Nineteen Seventy-Six: The Seven, #6
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1976. New Orleans. The Deschanel siblings are parents themselves now, and they must leave their own childhoods behind forever.
Charles, the playboy, is torn between love for his son and heir, and the prospect of having children with a woman who is far more welcoming and loving than his wife. Augustus, the fixer, now a widower, loses himself in the one thing that still gives his life meaning: Anasofiya. Colleen, the adherent, is married to the love of her life, and mother to a new daughter, but faces a new challenge as she is asked to step into the shoes of the family matriarch. Evangeline, the genius, falls nicely into her new world in Cambridge, but must soon confront the same fears she'd hoped to escape by leaving home. Maureen, the haunted, has her life turned upside down by a most unlikely connection.
Elizabeth, the anguished, prepares for adulthood by pouring herself into being a caretaker for her brother and niece, carefully avoiding her own future that she's seen clearly, and horribly, so many times.
As the family progresses through the seventies, they'll discover the power of secrets, lies, and a fate they cannot escape, no matter how wealthy or powerful they are.
Sarah M. Cradit
Sarah is the USA Today and International Bestselling Author of over forty contemporary and epic fantasy stories, and the creator of the Kingdom of the White Sea and Saga of Crimson & Clover universes. Born a geek, Sarah spends her time crafting rich and multilayered worlds, obsessing over history, playing her retribution paladin (and sometimes destruction warlock), and settling provocative Tolkien debates, such as why the Great Eagles are not Gandalf's personal taxi service. Passionate about travel, she's been to over twenty countries collecting sparks of inspiration, and is always planning her next adventure. Sarah and her husband live in a beautiful corner of SE Pennsylvania with their three tiny benevolent pug dictators. Connect with Sarah: sarahmcradit.com Instagram: @sarahmcradit Facebook: @sarahmcradit
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Nineteen Seventy-Six - Sarah M. Cradit
Nineteen Seventy-Six
THE SEVEN BOOK SIX
SARAH M. CRADIT
Copyright © 2019 Sarah M. Cradit
All rights reserved. This book or parts thereof may not be reproduced in any form, stored in any retrieval system, or transmitted in any form by any means—electronic, mechanical, photocopy, recording, or otherwise—without prior written permission of the publisher, except as provided by United States of America copyright law. For permission requests, write to the publisher, at Attention: Permissions Coordinator,
at the address below.
This is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Cover Design by Sarah M. Cradit
Editing by Lawrence Editing
First Edition
ISBN: 781086678215
Publisher Contact:
www.sarahmcradit.com
Contents
Preface
Also by Sarah M. Cradit
The Seven in 1976
Spring 1976
Prologue: Irish Colleen and the Seven
1. But, What if You Could?
2. How Very
3. Science and Nature
4. Somebody to Love
5. More Than a Feeling
Summer 1976
6. There is Love
7. Bicentennial
8. Old Souls
9. Mama
10. But There is Also Joy
Fall 1976
11. Worst Kept Secret
12. Dada
13. Crazy is Relative
14. It Wasn’t Supposed to Turn
15. Breakdown
Winter 1976
16. браm
17. The Magi Network
18. Peace of Mind
19. New York, New York
20. The Persistence of Loss
Epilogue: Irish Colleen and the Seven
Also by Sarah M. Cradit
The Family
Homes & Properties
Crimson & Clover Connections
About the Author
Preface
If you’re here, you’ve hopefully started with 1970, followed by 1972, 1973, 1974, and 1975.
1976 is a story that sets up storylines that have long-reaching effects, both in The House of Crimson & Clover and Midnight Dynasty. Some secrets will stay buried. Others have a way of revealing themselves.
One thing I feel compelled to point out, as I have in prior books: Although I mention The House of Crimson & Clover several times, it’s not necessary to read that series to fully appreciate The Seven. I do, however, hope that when this series ends, it leaves you feeling the urge to see what happens next, for both these characters and their children. The Saga of Crimson & Clover is designed to have multiple ways of experiencing the world that never need to connect, unless you want them to, but I’ll always hope I’ve done my job by making you want them to.
As with the earlier novels in the series, I feel it’s important to add the disclaimer that I was not alive at any point in the ’70s. I was raised on the music, values, and results of that period, coming up in the ’80s with a vision of the world that matched what my parents had experienced in that pivotal decade. I’ve leveraged experiences and memories of those who did come of age in the era, but any errors are solely my own. If this paragraph looks familiar, you probably read a version of it in the Prefaces of the earlier books.
1976 is the penultimate installment in this series, and as this story begins barreling toward conclusion, I want to say thank you again for taking this journey with the seven.
Also by Sarah M. Cradit
KINGDOM OF THE WHITE SEA
Kingdom of the White Sea Trilogy
The Kingless Crown
The Broken Realm
The Hidden Kingdom
The Book of All Things
The Raven and the Rush
The Sylvan and the Sand
The Altruist and the Assassin
The Melody and the Master
The Claw and the Crowned
THE SAGA OF CRIMSON & CLOVER
The House of Crimson and Clover Series
The Storm and the Darkness
Shattered
The Illusions of Eventide
Bound
Midnight Dynasty
Asunder
Empire of Shadows
Myths of Midwinter
The Hinterland Veil
The Secrets Amongst the Cypress
Within the Garden of Twilight
House of Dusk, House of Dawn
Midnight Dynasty Series
A Tempest of Discovery
A Storm of Revelations
A Torrent of Deceit
The Seven Series
1970
1972
1973
1974
1975
1976
1980
Vampires of the Merovingi Series
The Island
and more
The Dusk Trilogy
St. Charles at Dusk: The Story of Oz and Adrienne
Flourish: The Story of Anne Fontaine
Banshee: The Story of Giselle Deschanel
Crimson & Clover Stories
Surrender: The Story of Oz and Ana
Shame: The Story of Jonathan St. Andrews
Fire & Ice: The Story of Remy & Fleur
Dark Blessing: The Landry Triplets
Pandora's Box: The Story of Jasper & Pandora
The Menagerie: Oriana’s Den of Iniquities
A Band of Heather: The Story of Colleen and Noah
The Ephemeral: The Story of Autumn & Gabriel
Bayou’s Edge: The Landry Triplets
For more information, and exciting bonus material, visit www.sarahmcradit.com
The Seven in 1976
Children of
August Deschanel (deceased) &
Colleen Irish Colleen
Brady
Charles August Deschanel, Aged 26
Augustus Charles Deschanel, Aged 25
Colleen Amelia Deschanel, Aged 24
Madeline Colleen Deschanel, Deceased
Evangeline Julianne Deschanel, Aged 22
Maureen Amelia Deschanel, Aged 20
Elizabeth Jeanne Deschanel, Aged 17
For Augustus
SPRING 1976
NEW ORLEANS, LOUISIANA
VACHERIE, LOUISIANA
CAMBRIDGE, MASSACHUSETTS
Prologue: Irish Colleen and the Seven
Colleen Deschanel, known as Irish Colleen to her family and friends, walked past the faces of her seven children, as she did every night of her life. Beside them now were pictures of her four grandchildren, all born within the past year: Olivia, Nicolas, Anasofiya, and, most recently, Amelia. More would come. She felt it. But four was more than enough for one year, especially the year their family had.
Word had reached Irish Colleen of Charles’ illicit affair with the Sullivan girl. Almost half a year ago, according to the rumors, but if Irish Colleen knew about it, then so did most of New Orleans. So would the girl’s husband, Colin, Charles’ best, and maybe only real, friend. The rumors kicked up now, months after the crime, only because Catherine had gone missing. Fingers pointed at Charles, and tongues wagged without reprieve or clemency, and if Colin Sullivan didn’t know about it, he was a fool, intentional or otherwise.
And now Charles was openly taking up with the French nanny Irish Colleen installed to help him with little Nicolas. Well, this wasn’t the help she had in mind, and though it shouldn’t surprise her that he wouldn’t resist a young, beautiful woman, she’d hoped he had better sense than to keep all his problems brewing together under the same roof.
Augustus had taken three months off from work to look after his Anasofiya. If he mourned his dead wife, he didn’t speak of it, or of her, at all. Only necessity brought him out of the house in those days. He’d sent for his groceries, and if anyone saw him outside of Magnolia Grace, it was walking Anasofiya in the fancy pram he’d bought to keep her safe from the harmful effects of the sun and other weather events that might appear at any time in the erratic springtime of New Orleans. He was a man devoted, but also, she knew, a man lost. Going back to work only worsened his fears.
Motherhood looked good on Colleen, now living at The Gardens, at least temporarily, with her husband, Noah. Amelia was born with a head full of shockingly white hair, with only the hint of soft gold. There were other Deschanels with these traits, Irish Colleen recalled from the old portraits, though almost none from the current generations. There was a Fontenot, maybe one of Eugenia’s kids, but she couldn’t remember their name. What mattered was that, for the very first time, Irish Colleen could enjoy not needing to worry about her oldest daughter’s happiness. Though Colleen was mourning for her great aunt, for her brother’s loss, she was managing through her grief because of Noah. Because of Amelia. Irish Colleen could rest easy, finally, where Colleen was concerned.
Irish Colleen still didn’t quite know what to make of her quirky middle child. Evangeline seemed to be thriving in Massachusetts, at that technical college Augustus assured Irish Colleen was the best in the country. Leaving hadn’t cured whatever ailed her; she was still this odd marriage of wild and cold; different. Other. She’d grown witty in her time away, and Irish Colleen thought Evangeline would be the type of woman she’d enjoy a card game with, over a bottle of wine, but this was her daughter, and she wanted more for her than to be the charming, single friend of all the married women.
Maureen’s tempers had cooled, and she now invited Irish Colleen for lunch at her St. Charles home once a week. They talked mother-to-mother now, with Irish Colleen offering advice—rarely accepted—and funny anecdotes—always appreciated—over tea and whatever snacks Maureen’s staff threw together. Maureen, her wild, imaginative child had always lived her life in the extremes, and for years, Irish Colleen worried this would lead her down a dark path. It did, for a spell, but Irish Colleen could see now that Maureen’s obsessiveness could be a boon as much as a handicap. As a mother, she was utterly devoted. She’d found her purpose in Olivia.
Now, if only she could find a way to her husband.
Irish Colleen ascended the stairs, thinking of her grandbabies. She had so little to look after in her own life now, with Lizzy graduating in a couple months, and so she’d inserted herself into the world of her children’s children. Always available and eager to babysit. A day without a baby in her arms was a sad day now, and she thought of this as she made her way to Elizabeth’s room.
Connor, bless his heart, now at least pretended to sleep in the guest room. At least, until they thought she’d retired for the evening.
She found Elizabeth at her desk. The small lamp cast a glow over her paper and textbook, and the sound of her tapping her pencil against the wooden secretary echoed into the hall.
Homework?
Studying for finals.
Those are a ways away, though, aren’t they?
I can test out now and graduate early.
Irish Colleen perched on the end of Elizabeth’s bed, behind where her daughter sat. Elizabeth had asked to return to public school for her senior year, and though she’d never said why, Irish Colleen sussed it out one night, over cards and wine with the women who pretended to be her friends.
Connor couldn’t take Elizabeth to prom unless they were both students at the same school.
Why ever would you want to do that?
I hate school, that’s why.
Elizabeth sat back in her chair, gazing up. "Not school but, you know, school school."
It was your choice to go back to a public education, Lizzy.
I didn’t say it wasn’t, Mother.
Now I’m Mother? Not Mama?
Connor is trying to do the same thing,
Elizabeth replied, ignoring the question, dodging the potential argument that lay behind the exchange. He got accepted into Tulane. Did I tell you?
You did. How wonderful for him,
Irish Colleen said. But what about you? You haven’t mentioned getting any college letters for yourself.
I haven’t gotten letters because I haven’t applied to any.
Irish Colleen wrung her hands in the fold of her apron. She was not good at this. August would’ve been, but she was many years past thinking of what he would have done. I don’t know much about college, Liz, but shouldn’t you have applied by now?
So now I’m Liz?
You’re almost an adult.
Elizabeth set her pencil aside and stared toward the corner of her room. I don’t like it. Don’t much like Lizzy either. I’ll stick with Elizabeth, probably.
But about the college applic—
I didn’t miss the deadline,
Elizabeth said. "Because, technically, there isn’t a deadline if you don’t intend to go."
Don’t intend… Elizabeth, seriously? Not go?
Irish Colleen was incredulous.
You get all bent about Evie going away to study science, and then get twisted about me not wanting to go at all, so which is it? Is school good or bad? Does it make our lives better, or is it silly, just a waste for a woman when she could have a husband and kids to look after?
Irish Colleen balked. "That’s not fair. I fully support Evangeline’s decision. I just wish she’d talk to me, is all. She’s always so brooding and cynical, and I never know what’s on her mind."
Elizabeth spun her chair around to face her mother. No one owes you access to their thoughts. Not everyone likes to share.
You used to.
Elizabeth made a dramatic glance at the calendar. Oh, yes, it’s spring. Time for your annual soothsaying, is that it? If I tell you what I’ve seen, will you let me get to bed?
You weren’t even in bed when I came in!
Not the point.
What’s gotten into you?
No deaths, at least that I’ve seen,
Elizabeth said flippantly, yawning in the middle of the sentence. Good thing we’re rich, though.
What is going on with you?
Gonna need all the moolah in the bank to pay for the therapy everyone’s going to need before this year’s up.
CHAPTER 1
But, What if You Could?
Augustus’ alarm went off, but it needn’t have bothered. Setting it was only a habit now, not a necessity. He wasn’t asleep. He remembered every last creak of the house settling throughout the long night; every change in the pace or pitch of Anasofiya’s breathing. If he’d slept at all, it hadn’t been for long.
He was getting used to this now. It was okay. He didn’t need sleep, not if being awake meant being vigilant to his daughter’s well-being. Irish Colleen might chide him for keeping the bassinet in his room, but when her children were babies, there were two parents in the home. Double the security, in the event of an emergency, and for an infant, emergencies lurked around every corner.
It could be disruptive to her sleep as well, darling, not just yours.
I let her sleep, Mama. I only go to her when she wakes up.
You should only go to her if she’s hungry or needs changing, Augustus. You’ll spoil her like this, training her to know how easily it is to wrap Daddy around her finger.
I’d rather her wrap me around her little fingers than ever worry that her daddy isn’t there,
Augustus whispered as he lifted his little redheaded beauty into his arms, careful to support her developing head and neck. Ready to eat? We just had a delivery of milk only yesterday. Your wet nurse is on the ball.
He’d considered installing an elevator, to avoid the prospective disaster of him losing his footing as he carried Ana down the stairs. The steel housing was there, from the early twentieth century, when Magnolia Grace had been equipped with one, but when one of the little cousins got trapped in there for two days, August had the thing removed, and a wall put up.
You’re up,
Elizabeth called from the kitchen. She sat hunched over a bowl of cereal, scooping her spoonfuls like a caveman. Often, she and Connor stayed over now, though Augustus hadn’t asked. In the morning, Irish Colleen would show up and they’d pass one another like the changing of the guard, which was probably how they saw their presence in his life, Augustus realized.
You’re here,
he charged, switching Ana to the other arm.
I made her a bottle,
Elizabeth replied without looking up from her food. It’s on the warmer.
Thank you,
he said. But that wasn’t necessary. I can do it.
"I know you can do it, Aggie. I decided to be helpful, since I was up."
Where’s Connor?
Elizabeth glanced up at the clock that hung over the door. She groaned. About to be late for school if he doesn’t get his ass out of bed.
Augustus settled a dishrag over his pajamas and rotated his daughter to a better position to feed her. Ana latched on to the nipple of the bottle immediately, sucking hungrily. He released the breath he’d been holding; the one attached to his fear she’d stop eating, stop trying, stop living, just like her mother. You don’t have to stay here. I’ve got everything under control.
Oh yeah? That why you were up all night long?
Augustus swiveled the bottle higher so Ana could have better access. Most parents don’t sleep when their babies are young.
Most parents aren’t shy about asking for help when they need it.
When they need it,
Augustus emphasized.
Elizabeth dropped the spoon into her empty bowl with a loud clang. You going to work today?
Why wouldn’t I?
Elizabeth rinsed her bowl without using soap and dropped it in the dish rack. One more thing he’d have to attend to later. "I guess I should be asking, are you going to stay at work?"
Augustus ignored this question. Instead, he breathed in the soft, baby scent of Anasofiya’s hair as she drank her breakfast. Real. She was real. Alive.
That’ll be Mama,
Elizabeth said when the bell rang.
Rory and Carolina’s apartment was lovely, modestly appointed but sumptuously located around the inner edge of the bustling green of Boston Common, now in full bloom for spring. They were high enough to have some privacy, while still overlooking the flurry of activity in the heartbeat of Boston.
Colleen noted the apartment had three bedrooms, an important detail that would matter later if she was successful in her plea.
A sinking sensation ebbed and flowed through her, as she thought of Evangeline, mere miles away, oblivious to the fact Colleen was in the area at all. It would be so easy to call her for a lunch date, or to stay at her small apartment in Cambridge and catch up into the early morning hours.
But she had more pressing matters here, and to explain them to Evangeline, no matter how bad she might want to, was out of the question. This wasn’t her secret to share outside of the people required to know to enact the proper plan. Her only motivation for telling Evangeline would be to have someone to confide in, and that wasn’t good enough to bring someone else into the already convoluted affair.