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The Caller
The Caller
The Caller
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The Caller

Rating: 3.5 out of 5 stars

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“Pranks can have lethal consequences, even when they seem harmless to start with. . . . A poison bonbon that ranks with the best of Ruth Rendell.” —Stephen King in Entertainment Weekly

One mild summer evening, a young couple are enjoying dinner while their daughter sleeps peacefully in her stroller under a tree. When her mother steps outside she is stunned: the child is covered in blood.

Inspector Sejer is called to the hospital to meet the family. Mercifully, the child is unharmed, but the parents are deeply shaken, and Sejer spends the evening trying to understand why anyone would carry out such a sinister prank. Then, just before midnight, somebody rings his doorbell.

No one is at the door, but the caller has left a small gray envelope on Sejer’s mat. From his living room window, the inspector watches a figure disappear into the darkness. Inside the envelope Sejer finds a postcard bearing a short message: Hell begins now.

Praise for Karin Fossum:

“A superb writer of psychological suspense.” —New York Times

“Sejer is a beautifully created character, a thoughtful, lonely man with great empathy.” —Publishers Weekly

“With sharp psychological insight and a fine grasp on police procedure, Fossum is easily one of the best new imports the genre has to offer.” —The Baltimore Sun

“No one can thoroughly chill the blood the way Karin Fossum can . . . will put you away, no questions asked.”—Los Angeles Times

“Fossum . . . writes like Ruth Rendell with the gloves off.” —Kirkus Reviews

“A truly great writer and explorer of the human mind.” —Jo Nesbo, New York Times bestselling author of the Harry Hole series
LanguageEnglish
Release dateAug 14, 2012
ISBN9780547577623
The Caller
Author

Karin Fossum

KARIN FOSSUM is the author of the internationally successful Inspector Konrad Sejer crime series. Her recent honors include a Gumshoe Award and the Los Angeles Times Book Prize for mystery/thriller. She lives in Norway.

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Rating: 3.700617333333333 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    One fine summer afternoon, a mother leaves her baby outdoors, asleep in her pram, and when she goes to check on her, finds the baby covered in blood. It turns out the baby is fine, and it’s not even her blood, and someone has played a cruel joke on the family which takes a severe emotional toll. Inspector Sejer begins his investigation, and soon realizes someone is orchestrating a string of pranks. Meanwhile, we meet Johnny Beskow, a young man living with his alcoholic mother. There is no doubt Johnny is the prankster, but the reader knows this well before Sejer figures it out.Karin Fossum has taken the Inspector Sejer series from traditional “whodunnit” murder mysteries to psychological thrillers where the criminal is identified early, and suspense is created through the orchestration of their downfall. In The Caller, Johnny’s pranks become more elaborate and he takes more chances. But eventually his actions have horrific consequences (possibly one of the most grueling scenes I’ve read this year), and things begin to unravel. Justice is served, as it always is, but even this happens in an unusual way. Good stuff.
  • Rating: 4 out of 5 stars
    4/5
    This entry into the Inspector Sejer series is unusual in that we see very little of Sejer and his fellow police detectives. Instead, the narrative focuses on the victims and the perpetrator, and tracks the effects of even what seem to be harmless pranks on those who are their targets. It's not unusual for a book to be written from the perspective of the villain, but it doesn't serve as a police procedural. Rather, it enlists the reader in sympathy for each of the characters, with one possible exception.
  • Rating: 4 out of 5 stars
    4/5
    A young man, whose home life leaves much to be desired, takes his aggression out on random people with cruel "pranks" that end up having serious repercussions. I really liked how we got to follow all the victims and the perpetrator and get their backstories - it made for a multi-dimensional read that kept the stakes high. Sejer's story and his physical health (or rather its deterioration) also works to raise the stakes. Very interesting installment in a high-quality series I would recommend to any and all mystery-readers.
  • Rating: 2 out of 5 stars
    2/5
    The New York Times called this one of the most disturbing mystery/crime fiction books of 2013. Aside from the final "prank, " I found this book pretty mild by comparison to most of what I've read in this genre.
  • Rating: 4 out of 5 stars
    4/5
    This is the story of an unhappy teenager who begins to play "pranks" on people he notices in the newspaper. Though to him they are just creative ways to disrupt their too comfortable world, to the victims they are devastating. Things beomce more complicated with unhappy results for all. Though his actions have cruel consequences, the youth receives a sympathetic portrayal, as he copes with an uncaring, alcoholic mother and as he kindly tends his handicapped grandfather.
  • Rating: 4 out of 5 stars
    4/5
    What's a teenage boy living with an alcoholic mother who is passed out on the couch most of the time, and who feels neglected and invisible to society to do? Surely a few pranks on strangers to entertain himself didn't matter? Parents shouldn't leave their sleepy baby in a pram under a tree while they're inside having dinner after all. So what if funeral directors drive a hearse to a home expecting to receive a body, and are actually early when they realize the dying man is still alive? It's not a crime, surely, to chase a little girl while wearing a gorilla mask, and then the pin her down and cut her hair off, just because she has been taunting him with insults? And the man who owns 7 possibly illegal dogs should pay better attention to his kennels in case someone accidentally releases the latch and sets the vicious dogs free. While the newspaper carry stories of these malicious pranks, Inspector Sejer and Skarre are both at a loss as to the identify of the prankster. What they are aware of, though, is the devastating effects these pranks have on their victims, that their victims' lives have all been changed as a result of the shocks they've received at the hands of this cruel person.It takes one prank gone wrong that allows Inspector Sejer his final clue to the identity of the culprit, but will there be enough evidence to bring him to justice?
  • Rating: 4 out of 5 stars
    4/5
    Not just a good mystery, but interesting social analysis as well. Definitely worth reading.
  • Rating: 4 out of 5 stars
    4/5
    Scandinavian-authored crime fiction has taken the world by storm and, like many readers, I have read numerous crime fiction novels from that part of the world in the last two years. Of the several authors whose work I have sampled, Karin Fossum has emerged as my favorite – and her latest, The Caller, reminds me why that is so.Some of Fossum’s colleagues use such spectacular crimes and criminals in their books that they are, in the end, completely unbelievable because it is difficult to take some of their super-villains very seriously for an entire novel. Fossum’s books, on the other hand, have realistic settings that focus on the types of situation one is more likely to encounter in the real world – painting a truer picture of contemporary Norwegian life. Because her characters, both the bad guys and their victims, are believable and understandable, Fossum’s novels have a more ominous feel about them than the more incredible ones. And it does not hurt one little bit that her wonderful Inspector Sejer is at the heart of every story.This time around, someone seems to be playing games with people’s minds in a series of vicious pranks that are leaving deep emotional scars on the chosen targets. It starts one summer day when a young mother goes outside to retrieve her napping baby and finds the child covered in blood. Thankfully, when Inspector Sejer arrives at the hospital, he learns that it is not the baby’s blood. The harm, however, has been done, and the emotional trauma suffered by the baby’s parents soon threatens their marriage. When Sejer receives a hand-delivered card promising that “hell begins now,” he understands just how important it is for him to stop the heartless prankster.Fossum reveals the person behind all this criminal mischief early on in The Caller and, from that point onward, she uses alternating chapters to get inside the heads of the perpetrator and his victims. Eventually, the truly destructive impact of the “pranks” mounts up and the person behind them starts to be blamed for every odd little thing that happens in the area - whether or not he is actually responsible. When one of these odd events turns deadly, things begin to fall apart all around him.The Caller is not a book about a horribly violent crime. It is more a psychological crime thriller reminding me of the work of Ruth Rendell, especially when Rendell writes under her Barbara Vine pseudonym. The bad things that happen are, in a way, accidents resulting from carelessness on the part of a young man who does not bother to think about the consequences of his decisions. He is clever, but naïve about the ways of the world – and his victims pay a much steeper price than he ever imagined for them.Fans of Karin Fossum will be pleased to hear that many (I agree with the assessment) consider this to be the author’s best work since The Indian Bride - and that one is a masterpiece of its type. Rated at: 4.0
  • Rating: 5 out of 5 stars
    5/5
    When you think about it, the main plot line of THE CALLER is simple enough. Someone is playing pranks. The list of pranks that begins with the baby covered in blood grows: a death notice in the paper for someone who is not dead, a prize sheep painted with orange paint, a funeral home requested to collect the body of a seriously ill man who has not yet died, tyres slashed. In themselves the pranks are not life threatening but they are malicious.The reader learns early on the identity of the person playing the pranks, and I think there is the possibility that at least one other person in the community knows who the "prankster" is. But the pranks are vicious acts, perpetrated by an adolescent in whom real anger boils as the result of a life time of neglect. And despite the fact that he is in his late teens he is incapable of seeing beyond the immediate consequences of his pranks. He can't see the sense of security that his pranks have removed from his victims, and he can't forecast their long term consequences. And then two of the pranks have serious consequences. Someone dies.This is #8 in Fossum's Inspector Sejer series and a mark of her popularity with English speaking readers that there has been such a small time lapse since the original publication in Norwegian. If you've not read any of the series before, then you could start with this one. It will send you looking for the others. It presents Inspector Konrad Sejer in a kindly light: ageing, a little worried by health issues, and with great empathy for the victims of these crimes. But he even feels drawn to the prankster himself. He and his team look for the thread that binds the pranks together: how does the prankster select his victims?There's an ambiguity to the ending which seems characteristic of Fossum stories. If what the prankster says is true, there is one prank that was not his doing. And what was Else Meiner doing at the Sparbo Dam?
  • Rating: 4 out of 5 stars
    4/5
    One of the most exciting things about a new book from Karin Fossum is exactly where she's going to take the reader this time. The scenarios, the crimes, the individuals that Fossum incorporates in her books are always very thought provoking, and THE CALLER was certainly no different.From the moment that a young child is found in her pram, in the backyard of her parent's home, bathed in blood; through the mysterious delivery of a message to Inspector Sejer's door; into the story of Johnny and his drunken, irresponsible mother and the touching relationship he has with his grandfather; there's something very very different going on in this book. THE CALLER is very much about consequences. The acts of one irresponsible, foolish prankster who continues to cause havoc with practical jokes that annoy, frighten and discomfort. Even though the nature of the crime being committed as part of these jokes is sometimes obvious, sometimes a little obscure, Inspector Sejer does his best to find the perpetrator as the level of concern grows. The problem is that the perpetrator is clever, and very cool and collected, and you just know the outcomes are going to get worse.THE CALLER takes the reader into the world of both victims and perpetrators - an unusual position in crime fiction where the victim is frequently necessarily silent. Whilst this provides a different perspective it is, as usual, Fossum's way of lighting the dark recesses of human behaviour that stand out in this book. Although there's nothing judgemental about the way that she does this - as in other books, it's a matter of the author drawing the picture, explaining the acts and describing the consequences, leaving the question of guilt or innocence, inexcusable acts and mitigating circumstances open to the reader to consider.All of this is delivered in a simple, lyrical, extremely readable manner. THE CALLER is really another excellent entry in the ongoing series based around Inspector Sejer. The books, however, could easily be read as standalones or out of series order if needs must. But reading them all is no trial whatsoever.
  • Rating: 5 out of 5 stars
    5/5
    The book takes you deep into the hearts and minds of both victims and perpetrators, and, as in other Karin Fossum novels, the mystery is not who did it, but what made them do it. Fossum is no apologist for criminal behaviour, and never makes light of the consequences of her characters' villainous actions. Nevertheless, she can make you understand them in ways no other writer can. She shows a depth of compassion and insight rare not only in crime literature, but any literature. It's as if she's saying, "what this person did is atrocious; this is how they think; this is what happened to them", and we end up taking the complicated and uncomfortable stance that she seems to be taking herself - that is, that there is no excuse for the crimes done, but that the criminal is comes from a place where he or she could not have acted otherwise, given their psychology and twisted thought processes. Her writing style is superb. The similes and metaphors are enlightening, and ring true. It's no surprise to me that she is also a poet of some standing.

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The Caller - Karin Fossum

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Contents


Title Page

Contents

Copyright

Epigraph

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Sample Chapter from EVA’S EYE

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About the Author

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First Mariner Books edition 2013

Copyright © 2009 by Karin Fossum

English translation copyright © 2011 by K. E. Semmel

All rights reserved

First published with the title Varsleren in 2009 by Cappelen Damm AS, Oslo

First published in Great Britain in 2011 by Harvill Secker Random House

For information about permission to reproduce selections from this book, write to [email protected] or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.

www.hmhco.com

The Library of Congress has cataloged the print edition as follows:

Fossum, Karin, date.

[Varsleren. English]

The caller / Karin Fossum; translated from the Norwegian by

K. E. Semmel.—1st ed.

p. cm.

First published with the title Varsleren in 2009—T.p. verso.

ISBN 978-0-547-57752-4 (hardback)

ISBN 978-0-544-00218-0 (pbk.)

I. Title.

PT8951.16.O735V3713 2012

839.82'38—dc23 2012005736

Cover design: Michaela Sullivan

Cover photograph © Lisa Howarth/Trevillion Images

eISBN 978-0-547-57762-3

v5.0317

It’s a good thing there are lies. Lord help us if everything that was said were true.

—OLD ADAGE

1

THE CHILD SLEPT in a pram behind the house.

The pram was from Brio, and the child was an eight-month-old girl. She lay under a crocheted blanket, wearing a matching bonnet with a string fastened under her chin. The pram sat under the shade of a maple tree; behind the tree the forest stood like a black wall. The mother was in the kitchen. She couldn’t see the pram through the window, but she wasn’t concerned about her sleeping baby, not for an instant.

Pottering about thoroughly content, she was light as a ballerina on her feet, not a single worry in her heart. She had everything a woman could dream of: beauty, health and love. A husband, a child, and a home and garden with rhododendrons and lush flowers. She held life in the palm of her hand.

She looked at the three photographs hanging on the kitchen wall. In one photograph, taken under the maple, she wore a flowery dress. In another her husband, Karsten, was on the front porch. The last was a photograph of her and Karsten together on the sofa, the child between them. The girl’s name was Margrete. The arrangement of the three photos made her smile. One plus one is surely three, she thought—it is truly a miracle. Now she saw that miracle everywhere. In the sunlight cascading through the windows, in the thin white curtains fluttering in the breeze.

At the worktop she energetically kneaded a smooth, lukewarm dough between her fingers. She was making a chicken and chanterelle quiche, while Margrete slept beneath the maple in her little bonnet, she, too, smooth and warm under the blanket. Her little heart pumped a modest amount of blood, and it colored her cheeks pink. Her scent was a mixture of sour milk and soap. The blanket and bonnet had been crocheted by her French grandmother.

She slept heavily, and with open hands, as only a baby can.

Lily rolled the dough on a marble slate. As she swung the rolling pin, her body swayed and her skirt billowed around her legs—like a dance by the worktop.

It was summer and warm, and she was bare-legged. She set the pastry in a pie dish, poked it with a fork and trimmed the edges. Then she put a roast chicken on the chopping board. Poor little thing, she thought, and tore its thighs off. She liked the cracking sound the cartilage made when tearing from the bone. Light and tender, the meat let go easily, and she succumbed to the temptation to stick a piece in her mouth. It’s good, she thought, it has just enough seasoning, and it’s lean too. She filled the pie dish and sprinkled on Cheddar cheese. Then she checked the time. She didn’t worry about Margrete. If the child sneezed she would know it immediately. If she coughed or hiccupped, or began to cry, she would know. Because there was a bond between them, a bond as thick as a mooring line. Even the slightest tug would reach her like a vibration.

Margrete’s in my head, she thought, in my blood and in my fingers.

Margrete’s in my heart.

If anyone were to harm her, I would know. Or so she thought. She went about her business calmly. But at the back of the house, someone crept out of the dense forest and in one bound reached the pram. He pushed the crocheted blanket to the side, and Lily didn’t feel anything at all.

The quiche began to turn golden.

The cheese had melted, and bubbled like lava. She glanced out the window and saw Karsten as he pulled into the driveway in his red Honda SUV. The table was set, the china old and dignified; in each glass a white napkin opened like a fan. She switched on the lights, stepped back and tilted her head, evaluating the result. She hoped her husband would see that she’d gone out of her way, that she always went out of her way. She smoothed her skirt and ran her hands through her hair. Other couples fight, she thought, other couples divorce. But that won’t happen to us; we know better. We understand that love is a plant that requires tender care. Some people spread all this rubbish about being blinded by love. But she’d never understood as much as she did now, had never had this insight. Had never had such clarity of vision, or such uncompromising values. She went into the bathroom and brushed her hair. The excitement of her husband’s return, the oven’s heat and the low July sunlight spilling into the room made her cheeks flush and her eyes sparkle. When he stepped into the kitchen, she was ready with a bottle of Farris mineral water and a slight, elegant tilt to her hips. He carried a stack of post, she noticed, newspapers and a few window envelopes. He set them on the worktop, then went to the oven and squatted down, peering through the glass.

It looks delicious, he said. Is it ready?

Probably, she replied. Margrete is sleeping in the pram. She’s slept quite a while. Maybe we should wake her—otherwise it’ll be hard getting her to sleep tonight. She reconsidered. Cocked her head and looked at her husband through full black eyelashes. Or maybe we can wait until after dinner, so we can have a little peace while we eat. Chicken and chanterelle, she said, nodding at the oven. She slipped on a pair of oven gloves, removed the quiche and set it down on a cooling rack.

It was burning hot.

She’ll certainly forgive us, her husband said.

His voice was deep and gravelly. He stood at his full height, put his arms around her waist and escorted her across the room. They both laughed because she was wearing the oven gloves; he had that look she loved so much, that teasing look she could never resist. Now he led her into the lounge, past the dining table to the sofa.

Karsten, she whispered. But it was a weak protest. She felt like dough between his hands; she felt kneaded and rolled and poked with a fork.

Lily, he whispered, mimicking her voice.

They fell together onto the sofa.

They didn’t hear a peep out of the child beneath the tree.

Afterward they ate in silence.

He said nothing about the meal, or about the table that had been so beautifully set, but he continued to look at her with approval. Lily, the eyes said, the things you do. He had green eyes, large and clear. Because she wanted to stay thin, she tried not to eat too much, even though the quiche was delicious. Karsten was also thin. His thighs were rock hard. A thick mane of dark hair, always a little too long in the back, made him look cheeky and attractive. She couldn’t imagine him gaining weight and losing his shape, or his hair, as many men did when they approached forty. She saw it happening to others, but it didn’t apply to them. Nothing could sever what they had together, neither gravity nor the test of time.

Will you clear the table? she asked when they had finished eating. I’ll get Margrete.

Immediately he began to collect the plates and glasses.

He was quick and a tad abrupt in his movements, clacking the porcelain between his fingers, and she held her breath; she’d inherited it from her grandmother. She went into the hallway to put on her shoes. She opened the door to the warmth of the sun, the mild, gentle breeze, and the smells from the grass and forest. Then she rounded the corner of the house and walked toward the maple.

A terrible foreboding came over her.

She had shut Margrete out of her mind.

She moved faster now, to make up for what she’d done. Something about the pram was strange, she thought. It was right where she’d put it, near the trunk of the maple, but the blanket was crumpled. There’s so much activity in these little ones, she thought, as she fought her terror. Because now she saw the blood. When she pulled the blanket off, she froze. Margrete was covered in blood. Lily fell to the ground. Lay there, writhing, unable to get up. She wanted to throw up. Felt something sour force its way up her throat, and she emitted a terrifying scream.

Karsten ran round the corner. He saw her contorted on the ground, and noticed the blood, slick and nearly black. He reached the pram in four steps, grabbed Margrete and held her against his chest. Shouted at Lily to get the car.

Go, Lily! he shouted. Go!

She moaned in response. He shouted louder. He roared like a wild animal, and the roar forced her, finally, to act. She rose and ran to the garage. Realized she needed the keys. Continued into the house and found them on a hook in the hallway. Then she was behind the wheel, backing out. With Margrete in his arms, Karsten yanked open the door and got in. He examined her body, looked under the clothes.

I think she’s bleeding from the mouth, he gasped. I can’t tell. I don’t know how to make it stop! Can’t you drive any faster? Drive faster, Lily!

Later, neither would remember the drive to the Central Hospital. Karsten had some vague memories of running past the reception desk and pushing open the glass doors. A wild sprint through the corridors with his daughter bleeding in his arms, searching for help. Lily remembered nothing. The world spun so fast it made her dizzy. She ran after Karsten, dashing like a hunted hare that knows the end is near.

They were stopped by two nurses. One of them took Margrete and disappeared through a door. Stay here! she shouted.

It was an order.

Then she was gone.

The doors were made of mottled glass, the kind you can’t see through. Here, at the end of the corridor, was a small waiting area, and they sat on separate chairs. There was nothing to say. After a few minutes, Karsten walked to the water cooler by the window. He pulled a paper cup from the machine, filled it and held it out to Lily. She knocked it out of his hand with a scream.

She was making sounds, he said. You heard it. She was breathing, Lily. I’m absolutely sure of that. He paced the room. They have to stop it! She’ll get a blood transfusion. We made it here quickly.

Lily didn’t respond. A teenager with his arm in a sling walked up and down the corridor. Clearly curious about the drama unfolding just a few meters away, he stared openly at them.

Why is it taking so long? Lily whispered. What are they doing?

It was as though she were inside a wire drum rotating at high speed. It wasn’t life, and it wasn’t death. Later they would both refer to these minutes as pure hell, a hell that ended when a nurse came through the glass doors with Margrete in her arms. She was wrapped in a white blanket. To his amazement, Karsten saw that she jabbed at the air with her hands.

She’s completely unharmed, the nurse said.

Karsten took her from the nurse. Felt her little body in his arms. It was warm all over.

With nervous hands he began unfolding the blanket. Margrete, wearing a disposable nappy, was otherwise naked in the blanket.

She’s completely unharmed, the nurse repeated. It wasn’t her blood. We’ve called the police.

2

KARSTEN AND LILY SUNDELIN were led to another room where they could wait undisturbed. Lily wanted to go home. She had no desire to talk to anyone. She wanted to go back to her house and her bedroom; she wanted to retreat into a corner. She wanted to lie in her queen-sized bed with her husband and child, and remain there. Never again would she let the child sleep in the pram under the maple tree, never again let her sleep without supervision. Never again shut her out of her mind.

But they had to wait.

What are we going to say? she asked anxiously. I get so nervous.

Karsten Sundelin looked uncomprehendingly at his wife. Unlike Lily, who was filled with fear, he felt, first and foremost, a boiling rage. Any charity and understanding he’d felt for others had evaporated, and left him out of breath and hot-tempered. Though he’d never had anything to do with the police, he’d never been particularly fond of them.

To him, they were coarse and simple-minded people who trampled about in black boots and silly hats. They reminded him of stocky handymen with a cluster of tools clattering on their belts; they were young and uneducated and knew nothing about the nuances of life—the details, Karsten Sundelin thought: what makes this crime against Margrete and against us particularly heinous. They won’t appreciate it; they’ll think it’s an act of vandalism. If they find it’s a teenage punk pulling a stunt, he’ll get off with a warning—because the poor kid probably hasn’t had an easy life. But I’ll give them a piece of my mind, he thought, and sipped the bitter coffee the nurse had brought.

Lily clutched the child with an urgency that made her tremble. She studied the pictures on the wall: one of some pastel water lilies floating in a pond, another of the Norwegian mountains and endless blue skies. On a table she saw health magazines with information about what you should avoid, what you should eat and drink—or not eat and drink—and how you should live.

If you wanted to live a long life.

Karsten paced the room, extremely impatient, like an angry bull. The police station was a couple of minutes away, but because of the bureaucracy it took a while.

Maybe they have to write a report first, he said, with tired sarcasm in his voice. He stood in front of Lily with his feet apart, his hands on his hips.

I’m sure they write it afterward, Lily said, stroking the child’s cheeks. After all the commotion, Margrete slept soundly.

At last two men strolled down the corridor. Neither wore a uniform. One man was tall and gray-haired, perhaps sixty years old; the other man was young and curly-haired. They introduced themselves as Sejer and Skarre. Sejer looked down at the sleeping child. Then he smiled at Lily. How are you doing?

We won’t let her sleep in the garden anymore, Lily said.

Sejer nodded. I understand, he said. You know what’s best.

Skarre pulled a notebook from his pocket and found a chair. He seemed bright and eager, Lily thought, like a runner at the starting block.

We have to ask you a few questions, he said.

I should hope so, Karsten Sundelin said. Whoever’s behind this should pay for it, even if I have to take matters into my own hands.

At this, Skarre looked up, while the older inspector raised an eyebrow. Tall and muscular, with powerful fists, Karsten’s temperament was evident in his eyes and in his outraged voice. The young mother sat scrunched up in the chair, closed off to the world. In an instant, Skarre had mapped out the couple’s power balance: raw power versus feminine vulnerability.

Have you been married before? he asked Lily affably.

She looked at him, surprised. Then she shook her head.

Boyfriends? Live-in partners?

Now she grew slightly embarrassed.

I’ve had boyfriends, she admitted, but I also have good sense.

Of course you do, Skarre thought, but sometimes life shocks you.

And you, he said, turning to her husband. Anything from a previous relationship? I’m thinking of jealousy. Or revenge.

I’ve been married, Karsten said in a measured tone.

I see.

Skarre made a note, then turned his blue-eyed gaze once more on Karsten. Was it an amicable divorce?

She died. Cancer.

Without losing his composure, Skarre absorbed the information. He ran his fingers through his hair, tousled it. Have either of you had disagreements with anyone? Recently or in the past?

Karsten leaned against the wall. As if he maintained the upper hand. Like Inspector Sejer, he was impressively tall and broad-shouldered. He glanced down at the two people for whom he was responsible, Lily and Margrete, and something rose in him, something he’d never felt before. He liked the taste of it, the rush. It’s no doubt some kid, he thought. I can’t wait to get my hands on him.

We never cross anyone, he said, raising his voice.

Someone has a short fuse, Skarre thought.

Sejer grabbed a chair and sat beside Lily. He seemed friendly, and Lily liked him. He was strong and confident—not in a cocky way, but in a reassuring way that said I’ll take care of it. Where do you live? he asked.

In Bjerketun, she said. At the housing estate there.

How well do you know your neighbors?

Pretty well, she said. We talk to them every day. We know their children too. They play in the street. The big kids push Margrete in her pram. Back and forth along the pavement in front of the house. So I can see them from the window.

Sejer nodded. He leaned over Margrete and stroked her cheek with a finger.

I used to have one of these, he said, looking at Lily. Many years ago. They grow up, after all. But don’t think for a second that I’ve forgotten what it was like.

Tears formed in Lily’s eyes. She liked his deep voice, his seriousness and understanding. She was reminded that policemen were like everyone else; they lived with grief and despair. When they faced tragedy, they were forced to get involved when others could just turn away in horror.

When you get home, Sejer said, I want you to write down everything you remember. When the little one is asleep and you’ve got some peace, sit down and record everything you can think of about today. From the time you got up: what did you think about? What did you do? Did anyone drive past? Did anyone call? Did someone hang up when you answered? Did you get anything in the post? Did anyone walk slowly past the house? Did you, in one way or another, feel watched? Do you remember anything from a long time ago, a quarrel or row? Write it all down. We’ll be stopping by to investigate your garden. The perpetrator may have left something behind, and if so, we’ll have to find it at once.

He stood, and so did Skarre. What’s your child’s name? he asked.

Margrete, Lily said. Margrete Sundelin.

Sejer looked at them. Lily beneath the water lilies, Karsten beneath the blue skies. The little bundle in the nappy.

We’re taking this very seriously, he said. This incident was very cruel. But let me remind you of one thing: Margrete doesn’t know anything about it.

3

WHEN SEJER AND SKARRE were back at the station, they began reconstructing the crime—because it was obviously a crime, something much worse than a cruel joke. It was brazen, calculated and mean, like nothing they had ever seen. News of the small baby found drenched in blood had spread like wildfire through the corridors of the station, finally reaching Chief Holthemann’s desk. Cane in hand, he tramped into Sejer’s office and hammered on the floor to express his disgust. Why he’d begun to use a cane was a mystery to everyone at the station. One friendly person had asked him how long he would need it. I’ll be dragging this cane as long as necessary, he had mumbled, and if I need support for the rest of my life, so be it.

What’s all this about a child? Holthemann said. Can’t people just steal a car or rob a bank? One can understand that kind of thing. What about the parents? Are they strong, or are they going to be on our case all the time?

The husband is strong, also indignant and angry, Sejer said. His wife is jumpy as a doe.

It’s probably someone they know, Holthemann said, rapping his cane against the floor. "People argue. They bully and terrorize and lob insults at each other. Maybe it has something to do with their past. Something they’ve forgotten, or

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