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Midnight Radio: ninety meditations on love and desire
Midnight Radio: ninety meditations on love and desire
Midnight Radio: ninety meditations on love and desire
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Midnight Radio: ninety meditations on love and desire

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Midnight Radio explores the complex landscape of intimate attachments, offering nuanced, original perspectives on the ambiguities that pervade them. The collection reflects a clear-eyed intelligence and a sensibility at once ironic and vulnerable. Often conversational in tone, satisfyingly varied, these compact yet multi-layered poems,

LanguageEnglish
PublisherDebbie Lee
Release dateFeb 20, 2024
ISBN9781761096877
Midnight Radio: ninety meditations on love and desire

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    Midnight Radio - Michael Sariban

    Midnight Radio

    MIDNIGHT RADIO

    ninety meditations on love and desire

    MICHAEL SARIBAN

    Ginninderra Press

    Midnight Radio: ninety meditations on love and desire

    ISBN 978 1 76109 687 7

    Copyright © text Michael Sariban 2024

    Cover image: Clive Robertson

    All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.

    First published 2024 by

    Ginninderra Press

    PO Box 3461 Port Adelaide 5015

    www.ginninderrapress.com.au

    CONTENTS

    Midnight Radio

    Acknowledgements

    In memory of my wife Joan, who seriously pushed me;

    for poet Mark O’Connor, who read my first manuscript;

    and for Martin Duwell, most attentive of critics

    MIDNIGHT RADIO

    After Dark

    It’s after dark and raining. Every car that

    passes just passes the water around, a muffled

    hiss that drowns in our ears and revives

    and is drowned again.

    Rain sprays its trademark graffiti over cars

    texting at lights, mixes itself into a soundtrack

    that slows or speeds up like heartbeat.

    Let’s go inside and turn our backs on

    the neon signs flashing their gospel above

    half-empty towers – advertising reality,

    telling us how to connect.

    Telling us what to expect. Virtual reality’s

    so real, it can take buildings out

    in broad daylight.

    Our own reality’s still hardwired just the way

    we like it – unaugmented, but enhanced

    rediscovering primitive skin.

    Let our avatars rehearse their roles,

    tonight we won’t let them in.

    Long Way Home

    Outside, the streets are dismal with rain,

    cold with early nightfall.

    He thinks of the music waiting at home, music

    that warms him like Scotch, and some nights

    makes up for his life.

    Home is a train ride away. The streets, as if

    designed for this, convert water into light –

    the roadway shimmers, cars shine like trumpets,

    their engines muted by rain. Neon signs are

    washed clean of their sin.

    He’s waiting for something to cut through the

    talk, through the competing perfumes, through

    the beer woven into the carpet.

    Out of nowhere a pair of hands sets about

    turning smoke-filtered light into sound, which

    some will convert into colours.

    No trumpets bleating, no sax repeating

    some pain he’d rather ignore –

    just a piano picking its way through a forest

    of snow-laden pines;

    just footsteps by the side of a road,

    a hitchhiker smudging into the dark to be

    neither murdered nor saved.

    Dead of Night

    When most people have unfolded like cartons

    into the flatness of sleep – brains

    cocooned in delta waves, bodies rocked

    only by breathing –

    the night bird appears as if to remind us

    of the dense beauty of darkness;

    perhaps to seduce us into believing

    that the dark is all there is.

    Wedged deep in the trough of the night,

    we reach for whatever picks us up before

    setting us down again.

    Some lose themselves in a screen;

    some introspect, start confessing things

    to the only witness around, though only

    the fabulous night bird can be totally

    believed.

    Ghosts are such a tease:

    there you are, hand on hip, acting as if

    you still lived here, hearing the night bird

    with me – I’d reach out and touch you

    or put my hand through you, if only

    you would stand still.

    Outlines

    You’re tracing the outline with lipstick

    as if there wasn’t the slightest chance your

    hand could get it wrong –

    there’s confidence, if you please.

    You are giving your mouth its shape, your

    arm at the angle I know so well – this

    is who you’ll be for the day, and I’m not part

    of the conversation you’re holding with

    your double.

    I follow your hand, the line of your wrist,

    an intimacy no less frank than nudity’s

    full frontal –

    and the mirror that watches you so closely

    has nothing on my gaze.

    At your age, I suppose, you’re not as

    wary

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