The Promise of Despair: The Way of the Cross as the Way of the Church
By Andrew Root
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Andrew Root
Andrew Root (PhD, Princeton Theological Seminary) is the Olson Baalson associate professor of youth and family ministry at Luther Seminary (St. Paul, Minnesota). He is the author of several books, including Relationships Unfiltered and coauthor of The Theological Turn in Youth Ministry with Kenda Creasy Dean. Andy has worked in congregations, parachurch ministries, and social service programs. He lives in St. Paul with his wife, Kara, two children, Owen and Maisy, and their two dogs, Kirby and Kimmel. When not reading, writing, or teaching, Andy spends far too much time watching TV and movies.
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The Promise of Despair - Andrew Root
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Image3THE PROMISE OF DESPAIR
THE WAY OF THE CROSS AS THE WAY OF THE CHURCH
Copyright © 2010 by Abingdon Press
All rights reserved.
No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, except as may be expressly permitted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed to Abingdon Press, P.O. Box 801, 201 Eighth Avenue South, Nashville, TN 37202-0801, or e-mailed to [email protected].
This book is printed on recycled, acid-free paper.
Library of Congress Cataloging-in-Publication Data
Root, Andrew, 1974-
The promise of despair : the way of the Cross as the way of the church / Andrew Root.
p. cm. — (Living theology series ; 4)
Includes bibliographical references and index.
ISBN 978-1-4267-0062-0 (trade pbk. : alk. paper)
1. Mission of the church. 2. Despair—Religious aspects—Christianity. I. Title.
BV601.8.R66 2010
262'.7--dc22
2009048171
Scripture quotations unless noted otherwise are taken from the New Revised Standard Version of the Bible, copyright 1989, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.
Scripture quotations marked (RSV) are taken from the Revised Standard Version of the Bible, copyright 1952 [2nd edition, 1971] by the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.
10 11 12 13 14 15 16 17 18 19—10 9 8 7 6 5 4 3 2 1
MANUFACTURED IN THE UNITED STATES OF AMERICA
To two four-year-olds
Benjamin Oliver (1975–1979),
my first friend
and
Owen Andrew Root,
who opens his heart to me,
and whose thoughts and ideas open up the
universe—it is where I desire to live
CONTENTS
Introduction to Living Theology
Preface
Introduction
Part One
Chapter One
Disneyland and the Defecating Goat
The Death of Meaning
Chapter Two
Life Is Like a Plastic Cup to Be Used and Disposed Of
The Death of Authority
Chapter Three
The Attack of the Zombies
The Death of Belonging
Chapter Four
Hello! I'm My Body
The Death of Identity
Part Two
Chapter Five
Will Death Ever Fall in Love?
The Cross
Chapter Six
This Is No Pep Rally; This Is an Actuality
Discipleship through Death
Chapter Seven
A Funeral for the Trinity
Community through Death
Chapter Eight
Does Death Wear a Helmet?
Justice through Death
Chapter Nine
Christian Faith Is a Secret That Must Be Kept
Hope through Death
Postscript
Notes
Index
INTRODUCTION TO LIVING THEOLOGY
Tony Jones, Series Editor
Iknow a lot of theologians, and I don't know one who wants to hide theology under a bushel. No, they want to let it shine. But far too often, the best theology is hidden under a bushel of academic jargon and myriad footnotes. Such is the life of many a professor.
But in Emergent Village, we've always wanted to talk about the best theology around, and to do it in ways that are approachable for many people. Therefore, it makes a lot of sense for us to partner with our friends at Abingdon Press to produce a series of books of approachable theology—of living theology.
Our friends who are writing in this series have academic chops: they can write the 400-page monograph with 800 footnotes. But that's not what we've asked them to do. Instead, we've asked them to write something they're passionate about, something that they think the rest of the church should be passionate about, too.
The result, we hope, is a series that will provoke conversation around ideas that matter to the Christian faith. We expect these books to be useful in church small groups and seminary classrooms and Emergent Village cohorts (our local incarnation). Likely, they'll raise as many questions as they answer.
And, in so doing, these books will not only tackle theological issues; they'll also promote a way of doing theology: one that is conversational, collegial, and winsome. Those of us who are involved in this series hold our own convictions, but we do so with enough humility to let contrary opinions shape us, too.
It's a messy endeavor, theology. But it's also fun and, in my experience, uniquely rewarding. So we offer this series to Christ's church, with a prayer that it will draw many closer to God and further down the journey of faith.
Grace and Peace.
PREFACE
MY SON OWEN (whom you'll hear a lot about in the pages that follow) has come to the age where video games are very important to him. He recently told me that he wished real life were as fun as the PlayStation game Star Wars Lego. In the movie rental store he loves looking at the covers of all the games, bringing game after game to me, asking if we can get it. I always say no for a number of reasons, but mostly because he always seems to grab the games that look the most adult in their content, the ones with parental warnings stamped all over them.
This preface (and really any preface) is the parental warning to this book. It tells you, the reader, what to expect and what not to expect, hopefully keeping you from any surprises while not ruining the fun of the content inside. To that end, as you continue there are a few things you should know. First, you should be aware that this book is in many ways written for me; it is my journey to grapple with how to be Christian and how to understand the church in our time. I personally think theology is done best this way, as a way of saving our own faith. Because of that I don't shy away from placing myself (and my family) in its pages. The book calls for a Christianity and a church that honestly wrestle with the suffering of our common human existence; therefore, it only seems right to portray my own existential journey in its contents.
Second, I may have been more honest than some readers will feel comfortable with. I admit that death scares the crap out of me. I admit that though I have tried to live a hyperpositive Christianity, it has not protected me from this fear. Some readers may think that as Christians we need not worry about death, that death isn't an issue. But I contend in these pages that it is—that even in trust and hope in the good news of the gospel we still confront the reality of nothingness with fear and trembling.
Third, I should say what I mean by death (and this is very important). Death is the reality of dying, of someone being placed in a grave and never being seen again. I will share some of my own experiences with this. But in this book death is not only the experience of dying but also the experience of lost jobs, marriages gone cold, bills piling up, children addicted, dreams not met, loneliness suffered. In other words, if death had a Facebook profile its interests would not only be putting people in the grave but also killing their dreams, their loves, their peace, their dignity. To signal this I call death the monster,
for it not only kills but seeks to destroy—even when it doesn't stop our breathing. I understand that we have been taught not to be afraid of death, but I think this blind religious commitment may be what is wrong with the church. I believe that the Christian tradition calls us to face the monster, to seek God in the midst of all of our experiences of death, and this I believe is the way to be church in our context.
Fourth, please don't confuse this work. This is not my attempt at a book like Tuesdays with Morrie, that sentimental romp by Mitch Albom that seeks life lessons through the eyes of one so close to death. I'm neither old enough nor wise enough to offer you such a read. Rather, this book in many ways is an anti–Tuesdays with Morrie; it is a book that sees no kind, wise sentimentality in death but only a hell— a hell that drives me to seek God, to seek a church that can be real and honest enough to speak to the reality of death. I hope at some much later date, when I am on my deathbed, that I can pass on wisdom in gratitude as I face death; but to do this, I must face it now. I must be able to look the monster in the eyes and articulate how I see it roaming our world. I must seek God in the darkness of reality.
Finally, the theological argument I'll make in this book, I believe, stands within a tradition, born from the early Protestant Reformation, that has not (most especially in America) been embraced. While the Reformation has obviously had huge ramifications in the last five hundred years, its deeply existential theology, a theology that grapples with death and seeks God in suffering, has not been as prominent. Therefore, part one is a cultural examination of how death is present today, how it seeps through the cracks, cracks that are expanding, in our late modern world. Part two seeks to pick up and reflect on the early Reformation perspective that has too often been passed over, to articulate a theology for the church born from Luther's theology of the cross that speaks to the cultural realities laid out in part one. Therefore, I argue that as the church evolves in a new cultural reality it should return (often for the first time) to the theology that gave birth to the Reformation, a theology that finds God in death and despair. This means the reader is provided not only with cultural analysis and constructive theology, but also with a particular reading of Martin Luther and his relevance for our context.
At the end of each chapter I present two elements for further thought. First, I've provided a short exposition on a biblical figure, seeing how God moves salvation history through that person's experiences of despair. You will find (mostly in the second half) biblical texts to illustrate my theological point, but I thought this short biblical exposition would be helpful to see that throughout the biblical narrative God encounters people in despair for the sake of God's promised presence. Second, I have provided some discussion questions that will take you deeper into the biblical text and the chapter to which it relates. It may be that theology is written in solitude, but it is almost always worked out with others; therefore, it is my hope that as you read this book you can meet with others and discuss it.
There have been many others with whom I have explicitly and implicitly worked on this project; I owe them a great thanks. Tim West at Abingdon Press has been a wonderful editor to work with; he has provided a number of significant suggestions that have made this book so much better. Tony Jones, the editor of the series, has been a significant friend to me for the last handful of years. It was Tony, after hearing about this thesis in the corner of Dun Brothers in St. Anthony Park, who first saw its potential. I owe so much to Tony, mostly for his graciousness to still want to be my friend after I refused to have lunch with him when we first met in the cafeteria of Princeton Seminary (something he never lets me forget—seriously, dude, I'm sorry!).
Two of my colleagues, Amy Marga and David Lose, read and provided essential feedback on the manuscript. They both are dear friends with incredibly sharp theological minds. It is a treasure to work with them. Our family friend Stephanie Ward Lacy was also kind enough to read the whole manuscript, giving feedback from the perspective of someone not trained theologically. Her comments were invaluable. Steph has endured so much in these last few years; it is both humbling and a joy for me if she finds even one sentence of this work balm for her broken heart.
If there is an intellectual father of this work, it is Douglas John Hall. First through Doug's writing and then through our friendship he has provided me frameworks for working out my own theological perspective. And while I could not have worked these thoughts out without Doug, they are my own; all of the book's shortcomings are mine. I'm so appreciative of his kindness. I only hope I can be as kind and helpful one day to another young theologian as Doug Hall has been to me.Finally, to Kara, who keeps me grounded in her love for me and for the little church she pastors: this book is written from the fuel of your support and the substance of your vocation as a pastor. You are the best of friends and a gifted minister. And to my children, Maisy and particularly Owen (to whom this work is dedicated). You are the greatest treasures of my life; my being suffers you, for I love you both more than my being can contain.
And now to the God of the cross, who brings from death life, calling us to seek for God in what is broken so that we might be made whole, be the glory.
INTRODUCTION
IWAS FOUR YEARS OLD. I can't say I remember it like it was yesterday or that the memories and time line are so strong that they haunt me. But I do remember it clearly; it is one of the earliest memories I have. And to be honest, I think it has shaped my life more than I had ever realized. It started with a phone call and ended (though I'm learning the event has never left me) with me throwing my four-year-old body on the floor. It was a Sunday morning and we had just returned home from church. As the afternoon sunbeams flooded our little living room, the telephone rang. Picking up the phone my mom said a few words and then hung up. Turning to me, she said, Andy, I have to tell you something. Benjamin is dead!
All I could do was collapse. Dead!
We are often told that four-year-olds can't think abstractly, that they can't comprehend concepts like death. But I understood. Benjamin was four himself; he had been my best friend, my first friend. Just one house sat between his and mine. There are pictures of us hugging, climbing an apple tree, and playing baseball. But Benjamin had gotten cancer and now at the ripe old age of four he was dead. Dead! Death! Never coming back! In the ground forever! His little being had been swallowed up and he would never return, and my own four-year-old being was knocked to the floor by the force of such a reality.
How can it be that a four-year-old could get cancer and die? How can a child be lost, mauled by a dog, killed by an allergic reaction? How can it be that a mother of three young children could die in her bed? How can a father, son, friend, niece be lost forever, sliding into the dark pit of infinite separation? And even more ordinary (but just as heavy), how can it be that the love of a marriage can be eroded from the inside, killing the relationship, leaving us with the feelings of death? How can miscommunication distance us, separating friends, pushing children from parents? Why is it that every failure at work, every sign that we're not meeting expectations, forces a fissure at the core of our being, fissures that seem to allow the dark waters of death to flood us?
How can it be that at any moment death could reach up and do the scariest of things: separate us—separate us from one another, from our bodies, from our love, from our purpose, from our meaning, and even from this world—separate us from all that is? It is not dying that scares me, it's separation. I tremble when I think about what the moment will be like, that moment when I am here, but then . . . bang . . . black . . . I'm gone; I'm separated from all I am and have known. And if I'm honest, I know these moments of separation already (which is why I avoid thinking about them). I know them in rejection, failure, and loss; I can taste them on my lips when I'm depressed, stressed, and anxious. Death is on its way; death is now here when a fight with my wife seems to ossify and lead to distance, when I've been laid off and told I'm no longer needed. Death surrounds us. The crazy thing is that it's not just a bad dream. I taste death now—taste even now what awaits me, something that awaits you. By the fact that I am alive my destiny is that moment, and every small and large moment of despair points to it. By the fact that I am, I'm on a collision course with that moment of dreadful nothingness, of frightening separation. How can it be that I could soon so suddenly no longer be? How can it be that so much happens in life that sings the song of death?
Benjamin was gone. These