100+ Fairy Tales by Hans Christian Andersen's. Complete Folk Tales, Original Fairy Tales, Legends: The Little Mermaid, The Ugly Duckling, The Snow Queen, The Emperor's New Clothes, The Little Match Girl and others
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About this ebook
Andersen's fairy tales, consisting of 156 stories across nine volumes and translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well.
Contents:
THE ANGEL
ANNE LISBETH
BEAUTY OF FORM AND BEAUTY OF MIND
THE BEETLE WHO WENT ON HIS TRAVELS
THE BELL
THE BELL-DEEP
THE BIRD OF POPULAR SONG
THE BISHOP OF BORGLUM AND HIS WARRIORS
THE BOTTLE NECK
THE BRAVE TIN SOLDIER
THE BUCKWHEAT
THE BUTTERFLY
BY THE ALMSHOUSE WINDOW
A CHEERFUL TEMPER
THE CHILD IN THE GRAVE
CHILDREN'S PRATTLE
THE CONCEITED APPLE BRANCH
THE DAISY
THE DARNING-NEEDLE
DELAYING IS NOT FORGETTING
THE DREAM OF LITTLE TUK
THE DROP OF WATER
THE DRYAD
THE DUMB BOOK
ELDER-TREE MOTHER
THE ELF OF THE ROSE
THE ELFIN HILL
THE EMPEROR'S NEW CLOTHES
EVERYTHING IN ITS RIGHT PLACE
THE FALSE COLLAR
THE FARMYARD COCK AND THE WEATHERCOCK
THE FIR TREE
THE FLAX
THE FLYING TRUNK
THE GARDEN OF PARADISE
THE GIRL WHO TROD ON THE LOAF
THE GOBLIN AND THE HUCKSTER
THE GOLDEN TREASURE
THE GOLOSHES OF FORTUNE
GRANDMOTHER
GREAT CLAUS AND LITTLE CLAUS
A GREAT GRIEF
THE GREENIES
THE HAPPY FAMILY
HOLGER DANSKE
IB AND LITTLE CHRISTINA
THE ICE MAIDEN
IN A THOUSAND YEARS
IN THE NURSERY
IN THE UTTERMOST PARTS OF THE SEA
JACK THE DULLARD
THE JEWISH MAIDEN
THE JUMPER
THE LAST DREAM OF THE OLD OAK
THE LAST PEARL
A LEAF FROM HEAVEN
THE LEAP-FROG
LITTLE CLAUS AND BIG CLAUS
THE LITTLE ELDER-TREE MOTHER
LITTLE IDA'S FLOWERS
THE LITTLE MATCH GIRL
THE LITTLE MERMAID
LITTLE THUMBELINA
THE LOVELIEST ROSE IN THE WORLD
THE LOVING PAIR
THE MAIL-COACH PASSENGERS
THE MARSH KING'S DAUGHTER
THE METAL PIG
THE MONEY BOX
THE NAUGHTY BOY
THE NEIGHBOURING FAMILIES
THE NIGHTINGALE
THE OLD BACHELOR'S NIGHTCAP
THE OLD CHURCH BELL
THE OLD GRAVE-STONE
THE OLD HOUSE
THE OLD STREET LAMP
OLE-LUK-OIE THE DREAM GOD
OLE THE TOWER-KEEPER
OUR AUNT
THE PEA BLOSSOM
THE PEN AND THE INKSTAND
THE PHILOSOPHER'S STONE
THE PHOENIX BIRD
THE PORTER'S SON
THE PORTUGUESE DUCK
THE PUPPET-SHOW MAN
POULTRY MEG'S FAMILY
THE PSYCHE
THE RACES
THE REAL PRINCESS
THE RED SHOES
A ROSE FROM HOMER'S GRAVE
THE ROSES AND THE SPARROWS
THE SAUCY BOY
THE SHADOW
SHE WAS GOOD FOR NOTHING
THE SHEPHERDESS AND THE CHIMNEY SWEEP
THE SHEPHERDESS AND THE SHEEP
THE SHEPHERD'S STORY OF THE BOND OF FRIENDSHIP
THE SHIRT-COLLAR
THE SILVER SHILLING
THE SNAIL AND THE ROSE-TREE
THE SNOWDROP
THE SNOW MAN
THE SNOW QUEEN
SOMETHING
SOUP FROM A SAUSAGE SKEWER
THE STEADFAST TIN SOLDIER
THE STORKS
THE STORM SHAKES THE SHIELD
A STORY
A STORY FROM THE SAND-HILLS
THE STORY OF A MOTHER
THE STORY OF THE WIND
THE STORY OF THE YEAR
THE SUNBEAM AND THE CAPTIVE
SUNSHINE STORIES
THE SWAN'S NEST
THE SWINEHERD
THE TEAPOT and others
Hans Christian Andersen
Hans Christian Andersen was born in Odense, Denmark, in 1805. He endured a lonely, impoverished childhood consoled by little more than his own imagination. He escaped to a theatre life in Copenhagen aged 14 where the support of a powerful patron enabled him to complete his scant education, and to write. His poetry, novels and travel books became hugely popular. But it was his Fairy Tales, the first children's stories of their kind, published in instalments from 1835 until the time of his death in 1875, that have immortalised him. Translated into more than 100 languages and adapted to every kind of media, they have made Andersen the most important children's writer in history.
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100+ Fairy Tales by Hans Christian Andersen's. Complete Folk Tales, Original Fairy Tales, Legends - Hans Christian Andersen
THE ANGEL
Whenever a good child dies, an angel of God comes down from heaven, takes the dead child in his arms, spreads out his great white wings, and flies with him over all the places which the child had loved during his life. Then he gathers a large handful of flowers, which he carries up to the Almighty that they may bloom more brightly in heaven than they do on earth. And the Almighty presses the flowers to His heart, but He kisses the flower that pleases Him best, and it receives a voice, and is able to join the song of the chorus of bliss.
These words were spoken by an angel of God, as he carried a dead child up to heaven, and the child listened as if in a dream. Then they passed over well-known spots, where the little one had often played, and through beautiful gardens full of lovely flowers.
Which of these shall we take with us to heaven to be transplanted there?
asked the angel.
Close by grew a slender, beautiful, rose-bush, but some wicked hand had broken the stem, and the half-opened rosebuds hung faded and withered on the trailing branches.
Poor rose-bush!
said the child, let us take it with us to heaven, that it may bloom above in God's garden.
The angel took up the rose-bush; then he kissed the child, and the little one half opened his eyes. The angel gathered also some beautiful flowers, as well as a few humble buttercups and heart's-ease.
Now we have flowers enough,
said the child; but the angel only nodded, he did not fly upward to heaven.
It was night, and quite still in the great town. Here they remained, and the angel hovered over a small, narrow street, in which lay a large heap of straw, ashes, and sweepings from the houses of people who had removed. There lay fragments of plates, pieces of plaster, rags, old hats, and other rubbish not pleasant to see. Amidst all this confusion, the angel pointed to the pieces of a broken flower-pot, and to a lump of earth which had fallen out of it. The earth had been kept from falling to pieces by the roots of a withered field-flower, which had been thrown amongst the rubbish.
We will take this with us,
said the angel, I will tell you why as we fly along.
And as they flew the angel related the history.
Down in that narrow lane, in a low cellar, lived a poor sick boy; he had been afflicted from his childhood, and even in his best days he could just manage to walk up and down the room on crutches once or twice, but no more. During some days in summer, the sunbeams would lie on the floor of the cellar for about half an hour. In this spot the poor sick boy would sit warming himself in the sunshine, and watching the red blood through his delicate fingers as he held them before his face. Then he would say he had been out, yet he knew nothing of the green forest in its spring verdure, till a neighbor's son brought him a green bough from a beech-tree. This he would place over his head, and fancy that he was in the beech-wood while the sun shone, and the birds caroled gaily. One spring day the neighbor's boy brought him some field-flowers, and among them was one to which the root still adhered. This he carefully planted in a flower-pot, and placed in a window-seat near his bed. And the flower had been planted by a fortunate hand, for it grew, put forth fresh shoots, and blossomed every year. It became a splendid flower-garden to the sick boy, and his little treasure upon earth. He watered it, and cherished it, and took care it should have the benefit of every sunbeam that found its way into the cellar, from the earliest morning ray to the evening sunset. The flower entwined itself even in his dreams—for him it bloomed, for him spread its perfume. And it gladdened his eyes, and to the flower he turned, even in death, when the Lord called him. He has been one year with God. During that time the flower has stood in the window, withered and forgotten, till at length cast out among the sweepings into the street, on the day of the lodgers' removal. And this poor flower, withered and faded as it is, we have added to our nosegay, because it gave more real joy than the most beautiful flower in the garden of a queen.
But how do you know all this?
asked the child whom the angel was carrying to heaven.
I know it,
said the angel, because I myself was the poor sick boy who walked upon crutches, and I know my own flower well.
Then the child opened his eyes and looked into the glorious happy face of the angel, and at the same moment they found themselves in that heavenly home where all is happiness and joy. And God pressed the dead child to His heart, and wings were given him so that he could fly with the angel, hand in hand. Then the Almighty pressed all the flowers to His heart; but He kissed the withered field-flower, and it received a voice. Then it joined in the song of the angels, who surrounded the throne, some near, and others in a distant circle, but all equally happy. They all joined in the chorus of praise, both great and small,—the good, happy child, and the poor field-flower, that once lay withered and cast away on a heap of rubbish in a narrow, dark street.
ANNE LISBETH
Anne Lisbeth was a beautiful young woman, with a red and white complexion, glittering white teeth, and clear soft eyes; and her footstep was light in the dance, but her mind was lighter still. She had a little child, not at all pretty; so he was put out to be nursed by a laborer's wife, and his mother went to the count's castle. She sat in splendid rooms, richly decorated with silk and velvet; not a breath of air was allowed to blow upon her, and no one was allowed to speak to her harshly, for she was nurse to the count's child. He was fair and delicate as a prince, and beautiful as an angel; and how she loved this child! Her own boy was provided for by being at the laborer's where the mouth watered more frequently than the pot boiled, and where in general no one was at home to take care of the child. Then he would cry, but what nobody knows nobody cares for; so he would cry till he was tired, and then fall asleep; and while we are asleep we can feel neither hunger nor thirst. Ah, yes; sleep is a capital invention.
As years went on, Anne Lisbeth's child grew apace like weeds, although they said his growth had been stunted. He had become quite a member of the family in which he dwelt; they received money to keep him, so that his mother got rid of him altogether. She had become quite a lady; she had a comfortable home of her own in the town; and out of doors, when she went for a walk, she wore a bonnet; but she never walked out to see the laborer: that was too far from the town, and, indeed, she had nothing to go for, the boy now belonged to these laboring people. He had food, and he could also do something towards earning his living; he took care of Mary's red cow, for he knew how to tend cattle and make himself useful.
The great dog by the yard gate of a nobleman's mansion sits proudly on the top of his kennel when the sun shines, and barks at every one that passes; but if it rains, he creeps into his house, and there he is warm and dry. Anne Lisbeth's boy also sat in the sunshine on the top of the fence, cutting out a little toy. If it was spring-time, he knew of three strawberry-plants in blossom, which would certainly bear fruit. This was his most hopeful thought, though it often came to nothing. And he had to sit out in the rain in the worst weather, and get wet to the skin, and let the cold wind dry the clothes on his back afterwards. If he went near the farmyard belonging to the count, he was pushed and knocked about, for the men and the maids said he was so horrible ugly; but he was used to all this, for nobody loved him. This was how the world treated Anne Lisbeth's boy, and how could it be otherwise. It was his fate to be beloved by no one. Hitherto he had been a land crab; the land at last cast him adrift. He went to sea in a wretched vessel, and sat at the helm, while the skipper sat over the grog-can. He was dirty and ugly, half-frozen and half-starved; he always looked as if he never had enough to eat, which was really the case.
Late in the autumn, when the weather was rough, windy, and wet, and the cold penetrated through the thickest clothing, especially at sea, a wretched boat went out to sea with only two men on board, or, more correctly, a man and a half, for it was the skipper and his boy. There had only been a kind of twilight all day, and it soon grew quite dark, and so bitterly cold, that the skipper took a dram to warm him. The bottle was old and the glass too. It was perfect in the upper part, but the foot was broken off, and it had therefore been fixed upon a little carved block of wood, painted blue. A dram is a great comfort, and two are better still, thought the skipper, while the boy sat at the helm, which he held fast in his hard seamed hands. He was ugly, and his hair was matted, and he looked crippled and stunted; they called him the field-laborer's boy, though in the church register he was entered as Anne Lisbeth's son. The wind cut through the rigging, and the boat cut through the sea. The sails, filled by the wind, swelled out and carried them along in wild career. It was wet and rough above and below, and might still be worse. Hold! What is that? What has struck the boat? Was it a waterspout, or a heavy sea rolling suddenly upon them?
Heaven help us!
cried the boy at the helm, as the boat heeled over and lay on its beam ends. It had struck on a rock, which rose from the depths of the sea, and sank at once, like an old shoe in a puddle. It sank at once with mouse and man,
as the saying is. There might have been mice on board, but only one man and a half, the skipper and the laborer's boy. No one saw it but the skimming sea-gulls and the fishes beneath the water; and even they did not see it properly, for they darted back with terror as the boat filled with water and sank. There it lay, scarcely a fathom below the surface, and those two were provided for, buried, and forgotten. The glass with the foot of blue wood was the only thing that did not sink, for the wood floated and the glass drifted away to be cast upon the shore and broken; where and when, is indeed of no consequence. It had served its purpose, and it had been loved, which Anne Lisbeth's boy had not been. But in heaven no soul will be able to say, Never loved.
Anne Lisbeth had now lived in the town many years; she was called Madame,
and felt dignified in consequence; she remembered the old, noble days, in which she had driven in the carriage, and had associated with countess and baroness. Her beautiful, noble child had been a dear angel, and possessed the kindest heart; he had loved her so much, and she had loved him in return; they had kissed and loved each other, and the boy had been her joy, her second life. Now he was fourteen years of age, tall, handsome, and clever. She had not seen him since she carried him in her arms; neither had she been for years to the count's palace; it was quite a journey thither from the town.
I must make one effort to go,
said Anne Lisbeth, to see my darling, the count's sweet child, and press him to my heart. Certainly he must long to see me, too, the young count; no doubt he thinks of me and loves me, as in those days when he would fling his angel-arms round my neck, and lisp 'Anne Liz.' It was music to my ears. Yes, I must make an effort to see him again.
She drove across the country in a grazier's cart, and then got out, and continued her journey on foot, and thus reached the count's castle. It was as great and magnificent as it had always been, and the garden looked the same as ever; all the servants were strangers to her, not one of them knew Anne Lisbeth, nor of what consequence she had once been there; but she felt sure the countess would soon let them know it, and her darling boy, too: how she longed to see him!
Now that Anne Lisbeth was at her journey's end, she was kept waiting a long time; and for those who wait, time passes slowly. But before the great people went in to dinner, she was called in and spoken to very graciously. She was to go in again after dinner, and then she would see her sweet boy once more. How tall, and slender, and thin he had grown; but the eyes and the sweet angel mouth were still beautiful. He looked at her, but he did not speak, he certainly did not know who she was. He turned round and was going away, but she seized his hand and pressed it to her lips.
Well, well,
he said; and with that he walked out of the room. He who filled her every thought! he whom she loved best, and who was her whole earthly pride!
Anne Lisbeth went forth from the castle into the public road, feeling mournful and sad; he whom she had nursed day and night, and even now carried about in her dreams, had been cold and strange, and had not a word or thought respecting her. A great black raven darted down in front of her on the high road, and croaked dismally.
Ah,
said she, what bird of ill omen art thou?
Presently she passed the laborer's hut; his wife stood at the door, and the two women spoke to each other.
You look well,
said the woman; you're fat and plump; you are well off.
Oh yes,
answered Anne Lisbeth.
The boat went down with them,
continued the woman; Hans the skipper and the boy were both drowned; so there's an end of them. I always thought the boy would be able to help me with a few dollars. He'll never cost you anything more, Anne Lisbeth.
So they were drowned,
repeated Anne Lisbeth; but she said no more, and the subject was dropped. She felt very low-spirited, because her count-child had shown no inclination to speak to her who loved him so well, and who had travelled so far to see him. The journey had cost money too, and she had derived no great pleasure from it. Still she said not a word of all this; she could not relieve her heart by telling the laborer's wife, lest the latter should think she did not enjoy her former position at the castle. Then the raven flew over her, screaming again as he flew.
The black wretch!
said Anne Lisbeth, he will end by frightening me today.
She had brought coffee and chicory with her, for she thought it would be a charity to the poor woman to give them to her to boil a cup of coffee, and then she would take a cup herself.
The woman prepared the coffee, and in the meantime Anne Lisbeth seated her in a chair and fell asleep. Then she dreamed of something which she had never dreamed before; singularly enough she dreamed of her own child, who had wept and hungered in the laborer's hut, and had been knocked about in heat and in cold, and who was now lying in the depths of the sea, in a spot only known by God. She fancied she was still sitting in the hut, where the woman was busy preparing the coffee, for she could smell the coffee-berries roasting. But suddenly it seemed to her that there stood on the threshold a beautiful young form, as beautiful as the count's child, and this apparition said to her, The world is passing away; hold fast to me, for you are my mother after all; you have an angel in heaven, hold me fast;
and the child-angel stretched out his hand and seized her. Then there was a terrible crash, as of a world crumbling to pieces, and the angel-child was rising from the earth, and holding her by the sleeve so tightly that she felt herself lifted from the ground; but, on the other hand, something heavy hung to her feet and dragged her down, and it seemed as if hundreds of women were clinging to her, and crying, If thou art to be saved, we must be saved too. Hold fast, hold fast.
And then they all hung on her, but there were too many; and as they clung the sleeve was torn, and Anne Lisbeth fell down in horror, and awoke. Indeed she was on the point of falling over in reality with the chair on which she sat; but she was so startled and alarmed that she could not remember what she had dreamed, only that it was something very dreadful.
They drank their coffee and had a chat together, and then Anne Lisbeth went away towards the little town where she was to meet the carrier, who was to drive her back to her own home. But when she came to him she found that he would not be ready to start till the evening of the next day. Then she began to think of the expense, and what the distance would be to walk. She remembered that the route by the sea-shore was two miles shorter than by the high road; and as the weather was clear, and there would be moonlight, she determined to make her way on foot, and to start at once, that she might reach home the next day.
The sun had set, and the evening bells sounded through the air from the tower of the village church, but to her it was not the bells, but the cry of the frogs in the marshes. Then they ceased, and all around became still; not a bird could be heard, they were all at rest, even the owl had not left her hiding place; deep silence reigned on the margin of the wood by the sea-shore. As Anne Lisbeth walked on she could hear her own footsteps in the sands; even the waves of the sea were at rest, and all in the deep waters had sunk into silence. There was quiet among the dead and the living in the deep sea. Anne Lisbeth walked on, thinking of nothing at all, as people say, or rather her thoughts wandered, but not away from her, for thought is never absent from us, it only slumbers. Many thoughts that have lain dormant are roused at the proper time, and begin to stir in the mind and the heart, and seem even to come upon us from above. It is written, that a good deed bears a blessing for its fruit; and it is also written, that the wages of sin is death. Much has been said and much written which we pass over or know nothing of. A light arises within us, and then forgotten things make themselves remembered; and thus it was with Anne Lisbeth. The germ of every vice and every virtue lies in our heart, in yours and in mine; they lie like little grains of seed, till a ray of sunshine, or the touch of an evil hand, or you turn the corner to the right or to the left, and the decision is made. The little seed is stirred; it swells and shoots up, and pours its sap into your blood, directing your course either for good or evil. Troublesome thoughts often exist in the mind, fermenting there, which are not realized by us while the senses are as it were slumbering; but still they are there. Anne Lisbeth walked on thus with her senses half asleep, but the thoughts were fermenting within her.
From one Shrove Tuesday to another, much may occur to weigh down the heart; it is the reckoning of a whole year; much may be forgotten, sins against heaven in word and thought, sins against our neighbor, and against our own conscience. We are scarcely aware of their existence; and Anne Lisbeth did not think of any of her errors. She had committed no crime against the law of the land; she was an honorable person, in a good position—that she knew.
She continued her walk along by the margin of the sea. What was it she saw lying there? An old hat; a man's hat! Now when might that have been washed overboard? She drew nearer, she stopped to look at the hat; Ha! What was lying yonder?
She shuddered; yet it was nothing save a heap of grass and tangled seaweed flung across a long stone, but it looked like a corpse. Only tangled grass, and yet she was frightened at it. As she turned to walk away, much came into her mind that she had heard in her childhood: old superstitions of spectres by the sea-shore; of the ghosts of drowned but unburied people, whose corpses had been washed up on the desolate beach. The body, she knew, could do no harm to anyone, but the spirit could pursue the lonely wanderer, attach itself to him, and demand to be carried to the churchyard, that it might rest in consecrated ground. Hold fast! hold fast!
the spectre would cry; and as Anne Lisbeth murmured these words to herself, the whole of her dream was suddenly recalled to her memory, when the mother had clung to her, and uttered these words, when, amid the crashing of worlds, her sleeve had been torn, and she had slipped from the grasp of her child, who wanted to hold her up in that terrible hour. Her child, her own child, which she had never loved, lay now buried in the sea, and might rise up, like a spectre, from the waters, and cry, Hold fast; carry me to consecrated ground!
As these thoughts passed through her mind, fear gave speed to her feet, so that she walked faster and faster. Fear came upon her as if a cold, clammy hand had been laid upon her heart, so that she almost fainted. As she looked across the sea, all there grew darker; a heavy mist came rolling onwards, and clung to bush and tree, distorting them into fantastic shapes. She turned and glanced at the moon, which had risen behind her. It looked like a pale, rayless surface, and a deadly weight seemed to hang upon her limbs. Hold,
thought she; and then she turned round a second time to look at the moon. A white face appeared quite close to her, with a mist, hanging like a garment from its shoulders. Stop! Carry me to consecrated earth,
sounded in her ears, in strange, hollow tones. The sound did not come from frogs or ravens; she saw no sign of such creatures. A grave! Dig me a grave!
was repeated quite loud. Yes, it was indeed the spectre of her child. The child that lay beneath the ocean, and whose spirit could have no rest until it was carried to the churchyard, and until a grave had been dug for it in consecrated ground. She would go there at once, and there she would dig. She turned in the direction of the church, and the weight on her heart seemed to grow lighter, and even to vanish altogether; but when she turned to go home by the shortest way, it returned. Stop! Stop!
and the words came quite clear, though they were like the croak of a frog, or the wail of a bird. A grave! Dig me a grave!
The mist was cold and damp, her hands and face were moist and clammy with horror, a heavy weight again seized her and clung to her, her mind became clear for thoughts that had never before been there.
In these northern regions, a beech-wood often buds in a single night and appears in the morning sunlight in its full glory of youthful green. So, in a single instant, can the consciousness of the sin that has been committed in thoughts, words, and actions of our past life, be unfolded to us. When once the conscience is awakened, it springs up in the heart spontaneously, and God awakens the conscience when we least expect it. Then we can find no excuse for ourselves; the deed is there and bears witness against us. The thoughts seem to become words, and to sound far out into the world. We are horrified at the thought of what we have carried within us, and at the consciousness that we have not overcome the evil which has its origin in thoughtlessness and pride. The heart conceals within itself the vices as well as the virtues, and they grow in the shallowest ground. Anne Lisbeth now experienced in thought what we have clothed in words. She was overpowered by them, and sank down and crept along for some distance on the ground. A grave! Dig me a grave!
sounded again in her ears, and she would have gladly buried herself, if in the grave she could have found forgetfulness of her actions.
It was the first hour of her awakening, full of anguish and horror. Superstition made her alternately shudder with cold or burn with the heat of fever. Many things, of which she had feared even to speak, came into her mind. Silently, as the cloud-shadows in the moonshine, a spectral apparition flitted by her; she had heard of it before. Close by her galloped four snorting steeds, with fire flashing from their eyes and nostrils. They dragged a burning coach, and within it sat the wicked lord of the manor, who had ruled there a hundred years before. The legend says that every night, at twelve o'clock, he drove into his castleyard and out again. He was not as pale as dead men are, but black as a coal. He nodded, and pointed to Anne Lisbeth, crying out, Hold fast! Hold fast! And then you may ride again in a nobleman's carriage, and forget your child.
She gathered herself up, and hastened to the churchyard; but black crosses and black ravens danced before her eyes, and she could not distinguish one from the other. The ravens croaked as the raven had done which she saw in the daytime, but now she understood what they said. I am the raven-mother; I am the raven-mother,
each raven croaked, and Anne Lisbeth felt that the name also applied to her; and she fancied she should be transformed into a black bird, and have to cry as they cried, if she did not dig the grave. And she threw herself upon the earth, and with her hands dug a grave in the hard ground, so that the blood ran from her fingers. A grave! Dig me a grave!
still sounded in her ears; she was fearful that the cock might crow, and the first red streak appear in the east, before she had finished her work; and then she would be lost. And the cock crowed, and the day dawned in the east, and the grave was only half dug. An icy hand passed over her head and face, and down towards her heart. Only half a grave,
a voice wailed, and fled away. Yes, it fled away over the sea; it was the ocean spectre; and, exhausted and overpowered, Anne Lisbeth sunk to the ground, and her senses left her.
It was a bright day when she came to herself, and two men were raising her up; but she was not lying in the churchyard, but on the sea-shore, where she had dug a deep hole in the sand, and cut her hand with a piece of broken glass, whose sharp stern was stuck in a little block of painted wood. Anne Lisbeth was in a fever. Conscience had roused the memories of superstitions, and had so acted upon her mind, that she fancied she had only half a soul, and that her child had taken the other half down into the sea. Never would she be able to cling to the mercy of Heaven till she had recovered this other half which was now held fast in the deep water.
Anne Lisbeth returned to her home, but she was no longer the woman she had been. Her thoughts were like a confused, tangled skein; only one thread, only one thought was clear to her, namely that she must carry the spectre of the sea-shore to the churchyard, and dig a grave for him there; that by so doing she might win back her soul. Many a night she was missed from her home, and was always found on the sea-shore waiting for the spectre.
In this way a whole year passed; and then one night she vanished again, and was not to be found. The whole of the next day was spent in a useless search after her.
Towards evening, when the clerk entered the church to toll the vesper bell, he saw by the altar Anne Lisbeth, who had spent the whole day there. Her powers of body were almost exhausted, but her eyes flashed brightly, and on her cheeks was a rosy flush. The last rays of the setting sun shone upon her, and gleamed over the altar upon the shining clasps of the Bible, which lay open at the words of the prophet Joel, Rend your hearts and not your garments, and turn unto the Lord.
That was just a chance,
people said; but do things happen by chance? In the face of Anne Lisbeth, lighted up by the evening sun, could be seen peace and rest. She said she was happy now, for she had conquered. The spectre of the shore, her own child, had come to her the night before, and had said to her, Thou hast dug me only half a grave: but thou hast now, for a year and a day, buried me altogether in thy heart, and it is there a mother can best hide her child!
And then he gave her back her lost soul, and brought her into the church. Now I am in the house of God,
she said, and in that house we are happy.
When the sun set, Anne Lisbeth's soul had risen to that region where there is no more pain; and Anne Lisbeth's troubles were at an end.
BEAUTY OF FORM AND BEAUTY OF MIND
There was once a sculptor, named Alfred, who having won the large gold medal and obtained a travelling scholarship, went to Italy, and then came back to his native land. He was young at that time—indeed, he is young still, although he is ten years older than he was then. On his return, he went to visit one of the little towns in the island of Zealand. The whole town knew who the stranger was; and one of the richest men in the place gave a party in his honor, and all who were of any consequence, or who possessed some property, were invited. It was quite an event, and all the town knew of it, so that it was not necessary to announce it by beat of drum. Apprentice-boys, children of the poor, and even the poor people themselves, stood before the house, watching the lighted windows; and the watchman might easily fancy he was giving a party also, there were so many people in the streets. There was quite an air of festivity about it, and the house was full of it; for Mr. Alfred, the sculptor, was there. He talked and told anecdotes, and every one listened to him with pleasure, not unmingled with awe; but none felt so much respect for him as did the elderly widow of a naval officer. She seemed, so far as Mr. Alfred was concerned, to be like a piece of fresh blotting-paper that absorbed all he said and asked for more. She was very appreciative, and incredibly ignorant—a kind of female Gaspar Hauser.
I should like to see Rome,
she said; it must be a lovely city, or so many foreigners would not be constantly arriving there. Now, do give me a description of Rome. How does the city look when you enter in at the gate?
I cannot very well describe it,
said the sculptor; but you enter on a large open space, in the centre of which stands an obelisk, which is a thousand years old.
An organist!
exclaimed the lady, who had never heard the word 'obelisk.' Several of the guests could scarcely forbear laughing, and the sculptor would have had some difficulty in keeping his countenance, but the smile on his lips faded away; for he caught sight of a pair of dark-blue eyes close by the side of the inquisitive lady. They belonged to her daughter; and surely no one who had such a daughter could be silly. The mother was like a fountain of questions; and the daughter, who listened but never spoke, might have passed for the beautiful maid of the fountain. How charming she was! She was a study for the sculptor to contemplate, but not to converse with; for she did not speak, or, at least, very seldom.
Has the pope a great family?
inquired the lady.
The young man answered considerately, as if the question had been a different one, No; he does not come from a great family.
That is not what I asked,
persisted the widow; I mean, has he a wife and children?
The pope is not allowed to marry,
replied the gentleman.
I don't like that,
was the lady's remark.
She certainly might have asked more sensible questions; but if she had not been allowed to say just what she liked, would her daughter have been there, leaning so gracefully on her shoulder, and looking straight before her, with a smile that was almost mournful on her face?
Mr. Alfred again spoke of Italy, and of the glorious colors in Italian scenery; the purple hills, the deep blue of the Mediterranean, the azure of southern skies, whose brightness and glory could only be surpassed in the north by the deep-blue eyes of a maiden; and he said this with a peculiar intonation; but she who should have understood his meaning looked quite unconscious of it, which also was charming.
Beautiful Italy!
sighed some of the guests.
Oh, to travel there!
exclaimed others.
Charming! Charming!
echoed from every voice.
I may perhaps win a hundred thousand dollars in the lottery,
said the naval officer's widow; and if I do, we will travel—I and my daughter; and you, Mr. Alfred, must be our guide. We can all three travel together, with one or two more of our good friends.
And she nodded in such a friendly way at the company, that each imagined himself to be the favored person who was to accompany them to Italy. Yes, we must go,
she continued; but not to those parts where there are robbers. We will keep to Rome. In the public roads one is always safe.
The daughter sighed very gently; and how much there may be in a sigh, or attributed to it! The young man attributed a great deal of meaning to this sigh. Those deep-blue eyes, which had been lit up this evening in honor of him, must conceal treasures, treasures of heart and mind, richer than all the glories of Rome; and so when he left the party that night, he had lost it completely to the young lady. The house of the naval officer's widow was the one most constantly visited by Mr. Alfred, the sculptor. It was soon understood that his visits were not intended for that lady, though they were the persons who kept up the conversation. He came for the sake of the daughter. They called her Kaela. Her name was really Karen Malena, and these two names had been contracted into the one name Kaela. She was really beautiful; but some said she was rather dull, and slept late of a morning.
She has been accustomed to that,
her mother said. She is a beauty, and they are always easily tired. She does sleep rather late; but that makes her eyes so clear.
What power seemed to lie in the depths of those dark eyes! The young man felt the truth of the proverb, Still waters run deep:
and his heart had sunk into their depths. He often talked of his adventures, and the mamma was as simple and eager in her questions as on the first evening they met. It was a pleasure to hear Alfred describe anything. He showed them colored plates of Naples, and spoke of excursions to Mount Vesuvius, and the eruptions of fire from it. The naval officer's widow had never heard of them before.
Good heavens!
she exclaimed. So that is a burning mountain; but is it not very dangerous to the people who live near it?
Whole cities have been destroyed,
he replied; for instance, Herculaneum and Pompeii.
Oh, the poor people! And you saw all that with your own eyes?
No; I did not see any of the eruptions which are represented in those pictures; but I will show you a sketch of my own, which represents an eruption I once saw.
He placed a pencil sketch on the table; and mamma, who had been over-powered with the appearance of the colored plates, threw a glance at the pale drawing and cried in astonishment, What, did you see it throw up white fire?
For a moment, Alfred's respect for Kaela's mamma underwent a sudden shock, and lessened considerably; but, dazzled by the light which surrounded Kaela, he soon found it quite natural that the old lady should have no eye for color. After all, it was of very little consequence; for Kaela's mamma had the best of all possessions; namely, Kaela herself.
Alfred and Kaela were betrothed, which was a very natural result; and the betrothal was announced in the newspaper of the little town. Mama purchased thirty copies of the paper, that she might cut out the paragraph and send it to friends and acquaintances. The betrothed pair were very happy, and the mother was happy too. She said it seemed like connecting herself with Thorwalsden.
You are a true successor of Thorwalsden,
she said to Alfred; and it seemed to him as if, in this instance, mamma had said a clever thing. Kaela was silent; but her eyes shone, her lips smiled, every movement was graceful,—in fact, she was beautiful; that cannot be repeated too often. Alfred decided to take a bust of Kaela as well as of her mother. They sat to him accordingly, and saw how he moulded and formed the soft clay with his fingers.
I suppose it is only on our account that you perform this common-place work yourself, instead of leaving it to your servant to do all that sticking together.
It is really necessary that I should mould the clay myself,
he replied.
Ah, yes, you are always so polite,
said mamma, with a smile; and Kaela silently pressed his hand, all soiled as it was with the clay.
Then he unfolded to them both the beauties of Nature, in all her works; he pointed out to them how, in the scale of creation, inanimate matter was inferior to animate nature; the plant above the mineral, the animal above the plant, and man above them all. He strove to show them how the beauty of the mind could be displayed in the outward form, and that it was the sculptor's task to seize upon that beauty of expression, and produce it in his works. Kaela stood silent, but nodded in approbation of what he said, while mamma-in-law made the following confession:—
It is difficult to follow you; but I go hobbling along after you with my thoughts, though what you say makes my head whirl round and round. Still I contrive to lay hold on some of it.
Kaela's beauty had a firm hold on Alfred; it filled his soul, and held a mastery over him. Beauty beamed from Kaela's every feature, glittered in her eyes, lurked in the corners of her mouth, and pervaded every movement of her agile fingers. Alfred, the sculptor, saw this. He spoke only to her, thought only of her, and the two became one; and so it may be said she spoke much, for he was always talking to her; and he and she were one. Such was the betrothal, and then came the wedding, with bride's-maids and wedding presents, all duly mentioned in the wedding speech. Mamma-in-law had set up Thorwalsden's bust at the end of the table, attired in a dressing-gown; it was her fancy that he should be a guest. Songs were sung, and cheers given; for it was a gay wedding, and they were a handsome pair. Pygmalion loved his Galatea,
said one of the songs.
Ah, that is some of your mythologies,
said mamma-in-law.
Next day the youthful pair started for Copenhagen, where they were to live; mamma-in-law accompanied them, to attend to the coarse work,
as she always called the domestic arrangements. Kaela looked like a doll in a doll's house, for everything was bright and new, and so fine. There they sat, all three; and as for Alfred, a proverb may describe his position—he looked like a swan amongst the geese. The magic of form had enchanted him; he had looked at the casket without caring to inquire what it contained, and that omission often brings the greatest unhappiness into married life. The casket may be injured, the gilding may fall off, and then the purchaser regrets his bargain.
In a large party it is very disagreeable to find a button giving way, with no studs at hand to fall back upon; but it is worse still in a large company to be conscious that your wife and mother-in-law are talking nonsense, and that you cannot depend upon yourself to produce a little ready wit to carry off the stupidity of the whole affair.
The young married pair often sat together hand in hand; he would talk, but she could only now and then let fall a word in the same melodious voice, the same bell-like tones. It was a mental relief when Sophy, one of her friends, came to pay them a visit. Sophy was not, pretty. She was, however, quite free from any physical deformity, although Kaela used to say she was a little crooked; but no eye, save an intimate acquaintance, would have noticed it. She was a very sensible girl, yet it never occurred to her that she might be a dangerous person in such a house. Her appearance created a new atmosphere in the doll's house, and air was really required, they all owned that. They felt the want of a change of air, and consequently the young couple and their mother travelled to Italy.
Thank heaven we are at home again within our own four walls,
said mamma-in-law and daughter both, on their return after a year's absence.
There is no real pleasure in travelling,
said mamma; to tell the truth, it's very wearisome; I beg pardon for saying so. I was soon very tired of it, although I had my children with me; and, besides, it's very expensive work travelling, very expensive. And all those galleries one is expected to see, and the quantity of things you are obliged to run after! It must be done, for very shame; you are sure to be asked when you come back if you have seen everything, and will most likely be told that you've omitted to see what was best worth seeing of all. I got tired at last of those endless Madonnas; I began to think I was turning into a Madonna myself.
And then the living, mamma,
said Kaela.
Yes, indeed,
she replied, no such a thing as a respectable meat soup—their cookery is miserable stuff.
The journey had also tired Kaela; but she was always fatigued, that was the worst of it. So they sent for Sophy, and she was taken into the house to reside with them, and her presence there was a great advantage. Mamma-in-law acknowledged that Sophy was not only a clever housewife, but well-informed and accomplished, though that could hardly be expected in a person of her limited means. She was also a generous-hearted, faithful girl; she showed that thoroughly while Kaela lay sick, fading away. When the casket is everything, the casket should be strong, or else all is over. And all was over with the casket, for Kaela died.
She was beautiful,
said her mother; she was quite different from the beauties they call 'antiques,' for they are so damaged. A beauty ought to be perfect, and Kaela was a perfect beauty.
Alfred wept, and mamma wept, and they both wore mourning. The black dress suited mamma very well, and she wore mourning the longest. She had also to experience another grief in seeing Alfred marry again, marry Sophy, who was nothing at all to look at. He's gone to the very extreme,
said mamma-in-law; he has gone from the most beautiful to the ugliest, and he has forgotten his first wife. Men have no constancy. My husband was a very different man,—but then he died before me.
'Pygmalion loved his Galatea,' was in the song they sung at my first wedding,
said Alfred; I once fell in love with a beautiful statue, which awoke to life in my arms; but the kindred soul, which is a gift from heaven, the angel who can feel and sympathize with and elevate us, I have not found and won till now. You came, Sophy, not in the glory of outward beauty, though you are even fairer than is necessary. The chief thing still remains. You came to teach the sculptor that his work is but dust and clay only, an outward form made of a material that decays, and that what we should seek to obtain is the ethereal essence of mind and spirit. Poor Kaela! Our life was but as a meeting by the way-side; in yonder world, where we shall know each other from a union of mind, we shall be but mere acquaintances.
That was not a loving speech,
said Sophy, nor spoken like a Christian. In a future state, where there is neither marrying nor giving in marriage, but where, as you say, souls are attracted to each other by sympathy; there everything beautiful develops itself, and is raised to a higher state of existence: her soul will acquire such completeness that it may harmonize with yours, even more than mine, and you will then once more utter your first rapturous exclamation of your love, 'Beautiful, most beautiful!'
THE BEETLE WHO WENT ON HIS TRAVELS
There was once an Emperor who had a horse shod with gold. He had a golden shoe on each foot, and why was this? He was a beautiful creature, with slender legs, bright, intelligent eyes, and a mane that hung down over his neck like a veil. He had carried his master through fire and smoke in the battle-field, with the bullets whistling round him; he had kicked and bitten, and taken part in the fight, when the enemy advanced; and, with his master on his back, he had dashed over the fallen foe, and saved the golden crown and the Emperor's life, which was of more value than the brightest gold. This is the reason of the Emperor's horse wearing golden shoes.
A beetle came creeping forth from the stable, where the farrier had been shoeing the horse. Great ones, first, of course,
said he, and then the little ones; but size is not always a proof of greatness.
He stretched out his thin leg as he spoke.
And pray what do you want?
asked the farrier.
Golden shoes,
replied the beetle.
Why, you must be out of your senses,
cried the farrier. Golden shoes for you, indeed!
Yes, certainly; golden shoes,
replied the beetle. Am I not just as good as that great creature yonder, who is waited upon and brushed, and has food and drink placed before him? And don't I belong to the royal stables?
But why does the horse have golden shoes?
asked the farrier; of course you understand the reason?
Understand! Well, I understand that it is a personal slight to me,
cried the beetle. It is done to annoy me, so I intend to go out into the world and seek my fortune.
Go along with you,
said the farrier.
You're a rude fellow,
cried the beetle, as he walked out of the stable; and then he flew for a short distance, till he found himself in a beautiful flower-garden, all fragrant with roses and lavender. The lady-birds, with red and black shells on their backs, and delicate wings, were flying about, and one of them said, Is it not sweet and lovely here? Oh, how beautiful everything is.
I am accustomed to better things,
said the beetle. Do you call this beautiful? Why, there is not even a dung-heap.
Then he went on, and under the shadow of a large haystack he found a caterpillar crawling along. How beautiful this world is!
said the caterpillar. The sun is so warm, I quite enjoy it. And soon I shall go to sleep, and die as they call it, but I shall wake up with beautiful wings to fly with, like a butterfly.
How conceited you are!
exclaimed the beetle. Fly about as a butterfly, indeed! what of that. I have come out of the Emperor's stable, and no one there, not even the Emperor's horse, who, in fact, wears my cast-off golden shoes, has any idea of flying, excepting myself. To have wings and fly! why, I can do that already;
and so saying, he spread his wings and flew away. I don't want to be disgusted,
he said to himself, and yet I can't help it.
Soon after, he fell down upon an extensive lawn, and for a time pretended to sleep, but at last fell asleep in earnest. Suddenly a heavy shower of rain came falling from the clouds. The beetle woke up with the noise and would have been glad to creep into the earth for shelter, but he could not. He was tumbled over and over with the rain, sometimes swimming on his stomach and sometimes on his back; and as for flying, that was out of the question. He began to doubt whether he should escape with his life, so he remained, quietly lying where he was. After a while the weather cleared up a little, and the beetle was able to rub the water from his eyes, and look about him. He saw something gleaming, and he managed to make his way up to it. It was linen which had been laid to bleach on the grass. He crept into a fold of the damp linen, which certainly was not so comfortable a place to lie in as the warm stable, but there was nothing better, so he remained lying there for a whole day and night, and the rain kept on all the time. Towards morning he crept out of his hiding-place, feeling in a very bad temper with the climate. Two frogs were sitting on the linen, and their bright eyes actually glistened with pleasure.
Wonderful weather this,
cried one of them, and so refreshing. This linen holds the water together so beautifully, that my hind legs quiver as if I were going to swim.
I should like to know,
said another, If the swallow who flies so far in her many journeys to foreign lands, ever met with a better climate than this. What delicious moisture! It is as pleasant as lying in a wet ditch. I am sure any one who does not enjoy this has no love for his fatherland.
Have you ever been in the Emperor's stable?
asked the beetle. There the moisture is warm and refreshing; that's the climate for me, but I could not take it with me on my travels. Is there not even a dunghill here in this garden, where a person of rank, like myself, could take up his abode and feel at home?
But the frogs either did not or would not understand him.
I never ask a question twice,
said the beetle, after he had asked this one three times, and received no answer. Then he went on a little farther and stumbled against a piece of broken crockery-ware, which certainly ought not to have been lying there. But as it was there, it formed a good shelter against wind and weather to several families of earwigs who dwelt in it. Their requirements were not many, they were very sociable, and full of affection for their children, so much so that each mother considered her own child the most beautiful and clever of them all.
Our dear son has engaged himself,
said one mother, dear innocent boy; his greatest ambition is that he may one day creep into a clergyman's ear. That is a very artless and loveable wish; and being engaged will keep him steady. What happiness for a mother!
Our son,
said another, had scarcely crept out of the egg, when he was off on his travels. He is all life and spirits, I expect he will wear out his horns with running. How charming this is for a mother, is it not Mr. Beetle?
for she knew the stranger by his horny coat.
You are both quite right,
said he; so they begged him to walk in, that is to come as far as he could under the broken piece of earthenware.
Now you shall also see my little earwigs,
said a third and a fourth mother, they are lovely little things, and highly amusing. They are never ill-behaved, except when they are uncomfortable in their inside, which unfortunately often happens at their age.
Thus each mother spoke of her baby, and their babies talked after their own fashion, and made use of the little nippers they have in their tails to nip the beard of the beetle.
They are always busy about something, the little rogues,
said the mother, beaming with maternal pride; but the beetle felt it a bore, and he therefore inquired the way to the nearest dung-heap.
That is quite out in the great world, on the other side of the ditch,
answered an earwig, I hope none of my children will ever go so far, it would be the death of me.
But I shall try to get so far,
said the beetle, and he walked off without taking any formal leave, which is considered a polite thing to do.
When he arrived at the ditch, he met several friends, all them beetles; We live here,
they said, and we are very comfortable. May we ask you to step down into this rich mud, you must be fatigued after your journey.
Certainly,
said the beetle, I shall be most happy; I have been exposed to the rain, and have had to lie upon linen, and cleanliness is a thing that greatly exhausts me; I have also pains in one of my wings from standing in the draught under a piece of broken crockery. It is really quite refreshing to be with one's own kindred again.
Perhaps you came from a dung-heap,
observed the oldest of them.
No, indeed, I came from a much grander place,
replied the beetle; I came from the emperor's stable, where I was born, with golden shoes on my feet. I am travelling on a secret embassy, but you must not ask me any questions, for I cannot betray my secret.
Then the beetle stepped down into the rich mud, where sat three young-lady beetles, who tittered, because they did not know what to say.
None of them are engaged yet,
said their mother, and the beetle maidens tittered again, this time quite in confusion.
I have never seen greater beauties, even in the royal stables,
exclaimed the beetle, who was now resting himself.
Don't spoil my girls,
said the mother; and don't talk to them, pray, unless you have serious intentions.
But of course the beetle's intentions were serious, and after a while our friend was engaged. The mother gave them her blessing, and all the other beetles cried hurrah.
Immediately after the betrothal came the marriage, for there was no reason to delay. The following day passed very pleasantly, and the next was tolerably comfortable; but on the third it became necessary for him to think of getting food for his wife, and, perhaps, for children.
I have allowed myself to be taken in,
said our beetle to himself, and now there's nothing to be done but to take them in, in return.
No sooner said than done. Away he went, and stayed away all day and all night, and his wife remained behind a forsaken widow.
Oh,
said the other beetles, this fellow that we have received into our family is nothing but a complete vagabond. He has gone away and left his wife a burden upon our hands.
Well, she can be unmarried again, and remain here with my other daughters,
said the mother. Fie on the villain that forsook her!
In the mean time the beetle, who had sailed across the ditch on a cabbage leaf, had been journeying on the other side. In the morning two persons came up to the ditch. When they saw him they took him up and turned him over and over, looking very learned all the time, especially one, who was a boy. Allah sees the black beetle in the black stone, and the black rock. Is not that written in the Koran?
he asked.
Then he translated the beetle's name into Latin, and said a great deal upon the creature's nature and history. The second person, who was older and a scholar, proposed to carry the beetle home, as they wanted just such good specimens as this. Our beetle considered this speech a great insult, so he flew suddenly out of the speaker's hand. His wings were dry now, so they carried him to a great distance, till at last he reached a