The Killing of Polly Carter
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About this ebook
Seconded from London to the Caribbean island of Saint Marie, DI Poole is already at his wit’s end with the blinding heat. Unpicking the conflicting motives of a number of suspects and their stream of alibis is infuriating enough; a visit from his mother is the cherry on the cake.
An absolutely gripping crime thriller, The Killing of Polly Carter is perfect for fans of Midsomer Murders and Agatha Christie.
“I love Robert Thorogood’s writing.” —Peter James, international bestselling author of Picture You Dead
Robert Thorogood
Robert Thorogood is an English screenwriter and novelist. He is the creator of the BBC One murder mystery series Death in Paradise.
Read more from Robert Thorogood
A Meditation on Murder Rating: 4 out of 5 stars4/5
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Reviews for The Killing of Polly Carter
24 ratings2 reviews
- Rating: 4 out of 5 stars4/5Being a huge fan of Death In Paradise, this was never going to be a disappointment to me. It captures the essence of the main characters of the first three series perfectly. And as neither Kris Marshall or Ardal O'Hanlon can hold a candle to Ben Miller when it comes to bumbling-but-brilliant fish-out-of-water DIs, a book that allows me to conjure up memories of the wonderful Richard Poole is quite simply a gem.
- Rating: 5 out of 5 stars5/5No one could have killed Polly Carter...but someone did. This, essentially, is the conceit of 'The Killing of Polly Carter; it's a locked room mystery that takes place in a garden with a cliff top and some extremely convenient shrubbery. Oh, and it takes place in the Carribean. And Polly's a celebrity (of course: who else would have a cliff top with beach access conveniently situated in their garden?)==What's it about? ==Polly Carter is a retired (though certainly not retiring) supermodel who just happens to have several friends staying at her "home" (a huge mansion on a remote Carribean island) when she abruptly declares her intention to commit suicide and seemingly leaps to her death from a staircase.Despite her non-identical twin sister and house guest, Claire Carter, assuring Detective Inspector Richard Poole that Polly's final actions were to pick a fight with her sister, announce her suicidal intent and fling herself onto the beach from a great height, DI Poole is unconvinced. After all, if Polly intended to make her sister feel guilty by jumping to her death in front of her eyes, why did she wait to do it until she was out of Claire's eyesight? And that's just the beginning of the oddities.== Ooh, this is sounding good ==Richard Poole knows two things: 1. The Carribean is out to get him, and 2. Someone killed Polly Carter in what appears to be an astonishingly convenient coincidence (for the killer, obviously, not for poor Polly). It can't be Claire - she's wheelchair bound, as Polly well knew, since Polly put her there - but Polly had several other house guests, all hiding secrets and slights that DI Poole is determined to unravel.Or at least...he is determined to unravel the case, when he's not distracted by wondering why his so-perfect-she-makes-him-nervous mother has decided to visit him without the accompanying presence of his nothing-you-do-is-good-enough-for-me-son father. And is she really flirting with his least law-respecting officer, Dwayne Myers?== What's it like? ==Wonderfully comic in a beautifully understated way. This is the opening:'Detective Inspector Richard Poole sat on the verandah of his beachside shack looking up at the cloudless Carribean sky in inarticulate outrage.'A passing parrot had just crapped in his cup of tea.'Later he reflects that another mildly irksome incident 'was merely one of the almost infinite ways that the Carribean tried to spoil his entire existence'.It's worth reading for the comic touches alone, but it it also a damn good mystery.== Whodunit? ==Suffice it to say that all Polly's guests turn out to have motive to off her, and Polly herself is difficult to get to know when she's already dead. There's a lot of enjoyable detective work as DI Poole and his team pull at various threads and begin to discover who exactly lost patience with her in the end.I thoroughly enjoyed reading about the police work and witnessing the team catching out Polly's houseguests in various half-truths and outright lies. I liked that - although unexpected - it would have been possible to work out whodunit, though possibly not why. I was slightly irked by a detail or two that - in hindsight - seemed misleading, but I'd happily forgive a book which gripped me enough to read in one sitting much more than that.The characters' backgrounds and motivations are well-sketched and I can imagine this being made into a successful murder mystery board game - any of the characters could have done it really. The denouement is suitably talky for Agatha Christie fans and the closure is complete.== Final thoughts ==I loved this story and could tell from the 'a death in Paradise novel' tag that it was going to be part of a series, so I was thrilled to see that actually it's the second in a planned series of (at least) three books and 'A Meditation on Murder' has been very well-received by fans of the BBC TV show (which I never previously knew existed). (To anyone yet to buy me a Christmas present: hint, hint!)It's not perfect, (it took me maybe two chapters to work out a fundamental part of the plot which it seemed to take DI Poole almost the entire book to work out and I couldn't quite fathom how it wasn't blindingly obvious,) but it's very close to perfect and, more importantly, seriously enjoyable to read.Many thanks to the publishers for providing me with a copy of this book in exchange for an honest review.
Book preview
The Killing of Polly Carter - Robert Thorogood
For Charlie and James
Prologue
Detective Inspector Richard Poole sat on the verandah of his beachside shack looking up at the cloudless Caribbean sky in inarticulate outrage.
A passing parrot had just crapped in his cup of tea.
It didn’t seem possible, but Richard had watched the little bugger fly in over the sea and defecate in mid-air, the little ball of released guano flying in a perfect parabola only to land in his English Breakfast Tea with an accuracy, Richard realised, that Barnes Wallis could only have dreamed of.
In a spasm of disgust, Richard sloshed the contents of his china cup over the balustrade and tried to return his attention to the book he’d been reading. It was an old hardback he’d found at the back of the police station called A Field Guide to the Insects of the Caribbean, and he’d been fascinated by what he’d so far been able to learn from it. For example, he’d had no idea that the brightest bioluminescent insect in the world wasn’t in fact the firefly, but was a species of click beetle that lived in the Caribbean called the Fire Beetle.
But it was no good, Richard couldn’t settle back into his book, and instead he found himself glancing nervously back up at the sky every few seconds. After all, what if another parrot came for him out of the sun? Richard sighed heavily to himself. Honestly, when you got down to it, the Caribbean was a bloody nightmare from start to finish.
It didn’t help that he had already been in a bad mood that morning, even before the aerial bombardment. This was because Richard had a secret. A deep and dark secret he’d not even dared mention to his team yet. In fact, as he went through to the little galley kitchen at the back of his shack to wash up his tea things, Richard decided that there surely couldn’t have been another person on the whole island of Saint-Marie who was having as miserable a morning as him.
But he was wrong. There was someone.
This was because, just a few miles further along the coastline, a woman called Polly Carter was sitting in her kitchen wearing a bright yellow summer dress, drinking a freshly pressed glass of mango juice, and smoking a cigarette—and although she didn’t know it yet, she only had a few minutes left to live.
Polly was forty years old and a fashion model famous the world over for a look that in person could come across as gawky inelegance, but, in photographs, translated into a gap-toothed beauty. Her face had adorned billboards, magazine covers, and a rock group had once written a chart-topping record lionising her looks. Not that Polly took much notice of the hubbub that surrounded her life any more. She’d been trawling up and down catwalks since she was twenty-two years old, she’d earned more money than she’d ever dreamed—had spent even more—and all she wanted now was a break from it all. Which, ironically, she was about to get.
The door to the kitchen banged open, and Polly’s wheelchair-bound sister Claire was pushed into the room by her nurse, Sophie.
Claire and Polly were twins, although Claire was the older of the two by a few minutes. This should have created a special bond between the two sisters, but Claire was one of those older siblings who felt that it was her seniority that defined her entire relationship with her sister. So, because Polly was naturally impetuous, irresponsible, and had a wicked sense of humour, Claire was superior, overly responsible and felt that life was nothing to laugh about. This outlook was sharpened further by the fact that, following a riding accident ten years ago, Claire no longer had the use of her legs. It was no consolation to Claire that although she and her sister were non-identical, she was blessed with an uncanny beauty very similar to her famous sister’s. But then, as Claire would remark to anyone who cared to listen, her and her sister Polly’s supposed good looks only ever seemed to become apparent in fashion photographs, and who ever took fashion photographs of a cripple?
‘Well this is a first, you’re already up,’ Claire said to Polly as Sophie finished pushing her over to the breakfast bar.
‘Is that so surprising?’ Polly asked, briefly thrown by her sister’s tone.
‘Well, you don’t normally get up before lunchtime, so yes, I’d say it was a surprise.’
Polly was affronted.
‘I don’t just laze about all day, you know.’
‘Oh you don’t, do you?’ Claire said with a disdainful laugh, and Polly looked at her sister a long moment before—very slowly—plucking another cigarette from the battered pack on the table and lighting it.
Once she’d taken a long, rasping drag from her cigarette, Polly said, ‘Look, if you must know, I only got up this morning so I could spend some time with you.’
‘Ha! Well, that’s a first,’ Claire said, still unable to take her sister at all seriously.
Claire’s nurse, Sophie Wessel, was used to how Claire bickered with her sister Polly—and vice versa—so she tuned the two women out while she made some coffee for herself and Claire. It wasn’t in her job description to make drinks for her client, but Sophie had soon learnt that Claire was one of those people who not only expected her nurse to push her wheelchair and help with all of the tasks she wasn’t capable of doing herself, but she also felt that Sophie should act as her personal assistant and lackey.
Once Sophie had pushed the plunger down on the cafetière, she turned back to the room only to see Polly wheeling Claire out of the kitchen door and into the garden.
‘Would you like a coffee?’ Sophie asked the sisters before they left the room.
‘No thanks,’ Claire said. ‘Polly says she wants to take me for a walk in the garden.’
‘You do?’ Sophie said, surprised. She and Claire had been house guests of Polly’s for the last ten days, and Polly hadn’t once offered to push her sister’s wheelchair in all that time.
‘I do,’ Polly said with a tone that made it clear she expected Sophie to back off.
Sophie didn’t want to get in between the two sisters, but pushing a wheelchair wasn’t easy.
‘No, really,’ she said. ‘Let me push Claire for you.’
‘I said I’d be fine,’ Polly said, irritation flashing in her eyes.
Sophie looked at Claire for guidance, but Claire just shrugged. She didn’t seem to care one way or another. So Sophie kept silent as Polly pushed her sister out into the garden.
Once she’d been left on her own, Sophie finished pouring herself a cup of coffee, left the kitchen and went into the main hallway of the house. It was a large space with a wide wooden staircase that swept up to a minstrel’s gallery that went around all four walls of the house, and led onto the various bedrooms, bathrooms and private suites upstairs.
But as she entered the hallway, Sophie hung back in the shadows because Polly’s agent, Max Brandon, was already heading up the stairs, a bunch of files and papers clutched in his hands. Max was a thin man in his early fifties who was wearing round sunglasses with yellow lenses, a midnight-blue velvet jacket and burgundy cord trousers, and Sophie suspected he dyed his hair to keep it so lustrously black.
Sophie didn’t much like him, but she made herself say, ‘Good morning, Max,’ to his retreating back. Fortunately for Sophie, Max didn’t hear her—or pretended that he didn’t hear her—and she watched him head up to the top of the stairs and disappear, she presumed, to his bedroom. Sophie was about to head for the stairs herself when she heard a shout from outside.
It sounded like a woman’s voice.
Sophie looked through the large picture windows that overlooked the garden and saw Polly standing at the far end of the lawn shouting at Claire in her wheelchair. Sophie couldn’t hear exactly what was being said, but it was clear that Polly was angry with her sister about something.
Sophie knew that while it was one thing for the sisters to be irritable in each other’s company, it was quite another for the able-bodied Polly to take her wheelchair-bound sister into the garden and then start shouting at her.
There was a doorway in the corner of the hall that led straight onto the garden and Sophie went through it to see if she could intervene, but as soon as she crunched out onto the gravel path outside, Polly looked over at her. She then grabbed hold of the handles of Claire’s wheelchair and pushed her further into the garden, soon disappearing beyond a large clump of bushes.
Sophie briefly hesitated. Polly’s house—mansion, really—was built high on a bluff above the ocean, and Sophie knew that the direction that Polly had taken Claire led to a sheer cliff face that protected a horseshoe-shaped bay and private beach far below. Sophie started across the lawn, but before she’d even gone half a dozen steps she very distinctly heard Claire shout ‘Stop it!’ from beyond the bushes.
Sophie looked back at the house. Had no one else heard or seen anything? It was hard to see if anyone was even looking out, such was the glare of reflected sunshine from the windows, but Sophie caught a movement at one of the upstairs windows. Someone was looking out at the garden, even though this person was in shadow, and she couldn’t quite tell who it was.
A woman’s scream pierced the air. Sophie’s head whipped round. The scream had come from beyond the bushes in the direction of the cliff.
Sophie then very distinctly heard Claire shout, ‘Oh dear God, someone help!’
Sophie broke into a run, and, as she got past the bushes, she could see Claire sitting in her wheelchair over by the top of the cliff where steps led down the cliff face to the beach below.
As for Polly, she was nowhere to be seen.
‘Help me!’ Claire screamed as Sophie approached. ‘She just jumped!’
Claire turned her wheelchair away from Sophie and started racing off along the curve of the cliff’s edge as it swept around the bay.
‘What’s going on?’ Sophie asked as soon as she caught up with Claire.
‘I couldn’t follow her, she ran down the steps!’
As Sophie looked down to the beach far below, she finally understood why Claire had been pushing herself so desperately along. It was only this far around the curve of the cliff top that it was possible to look back and see the stone steps that ran in loose zig-zagging flights from the top of the cliff all the way down to the private beach a hundred or so feet below.
There was a body lying in the sand at the base of the cliff.
A body that was wearing the same bright yellow dress that Polly Carter had been wearing only moments earlier.
Sophie turned to look at Claire and saw that she was physically shaking, and her eyes were wide and staring as she replied, ‘She said I was evil, she said I’d ruined her life…’ Claire took a sharp intake of breath to allow herself to finish her sentence. ‘She said she was going to end her life.’
‘What?’
‘She said it was all my fault. That she was going to end her life. And then she ran down the steps and jumped!’
Sophie knew that Claire could wait. As a trained nurse, she was needed elsewhere.
‘Don’t move,’ she said, before starting to sprint back along the cliff top, her breath loud in her ears as she pumped her arms hard, knowing that every second of delay could be critical. She had to get to Polly.
Reaching the stairs that led down to the beach, Sophie didn’t stop to think, she just barrelled down them—taking the uneven stone steps two at a time as she careened down the cliff, her arms out wide for balance, until her flip-flopped feet finally slapped onto the hard white sand far below.
Sophie took a moment to recover her breath. She then looked around to see if there was anyone nearby who could help, but the beach was entirely empty, perhaps unsurprisingly so. At this time in the morning, everyone else was almost certainly back at the house.
But Sophie could see that the body in the yellow dress was lying near the base of the cliff about thirty feet away.
It was Polly. And she wasn’t moving.
Sophie strode across the sand as quickly as she could, but even as she approached the body, she could see that Polly’s legs were splayed at an almost unnatural angle—she had an arm jammed under her body—and her eyes were closed.
Sophie bent down, put two fingers to Polly’s neck and tried to find a pulse.
There wasn’t one.
Sophie gulped.
She stepped back, looked back up to the top of the cliff and saw the tiny figure of Claire still looking down from her wheelchair.
Sophie cupped her hands to her mouth and shouted up, ‘We need an ambulance! At once!’
At the same time that Claire pushed herself back to the house and Sophie turned the body of Polly Carter over to see if she could begin to administer CPR, Richard Poole was inside his shack having a shower. Or rather, in a world where the shower mixer provided him with periods of cold water interspersed with impossible-to-judge periods of water so hot it could sear skin, he was trying to time his dips into the shower so that he could wash his hair without getting third-degree burns. And it was just as he was waiting for the next pulse of boiling water to hit him—with his eyes scrunched up against the shampoo already dripping down his face—that Richard felt something skitter up his leg and then stop at his knee.
Richard froze.
There was a creature on his leg. And he was completely naked. His hand reached ever-so-slowly for his towel so he could wipe the soap from his eyes and finally see what stinging scorpion or venomous spider had just run up his leg. But before he could reach his towel, the creature started running upwards again and Richard opened his eyes against the screaming pain of soap, saw a bright green lizard racing up his thigh—a lizard that Richard had been sharing his shack with ever since he’d first arrived on the island, and who, in more innocent times, he’d thought it would be amusing to name Harry—but before the creature could reach the danger area of Richard’s groin, he grabbed up his towel, swiped, missed, slipped on some soap, and fell arse over tip to the floor.
As Richard lay bruised and panting on the floor of his shower room under a stream of water that was sometimes freezing cold and at other times boiling hot, the sting of soap still in his eyes, and with a crushing sense of defeat from being once again outwitted by a reptile only eight inches long, he decided that yes, now he was surely the unluckiest person on the whole island of Saint-Marie that day.
And he was still wrong. Because that honour belonged to the world-famous supermodel, Polly Carter.
Because it was the day she was pushed from the top of a cliff, fell nearly a hundred feet to the hard sand below, and broke her spine and neck on impact, dying instantly.
It was the day Polly Carter was murdered.
Chapter 1
Richard Poole’s dark secret was that his mother Jennifer was about to arrive on the island. Why on earth she’d chosen to visit on her own, Richard had no idea, but he also had no idea how he was going to get through two weeks of keeping her company, and that seemed the more pressing problem.
It’s not that Richard didn’t like his mother. In fact, if he interrogated his feelings, he knew that he must even love her, it’s just that she was so perfect that he found her company exhausting. Her clothes were perfect, her friends were perfect, her whole life was perfect. She didn’t complain, she didn’t even express her feelings as far as Richard could tell, she just got up before everyone else, did more than everyone else, and then retired to bed once she’d done all the cleaning and tidying up and made sure that everyone else had turned in first.
If even a single thread stuck up from any of the immaculate plush carpets in her home, Jennifer would get down on her hands and knees and use nail scissors to give the individual thread a haircut. And after she did the washing up—always wearing washing-up gloves, of course—she’d then put on a second pair of washing-up gloves so that she could wash up the first set of washing-up gloves—unaware, Richard thought, that she risked falling into a logical feedback loop where she spent the rest of her life washing up the gloves she’d just used to wash up in. When Richard had tried to explain this to his mother, she’d smiled delightedly—‘You’ve always been so clever, darling’—and then gone off to plump up sofa cushions with her bare fists.
It was fair to say that Richard had a complicated relationship with his mother.
Far more so, in fact, than he did with his father. After all, his father, Graham—a one-time Superintendent in the Leicestershire Police Force—was entirely consistent in how he handled his son. No matter what Richard did, it always left his father disappointed. What was more, Graham was always the first to point that he’d done the same thing as Richard, but much better—or at an earlier age—or he’d chosen to go down a different path entirely.
So, when Richard was the first member of his family to be sent to private school, his father had managed to give the impression that it was only because no one thought Richard was clever enough to get into the local state-funded grammar school, where Graham had himself gone. And as top scholar—a fact Graham managed to mention nearly every time he was alone with his son, which, if truth being told, wasn’t that often.
Seven years later, when Richard got a place at Cambridge University, he finally felt that he’d proven to his father that he did indeed have a brain, but on the one occasion that Graham Poole visited his son in the three years he was there, Graham spent the day pronouncing that he himself had of course gone to the ‘University of Life’ where he’d learnt the real lessons in life, got the rough edges knocked off him quicker, and he’d not turned out too badly, had he?
When Richard announced that he was going to join the police force—as his father had done—Graham had sucked air in through his teeth as though Richard was making a very brave choice indeed. And then, when Richard threw a party to celebrate his promotion to Detective, his father was too busy at a local Rotary event to attend. His mother came, though, and did the buffet beforehand and hoovering afterwards.
In short, Richard would have been hard pressed to know which of his two parents he’d have more difficulty spending two weeks with: his dad, who always looked at him with such disappointment; or his mum, who always looked at him with such hope.
There was a loud honk from outside his shack and Richard snapped out of his reverie. His mother wasn’t due to arrive on the island until later that afternoon, so who was that outside trying to get his attention? The car horn honked again. And, before Richard could even get up, it honked again another two times.
Richard’s shoulders sagged. There was only one person on the whole island who’d so rudely interrupt his peace like this, so he went through his galley kitchen and opened the back door. Or rather, he tried to open the back door, but, as was typical, it was jammed shut by a build-up of sand on the other side. This was merely one of the almost infinite number of ways that the Caribbean tried to spoil his entire existence, Richard knew. All it took was a light breeze and a sunny day to loosen the individual grains of sand on the beach—and it was always a bloody sunny day—and whole dunes would start to build up against the walls of his shack.
Giving the door a proper shove with his shoulder, Richard finally got the door moving, the whole lean-to annexe to his shack shuddering as he finally managed to scrape the door open.
Richard briefly flinched at the sudden burst of sunlight—he never got used to how much sunshine there was in the Caribbean—but he saw that his initial suspicions had been correct. Detective Sergeant Camille Bordey was waving a happy hello to him from the driver’s seat of the battered police Land Rover.
Camille’s skin glowed in the sunshine, her hair was glossy and untamed, and she wore an electric-blue vest top, but Richard didn’t much notice any of this, if only because he knew that the staff rota had Camille down as having a day off, so why had she turned up at his shack?
‘Careful of that sand, sir!’ Camille said with mock seriousness as he awkwardly picked his way across it. ‘It might get into your socks.’
Richard knew that Camille found it incomprehensible that he insisted on wearing a dark woollen suit, polished shoes, a white shirt and a tie in the tropics, but, for him, the matter was a simple one. A policeman wore a dark suit, and Richard didn’t see why he should have to lower his standards just because he’d been posted to the Caribbean.
‘What are you doing here?’ Richard asked.
‘Oh, and a good morning to you, too,’ Camille said, now a lot less jauntily.
‘But it’s your day off,’ Richard said, unable to stop himself from glancing at his wristwatch to make sure his mother hadn’t in fact landed on the island yet.
‘What’s up?’ Camille asked, sharp as a knife, and Richard cursed silently to himself. His subordinate never missed a thing.
‘Oh, nothing,’ he said with what he hoped was insouciance.
‘Why are you looking so guilty?’
‘I’m not looking guilty.’
‘You are.’
‘I’m not.’
‘You are.’
There was a long pause while both of them realised that the conversation wasn’t going anywhere.
‘I’m not,’ Richard said.
‘You are.’
‘Look,’ Richard said. ‘Much as I’d love to continue this game of You are, I’m not
, can you please tell me what on earth you’re doing at my house on your day off?’
Camille’s jaw set in instant irritation, and Richard wondered what he’d done wrong this time. As ever, he found Camille’s inner thoughts impossible to divine. On the one hand this was because she was female, spontaneous, passionate and always wanted to think the best of people, and—on the other hand—it was because she was French, which, Richard felt, was what military analysts would very much call a ‘force multiplier’. So, as Richard stood sweating on the white sand in his Marks & Spencer suit, he genuinely didn’t know how he’d managed to cause offence, and had even less of an idea about how to mend the situation.
‘Okay,’ Camille eventually said. ‘I’ll tell you what I’m doing here, but on the condition you tell me what that book is.’
Camille indicated the book in Richard’s hand. He’d picked it up just before he’d left his shack. It was his intended lunchtime reading.
‘Oh this?’ Richard said, only now realising that the book wouldn’t be that easy to explain. ‘It’s just a… you know, a field guide to the insects of the Caribbean.’
Camille’s eyebrows rose at this news. ‘I’m sorry?’
‘I, um, I found it at the station, and I thought it would be fun to learn about the insects of the Caribbean.’
‘You thought it would be fun?’
‘Yes.’
‘Learning about the insects of the Caribbean?’
‘Anyway, I’ve told you what I’m reading. You’ve now got to tell me why you’re here.’
‘Oh,’ Camille said,