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Frankenstein (NHB Modern Plays): Stage Version
Frankenstein (NHB Modern Plays): Stage Version
Frankenstein (NHB Modern Plays): Stage Version
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Frankenstein (NHB Modern Plays): Stage Version

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Victor Frankenstein, a brilliant and ambitious young student, discovers the secret of creating life from the remains of the dead. But elation at his triumph is replaced by horror when he sees his monstrous creation. Abandoned by the one who made him, Frankenstein's Creature is left to a world that fears and rejects him, and soon his innocence turns to misery - and a murderous desire for revenge...
Every word in Patrick Sandford's 'vigorous adaptation' (The Times) is lifted directly from Mary Shelley's classic gothic novel. One of the greatest horror stories of all time, and one that still grips readers today almost two hundred years after its first publication.
All the more successful for staying faithful to the dark spirit of the original book, this adaptation includes notes on the first production and can be performed with a minimum of set and props, making it well suited for staging by schools and amateur theatre groups, as well as by professional companies.
'Atmospheric… haunting… with splendid Gothic horror touches… a truly impressive theatrical experience' - ReviewsGate.com
LanguageEnglish
Release dateMay 26, 2016
ISBN9781780017778
Frankenstein (NHB Modern Plays): Stage Version
Author

Mary Wollstonecraft Shelley

Mary Shelley (1797–1851) was born to well-known parents: author and feminist Mary Wollstonecraft and philosopher William Godwin. When Mary was sixteen, she met the young poet Percy Bysshe Shelley, a devotee of her father’s teachings. In 1816, the two of them travelled to Geneva to stay with Lord Byron. One evening, while they shared ghost stories, Lord Byron proposed that they each write a ghost story of their own. Frankenstein was Mary’s contribution. Other works of hers include Mathilda, The Last Man, and The Fortunes of Perkin Warbeck. 

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    Book preview

    Frankenstein (NHB Modern Plays) - Mary Wollstonecraft Shelley

    Epub cover

    Mary Shelley's

    FRANKENSTEIN

    selected and structured for the stage by

    Patrick Sandford

    NICK HERN BOOKS

    London

    www.nickhernbooks.co.uk

    Contents

    Title Page

    Original Production

    Production Note

    Textual Note

    Characters

    Frankenstein

    About the Authors

    Copyright and Performing Rights Information

    This stage adaptation of Frankenstein was first performed at the Nuffield Theatre, Southampton on 22 September 2004, with the following cast:

    A chorus of people drawn from the community played the ship’s crew, scientists and townspeople

    Production Note

    Mary Shelley’s original has been considerably distorted by film versions.

    In her book the chief characteristics of Frankenstein are pride followed by regret.

    The Creature is highly intelligent, physically powerful and emotionally vulnerable. He need not necessarily be naked. In the original production he was swathed in wet muslin, and later dressed in clothes stolen from Frankenstein’s university room.

    Clearly the body parts cannot be real. A lateral interpretation must be found. In the original production a group of real hands pushed through the floor trickling earth and holding human organs. Other solutions might involve Victorian encyclopedia etchings of human limbs, or projections of funerary statuary. Directors and designers will have better ideas.

    The original design was fluid, suiting the fast-moving ‘story within a story’ structure of the play, hinting at locations rather than representing them literally.

    Textual Note

    The words of this play are taken almost entirely from the 1818 edition of Mary Shelley’s novel, with one short passage from the revised 1831 edition.

    The quotations from Percy Bysshe Shelley and Samuel Taylor Coleridge are included by Mary Shelley. The abbreviated fable of Jean de la Fontaine is referred to by Mary Shelley.

    The language, educated and sometimes formal, should be spoken simply and swiftly. Elisions (e.g. ‘haven’t’ for ‘have not’) should happen quite naturally.

    Stage directions from the original production are in italics and may of course be ignored. Some of these reflect directly Mary Shelley’s wording.

    Characters

    in order of appearance

    CAPTAIN WALTON, a polar explorer

    VICTOR FRANKENSTEIN

    ELIZABETH, Frankenstein’s cousin

    HENRY Clerval, Frankenstein’s friend

    FATHER, to Frankenstein

    WILLIAM, Frankenstein’s little brother, aged seven or eight

    JUSTINE, William’s young nurse

    THE CREATURE

    OLD MAN

    FELIX, a peasant

    AGATHA, a young peasant girl, perhaps fourteen or fifteen

    SAFIE, a young Turkish woman

    Plus Arctic crewmen, scientists, villagers, a hangman, townspeople

    Before the play, the image, by whatever means, of a disembodied arm – female – writing.

    ACT ONE

    Scene One

    The play begins and ends on the ice.

    Out of the darkness a face appears, tightly lit. It is CAPTAIN WALTON, a young polar explorer.

    WALTON. There is something at work in my soul which I don’t understand – a love for the marvellous, a belief in the marvellous! This hurries me out of the common pathways of men, even to the mysteries of the ocean. I am going to the land of mist and snow, never before imprinted by the foot of man, surpassing in wonders and beauty every region discovered on the globe. These enticements conquer all fear of danger or death. My daydreams are extended and magnificent!

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