Royal Red
By K.C. Shaw
5/5
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About this ebook
In a world of dragons...
When Rose Blackthorn decides to tour the Southern Lands, she only hopes to improve her painting skills. She doesn't expect adventure.
Join Rose as she pursues artistic excellence through the white-topped mountains, along the seaside, and in the corrupt city of Tirras--and finds friendship, romance, and a dragon-sized helping of trouble along the way.
Art. Adventure. And lots of tea.
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Royal Red - K.C. Shaw
Royal Red
A Cozy Fantasy Adventure
K.C. Shaw
image-placeholderStrange Animal Publishing
Copyright © 2022 by Katherine Shaw
All rights reserved.
No portion of this book may be reproduced in any form without written permission from the publisher or author, except as permitted by U.S. copyright law.
Cover art by Kial F. ‘CynicalStith’
Contents
1. Important Author's Note
2. One
3. Two
4. Three
5. Four
6. Five
7. Six
8. Seven
9. Eight
10. Nine
11. Ten
12. Eleven
13. Twelve
14. Thirteen
15. Fourteen
16. Fifteen
17. Sixteen
18. Seventeen
19. Eighteen
20. Nineteen
21. Twenty
22. Twenty-One
23. Twenty-Two
24. Twenty-Three
25. Twenty-Four
26. Twenty-Five
27. Twenty-Six
28. Twenty-Seven
29. Twenty-Eight
About the Author
Important Author's Note
Even though this book has a pink dragon on the cover and is about a dragon artist and her adventures, it’s also not for kids.
The dragons in this book are adults. There’s bad language and one explicit sex scene.
On the plus side, the sex is consensual and presented positively. But it’s still not for kids.
One
Rose spent all afternoon staring at the rain and dabbing paint on her new canvas. She liked the view from her bedroom, which overlooked the cobbled road between Riverside Artists’ Cooperative and Gallery and a couple of small shops. The shops had cheerful striped awnings that contrasted beautifully with the gray day. Rose tried to convey the juxtaposition, but the more she worked, the more amateurish her results were.
After three hours the rain stopped and she gave up, cleaned her brushes, and went downstairs to the co-op’s kitchen.
Honey had set her own easel by the kitchen’s window. She was in the way, but it was her building and she had started the co-op, so if she wanted to block the entrance and fill the kitchen with turpentine fumes while other dragons were trying to eat, no one would complain. Not to her face, anyway. Rose stepped over Honey’s tail and settled at the big table.
Because Rose’s room was directly above the kitchen, Honey was painting nearly the same view Rose had failed to capture. The canvas upstairs was a blurry mess of grays and blues that looked more like molten lead than rain. Honey’s canvas shone with vibrant colors that evoked the rain-washed street.
Rose picked at the bowl of dried liver someone had left out. Honey made it look so easy.
There.
Honey shuffled back without getting to her feet. I think it’s done. What do you think?
It’s perfect.
Rose sighed. I tried to paint the rain too and it’s just a mess. How do you do it?
Honey wiped her brushes on a paint-stained rag. First you practice for fifty years, more or less. It’ll come, Rose.
Really? Because I don’t seem to be making any progress lately.
Try something new. Try a different approach. Get a traveling kit and fly somewhere—different views, different skies. You stay up in that room too much.
Rose paused with a piece of liver halfway to her mouth and thought about different skies. How odd that Honey would put it that way—but how exact. Just like the dabs of bright white in her painting that suggested light shining off puddles.
Different skies, new horizons. She’d always been a good flyer, had even been on the team in school. Artists often traveled to keep from getting stale. It would do her good.
Honey finished with her brushes and scrubbed paint from her paws with a rag. Her soft gold-brown hide gleamed in the light streaming through the window. Who’s cooking tonight?
Rose tossed the liver back into the bowl. Who cares? Honey, I’m going to travel the world!
Of course it wasn’t that simple, not once Rose thought it over. It was still winter, rainy and chilly. Besides, she needed supplies and more money.
She discussed it with the others while they ate—elk stew with carrots, made by May, who was the only one in the co-op who could really cook.
It’s exciting.
Elm was the biggest dragon Rose knew, and his mottled green-brown hide made him look like something that lived under a hedge. He ate hunched over with his tail curled around his feet like a cat. We ought to hold an exhibit of your stuff before you go.
I need to get some canvases done first.
Rose sopped up the last of the broth in her bowl with a hunk of bread.
Honey said, Do a series of pre-travel pieces. We’ll drum up interest by telling everyone they’re the last pieces you’ll have available for—how long?
I don’t know. Spring and summer at least.
Say six months. That sounds like a good long time.
You could have a baby in six months,
Blossom said, and laughed. Will you fool around?
Rose thought the question was in poor taste. She just said, I need to buy a travel kit and fly to different places nearby to paint, get back flying fit.
Good idea,
Honey said. You can have my old kit if you like. I never use it anymore.
Really?
Rose forgave Honey for painting in the kitchen. I’ll be careful with it.
Use it, that’s all I ask.
Blossom, predictably, didn’t let the thread of her thoughts drop. It wouldn’t be that fun to fool around while you’re traveling, actually. Not unless he went with you. You’d have to wait out your egg months without him, and what if you found someone more interesting in the meantime?
May, a pretty pink with brown dapples, said, It could be awfully romantic, though. Think of it, Rose. He sees you in an exotic marketplace and falls for your beauty. You spurn him, he pursues you across the country, groveling—
How will he grovel while flying,
Blossom said, and why would Rose spurn him?
Because he’s plain, but he has a heart of gold. Finally he wins your heart and the two of you join in love, twined together under the full moon—
"May, Rose said, horrified. She couldn’t look at Sable, who was sitting right next to her.
Do you mind?"
But if it’s a pure love and true, there’s no shame,
May said, eyes wide. You couldn’t argue with her, that was the problem.
Rose grabbed more bread. I’m going abroad to paint. I will not be twining about with anyone.
"In the moonlight," Blossom said, drawing out the word until it sounded filthy.
Shut up, Blossom. You started this,
Rose said.
May cocked her head, a birdlike trait that would look contrived on just about anyone else. Well, it would be awkward to have an egg somewhere foreign. Who knows what their hatcheries are like? And if you wanted to keep the baby, of course you’d be stuck another month until the egg hatched and you could bundle it up and fly home with it.
Rose discovered she had mashed the hunk of bread in her paw until it resembled dough. "I am not going to have an egg, don’t be absurd. I’m going to paint and paint and paint. Honey, can I look at your travel kit? I want to gloat over it."
Honey ducked her head in a nod, an amused twinkle in her amber eyes. Come up with me and help me find it.
Rose spent the evening packing and repacking her paints and brushes into the travel kit. The rain blew off, revealing a starry night sky that promised a glorious winter’s morning to follow. She had trouble sleeping.
She woke just before dawn, packed the kit again with a small fresh canvas, and strapped it on. It buckled around her waist, just behind where her wing leathers attached to her sides, which meant the kit itself snugged against her lower belly. She tried to adjust it higher but it wouldn’t go. She would just have to get used to it.
The eastern sky blushed pink as she leaped from her window. She stretched her wings and felt them cup the air with every powerful downbeat. She felt invincible.
She flew above the buildings and roads of Whitefall. Elk-drawn wagons made deliveries far below, and the first commuters flew from home to office with lunch sacks dangling from claws. Rose coasted over the broad flat roof of the city’s hatchery and then she was above farms and pastures.
She flew on and on as the sun rose. Farmland gave way to forest; here and there a road or stream snaked through the trees. She flew above the village of Foxbury, rustic and charming from above, and angled her wings to descend.
Rose had only been to Foxbury a few times, but she remembered a humped stone bridge that crossed a narrow river. It would be a good subject to paint. People liked that sort of thing and it would sell if she did a halfway decent job.
The sun was well up by the time she dropped to her feet in the town square. As always after flying any distance, her first steps felt clumsy and slow.
Her wing muscles trembled with such unexpected exertion. Her mouth was parched, she was starving, and the thought of the flight home filled her with dismay.
She stepped into a café and bought tea and ham rolls. They were so good she stayed in the café for the next hour, sipping tea from a porcelain bowl and sketching the view from the window.
She returned home late, a decent but uninspired painting in the travel kit. She dumped the kit in the corner, burrowed into her nest of blankets, and fell asleep almost immediately.
In the morning she was so sore she could barely make the short flight to the nearest bakery. She walked back with the bag of pastries held in her teeth.
Honey met her in the kitchen. Tired?
Rose dropped the bag on the table. Worn out. I think I might have been a little too ambitious.
What did you paint?
Foxbury’s bridge. I’ll show you.
Rose trotted upstairs and retrieved her canvas, the oil paint still gleaming wetly. It wasn’t bad. Nothing to be ashamed of, yet for some reason she was.
Honey examined it for several minutes without comment. Rose tried not to squirm. Finally the older dragon said, It’ll sell, of course. Quite a nice subject and you chose a good angle. You do a good job with light; that water looks real.
Rose didn’t respond. She knew what was coming next.
Honey continued, It’s boring, though—a safe painting. Even your brushstrokes are safe. You control the brush so carefully the brushstrokes are short and cautious.
I’ve never been good at painting quickly,
Rose said. I never like the results.
Perhaps you haven’t tried often enough. Next time you go out, make the sky your subject. Bring several canvases and paint as fast as you can.
All right.
Rose stared at her safe painting and felt like a hack, a greeting card artist. Even Elm, who specialized in saccharine studies of eggs, had a genius way with light and shadow that lifted his work above its subject.
I’ll do better,
Rose said, and wondered if she could.
The next day was Rose’s day in the shop. She was secretly glad, although she complained about it at breakfast. I wanted to fly today. I’m going to do some sky studies.
May cocked her head. Just the sky or a landscape too?
Just the sky, I think.
You should paint the sunrise. I’ve never been able to get it right, myself.
Despite May’s cutesy mannerisms and wide-eyed innocence that sometimes verged on disingenuousness, her paintings were dark, ferocious, and beautiful. Rose sometimes wondered at the contrast. As far as she could tell, May’s only goal in life was to get into the city’s breeding program—yet she clearly had hidden depths or she could not paint as she did.
Sable speared a piece of ham on a claw and contemplated it as though he’d never seen ham before. Paint a storm.
May said, The rain would ruin her canvas.
Well, I can’t do anything today,
Rose said. She ducked her head to glare at Sable. Don’t play with your food.
He saluted her with the ham and crammed it into his mouth all at once. May giggled. Honey yawned.
The weather was fine and they had new paintings in the gallery, so a number of dragons stopped in to browse. A young couple, the female so round Rose worried she would lay her egg in the middle of the shop, spent an hour picking out a painting for their new house. The male wanted one of Elm’s more treacly paintings, of a sleeping dragon curled around her pearly egg; the female admired May’s latest, a dragon either swimming or drowning in a turbulent river. Both expressed horror at Sable’s display.
Rose finally said, We offer a ten percent discount if you buy more than one painting,
and they bought both.
When they had gone, Rose went around the shop herself and examined each piece that showed the sky. Honey’s skies were quick dabs and blobs of paint, gray and white and blue. Elm’s were super-realistic, with clouds lit as though from within. May’s were slashes of color that suggested the sky without being particularly sky-like—Rose wondered how May knew she could not paint the sunrise. Maybe she had only been making conversation. Blossom’s paintings were mostly claustrophobic interior pieces; her only skies were slices of blue or gray glimpsed through windows.
Only one of Sable’s pieces showed the sky, and of course it was a churning mass of storm clouds. An abandoned egg lay in the foreground, beaded with rain. Just looking at it made Rose anxious. That was the point of Sable’s paintings, of course. He liked to disturb and horrify the viewer. He rarely painted dragons, only eggs: eggs abandoned, cracked, smashed, or in some sort of peril. His gallery showings were always packed with dragons who wanted to glimpse the notorious artist, and Sable lurked in the background looking dangerous and saturnine. People wrote angry letters to the papers about him. Yet Sable was kind, never bragged about being in the breeding program, and was always the first to help out with any bothersome chore.
People were strange. Artists were strange. And Rose could not think of Sable without longing in her belly, which was embarrassing since he wasn’t interested in her.
The next day she made herself fly to the hills south of Whitefall. She found a hill remote enough that she could paint in peace, unpacked her kit, and looked up at the sky to decide what colors she needed for her palette.
It was a windy day and clouds were moving in fast. It would probably rain by