The Flying Squad
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Although his neighbors suspect he is quite rich, Li Yoseph lives in a sagging, squalid wooden house overhanging a creek, and has a habit of holding lengthy, animated conversations with invisible friends, usually in a foreign tongue. The police are certain he’s involved in smuggling, but they’ve never been quite able to prove it. Now there are darker doings afoot than a bit of tobacco smuggling—including murder—and an attempt to pin the blame for it on Scotland Yard’s Inspector Bradley. The detective will need to ascertain who really dumped a body in the Thames, and how much truth lies in an apparent madman’s ravings . . .
“One of the most popular writers of the early twentieth century.” —Mystery Scene
Edgar Wallace
Edgar Wallace (1875–1932) was one of the most popular and prolific authors of his era. His hundred-odd books, including the groundbreaking Four Just Men series and the African adventures of Commissioner Sanders and Lieutenant Bones, have sold over fifty million copies around the world. He is best remembered today for his thrillers and for the original version of King Kong, which was revised and filmed after his death.
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The Flying Squad - Edgar Wallace
The Flying Squad
Edgar Wallace
Chapter I
Lady’s Stairs was a crazy wooden house overlooking and overhanging the creek between canal and river. You saw it from the lock that marked the place where canal ended and the broad, muddy estuary began, a sagging barn of a place, supported on huge wooden piles, with a dingy facade which had once been painted white, and then not painted again. It was streaked and blurred by nature to strange neutral shades that would have rendered it invisible but for the fact that it was wedged between a high warehouse on the one side and the barrel-roof of an ironworks on the other. Beneath the main rooms the creek ran, rising to within a few feet of Li Yoseph’s sitting-room in flood-time.
Lady’s Stairs, whence it took its name, has vanished. Once this dark and oily waste had been a pleasant backwater to the Thames, and there was still evidence of its one-time pastoral character. Stock Gardens was a slum that ran parallel with the canal; Lavender Lane and Lordhouse Road were no less unsavoury; and where the tenements raised their ugly heads, and the squeals of playing children sounded night and day, was still called The Meadows.
Li Yoseph used to sit in his little room and watch the colliers tie up at Brands Wharf at high tide, and see the barges towed slowly towards the lock. He found cause for satisfaction that, by craning his neck through the window, he could also see the big Dutch steamers that went down Thames River to the sea.
The police had nothing against Li Yoseph. They knew him to be a fence and a smuggler, but they had no positive evidence, and did not expect to find more on this fatal visit of theirs than they had upon previous visits.
All the neighbourhood thought Li was rich, and knew for certain that he was mad.
He had a habit of holding lengthy conversations with invisible friends. As he shuffled through the streets, a strange-looking creature with his big yellow face as hairless as a child’s, yet wrinkled and creased into a thousand criss-crossing lines, he would be talking and gesticulating and smiling dreadfully to his unseen companions. Mostly he spoke in a foreign language which was believed to be German, but was in fact Russian. He confessed to an acquaintance with fairies—good fairies and bad; he saw and conversed with dead men, who told him the strangest tales of unknown worlds. And he was a seer, for he foresaw the future surprisingly.
He was walking about the sloping floor of his room overlooking the creek, mumbling and muttering to himself. It was a strangely lofty room, and in the light of three candles, which served to accentuate the darkness of the apartment, was a place of terrifying shadows. The walls, which had once been lime-washed, were streaked yellow and green, and in wet weather the roof leaked, and little streams of moisture appeared on the walls. This was his living-room—he slept in a big cupboard, which had only this advantage, that it was in the one part of the house that was over dry land.
But the bigger apartment was office, store and recreation-room. Here he interviewed Dutch, German and French sailors who came rowing softly up the creek at high tide, and, steering their little boats through a maze of green piles that held up the overhanging out-thrust of the house, moored at last at the foot of the crazy ladder, down which the old man would climb and chaffer for certain articles they brought to him.
It was quite dark beneath the house, even in the daytime the forest of props and piles letting in the faintest twilight. Only at certain times could these water-borne negotiators come, for when the tide dropped there was nothing below but mud, the depth of two men—thick, watery mud, that moved all the while in great unease as though beneath its blanket some silurian monster was turning in his sleep.
Old Li always had a boat tied up here, fitted with a little motor which he had learned to work. In this he made infrequent excursions on to the river itself. He was contemplating some such trip that night; twice he had rolled up the discoloured square of carpet, pulled open the trap-door which the carpet covered, and, grunting and muttering, had gone down the rungs of the ladder, depositing something in the boat, which lay on its side in the mud. At last his work was finished, and he could devote his time to the shadowy host which peopled the room.
He talked to them, always in Russian, joked with them, rubbed his hands and chuckled at the amazing wit of their repartee. They had been whispering a thing all day—to a normal man a dreadful thing that would have made him cringe in fear. But for once Li did not believe the ghosts.
A bell clanged, and he shuffled out of the room, down the steep stairs, to a little side door.
Who is it?
he asked.
He heard the low reply, and turned the key.
You have come early or late—I don’t know which.
Li had a deep, husky voice, with only a trace of a foreign accent.
Closing and locking the door behind him, he followed his visitor up the stairs.
Here there is no time,
he chuckled hoarsely. Days or nights, I do not know them. There is high tide, when I must make business very quickly, and low tide, when I may sit and talk to my beautiful little friends.
He kissed his hand to a dark corner, and Mark McGill snarled round on him.
Cut that out—you and your damned ghosts! His sister’s coming here to-night.
His?
The yellow-faced man peered at him. Ronnie Perryman’s—she’s come over from Paris.
Li Yoseph gaped at the visitor, but asked no questions of the big man.
There was something about Mark McGill that inhibited a request for confidence. He was a commanding man, broad of shoulder. His coarse features had a certain handsomeness; yet the terror he inspired in his many subordinates had its origin less in its patent strength or the brutality of his big hands than in a pair of the palest blue eyes that aver stared from the face of man.
He rolled his half-smoked cigar from one corner of his mouth to the other, walked into the recess where Li had his bed, and eyed the darkening waters thoughtfully,
High tide in an hour.
He was speaking half to himself.
Li Yoseph, watching him as a cat would a mouse, saw him lift a violin from the bed.
Been playing your fiddle all day, I’ll bet—have the police been here again?
The Jew shook his head.
No more questions about Ronnie? Well, she’ll ask you some. I tried to keep her away. You know what you’re going to tell her, don’t you?
A pause; slowly he nodded.
He was kilt—by the p’lice. They caught him in a boat wit’ something he find in the ship. So they say ‘where you get this?’ an’ they beat him so he fell in the river and died
Good for you.
Mark bent his head and listened. That’s Tiser and the girl—bring ‘em up.
Li went noiselessly down the stairs. He came back, leading the way; Tiser followed—a twittering, nervous man with a big-toothed smile. His brow was perennially moist, his shining black hat and neat black tie added to his repulsiveness. Ann Perryman disliked him from the moment she saw him at the station—a clammy man, whose everlasting smile was an offence.
She came slowly into the room, paused for a second, and in that period of time took in, without perceptible emotion, the squalor of the place in which she found herself. Her eyes rested for the space of a few seconds upon Mark, and he grew strangely uncomfortable under her scrutiny.
She was a straight, neat figure of a girl. In some lights her hair was a deep gold, in others you saw a reddish tinge that almost changed her appearance. She had a high, wide forehead from which the hair was brushed back, and that gave her a certain old-fashionedness. She was straight- backed, held herself rather stiffly, and conveyed by this very poise her aloofness. She was not easily approached; men found her rather coldly austere, and said she was deficient in humour because she could not appreciate theirs. Her grey eyes, set wide apart, could be very hard. Ronnie had known how soft they could be, but Ronnie was dead and no other man had seen love shining there.
Ann Perryman had the stuff of martyrs in her; intellectually and spiritually she was made for grand experiences. Her will was inflexible, her courage sublime.
So this was Ann Perryman! He had never seen her before, and was struck dumb by her unexpected loveliness.
She put out a cold hand and he took it, held it for a second and then released his grip. He hardly knew where to begin.
Tiser has told you, of course?
She nodded gravely.
I saw the account a fortnight ago. I am teaching in a school in Paris, and one has the English papers. But I didn’t know that
—she hesitated—Ronnie went under an assumed name.
She said this in a quiet, even, conversational tone.
I might have told you before,
said Mark, but I thought I would wait till everything was over before I broke the news.
There was so much sympathy in his voice that Mr. Tiser, whose restless eyes had been roving the apartment, brought them back to his confederate with a stare of genuine amazement. Mark was really wonderful!
It was rather a difficult situation,
Mark went on in the low, strained voice of one who is telling an unpleasant story. You see, if Ronnie was breaking the law, so was I. One naturally hesitates to incriminate oneself.
She inclined her head at this.
Of course, I know Ronnie wasn’t—
She hesitated. He has been rather unfortunate all his life, poor darling! Where was he found?
Mark pointed towards the creek.
I’m going to be frank with you. Miss Perryman. Your poor brother and I were smugglers. I suppose it’s very reprehensible, and I’m not excusing myself: I’m being perfectly candid with you. The police were keen to trap us, and I think they regarded Ronnie as rather a weak vessel, and I happen to know that they had made several overtures to him—they hoped to induce him to betray the organisation. That sounds highly melodramatic, but it is the truth.
She looked from him to Tiser. The old Jew had crept behind the curtains of his recess.
Mr. Tiser has told me that the police murdered Ronnie—it is incredible!
Mark shrugged his shoulders.
There’s nothing incredible about the London police,
he said dryly. I don’t say they intended killing him, but they certainly beat him up. They must have caught him coming back in a boat from one of the ships that bring the contraband to us, and either he got a blow that knocked him overboard or else he was deliberately thrown into the water when they found how badly they had injured him.
She nodded again.
Inspector Bradley?
she asked.
That’s the man. He always hated Ronnie. Bradley is one of these clever Scotland Yard men who have acquired a little education and an inferiority complex.
From behind the drawn curtains of the recess came a thin wail of sound. Mark started round with a snarl, but the girl’s hand dropped on his arm. By a gesture she silenced him.
From the recess came the sweet, melancholy cadence of Tosti’s Adieu.
Who is it?
she asked in a low voice.
Mark shrugged his shoulders impatiently.
It’s the Jew—Li Yoseph. I want you to see him.
Li Yoseph? The man who saw Ronnie killed?
Mr. Tiser found his voice.
From a distance, my dear young lady,
he twittered. Nothing definite was seen; I think I explained that. Our dear friend merely saw the police officers struggling with our dear departed comrade—
Mark’s cold eyes fixed him.
That will do, Tiser,
he said. Ask Li Yoseph to come out.
The music ceased. She became suddenly aware of a curious presence. Li Yoseph came forward, his shoulders stooped, looking at her from under his brows, his long hands rubbing over one another. He was a terrifying figure; her first sensation was one of revulsion.
This is Miss Perryman, Ronnie’s sister.
The Jew’s face twisted in a little grimace.
I haf just been speaking to him,
he said. His voice was singularly low and melodious, except for the gutturals which occurred at rare intervals.
The girl stared at him.
You’ve been speaking to him?
Don’t take any notice of Li.
Mark’s voice was sharp, almost peremptory. He’s a little …
He touched his head significantly. Sees ghosts and things.
And things,
repeated the Jew, his eyes opening wider and wider. Queer t’ings, t’ings no man sees but me—Li Yoseph!
She saw his face crease into a grotesque smile. He was looking at something that stood between them.
So you are there!
he said softly. Ah, you would come, of course, my leetle Freda.
He stooped and patted the head of an invisible child and chuckled.
You been goot girl since you was drowned in canal, eh? Ach! you look so happy—
Shut up, Yoseph,
interrupted Mark roughly. You’re frightening the lady.
He does not frighten me,
said Ann steadily. Li Yoseph was walking back to his little room, his shoulders shaking with laughter. Is he often like this?
Always,
said Mark, and added quickly: But he’s perfectly sane in all other respects. Yoseph, don’t go away! I want you to tell this lady what you saw.
Li Yoseph came slowly back till he was within a few paces of the girl. His hands were clasped at his breast; it was almost a gesture of prayer.
I tell you what I see.
His tone had become suddenly mechanical. First de boat mit Ronnie, she pull from the sheep. And den Ronnie he pull and pull, and den de police launch she op-kom. Den I see dey light and dey fight, and I hear de splash in de water, and presently Mr. Bradley’s voice I hear … ‘We got him; say nodings about it.’
All the time he was speaking he was looking at her, and she almost thought she saw in his eyes a mild defiance, as though he were primed for the challenge to his story which she might offer at any moment.
You saw this?
He bowed his head, and she turned to Mark.
Why wasn’t a charge laid against these men? Why did they allow it to go under the cases of ‘Murder against some person or persons unknown’? Are the police in this country sacrosanct? Can they commit with impunity any crime … murder and never be charged?
For the first time he realised something of the volcano that was smouldering in her heart. Ann’s voice was vibrant, almost electrifying.
Bradley—who is Bradley? He is the man you were speaking about. I shall remember him.
She looked at the old man again. He stood with closed eyes, his hands still clasped, swaying to and fro.
Did he make a complaint to the police?
Mark smiled.
What is the use? You’ve got to understand, Miss Perryman, that the police are a law unto themselves, not only in this but in every other country. I could tell you stories of what happened in New York—
I don’t want to know what happened in New York.
She was a little breathless. Will you tell me this: is this man to be relied upon?
She nodded to the Jew.
Absolutely.
Mark was emphatic.
Absolutely, my dear young lady!
said Mr. Tiser, too long held outside the circle of conversation. I ran assure you he is a highly respectable man. His unfortunate origin is, of course, all against him. But why should we despise Jews? Was not Moses a Jew? Was not Solomon, the wisest of all ages, and that same interesting—
He met Mark’s eye and passed through an incoherent stage to silence.
She stood for a moment, her head bent, her finger at her lips, her wide forehead wrinkled in a frown. Mark had offered her a chair, but this she had ignored. He waited for her to speak.
What did Ronnie do for you?
she asked at last. You can tell me everything, Mr. McGill, he has often spoken to me about you and I gathered that you were engaged in something … illegal. I suppose I’ve got a curious moral outlook, but I’m not so shocked now as I was then. Was he valuable to you? And is his loss a very … serious one?
McGill did not answer instantly. He was turning over in his mind just what lay behind that question.
Yes,
he said at length, he was almost indispensable. He was the type of boy who could go about the country without creating suspicion. He was a marvellous car-driver, and that was extraordinarily useful, for just now the police have a Flying Squad—Bradley is at the head of it —which needs considerable evasion. Ronnie used to collect the stuff we smuggled, sometimes distribute it—and I trusted him. Why do you ask?
I was wondering,
she said. This man Bradley, what is he like?
Before Mark could answer, she heard a little chuckle of laughter and spun round.
A man was standing by the door; how long he had been there she could not tell. Long enough to settle himself, for he was leaning lazily against the door-post. His soft felt hat was pulled rakishly down over one eye, and though the night was chilly he wore no overcoat. A tall, slim-built man, with a long, good-humoured face and sleepy eyes that were regarding her now with amused interest.
I shouldn’t be surprised if this was Miss Perryman,
he said, straightening himself and taking off his hat leisurely. I don’t know whether you feel you’d like to introduce me. Mark?
Mark stiffened.
My name is McGill,
he said harshly.
Sensation,
said the other sardonically. It’s been McGill all your life.
And then the humour went out of his face and left it a little sad- looking, as he lounged across to where the girl was standing. She knew him instinctively, and the eyes that met his were like steel.
I’m terribly sorry you’ve had all this trouble, Miss Perryman,
he said. I wish I knew the man who killed your brother.
He bit his nether lip, a trick of his, and looked thoughtfully at Mark.
I did my best to keep Ronnie out of bad company.
He paused, as if inviting an answer, but she did not reply, and his eyes began to rove around the apartment.
Where’s that musical spiritualist?
he asked. Hallo, Li! I see you’ve got company.
Li Yoseph came fawning forward, his yellow face tense and alert; shot one quick glance at the detective—a strange glance, thought Mark, and watched Bradley; but that man’s face was inscrutable.
I wonder why they brought you down here?
He spoke to Ann, but was looking at Tiser, and in his agitation that oily man’s eyes were blinking with extraordinary rapidity.
They haven’t been trying to stuff you with that I story about the police killing your brother, have they? I should imagine you’re just a little too intelligent to accept that kind of fairy-tale. Your brother was killed on land and left in the river.
Again he paused; he saw the tightening of her lips and realised that she was not convinced.
Do you want anything?
demanded Mark aggressively.
Inspector Bradley’s eyebrows rose.
Pardon me,
he said with exaggerated politeness. I didn’t know you’d taken over Li Yoseph’s establishment and were acting as host. I shall be at the Yard to-night between ten and two.
A chill passed down the spine of Mark McGill. To whom were those words addressed? Not to him; not to Ann Perryman; certainly not to Mr. Tiser. Why had Bradley called? Mark knew him well enough to realise that he would never have come had he known Ann Perryman was there. He had called to see Li! And the reminder that he would be at Scotland Yard was also addressed to Li.
He turned and loafed towards the door, swinging his soft-brimmed hat. On the landing which was immediately outside the door he turned and waved a cheery farewell.
I’d like to have a little chat with you. Miss—er—Perryman. Perhaps I could call at your hotel tomorrow?
She did not answer him. The eyes fixed on his were heavy with hate and loathing—Inspector Bradley was too sensitive a man to make any mistake about that.
They heard his footsteps going down the uncarpeted stairs, and the slam of the door. Mark turned to Tiser, showing his teeth.
You left that door open, you—
He checked himself. Go down and see that it’s closed now, and locked. And stay at the bottom of the stairs till I call you up.
He banged the door after the man and left him to flounder down in the dark; then he came back to where Ann was standing.
That was Bradley?
she said in a low voice.
That was Bradley,
he replied grimly. The clever Alec of Scotland Yard. What do you think of him?
She dropped her eyes to the ground and considered this question.
Who is taking Ronnie’s place in your—organisation?
she asked.
Mark threw out his hands.
Who could take his place? That kind of man isn’t found very easily.
I could.
His mouth opened in shocked surprise. You?
incredulously. She nodded.
Yes, I. I drive a car quite as well as poor dear Ronnie.
He was staggered, momentarily thrown out of control. He had expected to meet a weakling dependent who would need a little help for her immediate wants. But for the desire to convince Ronnie’s one relative, and to stop those persistent inquiries which relations sometimes make, he would not have seen her at all, certainly would never have brought her to Lady’s Stairs.
A thousand possibilities flashed through his mind. You’ll join us, eh?
He threw out his hands enthusiastically. Little girl, you’re the partner I’ve been looking for.
Her eyes met his.
My name is Ann; you may call me that,
she said. And the partnership will be on business lines.
This was one of the few occasions in his life that Mark McGill accepted a rebuff without resentment.
CHAPTER 2
There was no telephone at Lady’s Stairs. Li Yoseph was a careful man, who never spent money unnecessarily. Long after his visitors had left he sat huddled up in a springless old arm-chair which he had drawn to the big round table. A lamp burnt at his elbow; before him were the five scrawled sheets of an unfinished letter which he had taken from a box beneath his bed.
He rose slowly and went into the tiny room, looked through the long window on to the creek. The green and red lights of a tug making for the lock gates fascinated him, and he watched it until it was out of sight. Then he took up his violin, cuddled it under his chin