Delphi Collected Works of John Dos Passos Illustrated: US version
By John Dos Passos and Delphi Classics
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About this ebook
One of the major novelists of the post-World War I lost generation, John Dos Passos established a reputation as a social historian and radical critic of American life. His experimental novels are written in non-linear form, blending elements of biography, song lyrics and news reports to portray a vibrant tapestry landscape of early twentieth-century American culture. This eBook presents Dos Passos’ collected works (the most complete possible in the US), with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1)
* Beautifully illustrated with images relating to Dos Passos’ life and works
* Concise introductions to the major texts
* All 8 novels in the US public domain, with individual contents tables
* Rare novels appearing for the first time in digital publishing, including the unfinished novel ‘Century’s Ebb’
* Images of how the books were first published, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* The play ‘The Garbage Man’ and Dos Passos’ poetry — available in no other collection
* Includes a wide selection of Dos Passos’ non-fiction
* Features the seminal autobiography ‘The Best Times’ – discover the author’s literary life
* Ordering of texts into chronological order and genres
Please note: due to US copyright restrictions, seven novels (including the U.S.A. trilogy) cannot appear in this edition. When new texts become available, they will be added to the eBook as a free update.
CONTENTS:
The Novels
One Man’s Initiation — 1917 (1920)
Three Soldiers (1921)
Streets of Night (1923)
Manhattan Transfer (1925)
Chosen Country (1951)
The Great Days (1958)
Midcentury (1961)
Century’s Ebb (1975)
The Play
The Garbage Man (1926)
The Poetry
Poems from ‘Eight Harvard Poets’ (1917)
A Pushcart at the Curb (1922)
The Non-Fiction
Rosinante to the Road Again (1922)
Facing the Chair (1927)
Orient Express (1927)
The Men Who Made the Nation (1957)
Mr. Wilson’s War (1962)
Brazil on the Move (1963)
The Portugal Story (1969)
Easter Island (1970)
The Autobiography
The Best Times (1966)
John Dos Passos
John Dos Passos (1896–1970) was a writer, painter, and political activist. His service as an ambulance driver in Europe at the end of World War I led him to write Three Soldiers in 1919, the first in a series of works that established him as one of the most prolific, inventive, and influential American writers of the twentieth century, writing over forty books, including plays, poetry, novels, biographies, histories, and memoirs.
Read more from John Dos Passos
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Delphi Collected Works of John Dos Passos Illustrated - John Dos Passos
The Collected Works of
JOHN DOS PASSOS
(1896-1970)
img1.jpgContents
The Novels
One Man’s Initiation — 1917 (1920)
Three Soldiers (1921)
Streets of Night (1923)
Manhattan Transfer (1925)
Chosen Country (1951)
The Great Days (1958)
Midcentury (1961)
Century’s Ebb (1975)
The Play
The Garbage Man (1926)
The Poetry
Poems from ‘Eight Harvard Poets’ (1917)
A Pushcart at the Curb (1922)
The Non-Fiction
Rosinante to the Road Again (1922)
Facing the Chair (1927)
Orient Express (1927)
The Men Who Made the Nation (1957)
Mr. Wilson’s War (1962)
Brazil on the Move (1963)
The Portugal Story (1969)
Easter Island (1970)
The Autobiography
The Best Times (1966)
The Delphi Classics Catalogue
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Version 1
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img9.pngThe Collected Works of
JOHN DOS PASSOS
img10.jpgBy Delphi Classics, 2023
COPYRIGHT
Collected Works of John Dos Passos
img11.jpgFirst published in the United Kingdom in 2023 by Delphi Classics.
© Delphi Classics, 2023.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 80170 150 1
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: [email protected]
img12.pngwww.delphiclassics.com
img13.pngExplore American Masters at Delphi Classics
img14.pngThe Novels
img15.pngChicago, late nineteenth century — John Dos Passos was born in Chicago on 14 January 1896.
img16.pngDos Passos as a child — he was the illegitimate son of John Randolph Dos Passos, a lawyer of half-Madeiran Portuguese descent, and Lucy Addison Madison of Petersburg, Virginia. His father was married at the time of his birth.
img17.jpgIn 1907 Dos Passos was enrolled at the Choate School (now Choate Rosemary Hall), a private college-preparatory school in Wallingford, Connecticut.
One Man’s Initiation — 1917 (1920)
img18.jpgOR, FIRST ENCOUNTER
Following his graduation at Harvard in 1916, Dos Passos traveled to Spain to study art and architecture. In July 1917, with World War I raging in Europe, he volunteered for the Sanitary Squad Unit (S.S.U.) 60 of the Norton-Harjes Ambulance Corps, along with his Harvard friends e. e. Cummings and Robert Hillyer. Later, he also worked as a volunteer ambulance driver with the American Red Cross in north-central Italy. By the late summer of 1918, he had completed a draft of what would become his first novel. At the same time, he had to report for duty with the U.S. Army Medical Corps at Camp Crane in Pennsylvania.
One Man’s Initiation — 1917 was first published in London in October 1920. It offers a semi-autobiographical account of the writer’s experience as an ambulance driver in France. A short novel told in the third person narrative voice, the plot involves Martin Howe, who has just volunteered for the ambulance service in August 1917, after completing college. He makes friends with Tom Armstrong, a young volunteer from New Orleans. Dos Passos had in fact commenced the novel as a joint project with a friend, each writing alternate chapters. Yet, eventually he took over the work, with rewriting and adding new sections to make the novel his own.
The narrative employs an impressionistic, angular style, with short chapters, each focusing on a single event described in detail. The mood shifts frequently, with snatches of conversation interspersed with narrative. The style is enhanced with descriptions of places, scenes and characters, though the overall impact is disjointed, with no continuity in the plot, which instead functions as a series of episodes. Nevertheless, the novel offers a compelling portrait of the brutality of the Great War, with notable descriptions of gas shelling and the senseless and endless killing of soldiers and medical staff.
img19.pngDos Passos while serving in the Volunteer Ambulance Corps during World War I
CONTENTS
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
img20.pngThe first edition
img21.pngThe first edition’s title page
TO THOSE
WITH WHOM I SAW ROCKETS IN THE SKY
A CERTAIN EVENING AT SUNSET
ON THE ROAD FROM
ERIZE-LA-PETITE TO ERIZE-LA-GRANDE.
CHAPTER I
img22.jpgIN THE HUGE shed of the wharf, piled with crates and baggage, broken by gang-planks leading up to ships on either side, a band plays a tinselly Hawaiian tune; people are dancing in and out among the piles of trunks and boxes. There is a scattering of khaki uniforms, and many young men stand in groups laughing and talking in voices pitched shrill with excitement. In the brown light of the wharf, full of rows of yellow crates and barrels and sacks, full of racket of cranes, among which winds in and out the trivial lilt of the Hawaiian tune, there is a flutter of gay dresses and coloured hats of women, and white handkerchiefs.
The booming reverberation of the ship’s whistle drowns all other sound.
After it the noise of farewells rises shrill. White handkerchiefs are agitated in the brown light of the shed. Ropes crack in pulleys as the gang-planks are raised.
Again, at the pierhead, white handkerchiefs and cheering and a flutter of coloured dresses. On the wharf building a flag spreads exultingly against the azure afternoon sky.
Rosy yellow and drab purple, the buildings of New York slide together into a pyramid above brown smudges of smoke standing out in the water, linked to the land by the dark curves of the bridges.
In the fresh harbour wind comes now and then a salt-wafting breath off the sea.
Martin Howe stands in the stern that trembles with the vibrating push of the screw. A boy standing beside him turns and asks in a tremulous voice, This your first time across?
Yes.... Yours?
Yes.... I never used to think that at nineteen I’d be crossing the Atlantic to go to a war in France.
The boy caught himself up suddenly and blushed. Then swallowing a lump in his throat he said, It ought to be time to eat.
God help Kaiser Bill! O-o-o old Uncle Sam. He’s got the cavalry, He’s got the infantry, He’s got the artillery; And then by God we’ll all go to Germany! God help Kaiser Bill!
The iron covers are clamped on the smoking-room windows, for no lights must show. So the air is dense with tobacco smoke and the reek of beer and champagne. In one corner they are playing poker with their coats off. All the chairs are full of sprawling young men who stamp their feet to the time, and bang their fists down so that the bottles dance on the tables.
"God help Kaiser Bill."
Sky and sea are opal grey. Martin is stretched on the deck in the bow of the boat with an unopened book beside him. He has never been so happy in his life. The future is nothing to him, the past is nothing to him. All his life is effaced in the grey languor of the sea, in the soft surge of the water about the ship’s bow as she ploughs through the long swell, eastward. The tepid moisture of the Gulf Stream makes his clothes feel damp and his hair stick together into curls that straggle over his forehead. There are porpoises about, lazily tumbling in the swell, and flying-fish skim from one grey wave to another, and the bow rises and falls gently in rhythm with the surging sing-song of the broken water.
Martin has been asleep. As through infinite mists of greyness he looks back on the sharp hatreds and wringing desires of his life. Now a leaf seems to have been turned and a new white page spread before him, clean and unwritten on. At last things have come to pass.
And very faintly, like music heard across the water in the evening, blurred into strange harmonies, his old watchwords echo a little in his mind. Like the red flame of the sunset setting fire to opal sea and sky, the old exaltation, the old flame that would consume to ashes all the lies in the world, the trumpet-blast under which the walls of Jericho would fall down, stirs and broods in the womb of his grey lassitude. The bow rises and falls gently in rhythm with the surging sing-song of the broken water, as the steamer ploughs through the long swell of the Gulf Stream, eastward.
See that guy, the feller with the straw hat; he lost five hundred dollars at craps last night.
Some stakes.
It is almost dark. Sea and sky are glowing claret colour, darkened to a cold bluish-green to westward. In a corner of the deck a number of men are crowded in a circle, while one shakes the dice in his hand with a strange nervous quiver that ends in a snap of the fingers as the white dice roll on the deck.
Seven up.
From the smoking-room comes a sound of singing and glasses banged on tables.
Oh, we’re bound for the Hamburg show, To see the elephant and the wild kangaroo, An’ we’ll all stick together In fair or foul weather, For we’re going to see the damn show through!
On the settee a sallow young man is shaking the ice in a whisky-and-soda into a nervous tinkle as he talks:
There’s nothing they can do against this new gas.... It just corrodes the lungs as if they were rotten in a dead body. In the hospitals they just stand the poor devils up against a wall and let them die. They say their skin turns green and that it takes from five to seven days to die — five to seven days of slow choking.
Oh, but I think it’s so splendid of you
— she bared all her teeth, white and regular as those in a dentist’s show-case, in a smile as she spoke— to come over this way to help France.
Perhaps it’s only curiosity,
muttered Martin.
Oh no.... You’re too modest.... What I mean is that it’s so splendid to have understood the issues.... That’s how I feel. I just told dad I’d have to come and do my bit, as the English say.
What are you going to do?
Something in Paris. I don’t know just what, but I’ll certainly make myself useful somehow.
She beamed at him provocatively. Oh, if only I was a man, I’d have shouldered my gun the first day; indeed I would.
But the issues were hardly ... defined then,
ventured Martin.
They didn’t need to be. I hate those brutes. I’ve always hated the Germans, their language, their country, everything about them. And now that they’ve done such frightful things ...
I wonder if it’s all true ...
True! Oh, of course it’s all true; and lots more that it hasn’t been possible to print, that people have been ashamed to tell.
They’ve gone pretty far,
said Martin, laughing.
If there are any left alive after the war they ought to be chloroformed.... And really I don’t think it’s patriotic or humane to take the atrocities so lightly.... But really, you must excuse me if you think me rude; I do get so excited and wrought up when I think of those frightful things.... I get quite beside myself; I’m sure you do too, in your heart.... Any red-blooded person would.
Only I doubt ...
But you’re just playing into their hands if you do that.... Oh, dear, I’m quite beside myself, just thinking of it.
She raised a small gloved hand to her pink cheek in a gesture of horror, and settled herself comfortably in her deck chair. Really, I oughtn’t to talk about it. I lose all self-control when I do. I hate them so it makes me quite ill.... The curs! The Huns! Let me tell you just one story.... I know it’ll make your blood boil. It’s absolutely authentic, too. I heard it before I left New York from a girl who’s really the best friend I have on earth. She got it from a friend of hers who had got it directly from a little Belgian girl, poor little thing, who was in the convent at the time.... Oh, I don’t see why they ever take any prisoners; I’d kill them all like mad dogs.
What’s the story?
Oh, I can’t tell it. It upsets me too much.... No, that’s silly, I’ve got to begin facing realities.... It was just when the Germans were taking Bruges, the Uhlans broke into this convent.... But I think it was in Louvain, not Bruges.... I have a wretched memory for names.... Well, they broke in, and took all those poor defenceless little girls ...
There’s the dinner-bell.
Oh, so it is. I must run and dress. I’ll have to tell you later....
Through half-closed eyes, Martin watched the fluttering dress and the backs of the neat little white shoes go jauntily down the deck.
The smoking-room again. Clink of glasses and chatter of confident voices. Two men talking over their glasses.
They tell me that Paris is some city.
The most immoral place in the world, before the war. Why, there are houses there where ...
his voice sank into a whisper. The other man burst into loud guffaws.
But the war’s put an end to all that. They tell me that French people are regenerated, positively regenerated.
They say the lack of food’s something awful, that you can’t get a square meal. They even eat horse.
Did you hear what those fellows were saying about that new gas? Sounds frightful, don’t it? I don’t care a thing about bullets, but that kind o’ gives me cold feet.... I don’t give a damn about bullets, but that gas ...
That’s why so many shoot their friends when they’re gassed....
Say, you two, how about a hand of poker?
A champagne cork pops.
Jiminy, don’t spill it all over me.
Where we goin’, boys?
Oh we’re going to the Hamburg show To see the elephant and the wild kangaroo, And we’ll all stick together In fair or foul weather, For we’re going to see the damn show through!
CHAPTER II
img22.jpgBEFORE GOING TO bed Martin had seen the lighthouses winking at the mouth of the Gironde, and had filled his lungs with the new, indefinably scented wind coming off the land. The sound of screaming whistles of tug-boats awoke him. Feet were tramping on the deck above his head. The shrill whine of a crane sounded in his ears and the throaty cry of men lifting something in unison.
Through his port-hole in the yet colourless dawn he saw the reddish water of a river with black-hulled sailing-boats on it and a few lanky little steamers of a pattern he had never seen before. Again he breathed deep of the new indefinable smell off the land.
Once on deck in the cold air, he saw through the faint light a row of houses beyond the low wharf buildings, grey mellow houses of four storeys with tiled roofs and intricate ironwork balconies, with balconies in which the ironwork had been carefully twisted by artisans long ago dead into gracefully modulated curves and spirals.
Some in uniform, some not, the ambulance men marched to the station, through the grey streets of Bordeaux. Once a woman opened a window and crying, Vive l’Amérique,
threw out a bunch of roses and daisies. As they were rounding a corner, a man with a frockcoat on ran up and put his own hat on the head of one of the Americans who had none. In front of the station, waiting for the train, they sat at the little tables of cafés, lolling comfortably in the early morning sunlight, and drank beer and cognac.
Small railway carriages into which they were crowded so that their knees were pressed tight together — and outside, slipping by, blue-green fields, and poplars stalking out of the morning mist, and long drifts of poppies. Scarlet poppies, and cornflowers, and white daisies, and the red-tiled roofs and white walls of cottages, all against a background of glaucous green fields and hedges. Tours, Poitiers, Orleans. In the names of the stations rose old wars, until the floods of scarlet poppies seemed the blood of fighting men slaughtered through all time. At last, in the gloaming, Paris, and, in crossing a bridge over the Seine, a glimpse of the two linked towers of Notre-Dame, rosy grey in the grey mist up the river.
Say, these women here get my goat.
How do you mean?
Well, I was at the Olympia with Johnson and that crowd. They just pester the life out of you there. I’d heard that Paris was immoral, but nothing like this.
It’s the war.
But the Jane I went with ...
Gee, these Frenchwomen are immoral. They say the war does it.
Can’t be that. Nothing is more purifying than sacrifice.
A feller has to be mighty careful, they say.
Looks like every woman you saw walking on the street was a whore. They certainly are good-lookers though.
King and his gang are all being sent back to the States.
I’ll be darned! They sure have been drunk ever since they got off the steamer.
Raised hell in Maxim’s last night. They tried to clean up the place and the police came. They were all soused to the gills and tried to make everybody there sing the ‘Star Spangled Banner.’
Damn fool business.
Martin Howe sat at a table on the sidewalk under the brown awning of a restaurant. Opposite in the last topaz-clear rays of the sun, the foliage of the Jardin du Luxembourg shone bright green above deep alleys of bluish shadow. From the pavements in front of the mauve-coloured houses rose little kiosks with advertisements in bright orange and vermilion and blue. In the middle of the triangle formed by the streets and the garden was a round pool of jade water. Martin leaned back in his chair looking dreamily out through half-closed eyes, breathing deep now and then of the musty scent of Paris, that mingled with the melting freshness of the wild strawberries on the plate before him.
As he stared in front of him two figures crossed his field of vision. A woman swathed in black crepe veils was helping a soldier to a seat at the next table. He found himself staring in a face, a face that still had some of the chubbiness of boyhood. Between the pale-brown frightened eyes, where the nose should have been, was a triangular black patch that ended in some mechanical contrivance with shiny little black metal rods that took the place of the jaw. He could not take his eyes from the soldier’s eyes, that were like those of a hurt animal, full of meek dismay. Someone plucked at Martin’s arm, and he turned suddenly, fearfully.
A bent old woman was offering him flowers with a jerky curtsey.
Just a rose, for good luck?
No, thank you.
It will bring you happiness.
He took a couple of the reddest of the roses.
Do you understand the language of flowers?
No.
I shall teach you.... Thank you so much.... Thank you so much.
She added a few large daisies to the red roses in his hand.
These will bring you love.... But another time I shall teach you the language of flowers, the language of love.
She curtseyed again, and began making her way jerkily down the sidewalk, jingling his silver in her hand.
He stuck the roses and daisies in the belt of his uniform and sat with the green flame of Chartreuse in a little glass before him, staring into the gardens, where the foliage was becoming blue and lavender with evening, and the shadows darkened to grey-purple and black. Now and then he glanced furtively, with shame, at the man at the next table. When the restaurant closed he wandered through the unlighted streets towards the river, listening to the laughs and conversations that bubbled like the sparkle in Burgundy through the purple summer night.
But wherever he looked in the comradely faces of young men, in the beckoning eyes of women, he saw the brown hurt eyes of the soldier, and the triangular black patch where the nose should have been.
CHAPTER III
img22.jpgAT EPERNAY THE station was wrecked; the corrugated tin of the roof hung in strips over the crumbled brick walls.
They say the Boches came over last night. They killed a lot of permissionaires.
That river’s the Marne.
Gosh, is it? Let me get to the winder.
The third-class car, joggling along on a flat wheel, was full of the smell of sweat and sour wine. Outside, yellow-green and blue-green, crossed by long processions of poplars, aflame with vermilion and carmine of poppies, the countryside slipped by. At a station where the train stopped on a siding, they could hear a faint hollow sound in the distance: guns.
Croix de Guerre had been given out that day at the automobile park at Chalons. There was an unusually big dinner at the wooden tables in the narrow portable barracks, and during the last course the General passed through and drank a glass of champagne to the health of all present. Everybody had on his best uniform and sweated hugely in the narrow, airless building, from the wine and the champagne and the thick stew, thickly seasoned, that made the dinner’s main course.
We are all one large family,
said the General from the end of the barracks ... to France.
That night the wail of a siren woke Martin suddenly and made him sit up in his bunk trembling, wondering where he was. Like the shriek of a woman in a nightmare, the wail of the siren rose and rose and then dropped in pitch and faded throbbingly out.
Don’t flash a light there. It’s Boche planes.
Outside the night was cold, with a little light from a waned moon.
See the shrapnel!
someone cried.
The Boche has a Mercedes motor,
said someone else. You can tell by the sound of it.
They say one of their planes chased an ambulance ten miles along a straight road the other day, trying to get it with a machine-gun. The man who was driving got away, but he had shell-shock afterwards.
Did he really?
Oh, I’m goin’ to turn in. God, these French nights are cold!
The rain pattered hard with unfaltering determination on the roof of the little arbour. Martin lolled over the rough board table, resting his chin on his clasped hands, looking through the tinkling bead curtains of the rain towards the other end of the weed-grown garden, where, under a canvas shelter, the cooks were moving about in front of two black steaming cauldrons. Through the fresh scent of rain-beaten leaves came a greasy smell of soup. He was thinking of the jolly wedding-parties that must have drunk and danced in this garden before the war, of the lovers who must have sat in that very arbour, pressing sunburned cheek against sunburned cheek, twining hands callous with work in the fields. A man broke suddenly into the arbour behind Martin and stood flicking the water off his uniform with his cap. His sand-coloured hair was wet and was plastered in little spikes to his broad forehead, a forehead that was the entablature of a determined rock-hewn face.
Hello,
said Martin, twisting his head to look at the newcomer. You section twenty-four?
Yes.... Ever read ‘Alice in Wonderland’?
asked the wet man, sitting down abruptly at the table.
Yes, indeed.
Doesn’t this remind you of it?
What?
This war business. Why, I keep thinking I’m going to meet the rabbit who put butter in his watch round every corner.
It was the best butter.
That’s the hell of it.
When’s your section leaving here?
asked Martin, picking up the conversation after a pause during which they’d both stared out into the rain. They could hear almost constantly the grinding roar of camions on the road behind the café and the slither of their wheels through the mud-puddles where the road turned into the village.
How the devil should I know?
Somebody had dope this morning that we’d leave here for Soissons to-morrow.
Martin’s words tailed off into a convictionless mumble.
It surely is different than you’d pictured it, isn’t it, now?
They sat looking at each other while the big drops from the leaky roof smacked on the table or splashed cold in their faces.
What do you think of all this, anyway?
said the wet man suddenly, lowering his voice stealthily.
I don’t know. I never did expect it to be what we were taught to believe.... Things aren’t.
But you can’t have guessed that it was like this ... like Alice in Wonderland, like an ill-intentioned Drury Lane pantomime, like all the dusty futility of Barnum and Bailey’s Circus.
No, I thought it would be hair-raising,
said Martin.
Think, man, think of all the oceans of lies through all the ages that must have been necessary to make this possible! Think of this new particular vintage of lies that has been so industriously pumped out of the press and the pulpit. Doesn’t it stagger you?
Martin nodded.
Why, lies are like a sticky juice overspreading the world, a living, growing flypaper to catch and gum the wings of every human soul.... And the little helpless buzzings of honest, liberal, kindly people, aren’t they like the thin little noise flies make when they’re caught?
I agree with you that the little thin noise is very silly,
said Martin.
Martin slammed down the hood of the car and stood upright. A cold stream of rain ran down the sleeves of his slicker and dripped from his greasy hands.
Infantry tramped by, the rain spattering with a cold glitter on grey helmets, on gun-barrels, on the straps of equipment. Red sweating faces, drooping under the hard rims of helmets, turned to the ground with the struggle with the weight of equipment; rows and patches of faces were the only warmth in the desolation of putty-coloured mud and bowed mud-coloured bodies and dripping mud-coloured sky. In the cold colourlessness they were delicate and feeble as the faces of children, rosy and soft under the splattering of mud and the shagginess of unshaven beards.
Martin rubbed the back of his hand against his face. His skin was like that, too, soft as the petals of flowers, soft and warm amid all this dead mud, amid all this hard mud-covered steel.
He leant against the side of the car, his ears full of the heavy shuffle, of the jingle of equipment, of the splashing in puddles of water-soaked boots, and watched the endless rosy patches of faces moving by, the faces that drooped towards the dripping boots that rose and fell, churning into froth the soupy, putty-coloured mud of the road.
The schoolmaster’s garden was full of late roses and marigolds, all parched and bleached by the thick layer of dust that was over them. Next to the vine-covered trellis that cut the garden off from the road stood a green table and a few cane chairs. The schoolmaster, something charmingly eighteenth-century about the cut of his breeches and the calves of his legs in their thick woollen golf-stockings, led the way, a brown pitcher of wine in his hand. Martin Howe and the black-haired, brown-faced boy from New Orleans who was his car-mate followed him. Then came a little grey woman in a pink knitted shawl, carrying a tray with glasses.
In the Verdunois our wine is not very good,
said the schoolmaster, bowing them into chairs. It is thin and cold like the climate. To your health, gentlemen.
To France.
To America.
And down with the Boches.
In the pale yellow light that came from among the dark clouds that passed over the sky, the wine had the chilly gleam of yellow diamonds.
Ah, you should have seen that road in 1916,
said the schoolmaster, drawing a hand over his watery blue eyes. That, you know, is the Voie Sacrée, the sacred way that saved Verdun. All day, all day, a double line of camions went up, full of ammunition and ravitaillement and men.
Oh, the poor boys, we saw so many go up,
came the voice, dry as the rustling of the wind in the vine-leaves, of the grey old woman who stood leaning against the schoolmaster’s chair, looking out through a gap in the trellis at the rutted road so thick with dust, and never have we seen one of them come back.
It was for France.
But this was a nice village before the war. From Verdun to Bar-le-Duc, the Courrier des Postes used to tell us, there was no such village, so clean and with such fine orchards.
The old woman leaned over the schoolmaster’s shoulder, joining eagerly in the conversation.
Even now the fruit is very fine,
said Martin.
But you soldiers, you steal it all,
said the old woman, throwing out her arms. You leave us nothing, nothing.
We don’t begrudge it,
said the schoolmaster, all we have is our country’s.
We shall starve then....
As she spoke the glasses on the table shook. With a roar of heavy wheels and a grind of gears a camion went by.
O good God!
The old woman looked out on to the road with terror in her face, blinking her eyes in the thick dust.
Roaring with heavy wheels, grinding with gears, throbbing with motors, camion after camion went by, slowly, stridently. The men packed into the camions had broken through the canvas covers and leaned out, waving their arms and shouting.
Oh, the poor children,
said the old woman, wringing her hands, her voice lost in the roar and the shouting.
They should not destroy property that way,
said the schoolmaster.... Last year it was dreadful. There were mutinies.
Martin sat, his chair tilted back, his hands trembling, staring with compressed lips at the men who jolted by on the strident, throbbing camions. A word formed in his mind: tumbrils.
In some trucks the men were drunk and singing, waving their bidons in the air, shouting at people along the road, crying out all sorts of things: Get to the front!
Into the trenches with them!
Down with the war!
In others they sat quiet, faces corpse-like with dust. Through the gap in the trellis Martin stared at them, noting intelligent faces, beautiful faces, faces brutally gay, miserable faces like those of sobbing drunkards.
At last the convoy passed and the dust settled again on the rutted road.
Oh, the poor children!
said the old woman. They know they are going to death.
They tried to hide their agitation. The schoolmaster poured out more wine.
Yes,
said Martin, there are fine orchards on the hills round here.
You should be here when the plums are ripe,
said the schoolmaster.
A tall bearded man, covered with dust to the eyelashes, in the uniform of a commandant, stepped into the garden.
My dear friends!
He shook hands with the schoolmaster and the old woman and saluted the two Americans. I could not pass without stopping a moment. We are going up to an attack. We have the honour to take the lead.
You will have a glass of wine, won’t you?
With great pleasure.
Julie, fetch a bottle, you know which.... How is the morale?
Perfect.
I thought they looked a little discontented.
No.... It’s always like that.... They were yelling at some gendarmes. If they strung up a couple it would serve them right, dirty beasts.
You soldiers are all one against the gendarmes.
Yes. We fight the enemy but we hate the gendarmes.
The commandant rubbed his hands, drank his wine and laughed.
Hah! There’s the next convoy. I must go.
Good luck.
The commandant shrugged his shoulders, clicked his heels together at the garden gate, saluted, smiling, and was gone.
Again the village street was full of the grinding roar and throb of camions, full of a frenzy of wheels and drunken shouting.
Give us a drink, you.
We’re the train de luxe, we are.
Down with the war!
And the old grey woman wrung her hands and said:
Oh, the poor children, they know they are going to death!
CHAPTER IV
img22.jpgMARTIN, ROLLED UP in his bedroll on the floor of the empty hayloft, woke with a start.
Say, Howe!
Tom Randolph, who lay next him, was pressing his hand. I think I heard a shell go over.
As he spoke there came a shrill, loudening whine, and an explosion that shook the barn. A little dirt fell down on Martin’s face.
Say, fellers, that was damn near,
came a voice from the floor of the barn.
We’d better go over to the quarry.
Oh, hell, I was sound asleep!
A vicious shriek overhead and a shaking snort of explosion.
Gee, that was in the house behind us....
I smell gas.
Ye damn fool, it’s carbide.
One of the Frenchmen said it was gas.
All right, fellers, put on your masks.
Outside there was a sickly rough smell in the air that mingled strangely with the perfume of the cool night, musical with the gurgling of the stream through the little valley where their barn was. They crouched in a quarry by the roadside, a straggling, half-naked group, and watched the flashes in the sky northward, where artillery along the lines kept up a continuous hammering drumbeat. Over their heads shells shrieked at two-minute intervals, to explode with a rattling ripping sound in the village on the other side of the valley.
Damn foolishness,
muttered Tom Randolph in his rich Southern voice. Why don’t those damn gunners go to sleep and let us go to sleep?... They must be tired like we are.
A shell burst in a house on the crest of the hill opposite, so that they saw the flash against the starry night sky. In the silence that followed, the moaning shriek of a man came faintly across the valley.
Martin sat on the steps of the dugout, looking up the shattered shaft of a tree, from the top of which a few ribbons of bark fluttered against the mauve evening sky. In the quiet he could hear the voices of men chatting in the dark below him, and a sound of someone whistling as he worked. Now and then, like some ungainly bird, a high calibre shell trundled through the air overhead; after its noise had completely died away would come the thud of the explosion. It was like battledore and shuttlecock, these huge masses whirling through the evening far above his head, now from one side, now from the other. It gave him somehow a cosy feeling of safety, as if he were under some sort of a bridge over which freight-cars were shunted madly to and fro.
The doctor in charge of the post came up and sat beside Martin. He was a small brown man with slim black moustaches that curved like the horns of a long-horn steer. He stood on tip-toe on the top step and peered about in every direction with an air of ownership, then sat down again and began talking briskly.
We are exactly four hundred and five mètres from the Boche.... Five hundred mètres from here they are drinking beer and saying, ‘Hoch der Kaiser.’
About as much as we’re saying ‘Vive la République,’ I should say.
Who knows? But it is quiet here, isn’t it? It’s quieter here than in Paris.
The sky is very beautiful to-night.
They say they’re shelling the Etat-Major to-day. Damned embusqués; it’ll do them good to get a bit of their own medicine.
Martin did not answer. He was crossing in his mind the four hundred and five mètres to the first Boche listening-post. Next beyond the abris was the latrine from which a puff of wind brought now and then a nauseous stench. Then there was the tin roof, crumpled as if by a hand, that had been a cook shack. That was just behind the second line trenches that zig-zagged in and out of great abscesses of wet, upturned clay along the crest of a little hill. The other day he had been there, and had clambered up the oily clay where the boyau had caved in, and from the level of the ground had looked for an anxious minute or two at the tangle of trenches and pitted gangrened soil in the direction of the German outposts. And all along these random gashes in the mucky clay were men, feet and legs huge from clotting after clotting of clay, men with greyish-green faces scarred by lines of strain and fear and boredom as the hillside was scarred out of all semblance by the trenches and the shell-holes.
We are well off here,
said the doctor again. I have not had a serious case all day.
Up in the front line there’s a place where they’ve planted rhubarb.... You know, where the hillside is beginning to get rocky.
It was the Boche who did that.... We took that slope from them two months ago.... How does it grow?
They say the gas makes the leaves shrivel,
said Martin, laughing.
He looked long at the little ranks of clouds that had begun to fill the sky, like ruffles on a woman’s dress. Might not it really be, he kept asking himself, that the sky was a beneficent goddess who would stoop gently out of the infinite spaces and lift him to her breast, where he could lie amid the amber-fringed ruffles of cloud and look curiously down at the spinning ball of the earth? It might have beauty if he were far enough away to clear his nostrils of the stench of pain.
It is funny,
said the little doctor suddenly, to think how much nearer we are, in state of mind, in everything, to the Germans than to anyone else.
You mean that the soldiers in the trenches are all further from the people at home than from each other, no matter what side they are on.
The little doctor nodded.
God, it’s so stupid! Why can’t we go over and talk to them? Nobody’s fighting about anything.... God, it’s so hideously stupid!
cried Martin, suddenly carried away, helpless in the flood of his passionate revolt.
Life is stupid,
said the little doctor sententiously.
Suddenly from the lines came a splutter of machine-guns.
Evensong!
cried the little doctor. Ah, but here’s business. You’d better get your car ready, my friend.
The brancardiers set the stretcher down at the top of the steps that led to the door of the dugout, so that Martin found himself looking into the lean, sensitive face, stained a little with blood about the mouth, of the wounded man. His eyes followed along the shapeless bundles of blood-flecked uniform till they suddenly turned away. Where the middle of the man had been, where had been the curved belly and the genitals, where the thighs had joined with a strong swerving of muscles to the trunk, was a depression, a hollow pool of blood, that glinted a little in the cold diffusion of grey light from the west.
The rain beat hard on the window-panes of the little room and hissed down the chimney into the smouldering fire that sent up thick green smoke. At a plain oak table before the fireplace sat Martin Howe and Tom Randolph, Tom Randolph with his sunburned hands with their dirty nails spread flat and his head resting on the table between them, so that Martin could see the stiff black hair on top of his head and the dark nape of his neck going into shadow under the collar of the flannel shirt.
Oh, God, it’s too damned absurd! An arrangement for mutual suicide and no damned other thing,
said Randolph, raising his head.
A certain jolly asinine grotesqueness, though. I mean, if you were God and could look at it like that ... Oh, Randy, why do they enjoy hatred so?
A question of taste ... as the lady said when she kissed the cow.
But it isn’t. It isn’t natural for people to hate that way, it can’t be. It even disgusts the perfectly stupid damn-fool people, like Higgins, who believes that the Bible was written in God’s own handwriting and that the newspapers tell the truth.
It makes me sick at ma stomach, Howe, to talk to one of those hun-hatin’ women, if they’re male or female.
"It is a stupid affair, la vie, as the doctor at P.1. said yesterday...."
Hell, yes....
They sat silent, watching the rain beat on the window, and run down in sparkling finger-like streams.
What I can’t get over is these Frenchwomen.
Randolph threw back his head and laughed. They’re so bloody frank. Did I tell you about what happened to me at that last village on the Verdun road?
No.
I was lyin’ down for a nap under a plum-tree, a wonderfully nice place near a li’l brook an’ all, an’ suddenly that crazy Jane ... You know the one that used to throw stones at us out of that broken-down house at the corner of the road.... Anyway, she comes up to me with a funny look in her eyes an’ starts makin’ love to me. I had a regular wrastlin’ match gettin’ away from her.
Funny position for you to be in, getting away from a woman.
But doesn’t that strike you funny? Why down where I come from a drunken mulatto woman wouldn’t act like that. They all keep up a fake of not wantin’ your attentions.
His black eyes sparkled, and he laughed his deep ringing laugh, that made the withered woman smile as she set an omelette before them.
Voilà, messieurs,
she said with a grand air, as if it were a boar’s head that she was serving.
Three French infantrymen came into the café, shaking the rain off their shoulders.
Nothing to drink but champagne at four francs fifty,
shouted Howe. Dirty night out, isn’t it?
We’ll drink that, then!
Howe and Randolph moved up and they all sat at the same table.
Fortune of war?
Oh, the war, what do you think of the war?
cried Martin.
What do you think of the peste? You think about saving your skin.
What’s amusing about us is that we three have all saved our skins together,
said one of the Frenchmen.
Yes. We are of the same class,
said another, holding up his thumb. Mobilised same day.
He held up his first finger. Same company.
He held up a second finger. Wounded by the same shell.... Evacuated to the same hospital. Convalescence at same time.... Réformé to the same depôt behind the lines.
Didn’t all marry the same girl, did you, to make it complete?
asked Randolph.
They all shouted with laughter until the glasses along the bar rang.
You must be Athos, Porthos, and d’Artagnan.
We are,
they shouted.
Some more champagne, madame, for the three musketeers,
sang Randolph in a sort of operatic yodle.
All I have left is this,
said the withered woman, setting a bottle down on the table.
Is that poison?
It’s cognac, it’s very good cognac,
said the old woman seriously.
C’est du cognac! Vive le roi cognac!
everybody shouted.
Au plein de mon cognac Qu’il fait bon, fait bon, fait bon, Au plein de mon cognac Qu’il fait bon dormir.
Down with the war! Who can sing the ‘Internationale’?
Not so much noise, I beg you, gentlemen,
came the withered woman’s whining voice. It’s after hours. Last week I was fined. Next time I’ll be closed up.
The night was black when Martin and Randolph, after lengthy and elaborate farewells, started down the muddy road towards the hospital. They staggered along the slippery footpath beside the road, splashed every instant with mud by camions, huge and dark, that roared grindingly by. They ran and skipped arm-in-arm and shouted at the top of their lungs:
Auprès de ma blonde, Qu’il fait bon, fait bon, fait bon, Auprès de ma blonde, Qu’il fait bon dormir.
A stench of sweat and filth and formaldehyde caught them by the throat as they went into the hospital tent, gave them a sense of feverish bodies of men stretched all about them, stirring in pain.
A car for la Bassée, Ambulance 4,
said the orderly.
Howe got himself up off the hospital stretcher, shoving his flannel shirt back into his breeches, put on his coat and belt and felt his way to the door, stumbling over the legs of sleeping brancardiers as he went. Men swore in their sleep and turned over heavily. At the door he waited a minute, then shouted:
Coming, Tom?
Too damn sleepy,
came Randolph’s voice from under a blanket.
I’ve got cigarettes, Tom. I’ll smoke ’em all up if you don’t come.
All right, I’ll come.
Less noise, name of God!
cried a man, sitting up on his stretcher.
After the hospital, smelling of chloride and blankets and reeking clothes, the night air was unbelievably sweet. Like a gilt fringe on a dark shawl, a little band of brightness had appeared in the east.
Some dawn, Howe, ain’t it?
As they were going off, their motor chugging regularly, an orderly said:
It’s a special case. Go for orders to the commandant.
Colours formed gradually out of chaotic grey as the day brightened. At the dressing-station an attendant ran up to the car.
Oh, you’re for the special case? Have you anything to tie a man with?
No, why?
It’s nothing. He just tried to stab the sergeant-major.
The attendant raised a fist and tapped on his head as if knocking on a door. It’s nothing. He’s quieter now.
What caused it?
Who knows? There is so much.... He says he must kill everyone....
Are you ready?
A lieutenant of the medical corps came to the door and looked out. He smiled reassuringly at Martin Howe. He’s not violent any more. And we’ll send two guardians.
A sergeant came out with a little packet which he handed to Martin.
That’s his. Will you give it to them at the hospital at Fourreaux? And here’s his knife. They can give it back to him when he gets better. He has an idea he ought to kill everyone he sees.... Funny idea.
The sun had risen and shone gold across the broad rolling lands, so that the hedges and the poplar-rows cast long blue shadows over the fields. The man, with a guardian on either side of him who cast nervous glances to the right and to the left, came placidly, eyes straight in front of him, out of the dark interior of the dressing-station. He was a small man with moustaches and small, good-natured lips puffed into an o-shape. At the car he turned and saluted.
Good-bye, my lieutenant. Thank you for your kindness,
he said.
Good-bye, old chap,
said the lieutenant.
The little man stood up in the car, looking about him anxiously.
I’ve lost my knife. Where’s my knife?
The guards got in behind him with a nervous, sheepish air. They answered reassuringly, The driver’s got it. The American’s got it.
Good.
The orderly jumped on the seat with the two Americans to show the way. He whispered in Martin’s ear:
He’s crazy. He says that to stop the war you must kill everybody, kill everybody.
In an open valley that sloped between hills covered with beech-woods, stood the tall abbey, a Gothic nave and apse with beautifully traced windows, with the ruin of a very ancient chapel on one side, and crossing the back, a well-proportioned Renaissance building that had been a dormitory. The first time that Martin saw the abbey, it towered in ghostly perfection above a low veil of mist that made the valley seem a lake in the shining moonlight. The lines were perfectly quiet, and when he stopped the motor of his ambulance, he could hear the wind rustling among the beech-woods. Except for the dirty smell of huddled soldiers that came now and then in drifts along with the cool wood-scents, there might have been no war at all. In the soft moonlight the great traceried windows and the buttresses and the high-pitched roof seemed as gorgeously untroubled by decay as if the carvings on the cusps and arches had just come from under the careful chisels of the Gothic workmen.
And you say we’ve progressed,
he whispered to Tom Randolph.
God, it is fine.
They wandered up and down the road a long time, silently, looking at the tall apse of the abbey, breathing the cool night air, moist with mist, in which now and then was the huddled, troubling smell of soldiers. At last the moon, huge and swollen with gold, set behind the wooded hills, and they went back to the car, where they rolled up in their blankets and went to sleep.
Behind the square lantern that rose over the crossing, there was a trap door in the broken tile roof, from which you could climb to the observation post in the lantern. Here, half on the roof and half on the platform behind the trap-door, Martin would spend the long summer afternoons when there was no call for the ambulance, looking at the Gothic windows of the lantern and the blue sky beyond, where huge soft clouds passed slowly over, darkening the green of the woods and of the weed-grown fields of the valley with their moving shadows.
There was almost no activity on that part of the front. A couple of times a day a few snapping discharges would come from the seventy-fives of the battery behind the Abbey, and the woods would resound like a shaken harp as the shells passed over to explode on the crest of the hill that blocked the end of the valley where the Boches were.
Martin would sit and dream of the quiet lives the monks must have passed in their beautiful abbey so far away in the Forest of the Argonne, digging and planting in the rich lands of the valley, making flowers bloom in the garden, of which traces remained in the huge beds of sunflowers and orange marigolds that bloomed along the walls of the dormitory. In a room in the top of the house he had found a few torn remnants of books; there must have been a library in the old days, rows and rows of musty-smelling volumes in rich brown calf worn by use to a velvet softness, and in cream-coloured parchment where the finger-marks of generations showed brown; huge psalters with notes and chants illuminated in green and ultramarine and gold; manuscripts out of the Middle Ages with strange script and pictures in pure vivid colours; lives of saints, thoughts polished by years of quiet meditation of old divines; old romances of chivalry; tales of blood and death and love where the crude agony of life was seen through a dawn-like mist of gentle beauty.
God! if there were somewhere nowadays where you could flee from all this stupidity, from all this cant of governments, and this hideous reiteration of hatred, this strangling hatred ...
he would say to himself, and see himself working in the fields, copying parchments in quaint letterings, drowsing his feverish desires to calm in the deep-throated passionate chanting of the endless offices of the Church.
One afternoon towards evening as he lay on the tiled roof with his shirt open so that the sun warmed his throat and chest, half asleep in the beauty of the building and of the woods and the clouds that drifted overhead, he heard a strain from the organ in the church: a few deep notes in broken rhythm that filled him with wonder, as if he had suddenly been transported back to the quiet days of the monks. The rhythm changed in an instant, and through the squeakiness of shattered pipes came a swirl of fake-oriental ragtime that resounded like mocking laughter in the old vaults and arches. He went down into the church and found Tom Randolph playing on the little organ, pumping desperately with his feet.
Hello! Impiety I call it; putting your lustful tunes into that pious old organ.
I bet the ole monks had a merry time, lecherous ole devils,
said Tom, playing away.
If there were monasteries nowadays,
said Martin, I think I’d go into one.
But there are. I’ll end up in one, most like, if they don’t put me in jail first. I reckon every living soul would be a candidate for either one if it’d get them out of this God-damned war.
There was a shriek overhead that reverberated strangely in the vaults of the church and made the swallows nesting there fly in and out through the glassless windows. Tom Randolph stopped on a wild chord.
Guess they don’t like me playin’.
That one didn’t explode though.
That one did, by gorry,
said Randolph, getting up off the floor, where he had thrown himself automatically. A shower of tiles came rattling off the roof, and through the noise could be heard the frightened squeaking of the swallows.
I am afraid that winged somebody.
They must have got wind of the ammunition dump in the cellar.
Hell of a place to put a dressing-station — over an ammunition dump!
The whitewashed room used as a dressing-station had a smell of blood stronger than the chloride. A doctor was leaning over a stretcher on which Martin caught a glimpse of two naked legs with flecks of blood on the white skin, as he passed through on his way to the car.
Three stretcher-cases for Les Islettes. Very softly,
said the attendant, handing him the papers.
Jolting over the shell-pitted road, the car wound slowly through unploughed weed-grown fields. At every jolt came a rasping groan from the wounded men.
As they came back towards the front posts again, they found all the batteries along the road firing. The air was a chaos of explosions that jabbed viciously into their ears, above the reassuring purr of the motor. Nearly to the abbey a soldier stopped them.
Put the car behind the trees and get into a dugout. They’re shelling the abbey.
As he spoke a whining shriek grew suddenly loud over their heads. The soldier threw himself flat in the muddy road. The explosion brought gravel about their ears and made a curious smell of almonds.
Crowded in the door of the dugout in the hill opposite they watched the abbey as shell after shell tore through the roof or exploded in the strong buttresses of the apse. Dust rose high above the roof and filled the air with an odour of damp tiles and plaster. The woods resounded in a jangling tremor, with the batteries that started firing one after the other.
God, I hate them for that!
said Randolph between his teeth.
What do you want? It’s an observation post.
I know, but damn it!
There was a series of explosions; a shell fragment whizzed past their heads.
It’s not safe there. You’d better come in all the way,
someone shouted from within the dugout.
I want to see; damn it.... I’m goin’ to stay and see it out, Howe. That place meant a hell of a lot to me.
Randolph blushed as he spoke.
Another bunch of shells crashing so near together they did not hear the scream. When the cloud of dust blew away, they saw that the lantern had fallen in on the roof of the apse, leaving only one wall and the tracery of a window, of which the shattered carving stood out cream-white against the reddish evening sky.
There was a lull in the firing. A few swallows still wheeled about the walls, giving shrill little cries.
They saw the flash of a shell against the sky as it exploded in the part of the tall roof that still remained. The roof crumpled and fell in, and again dust hid the abbey.
Oh, I hate this!
said Tom Randolph. But the question is, what’s happened to our grub? The popote is buried four feet deep in Gothic art.... Damn fool idea, putting a dressing-station over an ammunition dump.
Is the car hit?
The orderly came up to them.
Don’t think so.
Good. Four stretcher-cases for 42 at once.
At night in a dugout. Five men playing cards about a lamp-flame that blows from one side to the other in the gusty wind that puffs every now and then down the mouth of the dugout and whirls round it like something alive trying to beat a way out.
Each time the lamp blows the shadows of the five heads writhe upon the corrugated tin ceiling. In the distance, like kettle-drums beaten for a dance, a constant reverberation of guns.
Martin Howe, stretched out in the straw of one of the bunks, watches their faces in the flickering shadows. He wishes he had the patience to play too. No, perhaps it is better to look on; it would be so silly to be killed in the middle of one of those grand gestures one makes in slamming the card down that takes the trick. Suddenly he thinks of all the lives that must, in these last three years, have ended in that grand gesture. It is too silly. He seems to see their poor lacerated souls, clutching their greasy dog-eared cards, climb to a squalid Valhalla, and there, in tobacco-stinking, sweat-stinking rooms, like those of the little cafés behind the lines, sit in groups of five, shuffling, dealing, taking tricks, always with the same slam of the cards on the table, pausing now and then to scratch their louse-eaten flesh.
At this moment, how many men, in all the long Golgotha that stretches from Belfort to the sea, must be trying to cheat their boredom and their misery with that grand gesture of slamming the cards down to take a trick, while in their ears, like tom-toms, pounds the death-dance of the guns.
Martin lies on his back looking up at the curved corrugated ceiling of the dugout, where the