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Last One Alive: A Thriller
Last One Alive: A Thriller
Last One Alive: A Thriller
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Last One Alive: A Thriller

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A team of researchers exploring the myth of a witch find their numbers mysteriously dwindling in this irresistible psychological thriller for fans of Ruth Ware, Shari Lapena, and Lucy Foley.

Bestselling debut novelist Penelope Berkowitz is desperate for inspiration for a second book. With the help of her new boyfriend, she embarks on a research trip with a Clue-like team of professionals, ex-lovers, and estranged family members to investigate the myth of a witch on Stone Point, a remote coastal outcropping in the Pacific Northwest.

For over a century, the cabin on the point stood vacant after the violent death of the original owner and the disappearance of his wife—until a young couple decided to turn it into an eco-lodge. Shortly after starting renovations, however, they suddenly ceased all contact with others and were never heard from again.

Given the area’s mysterious history, Penelope is certain there’s a story to be found in the isolated region. But soon after arriving on the point’s wind-whipped shores, things begin to go awry for the team. Storms blow in. Tempers flare. The satellite phones stop working and no boats are due for days. Then people begin to disappear. When bodies turn up, it’s up to Penelope and the remaining members of the team to solve the mystery of the Stone Witch before the killer is the only one left alive.
LanguageEnglish
Release dateMay 10, 2022
ISBN9781982183059
Last One Alive: A Thriller
Author

Amber Cowie

Amber Cowie is a novelist living in a small town on the west coast of British Columbia. Her work has appeared in The New York Times, Salon, The Globe and Mail, CrimeReads, and Scary Mommy. Her first novel, Rapid Falls, was a Whistler Book Awards nominee. She holds a history degree from the University of Victoria and is a mother of two. She likes skiing, running, and inventing stories that make for a questionable internet search history. Visit her at AmberCowie.com or on Twitter and Instagram @AmberCowie.

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    Last One Alive - Amber Cowie

    Cover: Last One Alive, by Amber Cowie

    Fans of Agatha Christie and Ruth Ware will want to pick this book up immediately!

    —Catherine McKenzie, Globe and Mail bestselling author of Six Weeks to Live

    Amber Cowie

    A Thriller

    Last One Alive

    Everyone Knows the Stories… But No One Knows the Truth

    Praise for Last One Alive

    "A riveting, irresistible locked-room mystery reminiscent of Agatha Christie, Last One Alive is endlessly entertaining and fiendishly clever. So jam-packed with tension and suffused with dread, you won’t be able to put it down!"

    CHRISTINA McDONALD, USA Today bestselling author of The Night Olivia Fell

    "A haunting, claustrophobic, unpredictable thriller for fans of Agatha Christie, Last One Alive showcases Amber Cowie’s extraordinary talent. As a violent storm rages outside a remote lodge, a group of strangers are stranded in a terrifying cat-and-mouse hunt for the murderer among them. Cowie writes with such skillful description that I could feel the cold and rain seep into my bones, and my pulse spike as the exhilarating story reached a breakneck pace. A bewitching read jam-packed with fascinating characters, this book is an absolute standout."

    SAMANTHA M. BAILEY, USA Today and #1 nationally bestselling author of Woman on the Edge

    An abandoned lodge. A group of suspect people. An old mystery to solve. And then the guests begin disappearing one by one. Can they figure out what is going on before it’s too late? Fans of Agatha Christie and Ruth Ware will want to pick this book up immediately!

    CATHERINE McKENZIE, bestselling author of Six Weeks to Live and I’ll Never Tell

    "Cowie has done Agatha Christie proud in this stay-up-all-night, keep-all-the-lights-on mystery. With a setting that’s remote, creepy, and possibly cursed—and a story both haunting and harrowing—Last One Alive will entertain you from the first disappearance to the final dead body."

    MEGAN COLLINS, author of The Family Plot

    Praise for Loss Lake

    "Wonderfully tense and gorgeously disturbing, Loss Lake is richly atmospheric, centering around a much-fabled monster-filled lake and a darkly twisted small town hiding big secrets."

    CHRISTINA McDONALD, USA Today bestselling author of Do No Harm, Behind Every Lie, and The Night Olivia Fell

    Praise for Raven Lane

    Smooth prose and relatable characters keep the pages turning. Cowie delivers surprises all the way to the end.

    Publishers Weekly

    Cowie delivers a deliciously discomfiting and compelling domestic suspense… revealing a salaciously toxic—and deadly—tangle of relationships.

    LORETH ANNE WHITE, bestselling author of In the Dark

    Praise for Rapid Falls

    "Hypnotic and darkly twisted, Rapid Falls is the true definition of a page-turner. It’s so compelling that you will not want to put it down. Cowie’s smart storytelling and mesmerizing prose paints a stunning debut, making it one of my favorite psychological thrillers of the year."

    KERRY LONSDALE, Wall Street Journal bestselling author

    "In Rapid Falls, everyone is the good guy in their own story. Like a spider spinning a web, Ms. Cowie skillfully takes this notion and elevates it to a fantastically dark and dizzying place. Say goodbye to any preconceived ideas about sisterhood, the power of grudges, or happily ever after, because this book will sweep them away and leave you gasping for more."

    ELIZA MAXWELL, bestselling author of The Unremembered Girl

    CLICK HERE TO SIGN UP

    Last One Alive, by Amber Cowie, S&S Canada Adult

    To Eve and Thompson: You are everything to me and that will always be more than enough

    BEFORE

    Penelope stopped outside the door to Marianne’s apartment. She pinched the key so tightly that it bit into the pad of her thumb. Now that she was here, she couldn’t bear the idea of sliding it into the lock and seeing what was inside. The scene that had been repeating in her head since she heard the news began again as her hand hovered at waist-height. This fixation on a single moment was senseless, yet she couldn’t shake the idea that understanding the precise mechanics of her closest friend’s last breath would allow her to accept the unbearable truth. Marianne was dead.

    In her mind, Penelope heard the thump of her friend’s body hitting the floor, heavy and thick as the final beat of a heart. According to several witnesses who had seen Marianne drop dead at the front of her classroom, it had happened fast. The thirty-two-year-old had collapsed while delivering a lecture to her college history class. A brain aneurysm, according to the lawyer. One of the students had described it as surreal. Penelope agreed. Since she’d heard of Marianne’s death, the whole world had seemed like a terrible simulation. If someone like her could die in a way like that, how could Penelope trust anything ever again?

    When the playback loop ended, Penelope forced the tumblers apart with the key and pushed the door open. She didn’t enter immediately. It still felt as though she should wait for an invitation. She counted to four as she breathed in deeply. When no call of welcome came, she stepped over the threshold.

    Penelope’s chest grew tight at the sight of the sun-filled one-bedroom apartment where she had spent so many afternoons and evenings. She smelled lemons and a faint hint of strong coffee as she looked around at her friend’s belongings: paintings, a vase, throw pillows, books. Before Marianne’s death, the objects had seemed like the legend of her life—signifiers and set pieces for all the things her friend hadn’t had time to tell her in the two years they’d known each other. Now all those stories would remain untold.

    A flare of unexpected anger sharpened Penelope’s thoughts. It was ridiculous that Marianne had not lived longer than this. It was ludicrous that two years after the end of the pandemic, Penelope’s best friend had died from a hidden flaw in her own body. It was horrifying and insane that Penelope was the one who had to clean out her apartment. She had treated it as a joke when Marianne had asked her to become the executor of her estate. What woman in her early thirties needed a will? But that was Marianne. Morbidly practical—the polar opposite of Penelope, with her unflagging optimism and slightly disheveled life.

    Marianne planned her vacations to the last detail months, sometimes even years, in advance, while Penelope had once gone camping for a weekend with nothing more than a pack of veggie dogs and a sleeping bag. Marianne bought her groceries using a regimented weekly meal plan. Penelope ate peanut butter crackers for dinner most nights of the week. Marianne filed an online itinerary whenever she went for a hike. Penelope was proud when she remembered to bring a rain jacket to work on overcast days. Her inability to organize herself had been a sore point all her life, but Marianne had loved her spontaneity. When they were together, Penelope had finally felt like she was good enough. She had even become confident enough to tease Marianne about not worrying until things actually happened. Now it turned out her friend had been right all along. Penelope couldn’t help but think that if only she were more like Marianne, she might have been prepared for this.

    An hour before, in a wood-paneled office downtown, Marianne’s estate lawyer had instructed Penelope to empty her friend’s home as soon as possible. It would need to be rented again to avoid any extra expense to the estate. The fridge, the lawyer had said grimly. People forget about the fridge. Penelope had nodded as she closed her hand over the jagged teeth of the key the lawyer placed on the desk. Her collar had become unpleasantly damp after the tears slid down her cheeks.

    Now, her throat thickened again when she spotted the red notebook sitting politely closed on the otherwise empty desk by the floor-to-ceiling window at the far end of the apartment. Though its dull leather surface was deceptively innocuous, Penelope knew that it was the most valuable thing in the entire apartment. The small book was the reason she had met Marianne. It had been the subject of so many of their conversations. Including their last.


    Penelope had seen Marianne’s handwritten poster on the bulletin board of her usual coffee shop. The neatly lettered sign had stood out among the scrawls from dog-walkers, babysitters, and reiki healers advertising their services.

    SEEKING WRITING PARTNER WHO IS NOT A JERK, it read. Penelope laughed, and then texted the listed number to set up a time to meet. Being an author was all she’d ever wanted to be. She longed to write the story she’d been telling everyone was coming since she’d graduated high school more than a decade before, but she found it difficult to sit down and get words on a page. A writing partner was exactly what she needed.

    She and Marianne had hit it off immediately. After their first meeting, they had planned a standing lunch date every two weeks at the coffee shop for writing and critique sessions. Their relationship had quickly expanded to after-work cocktails, weekend hikes, and home-cooked meals at Marianne’s apartment. They had grown close, sharing details of their lives and their interests, though Marianne offered little more than broad strokes about her past. Penelope learned quickly not to ask any probing questions. She only knew that Marianne had a brother whom she rarely saw, her father had died when she was in her early twenties, and she was estranged from her mother.

    Penelope had loved the way her coffee dates with Marianne had stolen her away from the sweaty humidity that dripped from the windows of the community center where she managed the recreation programs. (Wednesdays were aerobics.) Six days before the call from the lawyer, Marianne had sat down across from her in their usual spot. The milky, cinnamon scent from her chai wafted across the table. Penelope had spoken right away.

    Have you sent it yet?

    Her eagerness sounded almost greedy, but she didn’t care. Marianne was so close to achieving the dream they both shared. An editor had asked to read the completed manuscript of Marianne’s novel after seeing the first chapter.

    God, no. I haven’t even started typing the rest of it, Marianne said with a groan. She wrote in longhand and needed to transcribe everything before sending.

    Penelope bit her lip.

    So do it already. The second chapter is incredible, Penelope said.

    So is the rest of it, she wanted to add, but her jealousy choked away the praise. She tamped it down by thinking about the role she had played in crafting Marianne’s beautiful novel. For two years she had read and commented on the pages that appeared magically each session like an unexpected snowfall on a winter morning. The next time they met, Penelope’s suggestions would be incorporated with the invisible perfection of new flakes landing on the pile. Penelope had been grateful to develop her editing talents, as she was beginning to doubt she had much to offer as a writer.

    While Marianne danced through her story, Penelope’s ideas for her own remained stiff and unmoving. Though her friend arrived regularly with fresh pages, new ideas, and unexpected characters, Penelope was stuck rewriting her first ten chapters over and over, trying to coax a book into existence. The sample of work she had sent Marianne after spotting her sign was the same thing she was working on now. But more than once, Marianne had told her that she could never have finished the novel without her, and Penelope took pride in that. She knew the work so well it almost felt like her own. Penelope owed it to Marianne—to both of them, really—to compel her to publish it.

    I’m having second thoughts, Penny. It’s just so… dark, Marianne said.

    Despite her friend’s concerns, Penelope warmed at her words. The nickname that only Marianne used for her always felt like an adult version of a secret handshake.

    No one has to know it’s you. That’s what pseudonyms are for, Penelope said. You submitted the chapter using a blind email account, right?

    She knew Marianne didn’t want her administration to discover that their untenured junior professor of comparative history was trying to sell a horror novel on the side. She had created an anonymous email account to ensure the submission wouldn’t be traced back to her, but despite these measures, her hesitation had only increased since she’d submitted the chapter. Penelope sensed that the risk to Marianne’s academic career wasn’t the real issue. There was something within the manuscript that scared Marianne. Something that she wasn’t willing to talk about.

    What if someone does find out? I could lose my job.

    Penelope smiled reassuringly, though her molars gritted against each other. She could only dream of being poised to prove her family wrong and escape her dull, low-paying job as a recreation manager, but even the possibility of never coming home with hands smelling of old basketballs again hadn’t been enough to put words on the page. She looked at Marianne closely as she took a sip of coffee, trying to figure out how to persuade her.

    You’ll be selling the movie rights soon, and neither of us will ever have to work again, she said.

    Marianne chuckled, which Penelope took as a good sign. But then her friend hedged again.

    Maybe it’s not the right time to put something so bleak out into the world.

    That’s why it works. Art reflects life, and the world’s brutal at the moment. It doesn’t matter that it’s dark. What matters is that it’s great.

    Marianne’s eyes softened at the praise.

    Thank you. I guess I just worry about creating something that’s so creepy. I keep thinking of that phrase, ‘you reap what you sow.’ Or as my mother used to say: ‘cruelty should be reserved for the cruel.’

    Penelope eyed her carefully. Whenever Marianne spoke of her mother, her voice became sharp enough to cut paper. Not that it happened often. She preferred not to think about the past, she told Penelope. Penelope wondered if Marianne was finally going to reveal the truth about her family. Instead, her lips—painted a flattering shade of dark rose—turned up in a small smile.

    But this morning is for writing, not relatives, said Marianne. How is your work going?

    Don’t worry about what I’m doing, Penelope said, refusing to let Marianne change the subject. I’m here to light a fire under you. Whatever happened in your life, it gave you the seeds of something beautiful and haunting. It’s in the work, Marianne.

    Her friend’s eyes sparkled with mischief.

    That’s true. And at least it has a happy ending.

    Penelope paused before answering. But everyone dies.

    Marianne raised a perfectly shaped eyebrow.

    Exactly.

    They both laughed. Penelope couldn’t stop herself from reaching across the table to lay her hand on top of Marianne’s. Her ragged nails looked awful in comparison to Marianne’s flawless manicure. Marianne looked down and, for a stomach-churning second, Penelope was terrified that she’d made her feel uncomfortable with the physical contact. But instead of drawing away, Marianne flipped her palm up to give Penelope’s hand a squeeze that she felt throughout her entire body. It had been so long since anyone had touched her. The cuff of Marianne’s sleeve fell back to reveal the rippled flesh on her wrist. Penelope kept her eyes on Marianne’s face rather than her scarred arm, as its origin was another story Marianne didn’t want to tell.

    I’m so grateful that you believe in me, Marianne said.

    Penelope tried to speak but was taken aback by the catch in her throat. Marianne meant so much to her. She gathered herself, then responded.

    Of course I do, but it’s not just about me. The editor is going to love it. The world is going to love it. The entire book is objectively good. Really good. Trust yourself. You need to let someone else see it. Someone who can actually do something about it.

    Okay, okay. I’ll do it! Marianne said with a grin that shifted almost immediately to a mock frown. Even if it does take me months to type it all out. In the meantime, however, I have to teach a class.

    They said goodbye. Penelope left the coffee shop feeling buoyant, as if something wonderful was about to happen. Marianne’s novel was done. It was perfect. It was ready.


    But Marianne hadn’t had a chance to follow through with the editor. Less than a week after their conversation, Marianne was dead and Penelope was standing in her apartment, alone, trying to figure out how she was going to make it through the funeral the next day.

    The notebook that contained the final draft of Marianne’s work sat on the glass surface of her desk. Penelope approached it gingerly. Her hand prickled as she reached out, like it was a sleeping dog about to snap. When she picked it up, it opened easily to a page toward the back that contained a meticulous outline. At first, Penelope thought it was the framework for a new story Marianne was writing, before she examined it more closely. It was a plan for a research trip. Her eye was drawn to the bottom of the page where a dark mark had bled through from the back side, partially obscuring Marianne’s elegant handwriting. Penelope flipped the page to read two words that had been inked over repeatedly.

    CALL PHILIP.

    Ten numbers were scratched under the message. Unlike Marianne’s usual precise hand, the lines wobbled with haste—or was it emotion? Penelope reached into her pocket for her phone. Her shoulders tightened as she imagined Marianne’s abandoned belongings creeping up behind her. She dialed the number and was so startled when a subdued voice answered after the first ring that she didn’t respond immediately. She had been expecting voice mail. She didn’t know anyone who picked up their phone anymore.

    Hello? the man repeated.

    Hello, Penelope said. The back of her throat seemed to swell. I’ve been asked—um, appointed, I guess is more like—

    I’m sorry, who is this?

    The man’s tone had become noticeably guarded.

    He’s been through so much already, she thought, as she fumbled for better words, the ones that could make Marianne not dead, and take away the strangling responsibility she felt as the executor of an estate she didn’t know what to do with.

    My name is Penelope, she said. I was a friend of your sister’s.

    THE FIRST DAY

    CHAPTER ONE

    EIGHTEEN MONTHS AFTER

    7:15 A.M.

    Penelope sipped her coffee as she stood at the window of Marianne’s former apartment. She had taken over the lease in the strange days following her friend’s death. Later she realized that her grief had prompted her to secure any connection to her old life that was possible. Marianne’s death had changed her, and there were times when she hated who she had become. It was difficult now to summon the confidence Marianne’s affection had given her, and she often found herself doubting every decision she made. She had hoped that moving into the apartment would help her find herself again, and some days it did. But on mornings like this, when her anxiety was high, she felt like an impostor living in a place that did not belong to her.

    Through the window, the fog rolled into the valley like smoke seeping under a bedroom door. It didn’t take long for the fat gray fingers to obscure the pink sunrise. Red sky at night, sailor’s delight, Penelope thought. Red sky in the morning, sailors take warning. She swallowed down the dry dread in the back of her throat with a swig of coffee. The hot drink tasted acidic, not comforting. She was too tired to enjoy it. Her insomnia had trapped her in bed the night before, sleepless and sweating. She wasn’t sure what had kept her awake: the idea of frigid early spring waves breaking against the small boat and tossing her into icy cold water or the apprehension that going forward with the research trip Marianne had planned before her death was insensitive and foolish. Or both.

    In her trip plan, Marianne had listed the nine people who would soon be traveling with Penelope to Stone Point, a treacherous outcropping of land on the west side of Howe Sound. Apart from Marianne’s brother, Philip, Penelope didn’t know any of them well, and there were several in the group she would be meeting for the first time that morning. It had been more than a year since Marianne’s death, yet Penelope still found herself wishing that her beautiful friend could be on the boat with them, gleaning whatever it was she had wanted to get out of the trip.

    Her panic rose. She braced herself, then inhaled and exhaled slowly. After the fifth cycle of breath, the feeling dissipated. It was getting harder to control these waves of emotion. She had considered finding a therapist to help, but it was difficult to know where to begin. It worried her to think about telling someone all her secrets. She stepped back from the window, wondering if she should let Philip know that the wind was kicking up. Her apartment was on the seventh floor of a building at the top of Burnaby Mountain. She could see the weather sooner than he could from his place in North Van.

    She had also hoped that by taking over Marianne’s lease, she would always know what was coming. But it hadn’t worked out that way at all.


    One month ago, she had become nervous when Vivian Taylor’s name flashed on the display of her phone. Her editor rarely communicated through any other means than email, but Penelope had ignored the last half dozen messages from her.

    Penelope, are you all right? I’ve been trying to reach you for days, Vivian asked, when Penelope reluctantly answered the call.

    Her words were gentle, but her meaning was clear.

    I’m so sorry. It’s been a crazy month. I’ve been so swamped with… Penelope scanned the apartment and stopped on her laptop. Um… social media.

    Immediately, she realized it was idiotic to blame something so demonstrably untrue. None of her feeds had been updated in months. Luckily, Vivian ignored her excuse.

    I’m calling to try to get a handle on when we can expect your second manuscript. I penciled in a loose deadline of six weeks ago. Are you ready to send me something? I’m happy to read early pages if it’s not quite finished.

    Penelope paused before deciding not to lie again.

    I don’t have anything to send you.

    The ensuing silence was weighted with the familiar heaviness of failure. When Vivian spoke again, her voice was less reassuring.

    "Okay. Listen, I don’t want to scare you. The Myth of Vultures has been out for five weeks and it’s still going strong. Penelope, we’re so happy with it. We’ve got some time. But readers don’t like to wait. Especially for a second book. Your best shot at having a long career is to send me something new as soon as you can."

    Penelope took a breath. When do you need it?

    Soon.

    Penelope hesitated again before asking a question she didn’t want answered.

    How soon?

    Can you get something together in a month? Vivian’s voice was strained with the tension of barely concealed impatience.

    No, Penelope thought. Then the trip plan in Marianne’s notebook appeared in her mind. The title, written in Marianne’s perfect penmanship, had been Research for Book Two.

    How about three? she answered.


    In the weeks immediately following Marianne’s death, Penelope had surprised herself by working as if possessed, driven by a mysterious and unrelenting force. Her feverish pace had led to a book deal. She had been offered a huge advance for both her first book and a second with a similar theme of family betrayal. Her debut novel had been rushed to publication and released to rave reviews and astonishingly high sales.

    But then whatever had been driving Penelope disappeared. She had been left with no ideas and no pages for a second book, as empty as she had been during her writing sessions with Marianne. Without Vivian’s urging, she might have carried on aimlessly for years instead of deciding to lead the trip that Marianne had planned down to the very last detail in the months before her death. Once again, Marianne was saving her. Now Penelope was off to Squamish for a three-night stay with Marianne’s brother and a group of near strangers. She could only hope she’d return with what she needed.

    The ticking clock on the wall reminded her that she had run out of time. She couldn’t afford to be late—it was a tight schedule even if everything went exactly according to plan. She winced as though she were swallowing medicine after she gulped the last of her cold coffee and then hurried to the bathroom. It took ten minutes for her to shower and dress. The night before, she had laid her clothes out on the small bench at the foot of her bed at the same time that she packed for the trip, channeling Marianne’s efficiency. She pulled on a lacy bra and matching set of panties, thermal underwear, wool sweater, and jeans. She smiled at the way her serious mid layers hid what was underneath. Though she knew that the trip’s purpose was hardly romantic, the thought of Philip looking admiringly at her body as they readied for bed made the slight scratch of the lace edges worthwhile. He liked it when she dressed up for him, and she liked the way he made her feel when she did. He was the first man she’d dated who didn’t avoid the sight of the rounded flesh hanging at her waist when she undressed before him. Instead, his eyes slowly traced every curve of her body.

    She hadn’t meant to begin dating Marianne’s mourning brother. The day after their phone conversation, she had walked up the steps of the funeral home, painfully aware of being alone in a crowd. Marianne was her closest friend, but they’d only spent time together one-on-one. She knew no one else in Marianne’s life, which only seemed odd after her death.

    Two tall men in suits were greeting mourners outside large wooden doors at the top of a set of stairs. Penelope nodded briefly, then dropped her eyes as she made to pass through.

    Penelope? the blond man asked.

    Yes?

    I’m Philip, he said. We spoke on the phone. I’ve been asked to escort you to your seat with the other speakers.

    Oh, of course, she replied, fighting a blush as an older couple glanced in her direction with interest. Along with the keys, the lawyer had passed on Marianne’s request that Penelope read a poem by e.e. cummings at the end of the service. Apprehension about the task had resulted in her filling the previous night with dread, bad television, and worse wine. Close to midnight, she’d forced herself into bed only to toss sleeplessly until dawn.

    She followed Philip into the carpeted entryway decorated in muted gray. The room deodorizer was thick and cloying.

    Through here, he said over his shoulder as he entered a small coatroom to the right. Would you like to take off your coat?

    She slipped it off and onto the offered hanger.

    So you knew Marianne well, he asked. I hear you’re going to read her favorite poem.

    He looked directly at her as he spoke. His eyes were the same blue as Marianne’s, but while hers had always been soft, his were as guarded as a wounded animal. The coatroom was small and windowless. He smelled like soap. She could see a nick of red on his neck where he’d cut himself shaving. She wasn’t sure if it was a question, but she answered it anyway.

    I did know her well, Penelope said. Her voice broke. I miss her so much.

    His face creased with despair.

    Me too, he said.

    To her surprise, he began roughly wiping tears from his eyes with the back of his hand. He took a step back and was nearly out of the coatroom before she could speak.

    Wait, she cried, and reached for his arm. I’m so sorry. I know how you feel. I loved her too.

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