Whisky in Your Pocket: 10th edition based on The Original Malt Whisky Almanac
By Neil Wilson
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About this ebook
Neil Wilson
Neil Wilson is a whisky writer, publisher and historian.
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Whisky in Your Pocket - Neil Wilson
Introduction
THE introduction to the first edition of Whisky in Your Pocket was written by Wallace Milroy in 2010. Sadly he passed away late in 2016 and so the onus of taking on all the writing chores for this new edition has fallen to me. To say that Wallace was a giant in the field of Scotch malt whisky is an understatement and his passing was marked by many prominent members of the industry. The growth of the popularity of the single malt sector owes much to the efforts he and his brother Jack made in central London back in the 1960s and 70s.
But time marches on and the challenges of Brexit now stare the Scotch whisky industry straight in the face. As I write the circumstances of the UK’s future relationship with the EU is simply unknown so I will not make any predictions as to how, over the course of the remaining months in 2020, this will pan out and I will concentrate on what the reader can gain from studying this volume. Its forerunner was Wallace Milroy’s Malt Whisky Almanac, first published in 1986, which evolved over seven editions, reaching 350,000 sales with foreign editions also published in Japan, USA, Canada, Germany and Italy. The seventh edition came out in 1998 and after that Wallace and I decided to rest the project for a while as it was competing in an overcrowded marketplace and had served its purpose well in introducing people to the world of malt whisky.
By 2009 we decided to republish the book under a new title through Waverley Books of Glasgow which brought extra marketing and promotional muscle and very high standards of production quality. A decade has now passed and this new edition comes at a time when the Scotch single malt sector has never been so buoyant with the expansion of a number of established distilleries and many new ones, of various capacities, emerging in almost every corner of the country, a phenomenon which is being matched around the world.
Given this rate of expansion a new edition was necessary and I hope that it will remain the ‘go to’ pocket reference guide to be carried by anyone with an interest in Scotch whisky, whether an old hand or a newcomer. In that latter role it was always Wallace’s intention for the book to quell the nerves of ‘confused consumers’ making their way down the supermarket spirits’ aisle, or venturing through airside shopping areas and being faced with a vast number of differing bottlings. To that end, after the preliminaries, the book remains structured by producing region starting with Speyside, then the geographically vast Highlands which are broken down into Eastern, Northern, Southern and Western, followed by the rapidly expanding Lowlands, then Islay and Campbeltown until we round off with the Islands.
Wallace always felt that the regional classification created by the Scotch Whisky Association (SWA), the official trade organisation body, was in need of revision. The SWA includes the Islands in the Highlands region and it was always a source of amusement to him as to how Highland Park on Orkney and Glengoyne in Stirlingshire were considered to be in the same producing area. Historically only two producing ‘regions’ used to exist, the Highlands and the Lowlands, separated by an imaginary line, drawn up in the Wash Act of 1784, from Greenock to Dundee, either side of which was subject to differing excise regulations. In the Highlands the small-batch, pot-still process was employed whereas the Lowland distillers used the high-volume, large-batch, flash-distillation technique. With the rise of blending in the mid-to-late 19th century, malt distilleries were ranked by blenders into classes from Top, through First, Second and Third Class and generally speaking all the top-ranked whiskies were Speysides. Thus regional styles were applied and have tended to stick largely because the big distillers needed to manage large amounts of stock for blending in a comprehensible manner.
If there is one overriding factor that has driven the many new expressions to have been created over the last decade, it is flavour. No longer is the industry tied to the geographical, terroir-based, limitations nor to the traditional age-specific releases. Now, management of stocks is all tied to how to drive the flavour of a whisky. There are now so many available no-age-statement (NAS) expressions available that it is impossible to cover them all in the compass of this slim volume. For that reason the whiskies detailed herein refer to the main UK trade bottling, whether age-related or not.
The tasting notes used in this book are those of the proprietors where available (or the independent bottler) and describe the whisky after water has been added, unless stated. Any set of notes is subjective, but these are here to help, not to hinder, and have been rendered as simply as possible. The addition of water is to your taste but some malts do not require them and can be treated like a fine cognac or armagnac after dinner. All cask-strength single malts and grains should have some water added (bit by bit ... you can always add water but never take it away!) but you can taste a small amount at full strength first. All the notes refer to 70cl bottle volume unless otherwise stated and the acronym STR refers to casks that have been ‘shaved, toasted and re-charred’.
As alluded to earlier, a large number of new distilling operations have sprung up since the start of the millennium and one very small operator, the Loch Ewe Distillery at Aultbea has closed. (Another to disappear was the short-lived Deeside Distillery at Banchory which undertook a short season of distilling in order to create 100 casks, 88 of which were for private customers. The proceeds are hoped to underwrite a larger distilling operation nearby.) Many of the ongoing works are still at the planning stages or are continuing a very lengthy gestation period such as Falkirk Distillery, but others are now operational after relatively short periods. As I write a distillery in my home town of Moffat, Dumfriesshire, has had its planning application granted and construction should start soon. I have tried to include all of the newer distilleries that have actually laid down whisky stocks or have plans to do so, although tasting samples may not have been available. Companies that are distilling or rectifying purely for the production of gin, with no plans for whisky production, are excluded. Similarly rum distillation is not included although I believe this will be a growth category for distillation in Scotland. Another notable development has been the announcement from Diageo to reinstate distilling at Port Ellen Distillery on Islay and Brora in Sutherland. Similarly Rosebank at Camelon, Falkirk is set to start production soon under the new owners, Ian Macleod Distillers.
The industry can be described as still being driven globally by blended Scotch sales, with a healthy but still relatively small single-malt category and a growing artisanal craft-distilling sector which is showing the most innovation in terms of how whiskies are distilled and matured. In June 2019 the SWA altered the regulations which determine the type of wood in which Scotch whisky can be matured including those previously used to age agave spirits (including Tequila and mezcal), Calvados, barrel-aged cachaça, shochu and baijiu, as well as some other fruit spirits. The possible effects of these changes are some way off, but should increase the appeal of Scotch whisky to a wider market.
New-make spirit is now something that is no longer considered solely for onward maturation to legal whisky status at three years, but can be found being sold commercially such as Lindores Abbey Aqua Vitae and Annandale’s Rascally Liquor. These young, characterful spirits are increasingly popular with mixologists as the base alcohol in new cocktails.
The other educational issue which was introduced in the last edition is the question of what actually constitutes ‘Scotch whisky’. This book clearly defines the five types of Scotch that currently make up the sector: single malt, blended malt, single grain, blended grain and blended Scotch. Chapter 1 deals with this in greater depth and it is not as confusing as it sounds once the production processes for single malt and single grain are understood, as described in Chapter 2.
Diageo remains the giant in the industry with 28 malt distilleries, followed by Pernod-Ricard, operated by Chivas Brothers (13). The other main operators in alphabetic order are Angus Dundee Distillers (2), Beam Suntory (5), BenRiach Distillery Co, owned by Brown-Forman (3), Burn Stewart Distillers Ltd, owned by Distell Group Ltd (3), Edrington (3), Inver House Distillers Ltd, owned by ThaiBev (5), John Dewar & Sons Ltd, owned by Bacardi Ltd (5), Whyte & Mackay Ltd, owned by Emperador (4), William Grant & Sons Ltd (4), Loch Lomond Group, owned by Hillhouse Capital Management (2), Glenmorangie PLC, owned by LVMH (2), Isle of Arran Distillers Ltd (2), Ian Macleod Distillers Ltd (2), Campari Group (1), Signatory Vintage Scotch Whisky Co Ltd (1), Takara Shuzo Co Ltd (1), J&G Grant (1), Rémy Cointreau (1), Gordon & MacPhail (1), Ben Nevis Distillery (Fort William) Ltd, owned by Asahi Group Holdings (1) and La Martiniquaise (1). A further 34 companies are operators of an active single malt whisky distillery, taking the current total to 125.
The grain whisky sector is represented with seven distilleries controlled by Diageo (Cameronbridge), William Grant & Sons Ltd (Girvan), Lothian Distillers Ltd trading as North British Distillery Co Ltd (Edinburgh), Whyte & Mackay Ltd (Invergordon), Loch Lomond Group (Loch Lomond), La Martiniquaise (Starlaw) and Chivas Brothers (Strathclyde).
It is from this range of malt and grain distilleries that the