Under My Skin: A Novel
By Lisa Unger
3.5/5
()
About this ebook
What if the nightmares are actually memories?
It’s been a year since Poppy’s husband, Jack, was brutally murdered during his morning run through Manhattan’s Riverside Park. In the immediate aftermath, Poppy spiraled into an oblivion of grief, disappearing for several days only to turn up ragged and confused wearing a tight red dress she didn’t recognize. What happened to Poppy during those lost days? And more importantly, what happened to Jack?
The case was never solved, and Poppy has finally begun to move on. But those lost days have never stopped haunting her. Poppy starts having nightmares and blackouts—there are periods of time she can’t remember, and she’s unable to tell the difference between what is real and what she’s imagining. When she begins to sense that someone is following her, Poppy is plunged into a game of cat and mouse, determined to unravel the mystery around her husband’s death. But can she handle the truth about what really happened?
“[A] captivating thriller.” —The Washington Post
“Addictive. . . . Gripping suspense at its best.” —Karin Slaughter, #1 International and New York Times–bestselling author of The Good Daughter
“A twisting labyrinth of a book. . . . Lisa Unger is . . . at the top of her game.” —Lisa Gardner, #1 New York Times–bestselling author of Look For Me
“Unger . . . keeps the twists coming in this standout thriller.” —Kirkus Reviews, starred review
“Another fine psychological thriller from a master of the genre.” —Booklist, starred review
Lisa Unger
Lisa Unger is a NYT and internationally bestselling author. Her books are published in 32 languages, with millions of copies sold worldwide. In 2019, she received two Edgar Award nominations, an honor held by only a few writers including Agatha Christie. Her work has been named on "Best Book" lists from Today, People, GMA, EW, Amazon, IndieBound and many others. She has written for the NYT, WSJ, NPR, and Travel+Leisure. She lives in Florida with her family.
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Reviews for Under My Skin
77 ratings14 reviews
- Rating: 3 out of 5 stars3/5Lisa Unger has it in her to write a really great book, and I have read several. But UNDER MY SKIN isn’t one of them. It’s not bad, though. So, although I didn’t enjoy it, you may.UNDER MY SKIN irritated me right away because its main character’s name is Poppy, which I think is a silly name but which is not a good reason to dislike a book. And it didn’t make me dislike it. It’s just a warning that my irritation may have contributed to my estimation of it.Poppy’s husband, Jack, was murdered. Other reviews will tell you that UNDER MY SKIN is about her search for the murderer. Wrong. Part 1 of the book, that is, approximately the first half of it, is constant repetition of her love for and memories about Jack and her drug–induced dreams/memories. Unger also manages to tell you several times that Poppy dislikes her mother and loves her lifelong friend Layla.Because of all the repetition in Part 1, I could easily skip paragraphs here and there. I got it already. Part 1 could have and should have been half as long.Part 2 is where Poppy searches for her husband‘s murderer, but this part was mostly silly. I often felt like I was reading a romance novel. And it was so, so predictable.UNDER MY SKIN could be called romantic suspense. That’s a genre many readers like. But not me.
- Rating: 4 out of 5 stars4/5I love anything Lisa Unger. That said, this seemed a bit different from her normal style. Although still extremely enjoyable, I can see how some readers had issues with the book. I found Puppy to be a bit annoying at times and not as strong as a lot of Ms Unger‘s normal female characters. The outcome was good and The ending was surprising although not completely unexpected.
- Rating: 3 out of 5 stars3/5Under My Skin by Lisa Unger
October 2018
Fiction, psychological suspense
I received this digital ARC book from NetGalley and Park Row in exchange for an unbiased review.
Poppy Lang is desperate to solve the murder of her husband Jack who died while out on a run one morning. Unfortunately, she is an unreliable narrator due to her insomnia and paranoia which is exacerbated by her drinking and pill popping.
I must admit that this book has my mind reeling with this plot. I almost felt a bit like Poppy while reading this novel where the murder mystery with so many moving parts and flashbacks that one can only hope is resolved in the end. The tangled dream versus reality theme seemed to end up tying itself into knots. It seems like Poppy is getting help from her therapist, Dr Nash, but then that relationship seems to disappear. It seems Poppy is left to figure out her “hypnagogia” on her own.
Although I found the writing strong and the characters well developed, I found the story line became unnecessarily convoluted which was probably intentional to build suspense. Unfortunately, it felt anticlimactic for me when the story did finally bring all the chaotic tangled pieces together. - Rating: 4 out of 5 stars4/54.5 stars.
Under My Skin by Lisa Unger is an absolutely riveting mystery which brilliantly utilizes the unreliable narrator plot device.
One year after her husband Jack's murder, Poppy Lang is self-medicating with drugs and alcohol. Poppy experienced a breakdown immediately after his death and she still cannot recall what happened to her during the days she went missing. Undergoing therapy, Poppy is struggling to understand if her dreams are real and if so, what do they mean? She is also certain someone is following her, but can her account of events be trusted? Her best friend, Layla Van Santen, wants her to put the past behind her, but with Jack's murder still unsolved and her lack of clear memories, Poppy cannot stop searching for answers. Will Poppy's quest put her in the crosshairs of a killer?
Poppy is a very sympathetic yet frustrating character. Her unrelenting grief and guilt over Jack's death is palpable. Unable to cope, she uses non-prescribed drugs and copious amounts of wine to numb her pain and quiet her mind. As her therapist tapers down the dosage of her sleeping pills, Poppy's dreams become quite vivid and she desperately tries to figure out their meaning. During the day, she loses time and experiences terrifying holes in her memory. Poppy also has great difficulty trying to figure out whether what is happening to her is real or a series of frighteningly realistic delusions. Her unrelenting sorrow is understandable but she is incredibly self-destructive as she tries to make peace with her tragic loss. Once Poppy finally decides to take control of her life, many of her disjointed dreams and hallucinations begin to make sense.
With an incredibly tension-filled storyline, a possible unreliable narrator and a heartbreaking unsolved murder, Under My Skin is a very intriguing mystery. Despite a bit of repetition, the storyline is engrossing and fast-paced. With unexpected twists and breathtaking turns, Lisa Unger brings the novel to an absolutely jaw-dropping conclusion. I thoroughly enjoyed and highly recommend this clever mystery to fans of the genre. - Rating: 4 out of 5 stars4/5Poppy's husband, Jack, was brutally murdered. After the funeral, she had disappeared for four days, only to reappear at her friend's home with no memory beyond occasional flashes of what happened during those days. Now, it's a year later and, despite counselling, she is still having problems distinguishing what is real and what is just the result of the drugs and alcohol that she has been using to dull her grief. She is not sure, for instance, whether she is being stalked or she is just imagining the man in the black hoodie who seems to always show up wherever she goes.Under My Skin is a well-written, well-plotted psychological thriller by Lisa Unger. A bit confusing at times trying to distinguish between Poppy's reality, flashbacks, and drug-induced hallucinations but, of course, that was the intent. Overall, a real page-turner, one that kept me up at night trying to guess who dunnit it.Thanks to Netgalley and Park Row for the opportunity to read this book in exchange for an honest review
- Rating: 4 out of 5 stars4/5This was a psychological thriller which alternated between dream state / nightmares, hallucinations / hypnagogic states, and reality. It was interesting how the author wove these various sequences together so that the reader was always on edge wondering what was real and what wasn't.
The story made me suspect many of the characters, giving you plenty of reasons why to suspect one or the other, but never enough to convince you. When the conclusion came, I was surprised as to who was the suspect and why.
I also liked how Unger brought Jones Cooper into the novel, although very briefly.
#UnderMySkin #LisaUnger - Rating: 5 out of 5 stars5/5Previously, I have had the pleasure of reading Lisa Unger novels. As usual, all the elements that make this read enjoyable are there. Under my Skin combines a love story with a terrible loss, flawed characters who are interesting and intriguing, a murder mystery which appears to be unsolvable. Jack and Poppy are a happily married young couple. During his morning jog, Jack is brutally killed. Poppy, under the weight of terrible grief, uses sleeping pills and other drugs with alcolhol for a year, leaving her in a state where she cannot tell reality from bad dreams. During this confused period of time, she is looking for the murderer of her husband. She is helped by her childhood friend Layla and a dedicated detective who does not want to give up. All in all, this is a page-turner of a mystery. I would recommend this to readers who want something different in their thriller booklist. Thank you to Park Row Books and NetGalley for an eArc of Under my Skin by Lisa Unger in exchange for an honest review.
- Rating: 4 out of 5 stars4/5At first, I thought, Oh, for goodness sake! Here we go again with another mystery involving a female, suffering from repressed memories and an addiction to sleeping pills and liquor. Add to that she is also suffering from Hypnagogia and some sort of amnesia and you've got yourself one unreliable narrator. the likes your may have seen in The Woman in Cabin 10 and The Girl on the Train. Her name is Poppy and understandably she's in a state as her husband, Jack, was murdered while out for a jog. The murderer was never found and she feels if only she could piece together the fabric of her memory she would discover who it was that changed her life forever, ruined her hopes and dreams. For better or worse, she is surrounded by a support group of old and new friends who may or may not be all that helpful to her. Who may or may not be the murderer.What separates Poppy from all the other self-inflicted victims of literary renown is the author, Lisa Unger. Somehow, she enables me to sympathize with Poppy and care about her well being. The reader wants Poppy to find the answers even though they could lead her to herself. A well written who done it which puts Unger on my must read list. 3.5/5Thank you NetGalley and Harlequin - Hanover Square Press for the opportunity to read and review this selection.
- Rating: 3 out of 5 stars3/5Poppy Lang can’t escape the anguish enveloping her. The sudden death of her husband, Jack, murdered during an early morning run, leaves Poppy in a fragile state, struggling to recover from a nervous breakdown. Her memory’s a black hole of somnolence and forgotten days, she’s consumed by strange dreams and tormented by inexplicable fleeting images. And now someone is following her. Is it paranoia, born of an exorbitant amount of pills and far too much liquor, or is Poppy’s life truly in danger? Can she find a way to distinguish between reality and imagination? Can she move past the tragic loss of her husband and put her life together again?After far too many episodes of pills and booze, the missing pieces of Poppy’s days following her husband’s murder slowly unfold. She’s “stuck” at all the “what-if” scenarios she can conjure up; they form the obsession that she cannot relinquish. The characters are well-drawn; the writing, first-rate. As Poppy struggles to define what is real and what is imaginary, readers wrestle with the same dilemma. But the time Poppy spends inhaling pills and liquor feels as if it takes up too much space in the telling of the tale. As a result, the narrative tends to drag as readers muddle through these episodes and it becomes more and more difficult for them to continue to empathize with the grieving widow. The pace . . . and the tension . . . ramp up significantly in the second part of the story. Astute readers may identify the murderer before the big reveal, but there are enough twists and turns here to keep those pages turning rapidly. Overall, this is a solid story and readers are likely to be pleased with the resolution.I received an e-copy of this book from Harlequin-Hanover Square Press/Park Row and NetGalley.#UnderMySkin #NetGalley
- Rating: 3 out of 5 stars3/5It feels like I haven't finished a book in weeks. Under My Skin had the unfortunate luck of being read during my reading slump and busy work month. This may have contributed to my lackluster feelings about the book; I'm not sure. I do know that I struggled with the first half of the book, and I found part of the ending a little over the top, but overall it was an enjoyable read.I have an issue with books that use insomnia or pill popping to make an unreliable character. I'm just not a fan of that manic, hazy, is-this-or-isn't-this real frame of mind. When we first meet Poppy she is in the middle of this crazed state, one year after the murder of her husband. No one knows who killed him, and Poppy can't remember anything about the days following his funeral, so the majority of the time she is running around trying find out what happened all the while dealing with the effects of being doped up and sleep deprived. There are plenty of times when you are left questioning reality right along side Poppy.Once everything started coming together I felt that pacing picked up and I became more invested in the outcome. I will say that the whole story-line with Noah was very odd to me and also the villain monologue at the end seemed cheap and unnecessary. I can see a lot of people liking this more than me as it is well-written and contains a certain amount of thrill. I just prefer my thrillers more steeped in reality over the dream-like state of Poppy's.
- Rating: 5 out of 5 stars5/5This was an amazing read. Lisa Unger is a familiar author to me and I went into this believing that it would be a good read. I was not wrong, this is her best yet in my opinion.I was entranced with the main character and wanted her to find her answers without further pain. Lisa Unger is a magician, don't be fooled thinking she is exclusively an author. Distraction, sleight of hand...and I fell for all of them. I solved this mystery (incorrectly) several times over.Good solid read, good solid characters, I just can't ask for anything more from a book. It had me from page one and kept pulling me in deeper. Read it! You'll love it. This book was provided to me by NetGalley and the publisher.
- Rating: 5 out of 5 stars5/5One of my favorite books of the year. Lisa Unger brings a good mystery vibe along with all the aspects of a good thriller. The characters and all their flaws were well laid out and the suspense lasted all the way until the end, which is rare in many books of this genre lately. Very well done!
- Rating: 3 out of 5 stars3/5I am a big fan of Lisa Unger and enjoy here thrillers. And I really wanted to love this one also, but it didn’t knock me out. The story is about Poppy whose husband was murdered when he went for a run one morning. A year later, his murder is still unsolved and Poppy has been living in a fog, taking medication and having blackouts. When her nightmares seem to be real, she believes they could be memories. On top of that, she thinks she is being followed. Sounds like one for the loony bin. As the story progresses, we learn more, but is Poppy safe? I just couldn’t get into Poppy’s story and therefore was not ecstatic about this book.
- Rating: 4 out of 5 stars4/5Some people go on Internet dates to meet that special someone or to just make some sort of connection to combat loneliness. Poppy, the main character in Lisa Unger’s Under My Skin, goes on these dates to satisfy her need for physical affection without wanting to ever talk the person again. It can be a risky undertaking, and she has been flirting with recklessness ever since losing her husband the year before. Poppy and Jack were just getting started with a new photography agency, an upgrade in their living arrangements, and attempts to have a baby together when Jack was killed. He was attacked while out for a run one morning, and Poppy is filled with guilt because she did not accompany that day as usual. Right after his death, Poppy had a breakdown, disappearing for days with no memory of where she was or what she was doing during that time. Her best friend from childhood and coworkers keep a close eye on her as she struggles to keep up with the business and maintain her sanity. Poppy can’t bring herself to unpack the boxes in the new apartment, and she has been turning increasingly to overly self-medicating. When she thinks she is being followed, she contacts the detective who is still investigating Jack’s death. He tells her that some new evidence has come to light that might indicate that Jack’s death was not a random attack. Poppy experiences flashes of former events, but are they just dreams or real memories? Could she be losing her tenuous grip on reality or is her subconscious trying to send her a message? Seeking answers, Poppy searches the city for the places and people she has envisioned. Meanwhile, she also is torn by some unexpected feelings for one of her Internet dates whose persistence both comforts and unnerves her. Poppy increasingly takes chances and chases after danger as she gets closer to discovering the truth about her missing days. Her discoveries cause her to question her assumptions about her marriage and wonder about the secrets that may have been simmering beneath its happy facade. Unger’s novel is a solid page-turner with some good twists and well-developed characters. Under My Skin should be well-received by Unger’s current followers, and would also appeal to fans of A.J. Finn, Ruth Ware and Paula Hawkins.
Book preview
Under My Skin - Lisa Unger
PROLOGUE
I like him. I do.
But.
There’s always a but, isn’t there?
He’s talking and I should be listening. I’m not. Does he see it, that I’m scattered, distracted? Doubtful. He doesn’t seem especially observant, has that way about him that people do now. As if they are putting on a show of themselves, as if the moment is being watched rather than lived. He glances about as he talks. Up at the television screens over the bar, all on mute, all tuned in to different sporting events. Down at the phone that sits dark beside him. Back to me, off again to the rowdy table across from us—a postwork gathering I’m guessing from the rumpled suits and tired eyes.
I soak in the details of him: his shock of ink black hair, thick—any girl would kill for it; dark stubble on his jaw, just enough—sexy, not unkempt, style, not neglect; his gym-toned body. Beneath the folds of his lavender oxford, the dip of cut abs, the round of a well-worked shoulder.
If I had a camera in my hand—not a smartphone but a real camera—say a mirrorless Hasselblad X1D, ergonomic, light—old-school style with high-tech innards—I’d watch him through the lens and try to find the moment when he revealed himself, when the muscles in his face relaxed and the mask dropped, even for just a millisecond. Then I’d see him. The man he really is when he steps off the stage he imagines himself on.
I already knew he was handsome, stylish, in shape, before we agreed to meet. His profile told me as much. He works in finance. (Of course he does.) His favorite book is the Steve Jobs autobiography. (What else?) But what’s under his skin, that carefully manicured outer layer? Beneath the mask he puts on in the morning—what’s there? The camera always sees it.
He runs his fingertips along the varnished edge of the table between us, then steeples them. I read somewhere that this is the gesture of someone very sure of himself and his opinions. It tracks. He seems very sure of himself, as people who know very little often are.
He laughs, faux self-deprecating, at something he’s just said about himself. His words still hang in the air, something about his being a workaholic. What a relief that it’s just drinks, not dinner. No point in wasting time, if it’s not there, he wrote. Who could disagree? So adult. So reasonable.
I never thought it would be. It can’t be. Because it has nothing to do with the way he looks. It isn’t about his eyes, black, heavily lashed and half-lidded. Or the bow of his mouth, full, kissable. (Though I might kiss him anyway. Maybe more. Depends.) Attraction, desire is nothing to do with the physical; it’s chemical, a head trip. And my head—well, let’s just say it’s not on straight.
A woman laughs too loud—a cackle really, harsh and jarring. It startles me, sends a pulse of adrenaline through me. I scan the crowd. I really shouldn’t be here.
Time for another?
he asks. His teeth. They’re so white. Perfectly aligned. Nothing in nature is so flawless. Braces. Whitening.
The rim of the glass is ice-cold beneath my fingertip. The drink went down fast, too fast. I promised myself I wouldn’t drink, not with everything that’s been going on. It’s been a long day, a long week. A long year. The weight of it all is tugging at me, pulling me under.
I take too long to answer and he frowns, just slightly, looks at his phone. I should just leave. This is crazy.
Sure,
I say instead. One more.
He smiles again, thinks it’s a good sign.
Really, I just want to go home, pull up my hair, put on my sweats, get into bed. Even that’s not an option. Once we walk out of here, it’s back to the jigsaw puzzle of my life.
Grey Goose and soda,
he tells the waitress when he’s flagged her down. He remembers what I’m drinking. A small thing, but so few people pay attention to the details these days. And Blanton’s on the rocks.
Straight bourbon, very manly.
Am I talking too much?
he says. He looks sweetly sheepish. Is it put on? I’ve heard that before. My last girlfriend, Kim—she said I ramble when I get nervous.
It’s the second time he’s mentioned her, his last girlfriend, Kim.
Why, I wonder? Carrying a torch? Or just trying to market himself as someone who’s been in a relationship? Also, last girlfriend.
It begs the question: How many others? Maybe I’m reading too much into it. I do that.
Not at all.
I am a seeker. I want to explore the world. Don’t you? I love to learn, to cook, to travel. I get lost in a good book.
That’s what his profile said. In his picture, he smiled, nearly laughing, hair wind-tossed. It was a good photo, could have come from a magazine—which is always suspicious. Photographers know all the tricks to capturing beauty, the right angles, the proper lighting, the magic of filters. The truth is that most people aren’t that hot in person. Even beautiful people, real ones, are flawed in some way—not airbrushed, or prettily windblown, eyes glittering. Lines around the eyes and mouth, an almost imperceptibly crooked nose, a faint scar—chicken pox or a childhood fall from a bike. People, real people, have a little stain from lunch on their tie, maybe something hanging from their nose or in their teeth, patches of dry skin, shoes that need replacing. These imperfections make us who we are, tell the truth of our lives.
But to his credit, he is close to as good-looking as his profile picture. But something’s off. What is it?
There’s nothing special about my profile picture, nothing misleading, just a photo snapped by my friend Layla, who set the whole thing up. Of course, she’s a talented photographer, my oldest friend and knows how to shoot me. No filter, though, no Photoshop tricks. What you see is what you get. Sort of.
What about you?
he says.
The waitress delivers the drinks to our high-top. Her ears are lined with silver hoops; another in her lip. She is fleshy but pretty with startling green eyes that give her an otherworldly look. I bet she reads a lot of teen fantasy novels. Twilight. Harry Potter. Hunger Games.
"Thank you, darlin’," he says to her. He drops the g and inflects the word with a twang, though I know he was born and raised in New Jersey. She beams at him, flushes a little. He’s a charmer in a sea of snakes.
I notice that he has a way of looking at women, a warm gaze, a wide smile. It seems like a choice. A technique. He knows that women like to be gazed upon, attended to with male eyes. It makes them feel pretty, special in a world where we too rarely feel like either of those things. She smiles at him, does this quick bat of her eyelashes. She likes him. I can tell; she glances at him from time to time as she shuttles back and forth along the bar, between the other high-tops she’s also serving. Even if I walk out of here, I’m sure someone will go home with him. Good-looking, charming guys emanating the scent of money rarely go lonely.
What do you want to know?
I ask when he turns back to me.
He takes a sip of his bourbon, gazes over his glass, mischievous. In your profile, you said you were a runner.
Did Layla put that in my profile? Layla—this dating thing? All her idea. Time to get back out there, girlfriend. I honestly don’t remember what we put in the profile.
"I run," I say. The truth is that I used to run. I don’t know if I’d call myself a runner.
What’s the difference?
I run—for exercise, because I like it, because it calms me. But it doesn’t define me. I don’t have a group, or register for races, travel to do marathons or whatever.
Am I rambling?
Finally, I run. I am not a runner. Anyway, I’m more indoors lately, at the gym.
He nods slowly, a pantomime of the careful listener, looks down at his glass.
I almost tell him about Jack then; it’s always right on the tip of my tongue.
My husband was killed last year, I want to say. He was attacked while he was running in Riverside Park at 5:00 a.m. Whoever it was—they beat him to death. His murder is still unsolved. I should have been with him. Maybe if I had been… Anyway. I don’t find running as enjoyable as I used to.
But then he’s talking about how he started running in high school, ran in college, still runs, travels for marathons, is thinking about a triathlon in New Mexico next year, but his work in finance—the hours are so crazy.
Kim’s right, I think. He talks too much. And not just when he’s nervous. Because he’s not nervous, not at all.
It’s his nails. They’re perfect. They are, in fact, professionally manicured. Expertly shaped and buffed squares at the ends of thick fingers. He steeples them again on the table between us. That’s the but. Vanity. He’s vain, spends a lot of time on himself. The gym, his clothes, his skin, hair, nails. Which is fine for tonight. But in the long game, when it’s time to stop worrying about yourself and start thinking about someone else, he’s not going to be able to do it. The lens would have seen it right away.
Should I mention my nervous breakdown, the one I had after Jack died, how days of my life just—disappeared? Probably not, right?
The space grows more crowded, louder. It’s one of those Upper East Side sports bars with big screens mounted at every angle, games from all over the country, all over the world playing. It’s filling up with the after-work crowd, men who are really still babies with their first jobs, fresh out of school, girls—tight-bodied, hair dyed, waxed and threaded, tits high—who have no idea what the next ten years will hold, how many disappointments small and large.
It’s Thursday, tomorrow the end of the workweek, so the energy is high, exuberant voices booming. Our waitress drifts back and forth, deftly balancing trays of clinking highballs, frothy pilsners of beer, shot glasses of amber liquid. Shots? Really? Do people still do that?
There’s a buzz of anxiety in the back of my head as I scan the crowd, turn to look through the big windows to the street. Someone’s been following me, I almost say, but don’t. I’ve been suffering from some sleep disturbances, some unsettling dreams that might be memories, and to be truthful my life is a bit of a mess. But I don’t say those things. He’s still talking, this time about work, a boss he doesn’t like.
It’s closing in, all the laughter, cheering, bodies starting to press, ties loosening, hair coming down. I let him pick the meeting place. I’d have chosen a quiet spot downtown—in the West Village or Tribeca, someplace soothing and serene, dark, where you speak in low tones, lean in, get to know someone.
Note to self: don’t let them choose—even though the choice speaks volumes. In fact, this dating thing, maybe it’s not for me at all.
I’ve got an early day tomorrow,
I say, in the next lull between things he’s saying about himself. He’s been practically yelling, to be heard above the din. I should get out of here. Huge mistake.
I see it then. A flinty look of angry disappointment. It’s gone in a millisecond, replaced by a practiced smile.
Oh,
he says. He looks at his watch—a Fitbit, wouldn’t you know it. Yeah, me, too.
This has been great,
I say. He picks up the check, which the bartender must have laid in front of him at some point.
I take my wallet out.
Let’s split it,
I say. I prefer to pay or split in these circumstances; I like the feel of equal ground beneath my feet.
No,
he says. His tone has gone a little flat. I’ve got it.
It’s not just the nails. There’s a sniff of arrogance, something cold beneath the flirting. I can see the glint of it, now that he knows he’s not going to get what he came for. Or maybe it’s not any of those things. Maybe there’s nothing wrong with him at all. Very likely it’s that something is wrong with me.
Or most likely of all, it’s just that he’s not Jack.
Until you let your husband go, no one else will measure up. That’s what my shrink said.
I’m trying. I’m dating.
Setting them up to knock them down isn’t dating.
Is that what I’m doing? Just killing time with men who can’t help but to ultimately reveal themselves as not-Jack. They won’t be as funny as he was, or know just where to rub my shoulders. They won’t run out at any hour for anything I need, without being asked. I’ll go grab it for you. They won’t have his laugh, or that serious set to his face when he’s concentrating. They won’t bite on the inside of their cheeks when annoyed. They won’t feel like him, or smell like him. Not-Jack.
Until one day, says Dr. Nash, there’s someone else who you love for all new reasons. You’ll build a new life. I don’t bother telling her that it’s not going to happen. In fact, there are a lot of things I don’t bother telling Dr. Nash.
On the street, though I reach out for his hand, he tries for a kiss. I let his lips touch mine, but then I pull back a little, something repelling me. He jerks back, too. It’s awkward. No heat. Nothing. I shouldn’t be disappointed, should have long ago lost the capacity for disappointment. I suspected (knew) that it wouldn’t be there. But I thought maybe if there was heat, some physical spark, I wouldn’t need the sleeping pills tonight. Maybe we’d go back to his place and I’d have a reprieve from putting back the pieces of my fractured life.
Now I must decide where I will go tonight—back to an apartment I was supposed to share with my husband but where I now live alone and no longer feel safe, back to Layla’s penthouse, maybe to a hotel.
A police car whips up Lexington. Whoop. Whoop.
Maybe we could run this weekend?
He’s still working it, though I can’t imagine why. Ever try the trails up in Van Cortlandt Park? Short but pretty—you feel miles away from the city.
Nice,
I say.
Unless there’s someone lurking in the shadows, and no one can hear you call for help.
Should I text you?
He’ll never text me, of course.
That sounds great.
Even if he does text me, I won’t answer him. Or I’ll put him off until he gets the hint. It’s easy like that, this dating thing in the age of technology. You can dangle someone off the edge of your life until they just float away, confused. Ghosting, I think the millennials call it.
Can I see you home?
he asks.
No,
I say. I’m fine. Thanks.
I feel wobbly, suddenly. It’s after nine, and those two vodka sodas are sloshing around in an empty stomach, not to mention the other chemicals floating in my bloodstream. I haven’t eaten anything since—when?
You okay?
he asks. His concern seems exaggerated, his tone almost mocking. There are other people on the street, a couple laughing, intimate, close, a kid with his headphones on, a homeless guy sitting on the stoop.
I’m fine,
I say again, feeling defensive. I didn’t have that much to drink.
But then he has his arm looped through mine, too tight, and I find myself tipping into him. I try to pull away from him. But he doesn’t allow it. He’s strong and I can’t free my arm.
Hey,
I say.
Hey,
he says, a nasty little mimic. You’re okay.
Of course I’m okay, I want to snap. But the words won’t come. There’s just this bone-crushing fatigue, this wobbly, foggy, vague feeling. Something’s not right. The world starts to brown around the edges. Oh, no. Not now.
She’s okay,
he says, laughing. His voice sounds distant and strange. Just one too many I guess.
Who’s he talking to?
Let go of me,
I manage, my voice an angry hiss.
He laughs; it’s echoing and strange. Take it easy, sweetie.
He’s moving me too fast up the street, his grip too tight. I stumble and he roughly keeps me from falling.
What the hell are you doing?
I ask.
Fear claws at the back of my throat. I can’t wait to get away from this guy. He pulls me onto a side street; there’s no one around.
Hey.
A voice behind us. He spins, taking me with him. There’s someone standing there. He looks distantly familiar as the world tips. Somewhere inside me there’s a jangle of alarm. He has a dark hood on, his face not visible.
It’s him.
He’s big, bigger than—what’s his name? Reg, or something. Rex? The big man blocks our path up the sidewalk.
Hey, seriously, dude,
says Rick. Yes, Rick, that was it. Step aside. I’ve got this.
But the world is fading fast, going soft and blurry, tilting. There’s a flash, quick-fire movement. Then a girlish scream, a river of blood. Black red on lavender.
Then arms on me.
Falling.
Nothing.
PART ONE
Hypnagogia
Between the dreams of night and day there is not so great a difference.
—Carl Jung, Psychology of the Unconscious
1
I think someone’s following me.
I almost kept this to myself, but toward the end of our session it just tumbles out.
Dr. Nash wrinkles her brow with concern. Oh?
Her office is a cozy living room, all big furniture and fluffy throw pillows. There are shelves and shelves of books and pictures, and trinkets, small art objects from her travels. It’s exactly the kind of office you’d want your shrink to have. Warm, enveloping. I sink deeper into my usual corner on her plush couch, leaning heavily on the overstuffed armrest. I resist the urge to curl up in a ball and cover myself with the cashmere blanket that’s tossed artfully over the back. A grouping of those faux candles flicker on the coffee table; she made me some tea when I arrived. It sits in front of me, untouched.
The other night when I left the gym, there was someone standing across the street. I think I saw him again this morning on a park bench near my office.
Even thinking about it, there’s a flutter of unease.
The doctor shifts in her leather Eames chair; it’s too well made to creak beneath her weight. She’s a wisp of a woman. The leather just whispers against the fabric of her pants. Afternoon light washes in, touching her hair and the side of her face. There are these longish pauses in our conversation where she chooses her words, letting mine ring back to me. She takes one now, considering me.
Are you certain it was the same man?
she asks finally.
A cool October breeze wafts in the open window, street noise carrying up from nine floors below. A horn, the rumble of a manhole cover wobbling beneath the weight of passing vehicles, the yipping of some small dog. I imagine a Yorkie in a little sweater, straining against a slender leash.
No,
I admit.
But certain enough that you’re uneasy about it.
I’m already sorry I brought it up. I did see someone, a man in a black hoodie, sneakers, faded jeans. He stood in a dark doorway across the street when I left the gym last Tuesday. Then on Thursday as I headed to my office clutching my daily quadruple espresso, I saw him again. I felt his eyes on me, the details of his face hidden in the dark shadow of that hood.
I dismissed it. There are lots of staring men clad in jeans and hoodies in this city. Any girl will tell you, there are always eyes on you, unsolicited comments, unwanted noises, unwelcome approaches. But then maybe I saw him once more over the weekend, when I was coming home from the farmers’ market. Still, it’s hard to be certain.
Well,
I backpedal. Maybe it wasn’t the same man.
I shouldn’t have said anything. I don’t want her to think I’m backsliding. Stumbling toward another breakdown. When something like that happens to you, there’s this energy to the people who care about you, like they’re always waiting for signs that it’s going to happen again. I get it; they don’t want to miss the tells a second time and run the risk of losing you again, maybe for good. Even I’m wary. I feel a little sick about that black spot in my memory where I took a vacation from reality, how fuzzy are the days surrounding Jack’s murder.
So. I try not to think about it. It’s one of the things from which I am trying to move on. That’s what you’re supposed to do, you know, when the worst thing happens and you’re still standing. Everyone’s very clear about it: you’re supposed to move on.
It’s probably nothing,
I say, stealing a surreptitious glance at my watch. My smartphone, my tether as Jack liked to call it, is off and tucked into my bag, as per Dr. Nash’s office rules. Here we free ourselves of distractions and try to be present in a world that conspires against it, she has said more than once.
Dr. Nash watches me, prettily brushing away an errant strand of her lovely gray-blond bob. Behind her there’s a picture of her family—her chiseled-jaw, graying husband, her grown children both with her same delicate features, intelligent eyes. They all stand together on a terrace overlooking a beach sunset, smiling, faces pressed together. We’re perfect, it seems to say. Wealthy and gorgeous, without a single stain of darkness on our lives. I look away.
I noticed you’re not wearing your rings,
she says.
I look down at my left hand. The finger is slightly indented from my wedding and engagement rings, but bare.
When did you make that decision?
My hands swelled the other night, and I took the rings off and put them in the dish beside my bed. I haven’t put them back on. I tell her as much. Jack has been dead almost a year. I’m not married anymore. Time to stop wearing the jewelry, right? Even though the sight of my bare hand puts a painful squeeze on my heart, it’s time.
Was it before or after that you started seeing the hooded figure?
Dr. Nash is the master of the pointed question.
I see where you’re going with this.
I’m just asking.
I smile a little. "You’re never just asking, Dr. Nash."
We like each other. Sometimes, lately, our sessions devolve into chats—which she says is a sign I need her less. A good thing, according to her. Progress on the road to healing, the new normal as she likes to call it.
How are you sleeping?
she asks, letting her other question rest.
I have the nearly empty pill bottle in my purse. Last time I asked for more, she wrote me a scrip but lowered the dosage. I’d like you to try to get off these. Honestly, it hasn’t been going well. My dreams are too vivid. I’m less rested, so edgier, jumpier during the day.
I was going to ask for my refill.
How’s that lower dosage?
I shrug, trying for nonchalance. I don’t want to appear fragile, not to her, not to anyone. Even though I am, terribly. I’m dreaming more. Maybe I feel a little less rested.
You’re not taking more of them, though, are you?
I am. I’m also doing other things I shouldn’t be doing. Like taking them with alcohol, for one.
No,
I lie.
She nods carefully, watching me in her shrink way. You’ve been taking them for eleven months. I’d like to go down to the minimum dosage with an eye toward your being off them altogether. Want to give it a try?
I hesitate. That chemical slumber is the best place in my life right now. I don’t say that, though. It sounds too grim. Instead I find myself agreeing.
Great,
she says. If it’s an issue, we’ll go back up to the dosage you’re on now. And those dreams? Go back to the dream journal you were keeping when Jack first died. It’s an important part of our lives, our dream world. As we’ve discussed, we can learn a lot about ourselves there. Do you still keep it by your bed?
Yes.
She hands me the white slip of paper.
Well,
she says. I stare at the crisp sheet, her doctor’s scrawl. I think our time is up for today.
I’m always a little startled by the end of a session, the abrupt reminder that no matter how intimate, how I strip myself bare in these sessions, ours is a professional relationship. If I stopped paying, these chats with Dr. Nash would come to an unceremonious end.
And, Poppy? If you see him again, call me.
A siren from the street below drifts up, a distant and ghostly wail. This sound, so frequent in the cacophony of city noise, always makes me think of Jack. About an hour after he left that morning, emergency vehicles howled up the avenue beneath our window. There should have been some premonition, some dark dawning, but there wasn’t.
A lingering head cold had kept me in bed instead of going with him as I normally would have.
You could have died that morning, too, Layla says when we go over and over it.
Or maybe it wouldn’t have happened at all. Maybe we would have run in a different direction. Or maybe we could have fought off the attacker together.
Or maybe, or maybe, or maybe—on and on. Infinite possibilities, myriad ways Jack might still be with me. He overslept; a light caused him to cross another street; I was there and twisted my ankle, causing us to return home. I turn to those scenarios in blank moments, in dreams, when I should be paying attention in meetings. So many other paths he could have taken and didn’t.
I’m not imagining him.
It seems to come out of nowhere.
Dr. Nash cocks her head at me. I didn’t say you were.
I bend down and grab my bag, come to standing as she does.
And lock your doors. Be mindful,
she adds.
You sound like my mother.
She chuckles. We can talk about that next session.
Very funny.
* * *
I walk toward the subway, needing to get back downtown for a two o’clock meeting. I’m probably going to be late—again. The city is such a mess, a constant crush of traffic and delayed trains. I think about a cab or an Uber, but sometimes that’s even worse, snaking through jammed streets, trapped in a box, trying to decide if it would be faster to just get out and walk. The whole city seems to conspire against promptness.
I text my assistant, Ben. Running late, I tap in quickly and descend beneath the street. It’s Monday midday, so it’s not as crowded as it could be. Though the day is mild, the platform is hot as an oven and smells like piss. My stress level starts to tick up.
Jack wanted us to leave Manhattan; he’d grown to hate it. Everything that was cool about it is gone. It’s just an island for the rich. He dreamed of a historic property upstate, something with a lot of land, trees, trails to wander. Something we could renovate and make ours. He longed to disconnect from the rush of wanting, grasping, striving, at least on the weekends. He wanted time back behind the camera. He didn’t get any of those things.
We were packing when he died, boxing up the one-bedroom Upper West Side apartment we’d shared for five years. But instead of moving out of the city, we were moving to The Tate, a luxury high-rise in Chelsea—a gleaming tower of apartments with floor-to-ceiling windows, offering stunning vistas, high ceilings, wood floors, chic open-plan kitchens, pool and gym, a 24/7 building staff. It was me. I was the one who wanted it; he acquiesced.
He loved our dark, cozy place on Ninety-Seventh—with views of the other building across the street, with radiators that clanked, and mice in our ridiculously dated kitchen, and the old doorman Richie, who’d worked there forever and was sometimes asleep when we walked in. He loved our crazy, colorful cast of neighbors—Merlinda, the psychic who read clients in her apartment; Chuck—or Chica—accountant by day, drag queen by night, who had the most beautiful singing voice I’d ever heard; Bruce, Linda and Chloe, public school teachers and their adorable, gifted daughter, our next-door neighbors who never failed to invite us for Sunday dinner.
Now I live in a starkly beautiful space that looks out onto lower Manhattan—alone. I don’t even know who lives in the apartment next to me. The hallways are gray tunnels, lined with doors that seem to rarely open. In my apartment, the furniture is placed appropriately—bed in the bedroom, couch in the living area—but most of the boxes are still unpacked. To say I miss my husband, our wacky neighbors, that dark old apartment, our life—well, why? There are no words to adequately describe that slick-walled gully of despair. Suffice it to say that I can’t seem to fully move into my new life without Jack.
I’m sorry, I tell him. I wish I had listened to you.
Dr. Nash says it’s okay to talk to him, if I understand he’s not talking back.
Time drags and I’m ever more fidgety, annoyed. More people file down the stairs. The platform grows dense with bodies, the air thickening with impatience. Still the train doesn’t come. I lean over the edge of the platform to see if I can spot the glow of an oncoming headlamp. No.
I glance at the clock. There is officially no way to be on time now. A bead of perspiration trails down my spine. A glance at my phone reveals that there’s no signal.
When the train finally screeches into the station, it’s already packed. I wait by the door, letting the flow of people exit. There’s no guarantee that the next train will be any less crowded, and that waiting meeting looms. I shoulder myself on, shimmying toward the door that connects one car to the other; find a space with a little breathing room. The cars fill.
Stand clear of the closing doors.
The doors close, open again, then finally shut for good. The train lurches forward, stops, jostling everyone, then onward again. I close my eyes, try to breathe. The crowded space is closing in already. I am not great in tight spaces, which is an uncomfortable condition for a city dweller. It’s worse since Jack died; the fingers of panic tugging at me more than they used to. I lean my head against the scratched, foggy glass. Breathe. Just breathe. Imagine you’re on a trail in the woods, plenty of space, the tall green trees giving oxygen and shade. There’s a bird singing, the sound of the wind in the leaves. It’s the meditation Dr. Nash gave me for dealing with anxiety in crowds or anywhere. Occasionally, it works.
But when I open my eyes again, he’s there. That hooded man, pressed in among the crowd in the other car, a statue amidst the clutter of shuffling, jostling passengers. His eyes are hidden by the shadow of the hood, but I can feel them. Is it the same man? My heart stutters, a suck of fear at the base of my throat.
Reality cracks, a fissure splits in my awareness. For a moment, quick and sharp, I’m back in my own bedroom. The space beside me on the king mattress is cold when it should be warm. The covers are tossed. Jack left for his run without me, letting me sleep.
Jack?
Then I’m back, the