English After RP: Standard British Pronunciation Today
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About this ebook
The book opens with an account of the rise and fall of RP, before turning to a systematic analysis of the phonetic developments between RP and contemporary Standard Southern British (SSB) in vowels, consonants, stress, connected speech and intonation. Topics covered include the anti-clockwise vowel shift, the use of glottal stops, 'intrusive r', vocal fry and Uptalk. It concludes with a Mini Dictionary of well over 100 words illustrating the changes described throughout the book, and provides a chart of updated IPA vowel symbols.
This book is an essentialresource for anyone interested in British pronunciation and sound change, including academics in phonetics, phonology, applied linguistics and English language; trainers of English teachers; English teachers themselves; teachers of voice and accent coaches; and students in those areas.
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English After RP - Geoff Lindsey
© The Author(s) 2019
Geoff LindseyEnglish After RPhttps://doi.org/10.1007/978-3-030-04357-5_1
Introduction What Was RP?
Geoff Lindsey¹
(1)
Linguistics, University College London, London, UK
Geoff Lindsey
The Rise of RP
Around the beginning of the nineteenth century, something remarkable happened in Great Britain. All over the country, people at the top of society began to change the way they spoke: they began to adopt the speech patterns of the upper classes in the London area.
Before this, there had been greater diversity of speech among Britain’s social elite. But the London area model steadily became established as uniquely respectable, or ‘received’. By 1869, the phonetician Alexander Ellis could write of ‘a received pronunciation all over the country, not widely different in any particular locality, and admitting of a certain degree of variety. It may be especially considered as the educated pronunciation of the metropolis, of the court, the pulpit, and the bar.’
This Received Pronunciation (RP) included fashions that had only recently arisen in the South. The word after, for example, was pronounced with a new broad a (see Chap. 11), and without its final r (Chaps. 20 and 25). In America, which had been settled earlier, the traditional unbroadened a and final r were preserved.
Why and how did upper class people all over Britain ‘clone’ the speech of the social elite in and around the capital?
The answers are related to the vast empire which Britain built up in the wake of its industrial revolution. With the loss of the American colonies and the defeat of Napoleon, Britain threw its energies into colonizing Africa and Asia. For a century and a half, Britain ruled over an enormous part of the world’s territory and population, its economic domination extending ever further, over countries such as China and Argentina. This era was also the era of RP.
A small country like Britain could only control a planetary empire through a strict hierarchy of power and authority. The Crown and the London court naturally sat at the top, and colonial subjects were at the bottom. Stratification and rank were vital, and this included ways of speaking. In addition, Britain’s industrial powerhouse, fed by materials from the colonies, was generating a new class of people with wealth. It was important for the ambitious and aspirational to acquire the manners of those at the top, and therefore to conceal regional and social markers.
Schooling was a key element in the maintenance of both the empire and RP. The empire required a large proportion of Britain’s ruling class to live abroad; they left their sons in boarding schools (known misleadingly as ‘public schools’) where they were conditioned to behave with the manners of those in authority, and in terms of speech this meant RP. ‘Public School Pronunciation’ was the name proposed for RP by Daniel Jones, the founding Professor of Phonetics at University College London.
Of course, the great majority of Britons never spoke RP, and in an age before radio many of them hardly even heard it. It was necessary to produce guides to this scarce but important commodity. Jones was pre-eminent among describers of RP, producing An English Pronouncing Dictionary (1917) and An Outline of English Phonetics (1918). Jones was also a real-life model for ‘Professor Higgins’ in George Bernard Shaw’s play Pygmalion (1913), on which the musical My Fair Lady was later based. The play mocks the injustice of a society which condemns an intelligent woman to the gutter unless she can conceal her origins with RP, a commodity she can’t afford. (Higgins teaches her as a bet.)
Things were very different in the United States. There, geographical and social origins mattered less, and the newly wealthy felt no need to ape aristocratic manners. Immigrants could emulate the speech of the ordinary Americans they mingled with, something that in Britain would have had socially restrictive consequences. Americans never had quite the same need that was felt in Britain for manuals and dictionaries showing the ‘received’ way to speak. And in time, America naturally came to adopt as its standard the pronunciation of the majority, a family of closely-related accents known as General American.
The Fall of RP
The twentieth century brought mass communication and culture. At first, this acted in RP’s favour. RP dominated BBC radio for fifty years. ‘It was no accident that RP became synonymous between the wars with the term BBC English
, for the BBC consciously adopted this type of pronunciation’ (Gimson 1981). The general population were now exposed to RP regularly, and free of charge. Many people modified their speech towards it. To some it seemed that regional and social accents might be lost in RP’s steady spread. Instead, the social foundations on which RP stood collapsed.
Victorian notions of social hierarchy faded as the new century progressed. Women won the right to vote and men returning from two world wars demanded greater economic equality, while colonial peoples were deemed worthy of self-government.
The pace of social change accelerated rapidly in the 1960s. Pop culture brought new glamour to Britons from the lower classes, like the Beatles. The once accepted ‘superiority’ of the upper classes was undermined by political scandals and a new freedom in the media to criticize and satirize. Social privilege was no longer seen as prestigious, but rather as unfair. And, for the first time, the speech patterns of those at the top began to be perceived negatively.
Increasingly, noticeably upper class speech became an object of mockery or resentment, appropriate for snobbish villains on stage and screen. Sociolinguist Peter Trudgill has written (2000), ‘RP speakers are perceived, as soon as they start speaking, as haughty and unfriendly by non-RP speakers unless and until they are able to demonstrate the contrary.’
At the same time, it became easier for less privileged people to reach higher levels of attainment and success; all five Prime Ministers from 1964 to 1997 were educated at state schools. Those who rose socially felt less pressure than before to modify their speech, including those in broadcasting. And many of those at the very top, consciously or otherwise, modified their speech towards that of the middle or lower classes.
The stigmatization of noticeably upper class speech, together with the growing numbers of people from ordinary backgrounds in positions of influence, meant that it became ever less possible to talk of a ‘received’ accent defined by reference to the social elite.
Daniel Jones, the first UCL Professor of Phonetics, referred to RP in 1918 as the pronunciation ‘of Southern Englishmen who have been educated at the great public boarding schools’. John Wells, the last UCL Professor of Phonetics, referred to it in 1982 as typically spoken by ‘families whose menfolk were or are pupils at one of the public schools
’. This conception, established in the nineteenth century, meaningful to Jones during the First World War and to Wells in the era of Margaret Thatcher, has in the subsequent decades become part of history.
In contemporary Britain, diversity is celebrated. Prominent figures in business, politics, academia and the media exhibit a range of accents. But London and the South are still dominant in wealth, power and influence. Accents of the South, particularly middle and upper-middle class accents, are heard more often than others in public life, and in the TV programmes and films that are seen internationally. Southern speech of this type is a natural teaching standard for ‘British English’ today; the abbreviation SSB is used for this Standard Southern British pronunciation. Some call it ‘General British’, but it’s socially and regionally far less general than General American is in North America. It’s an accent of England, and certainly not representative of Scotland, Ireland, or the former British colonies, where pronunciation is substantially different.
Although the pace of socio-phonetic change has been rapid in recent decades, there was no overnight revolution in speech patterns; modern pronunciation has much in common with RP. Indeed, some phoneticians have made efforts to keep the term ‘RP’ for the modern standard, by redefining it. But the term is linked in many people’s minds with the past and with the upper classes. Nowadays journalists and actors will often refer to RP with precisely these connotations in mind.
A line was finally drawn under the British Empire over twenty years ago, with the handover of Hong Kong in 1997. The turn of the twenty-first century might be taken as a convenient point from which RP can be referred to in the past tense.
Part IChanges: General Observations
© The Author(s) 2019
Geoff LindseyEnglish After RPhttps://doi.org/10.1007/978-3-030-04357-5_2
Chapter 1 The Power of Writing
Geoff Lindsey¹
(1)
Linguistics, University College London, London, UK
Geoff Lindsey
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