Salt and Ashes
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About this ebook
Out of dried tears and burnt matter comes fertile ground, new nourishment. A woman traveller walks up and down a mountain, back and forth through a quarter of Grenoble over the course of many months, experiencing anticipatory grief and later bereavement over the loss of a spouse. With little to anchor her, claim her, as she walks poems begin to seek her out. Poems of dislocation, cultural migration, rage, healing and transformation spring forth and set root – poems that transform the vocabulary of science, its language and concepts, into poems that encounter the natural world with an intensity and clarity that direct us to the core of our humanity and the tender parts of our being.
These poems are crafted out of the language of dreams, mythologies, and inventions. Laced with subtle humour, irony and surprising turns, they return us to the place of origin seen anew. Like the egg and bitter herbs dipped in salt at the Seder Table, they remind us that beyond pain and grief, the only peace we have is the one we construct for ourselves.
Adrienne Drobnies
Adrienne Drobnies has a doctorate in chemistry from the University of California at Berkeley; she has worked at Simon Fraser University and the Genome Sciences Centre in Vancouver. Her origins are in Texas and California and she has spent most of her life in Toronto and Vancouver. A graduate of the Simon Fraser University Writer's Studio, her poetry has appeared in Canadian literary magazines, including The Antigonish Review, Event, Riddle Fence, The Toronto Quarterly, and The Maynard, as well as The Cider Press Review and Sow's Ear's Review in the US, and Popshot Magazine in the UK. She is an editor of a collection of poetry in French, Poèmes sur Mesure, by Alain Fournier. Her poetry has received honourable mention in the Compton Poetry Prize and was shortlisted for the 2015 Vallum Award for poetry. Her long poem "Randonnées" won the Gwendolyn MacEwen Award for Best Suite of Poems by an Emerging Poet and was a finalist for the CBC literary award for poetry.
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Salt and Ashes - Adrienne Drobnies
I
Witch Hazel Song
Red Rover come over and show me
the games you learned as a child.
How to wield scissors with a vengeance,
how to spank a cat, beat your brother’s
head against a wooden bench.
How to be invisible and how not to be.
A shoe hits a face. A slap stings.
Crank up the wind inside you and wind it down.
Red Rover, your burns heal slowly
and scorpions hide under blankets.
The taste of soap in your mouth
empties your insides –
vomit is mopped up with bleach.
A wooden floor smacks the chin.
Splinters are painfully pulled. Car doors slam.
Show me how scars last on ring fingers,
ice burns as much as fire, and I don’t know
how she got those welts. Teach me the rules
you learned as a child and how a switch cut
from witch hazel is a lesson in pain and power.
It’s a blue day
and the goddess of the year has not been kind
The full moon in March is worth being wary of
Remember it was the dog who sniffed Odysseus out
not the child
not the mate
A woman won’t wait
Why should she?
I wonder
where was I
and how old
when Joanne Kyger
born the same year
as my mother
sailed between
San Francisco
and Japan
I – a small child –
beaten, shredding curtains
with a vengeance
watched the Kennedy assassinations –
the first one when I was in California
the second in Texas
find myself in another place
menacing hospitality
no man to scowl away the suitors
The Sacred Yew
My old aunt Myrtle
harder than
the hard wood of her name
Any noun can be verbed she said
and set the table for dinner
green print tablecloth and blue plastic glasses
Grandma Bech’s everyday china and art deco wedding silver
acrid smell of polish under my nails
I climbed the crêpe myrtle
a child shrouded in its leaves
came face to face with the hard-eyed cicada
scrambled down
not returning
for weeks
Years later the insect is just a specimen
in biology class – with organs
large enough to see
Taxus tree
made to bow and bend
yields a poison drug
from the botanical trash heap
of mould and groaning wood
for the canker that moans in the flesh
Ring Dance
It’s possible we once danced
by the light of the solstice moon,
runcible drunk, hunched over
streetcar tracks to flatten a penny –
the only coin we had to offer
against a thundering weight.
We don’t know whether passion
will be renewed at the same address
where ceiling plaster sprinkled our hair
like crumbly feta, garnish to the salt stink
of pleasure. Can we count on postal carriers
to negotiate a contract for delivery of