The Displaced: Refugee Writers on Refugee Lives
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About this ebook
In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. Though the refugee caps have been raised under President Biden, admissions so far have fallen short.
In The Displaced, Pulitzer Prize–winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience. Featuring original essays by a collection of writers from around the world, The Displaced is an indictment of closing our doors, and a powerful look at what it means to be forced to leave home and find a place of refuge.
“One of the Ten Best Books of the Year.” —Minneapolis Star-Tribune
“Together, the stories share similar threads of loss and adjustment, of the confusion of identity, of wounds that heal and those that don’t, of the scars that remain.” —San Francisco Chronicle
“Poignant and timely, these essays ask us to live with our eyes wide open during a time of geo-political crisis. Also, 10% of the cover price of the book will be donated annually to the International Rescue Committee, so I hope readers will help support this book and the vast range of voices that fill its pages.” —Electric Literature
Read more from Viet Thanh Nguyen
A Man of Two Faces: A Memoir, A History, A Memorial Rating: 4 out of 5 stars4/5The Refugees Rating: 4 out of 5 stars4/5Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases Rating: 4 out of 5 stars4/5Somewhere We Are Human: Authentic Voices on Migration, Survival, and New Beginnings Rating: 5 out of 5 stars5/5It Occurs to Me That I Am America: New Stories and Art Rating: 3 out of 5 stars3/5Go Home! Rating: 5 out of 5 stars5/5One World Two: A Second Global Anthology of Short Stories Rating: 5 out of 5 stars5/5Flashpoints for Asian American Studies Rating: 4 out of 5 stars4/5
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Reviews for The Displaced
14 ratings1 review
- Rating: 4 out of 5 stars4/5This book made me think about the difference between and immigrant and a refugee. An immigrant is a person who chooses to leave his/her country.Looking back at my family tree, most of my ancestors were immigrants. For example my great great great grandmother and her youngest son came to the United States soon after the Civil War. Her husband had died recently and the factory where they worked in Carlisle, England had to be closed down. She and her younger son were both out the only jobs that they had ever down. She decided to go with her younger son and meet with her two older boys who were already in United States so that they could obtain employment. Yet one of my friend's parents were both refugees. They had no choice but to leave their countries because they were descendants for Jews and lived in Nazi controlled countries. They had to flee or die. What forces people out can also be a natural disasters or wars. There are other differences like a lack of documentation. This book is a collection of essays written by the refugees. They told told of the situations that caused them to leave,the process traveling, what experiences they had after to getting to the country, assimilating or remaining separate. The people came from Viet Nam, Mexico, Afghanistan, Bosnia, Hungary and others. Many of the stories are ones of fear and desperation, others tell of how they felt they never belonged to their new country. These stories are all recently written and reflect how they felt about being depicted by the current administration.I received advanced reading of half of the essays n the finished this finished copy of The Displaced from the Publishers as a win from FirstReads but that in no way influenced my thoughts or feelings in my review.
Book preview
The Displaced - Viet Thanh Nguyen
Compilation copyright © 2018 Harry N. Abrams, Inc.
Introduction copyright © 2018 Viet Thanh Nguyen
Cover © 2018 Abrams
The Road
© 2019 Chris Abani; Last, First, Middle
© 2018 Joseph Azam; Common Story
© 2018 David Bezmozgis; Flesh and Sand
© 2018 Fatima Bhutto; Perspective
and What Gets Lost
© 2018 Thi Bui; How Succulent Food Defeated Trump’s Wall Before It Has Been Built
© 2018 Ariel Dorfman; Guests of the Holy Roman Empress Maria Theresa
© 2018 Lev Golinkin; The Parent Who Stays
© 2018 Reyna Grande; To Walk in Their Shoes
© 2018 Meron Hadero; God’s Fate
© 2018 Aleksandar Hemon; Second Country
© 2018 Joseph Kertes; 13 Ways of Being an Immigrant
© 2018 Porochista Khakpour; Refugees and Exiles
© 2018 Marina Lewycka; This Is What the Journey Does
© 2018 Maaza Mengiste; The Ungrateful Refugee
© 2018 Dina Nayeri; Am I a Refugee?
© 2018 Raja Shehadeh; A Refugee Again
© 2018 Vu Tran; New Lands, New Selves
© 2018 Novuyo Rosa Tshuma; Refugee Children: The Yang Warriors
© 2018 Kao Kalia Yang
A version of Flesh and Sand
previously appeared in the November 2017 issue of Vogue Italia.
A version of How Succulent Food Defeated Trump’s Wall Before It Has Been Built
previously appeared in the Los Angeles Times, and is also published in his essay collection, Homeland Security Ate My Speech.
The Ungrateful Refugee
previously appeared in the Guardian.
Published in 2018 by Abrams Press, an imprint of ABRAMS. All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, electronic, photocopying, recording, or otherwise, without written permission from the publisher.
Abrams Books will donate 10% of the cover price of this book to the International Rescue Committee (IRC) with a minimum contribution of $25,000. The IRC, a not-for-profit organization, is dedicated to providing humanitarian aid, relief and resettlement to refugees and other victims of oppression or violent conflict. Please refer to the back of this book for more information about the IRC.
Library of Congress Control Number: 2018963575
ISBN: 978-1-4197-3511-0
eISBN: 978-1-68335-207-5
Abrams books are available at special discounts when purchased in quantity for premiums and promotions as well as fundraising or educational use. Special editions can also be created to specification. For details, contact [email protected] or the address below.
ABRAMS The Art of Books
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Contents
Introduction
VIET THANH NGUYEN
The Road
CHRIS ABANI
Last, First, Middle
JOSEPH AZAM
Common Story
DAVID BEZMOZGIS
Flesh and Sand
FATIMA BHUTTO
Perspective and What Gets Lost
THI BUI
How Succulent Food Defeated Trump’s Wall Before It Has Been Built
ARIEL DORFMAN
Guests of the Holy Roman Empress Maria Theresa
LEV GOLINKIN
The Parent Who Stays
REYNA GRANDE
To Walk in Their Shoes
MERON HADERO
God’s Fate
ALEKSANDAR HEMON
Second Country
JOSEPH KERTES
13 Ways of Being an Immigrant
POROCHISTA KHAKPOUR
Refugees and Exiles
MARINA LEWYCKA
This Is What the Journey Does
MAAZA MENGISTE
The Ungrateful Refugee
DINA NAYERI
Am I a Refugee?
RAJA SHEHADEH
A Refugee Again
VU TRAN
New Lands, New Selves
NOVUYO ROSA TSHUMA
Refugee Children: The Yang Warriors
KAO KALIA YANG
List of Contributors
Introduction
VIET THANH NGUYEN
I was once a refugee, although no one would mistake me for being a refugee now. Because of this, I insist on being called a refugee, since the temptation to pretend that I am not a refugee is strong. It would be so much easier to call myself an immigrant, to pass myself off as belonging to a category of migratory humanity that is less controversial, less demanding, and less threatening than the refugee.
I was born a citizen and a human being. At four years of age I became something less than human, at least in the eyes of those who do not think of refugees as being human. The month was March, the year 1975, when the northern communist army captured my hometown of Ban Me Thuot in its final invasion of the Republic of Vietnam, a country that no longer exists except in the imagination of its global refugee diaspora of several million people, a country that most of the world remembers as South Vietnam.
Looking back, I remember nothing of the experience that turned me into a refugee. It begins with my mother making a life-and-death decision on her own. My father was in Saigon, and the lines of communication were cut. I do not remember my mother fleeing our hometown with my ten-year-old brother and me, leaving behind our sixteen-year-old adopted sister to guard the family property. I do not remember my sister, who my parents would not see again for nearly twenty years, who I would not see again for nearly thirty years.
My brother remembers dead paratroopers hanging from the trees on our route, although I do not. I also do not remember whether I walked the entire one hundred eighty-four kilometers to Nha Trang, or whether my mother carried me, or whether we might have managed to get a ride on the cars, trucks, carts, motorbikes, and bicycles crowding the road. Perhaps she does remember but I never asked about the exodus, or about the tens of thousands of civilian refugees and fleeing soldiers, or the desperate scramble to get on a boat in Nha Trang, or some of the soldiers shooting some of the civilians to clear their way to boats, as I would read later in accounts of this time.
I do not remember finding my father in Saigon, or how we waited for another month until the communist army came to the city’s borders, or how we tried to get into the airport, and then into the American embassy, and then finally somehow fought our way through the crowds at the docks to reach a boat, or how my father became separated from us but decided to get on a boat by himself anyway, and how my mother decided the same thing, or how we eventually were reunited on a larger ship. I do remember that we were incredibly fortunate, finding our way out of the country, as so many millions did not, and not losing anyone, as so many thousands did. No one, except my sister.
For most of my life, I did remember soldiers on our boat firing onto a smaller boat full of refugees that was trying to approach. But when I mentioned it to my older brother many years later, he said the shooting never happened.
I do not remember many things, and for all those things I do not remember, I am grateful, because the things I do remember hurt me enough. My memory begins after our stops at a chain of American military bases in the Philippines, Guam, and finally Pennsylvania. To leave the refugee camp in Pennsylvania, the Vietnamese refugees needed American sponsors. One sponsor took my parents, another took my brother, a third took me.
For most of my life, I tried not to remember this moment except to note it in a factual way, as something that happened to us but left no damage, but that is not true. As a writer and a father of a son who is four years old, the same age I was when I became a refugee, I have to remember, or sometimes imagine, not just what happened, but what was felt. I have to imagine what it was like for a father and a mother to have their children taken away from them. I have to imagine what it was that I experienced, although I do remember being taken by my sponsor to visit my parents and howling at being taken back.
I remember being reunited with my parents after a few months and the snow and the cold and my mother disappearing from our lives for a period of time I cannot recall and for reasons I could not understand, and knowing vaguely that it had something to do with the trauma of losing her country, her family, her property, her security, maybe her self. In remembering this, I know that I am also foreshadowing the worst of what the future would hold, of what would happen to her in the decades to come. Despite her short absence, or maybe her long one, I remember enjoying life in Harrisburg, Pennsylvania, because children can enjoy things that adults cannot so long as they can play, and I remember a sofa sitting in our backyard and neighborhood children stealing our Halloween candy and my enraged brother taking me home before venturing out by himself to recover what had been taken from us.
I remember moving to San Jose, California, in 1978 and my parents opening the second Vietnamese grocery store in the city and I remember the phone call on Christmas Eve that my brother took, informing him that my parents had been shot in an armed robbery, and I remember that it was not that bad, just flesh wounds, they were back at work not long after, and I remember that the only people who wanted to open businesses in depressed downtown San Jose were the Vietnamese refugees, and I remember walking down the street from my parents’ store and seeing a sign in a store window that said ANOTHER AMERICAN DRIVEN OUT OF BUSINESS BY THE VIETNAMESE, and I remember the gunman who followed us to our home and knocked on our door and pointed a gun in all our faces and how my mother saved us by running past him and out onto the sidewalk, but I do not remember the two policemen shot to death in front of my parents’ store because I had gone away to college by that time and my parents did not want to call me and worry me.
I remember all these things because if I did not remember them and write them down then perhaps they would all disappear, as all those Vietnamese businesses have vanished, because after they had helped to revitalize the downtown that no one else cared to invest in, the city of San Jose realized that downtown could be so much better than what it was and forced all those businesses to sell their property and if you visit downtown San Jose today you will see a massive, gleaming, new city hall that symbolizes the wealth of a Silicon Valley that had barely begun to exist in 1978 but you will not see my parents’ store, which was across the street from the new city hall. What you will see instead is a parking lot with a few cars in it because the city thought that the view of an empty parking lot from the windows and foyer of city hall was more attractive than the view of a mom-and-pop Vietnamese grocery store catering to refugees.
As refugees, not just once but twice, having fled from north to south in 1954 when their country was divided, my parents experienced the usual dilemma of anyone classified as an other. The other exists in contradiction, or perhaps in paradox, being either invisible or hypervisible, but rarely just visible. Most of the time we do not see the other or see right through them, whoever the other may be to us, since each of us—even if we are seen as others by some—have our own others. When we do see the other, the other is not truly human to us, by very definition of being an other, but is instead a stereotype, a joke, or a horror. In the case of the Vietnamese refugees in America, we embodied the specter of the Asian come to either serve or to threaten.
Invisible and hypervisible, refugees are ignored and forgotten by those who are not refugees until they turn into a menace. Refugees, like all others, are unseen until they are seen everywhere, threatening to overwhelm our borders, invade our cultures, rape our women, threaten our children, destroy our economies. We who do the ignoring and forgetting oftentimes do not perceive it to be violence, because we do not know we do it. But sometimes we deliberately ignore and forget others. When we do, we are surely aware we are inflicting violence, whether that is on the schoolyard as children or at the level of the nation. When those others fight back by demanding to be seen and heard—as refugees sometimes do—they can appear to us like threatening ghosts whose fates we ourselves have caused and denied. No wonder we do not wish to see them.
When I say we, I mean even those who were once refugees. There are some former refugees who are comfortable in their invisibility, in the safety of their new citizenship, who look at today’s hypervisible refugees and say, No more.
These former refugees think they were the good refugees, the special refugees, when in all likelihood they were simply the lucky ones, the refugees whose fates aligned with the politics of the host country. The Vietnamese refugees who came to the United States were lucky in receiving an American charity that was born out of American guilt about the war, and resulted from an American desire to show that a capitalist and democratic country was a much better home than the newly communist country the refugees were fleeing. Cuban refugees of the 1970s and 1980s benefitted from a similar American politics, but Haitian refugees of the time did not. Their blackness hindered them, just as being Muslim hurts many Syrian refugees today as they seek refuge.
From everything I remember and do not remember, I believe in my human kinship to Syrian refugees and to those 65.6 million people that the United Nations classifies as displaced people. Of these, 40.3 million are internally displaced people, forced to move within their own countries; 22.5 million are refugees fleeing unrest in their countries; 2.8 million are asylum seekers. If these 65.6 million people were their own country, their nation would be the twenty-first largest in the world, smaller than Thailand but bigger than France. And yet, they are not their own country. They are instead—to paraphrase the art historian Robert Storr, who was writing about the role that Vietnamese people played in the American mind—the displaced persons of the world’s conscience.
These displaced persons are mostly unwanted where they fled from; unwanted where they are, in refugee camps; and unwanted where they want to go. They have fled under arduous conditions; they have lost friends, family members, homes, and countries; they are detained in refugee camps in often subhuman conditions, with no clear end to the stay and no definitive exit; they are often threatened with deportation to their countries of origin; and they will likely be unremembered, which is where the work of writers becomes important, especially writers who are refugees or have been refugees—if such a distinction can be drawn.
The United Nations says that refugees stop being refugees when they find a new and permanent home. It has been a long time since I have been a refugee in the definition of the United Nations: someone who has been forced to flee his or her country because of persecution, war, or violence.
But I keep my tattered memories of being a refugee close to me. I cultivate that feeling of what it was to be a refugee, because