —— —— ——it sneered he his oaths growing viler and viler I will whip you—— —— —— —— —— —— ——you sos you will not be able to walk for a week—— ——you you mean old—— —— —— —— —— —— —— —— ——mules you
Scarcly had the vile words left his lips when——
"Penrod!"
It was his mother’s voice, calling from the back porch.
Simultaneously, the noon whistles began to blow, far and near; and the romancer in the sawdust-box, summoned prosaically from steep mountain passes above the clouds, paused with stubby pencil halfway from lip to knee. His eyes were shining: there was a rapt sweetness in his gaze. As he wrote, his burden had grown lighter; thoughts of Mrs. Lora Rewbush had almost left him; and in particular as he recounted (even by the chaste dash) the annoyed expressions of Mr. Wilson, the wounded detective, and the silken moustached mule-driver, he had felt mysteriously relieved concerning the Child Sir Lancelot. Altogether he looked a better and a brighter boy.
"Pen-rod!"
The rapt look faded slowly. He sighed, but moved not.
Penrod! We’re having lunch early just on your account, so you’ll have plenty of time to be dressed for the pageant. Hurry!
There was silence in Penrod’s aerie.
"Pen-rod!"
Mrs. Schofields voice sounded nearer, indicating a threatened approach. Penrod bestirred himself: he blew out the lantern, and shouted plaintively:
Well, ain’t I coming fast’s I can?
Do hurry,
returned the voice, withdrawing; and the kitchen door could be heard to close.
Languidly, Penrod proceeded to set his house in order.
Replacing his manuscript and pencil in the cigar-box, he carefully buried the box in the sawdust, put the lantern and oil-can back in the soap-box, adjusted the elevator for the reception of Duke, and, in no uncertain tone, invited the devoted animal to enter.
Duke stretched himself amiably, affecting not to hear; and when this pretence became so obvious that even a dog could keep it up no longer, sat down in a corner, facing it, his back to his master, and his head perpendicular, nose upward, supported by the convergence of the two walls. This, from a dog, is the last word, the comble of the immutable. Penrod commanded, stormed, tried gentleness; persuaded with honeyed words and pictured rewards. Duke’s eyes looked backward; otherwise he moved not. Time elapsed. Penrod stooped to flattery, finally to insincere caresses; then, losing patience spouted sudden threats.
Duke remained immovable, frozen fast to his great gesture of implacable despair.
A footstep sounded on the threshold of the store-room.
Penrod, come down from that box this instant!
Ma’am?
Are you up in that sawdust-box again?
As Mrs. Schofield had just heard her son’s voice issue from the box, and also, as she knew