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We Made a Garden
We Made a Garden
We Made a Garden
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We Made a Garden

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An elegant new edition of a classic book from one of the twentieth century's greatest garden writers.
This landmark work on creating a garden was first published in 1956 and has rarely been out of print since. We Made a Garden is the story of how Margery Fish, one of the leading British gardeners of the mid-20th century, and her husband Walter transformed an acre of wilderness into a stunning cottage garden, still open to the public at East Lambrook Manor, Somerset, England. Quirky and readable, this book details her creation of a world-renowned cottage garden, as well as her battles with Walter in the process, who preferred the standard suburban approach.
In this beautiful and timeless work, she recounts the trials and tribulations, the successes and failures of her venture with ease and humour. Topics covered are colourful and diverse, ranging from the most suitable hyssop for the terraced garden through composting, hedges and making paths to the best time to lift and replant tulip bulbs. This book has been hailed as everything from a blueprint for the creation of a modern cottage garden to a feminist manifesto, and the author's practical knowledge, imaginative ideas and general good sense will encourage and inspire gardeners everywhere.
LanguageEnglish
PublisherBatsford
Release dateJun 6, 2024
ISBN9781849949613
We Made a Garden
Author

Margery Fish

Margery Fish  (1892–1969)  was one of the most admired gardeners and garden writers of her day. Her many articles and books inspired garden enthusiasts with her easy-to-read knowledge and observation. A passion for nature and an ability to combine plants effectively in even the smallest space and in differing environments made her ideas relevant to all gardeners of her time, and an inspiration for future generations. Her garden at East Lambrook Manor in Somerset is still open to visitors today.

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Rating: 3.9130434782608696 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    remember reading this after hearing her garden referred to in Gardens Illustrated and other sources - no idea when read except remember Wilkinson Court as background
  • Rating: 4 out of 5 stars
    4/5
    Very good conversational style, discussing what was done with a new garden. Just enough detail to give ideas, not enough to get bogged down.
  • Rating: 3 out of 5 stars
    3/5
    A pleasant wintertime read for the armchair gardener. The book recounts in chatty outline the construction of a semi-formal garden outside the author's rather large house in a Somerset village, aided and (rather more) criticized by her husband. Useful tips are scattered throughout. As with all anecdotal gardening books, some of the tips are useless: Mrs Fish had a compost heap which would fill more than a quarter of my garden, and a seemingly endless supply of beautiful oblong stones. Tastes also differ: she praises, for example, bergenia, which I find hideous and untidy, and lists a lot of pink flowers which I would not like to have in my borders. On the plus side, she is gardening in clay, as I am, and mentions quite a few of my favourites, such as epimediums, camassias, and hellebores. Once I am back in the garden again, I expect to get even more value out of her "Gardening in the Shade" (1964).MB 9-i-2012

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We Made a Garden - Margery Fish

The House

The house was long and low, in the shape of an L, built of honey-coloured Somerset stone. At one time it must have been thatched but, unfortunately, that had been discarded long ago and old red tiles used instead. It stood right in the middle of a little Somerset village, and made the corner where a very minor road turned off from the main street. There was only a narrow strip of garden in front, and not very much behind, but we bought an orchard and outbuildings beyond so that we had about two acres in all. A high stone wall screened us from the village street, and there was a cottage and another orchard on the other side.

You can’t make a garden in a hurry, particularly one belonging to an old house. House and garden must look as if they had grown up together and the only way to do this is to live in the house, get the feel of it, and then by degrees the idea of a garden will grow.

We didn’t start work outside for nearly a year, and by that time we felt we belonged to the place and it belonged to us and we had some ideas of what we wanted to do with it.

It was on a warm September day when we first saw the house but it was such a wreck that Walter refused to go further than the hall, in spite of the great jutting chimney that buttressed the front. Then the long roof was patched with corrugated iron, the little front garden was a jungle of rusty old laurels and inside an overpowering smell of creosote, newly applied, fought with the dank, grave-like smell of an unlived in house. ‘Full of dry rot,’ said Walter, ‘not at any price,’ and turned on his heel.

For three months we tried to find what we wanted. We looked at cottages and villas, gaunt Victorian houses perched uneasily on hilltops, and snug little homes wedged in forgotten valleys. Some were too big and most too small, some hadn’t enough garden and others too much. Some were too isolated, others so mixed up with other houses that privacy would have been impossible. We lost our way and had bitter arguments, but we did discover what we didn’t want. I couldn’t see Walter in a four-roomed cottage with a kitchen tacked on to one end and a bathroom at the other, and I had no intention of landing myself with a barn of a place that would require several servants to keep it clean.

We were still hunting in November when our way took us very near the old house so summarily dismissed in September, so we turned down the lane which said ‘East Lambrook one mile’, just to see what had happened during those three months.

Quite a lot had happened. The front garden had been cleared of its laurels and the house looked much better. Old tiles had replaced the corrugated iron on the roof, and inside the walls had been washed with cream and the woodwork with glossy paint.

It is one of those typical Somerset houses with a central passage and a door at each end, so very attractive to look at and so very draughty for living. That day we thought only of the artistic angle. It was late afternoon and the sun was nearly setting. Both doors were open and through them we caught a glimpse of a tree and a green background against the sunlight.

That day I got Walter further than the flagged passage, and we explored the old bakehouse, with its enormous inglenook and open fireplace, low beamed ceiling and stone floor, and a gay little parlour beyond. On the other side was another large room with stone floor and an even bigger fireplace, and at the far end a lovely room with wonderful panelling. We both knew that our search had ended, we had come home.

I cannot remember just what happened after that but I shall never forget the day when the surveyor came to make his report. It was one of those awful days in early winter of cold, penetrating rain. The house was dark and very cold, and the grave-like dankness was back, in spite of all the new paint and distemper. The surveyor, poor man, had just lost his wife, and was as depressed – naturally – as the weather. Nor shall I ever forget Walter’s indignation with the report when it did come in. The house, while sound in wind and limb, was described as being of ‘no character’. We didn’t think then that it had anything but character, rather sinister perhaps, but definitely character. Since then I have discovered that the house has a kindly disposition; I never come home without feeling I am welcome.

Having got our house we then had to give it up again so that it could be made habitable. For many months it was in the hands of the builders and all we could do was to pay hurried visits to see how things were going, and turn our eyes from the derelict waste that was to be the garden. Sometimes I escaped from the consultations for brief moments and frenziedly pulled up groundsel for as long as I was allowed. Walter never wanted to stay a moment longer than business required and it worried me to go off and leave tracts of outsize groundsel going to seed with prodigal abandon. My few snatched efforts made very little impression on the wilderness, but they made me feel better.

It was late in the summer before we could get into the house, and some time after that before we were able to get down to the garden in earnest. All the time we were clearing and cleaning in odd moments, working our way through the tangle of brambles and laurels and elders, and thinking all the time what we would do with our little plot. We both knew that it had to be tackled as a whole with a definite design for the complete garden, and we were lucky in having plenty to do while our ideas smouldered and simmered.

The Garden

The garden that went with the house was divided at the back into two tiny gardens, with walls and small plots of grass. We supposed that these went back to the time when the house had been two cottages.

In addition to the walls dividing the two little gardens at the back another wall divided us from the barton, and beneath all these walls someone had amused himself by making banks and sticking in stones vertically, like almonds on a trifle. We imagined the idea was a nice ready-made rock garden for us to play with. The first thing we did, when we really set out minds to the garden, was to remove all the walls and stones and pile them up for future use. They were quite a problem, those piles of stones, as they were moved from place to place as we dealt with the ground where they were piled. I could not see how we should ever use them all.

The high wall that screened us from the road was finished in typical Somerset style with stones set upright, one tall and then one short. I have never discovered the reason for these jagged walls and I don’t think they are at all attractive. I asked my local builder and all he could suggest was that it made a nice finish. I can think of more attractive ways of solving the problem without such a lavish use of big stones.

There was great scope for planting between the stones and Walter suggested I could get busy on the top of the wall while we decided what to do with the rest of the garden. So I bought a few easy rock plants and sowed seed of valerian and alyssum, aubrietia and arabis to clothe those jagged rocks. The great heaps of stones were at that time right up against the wall and I had to clamber up them each time I planted anything, and later when I wanted to water my little family. The watering was usually done after dinner, and those were the days when one donned a long dress and satin slippers for this social occasion – which one didn’t have to cook. I can’t think how I avoided turning an ankle as I had to clutch my skirt with one hand and use the other for the watering can while the stones rocked and tipped under my weight.

By degrees, of course, we got rid of all the stones. We gave away cartloads to anyone who would fetch them, mostly farmers who tipped them near farm gates to defeat the Somersetshire mud. We used up the best of them ourselves in time. We little realized in those days that as our schemes progressed we should buy far more than we ever had in the beginning.

Since those days I have had all the upright stones removed from the tops of our walls, and flat stones laid horizontally instead. I always thought the uneven finish very ugly and in times of stress when I have been casting round for more stones to finish some enterprise I have grudged so many large and even stones doing no good at all. Gone are all the little treasures from the top of the wall; instead clematises clamber about and climbing roses are trained over the top of the wall so that the world outside can enjoy the blooms as well. The rock plants, or descendants of them, are now growing in the wall itself. By tucking them into every available crack and crevice I can bring the wall to life long before the plants get going in the border below. Great cascades of white and lavender, yellow and pink prevent the wall from looking cold and bare in the early spring.

Having torn down all our little walls and obstructions so that we could visualize what the place looked like without them, our next job was to clear the barton – the yard in front of the outbuildings and between us and the orchard.

That job would have frightened most people, but not Walter. Anyone who knows anything about farming can imagine the piles of iron and rubbish that had accumulated during the years. We had bought the outbuildings, barton and orchard from a chicken farmer, so in addition to the farming legacies we had all the relics of the chicken era as well. And to add interest there were old beds, rusty oil stoves, ancient corsets, pots, pans, tins and china, bottles and glass jars, and some big lumps of stone which may at one time have been used for crushing grain.

A bonfire burned in the middle of that desolation for many weeks, until one day Walter announced that the time had come to level the ground for a proper drive into the malthouse, which we used as a garage. I was told I must find another place to burn the barrowloads of weeds and muck I collected every day. I can remember arguing, without result, that the place where the bonfire burned could be left while the rest of the barton was tackled. I think Walter was very wise in being so firm with me. The only way to get jobs done is to be ruthless and definite.

There was no rubbish collection in those days, which was undoubtedly the reason for the horrible collection of stuff we found. Small things, such as china, glass and tins, were collected by us in barrowloads and as a short cut Walter had holes dug in odd places and the stuff tipped into them. In the course of time, as I have put more land into cultivation I have run into quite a number of these caches, and have decided that it really does not pay to take short cuts. Luckily we now have a regular salvage collection and having retrieved the grisly mementoes they are banished for good and all.

Between the barton and orchard were two walls, and Walter suggested we could make quite attractive rock gardens against them and thus add colour and interest to the barton. It was only after I had given my enthusiastic agreement that I discovered he wanted some way of disposing of the bigger rubbish that couldn’t be buried. So all the old oil stoves, bits of bedsteads, lumps of iron and rolls of wire netting were distributed against the walls, and the rest of the job was handed over to me.

Luckily we

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