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My Last Innocent Year: A Novel
My Last Innocent Year: A Novel
My Last Innocent Year: A Novel
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My Last Innocent Year: A Novel

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An incisive, deeply resonant debut novel about a nonconsensual sexual encounter that propels one woman’s final semester at an elite New England college into controversy and chaos—and into an ill-advised affair with a married professor.

It’s 1998 and Isabel Rosen, the only daughter of a Lower East Side appetizing store owner, has one semester left at Wilder College, a prestigious school in New Hampshire. Desperate to shed her working-class roots and still mourning the death of her mother four years earlier, Isabel has always felt like an outsider at Wilder but now, in her final semester, she believes she has found her place—until a nonconsensual sexual encounter with one of the only other Jewish students on campus leaves her reeling.

Enter R. H. Connelly, a once-famous poet and Isabel’s writing professor, a man with secrets of his own. Connelly makes Isabel feel seen, beautiful, talented: the woman she longs to become. His belief in her ignites a belief in herself, and the two begin an affair that shakes the foundation of who Isabel thinks she is, for better and worse. As the lives of the adults around her slowly come apart, Isabel discovers that the line between youth and adulthood is less defined than she thought.

A coming-of-age story set against the backdrop of the Clinton/Lewinsky scandal, Daisy Alpert Florin's My Last Innocent Year is a timely and wise portrait of a young woman learning to trust her voice and move toward independence while recognizing the beauty and grit of where she came from.

LanguageEnglish
Release dateFeb 14, 2023
ISBN9781250857040
Author

Daisy Alpert Florin

Daisy Alpert Florin attended Dartmouth College and received graduate degrees from Columbia University and Bank Street Graduate School of Education. She is a recipient of the 2016 Kathryn Gurfein Writing Fellowship at Sarah Lawrence College and was a 2019–20 fellow in the BookEnds novel revision fellowship, where she worked with founding director Susan Scarf Merrell. A native New Yorker, Florin lives in Connecticut with her family. My Last Innocent Year is her first novel.

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  • Rating: 4 out of 5 stars
    4/5
    This debut novel centers on the Spring semester of Izzy's final year at a prestigious private university in New Hampshire. She's an English major about to take a senior seminar in creative writing, when a not entirely consensual sexual experience throws her off-kilter. This is the late nineties, the Lewinsky scandal is dominating the airwaves and this book is a reminder that even the relatively recent past is a foreign country. As everyone and especially the college administration quickly try to move past the idea that anything should be done, Izzy quickly develops what should have been an innocent crush on her creative writing teacher but, again, the rules were a bit different then and Izzy is still trying to collect herself. The star couple of the English department, the department head and her professor husband, are undergoing a public and very acrimonious divorce and, again, how we saw things in the past is not how we see things now. This is an uncomfortable novel that leans hard into gray areas and how difficult it is to make huge life decisions when barely older than a teenager. Izzy is learning how to take control of her own life, to not be reflectively polite and apologetic in the face of hostility and learning how to make her own decisions in the face of people telling her what she should do, should want, should react. This is an ambitious debut novel that just doesn't mind diving into murky waters. It certainly reminded me of how much has changed in the past 25 years, and how much just hasn't.
  • Rating: 4 out of 5 stars
    4/5
    A better-than-most novel about an undergrad/professor affair. The best parts are the look-aheads to the consequences years later. The writing is above average but the subject matter is very well-trodden. For once I'd like to see a male student get seduced by a professor, male or female.
  • Rating: 4 out of 5 stars
    4/5
    Title: My Last Innocent YearAuthor: Daisy Alpert FlorinPublisher: Macmillan AudioNarrator: Sarah BierstockReviewed By: Arlena DeanRating: FourReview:"My Last Innocent Year" by Alpert FlorinMy Sentiments:'My Last Innocent Year' was a subtle, exciting novel, with the story taken from the last college year,1990, of Isabel Rosen coming of age. Sarah Bierstock narrated this story, and she did an excellent job with this story. This story features "friendship, family issues, relationships, beginning a career, sexual assault, a forbidden affair, grief, and healing from trauma;" this book has a little bit of it all. Be ready for twists and turns all over the place that will keep you continuing to listen to the reader to the very end. I enjoyed how the story had a backdrop of the Clinton/Lewinsky scandal that was happening at this time in history, which added somewhat to the level of what was happening. Be ready for a good exciting read.Thank you, Macmillan audio and NetGalley, for providing me with an audiobook arc in exchange for an honest review.
  • Rating: 3 out of 5 stars
    3/5
    What a frustrating read! It is rare for me to grow to dislike a character more and more as a story progresses, but that is what happened here. Unfortunately, that character was the first-person narrator of this novel, and while I don't mind unlikeable characters, I prefer not to have them in my head the entire time.This is a college novel - young woman from the lower-middle class, Jewish, attends a fancy Northeast college and feels out of place. Ho hum. Has inapprpriate relationship with a professor. Yawn. There is really nothing new here, though having the story set during the unfolding Clinton-Lewinsky scandal was either an interesting choice or a lazy one, depending on how generous I feel towards the author (less generous as time wore on). The writing, on balance, is fair. There are some great passages, but there are also some weak, awkward, and cringe-inducing pieces of dialogue, similes, metaphors, etc. I think this book was work-shopped to death. It has a self-conscious quality to it that I found grating.All that said, I couldn't stop reading it. I think Florin's greatest strength might be her pacing.
  • Rating: 3 out of 5 stars
    3/5
    I tagged this as a coming of age book, but in the best of these books the protagonist, unlike Isabel, actually grows up. Except for one courageous act toward the end of the book, Isabel seems to float passively along in her rather turbulent senior year of college: a rape (or was it consensual?), the public shaming of the boy involved (instigated by her roommate, but accompanied by Isabel), a seduction by her writing professsor (or did she seduce him?), and the disappearance of a little girl. It was an interesting read, a quick read because it was event, not thought-driven. But that I guess is also its downside. I wanted more interiority, to understand how all these events resulted in her growth.
  • Rating: 3 out of 5 stars
    3/5
    This book is so well written. There are phrases I read several times, just to muse over, and that makes sense in a novel about Isabel, a college student attempting to become a novelist -- writing itself is under scrutiny here. At one point, Isabel's writing professor says about a story she wrote, "this character feels richly drawn . . . . as for the fragmentary quality -- I would argue that that is part of its strength" (81). Florin could be commenting on her own book here. Isabel is indeed richly drawn, but as for the fragmentary quality being a strength, there her professor and I part ways. The novel takes place during one academic year. In that year Isabel experiences nearly every variety of toxic masculinity you can imagine yet they all leave her strangely untouched. The novel opens with a nonconsensual sexual act that seems to traumatize Isabel deeply -- but then she sorta blows it off for the rest of the book. Her feminist roommate is a caricature of every MRA's nightmare and the fall-out of the event is largely attributed to her, rather than to the man who raped Isabel.As I said, Isabel gets over all of that within a few pages, and it's on to more toxic men,* as if Florin had several novels in her mind at once and they all got combined here -- hence the fragmentary quality. I'm not saying that the world isn't full of toxic men. My point is that each experience is so disturbing, so overwhelming, as to deserve a novel of its own, yet Isabel glides through them, with scarcely any thought. She tells us she's disturbed, that she cries, but as a reader, I don't see it, feel it. Florin seems a good enough writer that she could have given Isabel some more introspection, especially since Isabel is telling us this in hindsight, as a successful novelist herself. The plot pulls you along. It's almost impossible to put this novel down. But, for me, even that is a flaw: too much plot, too little time for Isabel to just think. She's smart & thinks a lot about her past. Why is she so devoid of introspection about this year she's decided to tell us about? Her psychotherapist could have a field day with this, but Isabel refuses counseling when it's offered after the assault and, as a reader, I expect her author to do a little more work figuring Isabel out.So, all in all, promising, but disappointing.* The fact that Isabel, a student at a liberal arts college in 1994 (Katie Roiphe's The Morning After is just out and makes an appearance immediately after the nonconsensual sex act, as if to raise questions in the reader's mind -- maybe it wasn't rape after all?), has not a single gay acquaintance is astonishing. The heteronormativity of this book is suffocating.
  • Rating: 4 out of 5 stars
    4/5
    This is one of the best novels I have read in quite a while. This is all about a young girl's life in college and about all the choices that she makes about her life. She has many good traits, some bad ones. She becomes involved with some good people and some bad. She is trying to fill some holes that have taken place in her past. I will definitely be looking for more work by Daisy Alpert Florin.
  • Rating: 3 out of 5 stars
    3/5
    This book centers around Isabel Rosen, a Jewish coed from a lower-class New York family. Her father would like Isabel to major in a degree with more career opporunities, but she remains adamant that she want to write. Her deceased mother was an artist, and is very much missed by Isabel.It opens with what may have been a non-consensual sexual act with a classmate. The question remains whether she gave tacit consent. This episode is pivotal in her senior year when her roommate chooses to paint "Rapist" on the young man's door, dooming him to a year of exclusion. The question of consent is very much in the forefront of what is happening on campuses today with confusion by both men and women. Isabel goes on to have a very consensual affair with her married English professor. There is another English professor with emotional baggage an outbursts witnessed by Isabel and other classmates at a party. This professor is subsequently involved in a situation that leads Isabel on a path of discovery and disillusionment.My thanks to LibraryThing and the publisher for this book.
  • Rating: 5 out of 5 stars
    5/5
    Dear Daisy,Your name is one dear to me. It was my mother's name, so I was already predisposed to like your book. But I was not prepared for its deeply emotional impact. Your story completely blew me away. My initial reaction was just a "Holy CRAP, but this woman can write!" So I'm not even going to try to get organized in this "review." And there is so much here to talk about. So pardon me if I drift and ramble a bit. A book that starts off with its narrator being raped is certainly a way to get the reader's attention. I'm a guy, so I won't even pretend to know how something like that feels. But I'm also a very old guy, and you could be my daughter. (I researched you a bit and figured out your age, and I am edging up on 79.) "A nonconsensual sexual encounter" is what your cover note calls this shocking beginning, maybe because your narrator, Isabel Rosen, lets us know from the start that she is not a virgin, that she has had some experience, with boys who were gentle, who were friends. And after all it is 1997, she is nearly finished with college when the book opens. In any case, it's a helluva start to her story, and this guy who assaults her, is an awful jerk, who then later accuses her of making him a pariah, when in fact no one liked him to begin with.And then, just a few pages in, Isabel picks up and reads a few pages of the new Katie Roiphe book, which is not named, but I know of the book, entitled "Last Night in Paradise: Sex and Morals at the Century's End." And Roiphe's earlier book, "The Morning After: Fear, Sex and Feminism," would have been equally relevant here. And, quite incidentally, the book I'd just finished reading before this one was "Fruitful," a book about feminism and motherhood, written by Katie's mother, Anne Roiphe, more than twenty-five years ago. I'm an avid fan of good books, by the way. So I was equally pleased to see one of your minor characters, another student, reading Updike's "Rabbit, Run," - and this at the end of the nineties. Because I 'discovered' Updike myself when I was a college student, and yeah, it was "Rabbit, Run" that I read in 1967. I 'devoured' it, in fact, and stayed an Updike fan from that time on. (I miss that guy.) Of course old Rabbit was something of a sexual predator himself, living for the moment, inside his skin, so he "fits" into your context. And then there's Edith Wharton's novels here, as the subject of Isabel's senior thesis. And they fit well too, especially, I suspect, "The Age of Innocence," which I've never read, but it is about marriage and infidelity, which certainly, again, fits Isabel's story. (The only Wharton book I've read [so far] is "Ethan Frome," which I loved.) And then there's a passing reference to Henry Roth (his "Call It Sleep" is another novel I read in college), and Bernard Malamud, whose second novel, "The Assistant," is especially relevant to Isabel's story, as her dad Abe is a shopkeeper in New York City's Lower East Side, and he had even told Isabel, if she wanted to know more about his life and what it was like, to read "The Assistant." Yeah, old Abe and Malamud's Morris Bober, probably did have much in common. And Morris also had a daughter, Helen. And yes, she was a victim of rape. All these parallels you wove into your narrative, Daisy. So much for a book lover like me to think about, to meditate on.And then there's Connely, the handsome one-time-poet-now-gone-dry - and married - professor, who is Isabel's mentor, and then her lover. Although 'lover' is too kind a word for this scumbag predator. Yeah, that's how I saw him, because Isabel wasn't his first 'victim.' But Isabel is so infatuated, so deeply attracted to him, that she is an easy mark. And I don't think Connely ever says he loves her. Instead he calls what they have "extraordinary." He is such a bastard. And yet, and yet ... He is also presented as utterly human too, a man who was once lauded as one of the best young poets on the literary scene. Now he writes for the local small-town newspaper, while his wife is a respected historian and educator at the college. And when he gets the occasional teaching gig, he is surrounded by all these dewy-eyed girls. So ... An extremely complex, 'extraordinary' sort of character. Well done, Daisy. There is much here too about grief and loss, in the person of Isabel's mother, an artist, who died before Isabel went off to college. Isabel has been deeply affected by this loss, and thinks of her mother often. Me too, Daisy, although I was 69 when I lost my mother, who died at 96. Even so, you only get one mother, and I miss her deeply and think of her every day. I get it. And you nailed it, in your portrait of Isabel, and her mixed feelings, a stew of grief, guilt and loss. There is a passage toward the end of the book, when the affair is over, where Connely reads a passage from the story that Isabel has been writing, a story entitled, "This Youthful Heart." It says -"We were girls in the bodies of women. We bought condoms with our father's credit cards, drank sloe gin fizzes, and slept with stuffed animals on our beds. We didn't know how to fold a fitted sheet."Isabel considers these lines, wondering exactly when do girls become women, a point often pondered by any good women writers worth their salt. I think of books I've read in recent years by Hilma Wolitzer and Anne Roiphe. But mostly this passage made me remember when I was courting (pursuing?) my wife, also on a small college campus, more than fifty-five years ago, and how I plied her with sloe gin when we went on solitary "grassers" out in the woods, and the huge black stuffed toy poodle I gifted her with on her twentieth birthday, which she slept with in her dorm room. Really! And I still can't fold a fitted sheet, but she does know how now. I also thought of another book I've read more than once, Richard Stern's "Other Men's Daughters," a novel about a professor who seduces one of his students - a story more from Connely's point of view, so to speak.But enough. No, one more thing. I felt it extremely fitting that Isabel's story is told from a vantage point of twenty-some years later. It added an important depth, room to ruminate on her actions. Okay. I know this is a complete mess as a "review," but I hope you get it, Daisy. I loved this book. I see a very bright future for you as a writer. I am reminded of another young woman writer I know, Kerry Beth Neville. She studied English and Creative Writing at Colgate under the noted novelist Frederick Busch (one of my favorite writers), who called her in one day to discuss one of her stories. And I'm not sure I got this exactly right, but I hope it's close. He told her he had good news and bad news. The good news was that this was a wonderful story, an A-plus. The bad news was "You are a Writer." Because yes, writing is a very hard and demanding profession. It demands discipline and that indefinable something. But it's hard, no question. But anyway (as my wife so often transitions between subjects), yeah, I absolutely loved this book, Daisy. (My mom woulda loved it too.) Bravo! In fact, Double Bravo! My very, very highest recommendation.- Tim Bazzett, editor of the book, DAISY: PIECES OF A LIFE, by Daisy Whalen Bazzett
  • Rating: 4 out of 5 stars
    4/5
    This is a book that makes you feel good to reminisce during a time when college kids were having fun and learning all they could. We’re talking about the late 90s when quite a few women had their eyes glued to “You’ve Got Mail.” It’s narrated by a Jewish girl, Isabel, from NYC who attends a small college in New Hampshire. She’s an English major and wants to be a writer. Her father, however, is trying to encourage her to get an education that can produce a decent job after graduating. Professor Connelly created a casual presence in his classroom to motivate his students to write about anything and everything. He said, “Literature is all around us. It’s real life.” When she saw him enter the room, she liked him. Maybe she more than liked this older, married man.The book is filled with all kinds of college romance – some good and some not so much. It has unexpected twists and happenings with relationships. As you read, it definitely sparks memories from any experience you may have had during or after your college days. I didn’t care too much for Isabel or her friends but I liked her father. He was a hard-working owner of a NY deli selling crisp warm bagels with soft cream cheese. It made me hungry. It's an easy read and I liked some of the lines. Isabel said, “writing is a conversation you have with an invisible reader.” She mentioned news events throughout the book including her bold thoughts on Bill Clinton and Monica Lewinsky. The last part of the book had a burst of inspiration for those that may still be in college. And the end made me smile.

Book preview

My Last Innocent Year - Daisy Alpert Florin

1

IT’S hard to say how I ended up in Zev Neman’s dorm room the night before winter break. It was a bitter night—December in New Hampshire—and on our way back from the library we’d been arguing, this time about whether windchill was a legitimate meteorological phenomenon, as Zev believed, or a ruse cooked up by weather executives to distract us from the threat of global warming.

Weather executives? Zev said. He had a light Israeli accent. Isabel. That’s not even a thing.

It is so, I said, stepping over a pile of dirty snow.

Zev stopped under a streetlight in front of his dorm and crossed his arms; his face was craggy in the shadows. I never took you for a conspiracy theorist. A left-wing agitator maybe, but conspiracy theorist? He shook his head.

But it’s worth considering, right? I tried to read his expression, but Zev was forever inscrutable. Wind blew my coat open, bit through my jeans to the skin.

Either way, it’s pretty fucking cold. He jerked his head. Want to come in?

I shrugged and followed him into the squat cinderblock building.

So I guess that’s how I ended up in Zev Neman’s room: he invited me and I didn’t say no.

Zev’s room, a single overlooking the river, was neat. Bed made, no clothes on the floor; it even smelled clean. Nothing like the other boy bedrooms I’d visited in my nearly four years at Wilder College. I attributed the cleanliness to Zev’s two years in the Israeli army defending the Jewish homeland—my homeland, as he liked to remind me. He threw off his parka and flopped on the bed. Books were piled on the only chair so I walked over and studied his bookshelf: economics textbooks, books in Hebrew, a couple of paperback thrillers thick as doorstops. I wanted to skip this part, the part where you wondered when the thing you’d come to a boy’s bedroom to do would start happening, when you could stop making small talk that only revealed all the ways this boy, any boy, would never understand you. To pass beyond language straight into touch.

I picked up a dog-eared copy of The Executioner’s Song. Next to it was a framed picture of a girl standing on a beach wearing a black bikini and mirrored sunglasses.

Who’s that?

Zev was tossing a Nerf basketball back and forth between his hands. My girlfriend, Yael, he said as if we’d just been speaking about her when in fact he’d never mentioned her, never mentioned having a girlfriend at all.

I picked up the picture. Yael was pretty. Beautiful actually. Long legs, olive skin, sun-kissed amber hair. I wondered if that’s what I might have looked like if my ancestors had made a left instead of a right on their way out of Russia. I was surprised Zev had a girlfriend, but I was more surprised she was so pretty. I glanced over at him stretched out across the bed and realized Yael gave him a currency he hadn’t had before.

How come you never told me about her?

Why? he asked. Are you jealous?

No, I said, placing the picture back on the shelf. What I felt wasn’t jealousy, more curiosity about how you became the kind of girl who let someone take your picture in a bathing suit. Or how you could have a girlfriend, a girlfriend like that, and never even mention it. If I had a boyfriend, I was certain I’d never stop talking about him.

Zev was still tossing the basketball between his hands, faster and faster without missing. Why would I tell you about her? he said. Besides, she’s there and I’m here, so. He aimed the ball at a hoop hanging over the back of his closet door. Score!

I looked out the window at the river glistening in the moonlight. It was the sort of thing you took for granted in college: a bedroom with a river view. I couldn’t explain to Zev why I thought it was strange he’d never mentioned Yael without making it sound like I cared, which I didn’t. Or maybe I did. Either way, I thought the whole point of having a girlfriend was so you didn’t have to do this anymore.

This. I was acutely aware of Zev’s presence: the rasp of his breath, the creak of the mattress as he shifted his weight. I ran the charm on my necklace back and forth along the chain and listened for a shift in his breathing or some other signal that he was about to touch me. After a minute or two, I heard him stand up and walk toward me, slow steps across the linoleum floor. I felt a hand on my shoulder. I turned and there he was, his mouth hanging open slightly as if he had a stuffy nose. I held my breath as he clumsily leaned in and kissed me. I fell back into the bookshelf and heard Yael’s picture tumble to the floor.

I’m not sure what I thought was going to happen, or what I even wanted to happen. I was mainly relieved to know which way the night was going. I might have been as relieved if Zev had asked me to leave because he had a headache or had to study for a test, even if he had told me to get the fuck out. As I settled into kissing him, feeling his tongue probe the recesses of my mouth in a way that wasn’t entirely unpleasant, I started thinking about what it would be like to fuck Zev Neman and if I even wanted to. I imagined telling versions of our origin story at future dinner parties. We met as freshmen but didn’t start dating until senior year, I would say, turning a glass of merlot thoughtfully around in my hands as Zev stroked my knee under the table. I thought about Yael, facedown on the floor by our feet, and wondered how she might fit into the narrative. Yael, the inconvenient girlfriend whose heart Zev had to break so he could find his way to me. Zev stuck his hand under my shirt. His tongue was still going, the dinner party beginning to fade. If I had any say in the story I would one day tell about myself—and, at twenty-one, I wasn’t sure I did—I didn’t know if this was how I wanted it to begin, or if the ending was something I wanted either.

It occurred to me then, as Zev squeezed my breast a little too hard, that I wasn’t sure what I was doing there. I’d come to Zev’s bedroom more out of curiosity and boredom than desire, because the library, where we’d bumped into each other, was closing early and I didn’t feel like going back to my room yet, and because, despite my strong opinions vis-à-vis windchill, it was pretty fucking cold out. In short, I’d wandered into this encounter the way you wander into a dark room: with one hand outstretched, feeling your way as you go, unable to see what’s on the walls or how exactly you might get out.


IT WAS STRANGE to think I’d known Zev longer than almost anyone at Wilder, longer even than Debra and Kelsey. We met on the first Friday of freshman year at a Shabbat dinner at Hillel House, the small beige building on the edge of campus where Wilder’s skeletal collection of Jews gathered. Like many elite colleges, Wilder had a long history of institutional anti-Semitism, as well as a more recent scandal involving fraternity brothers forcing a group of barefoot pledges in striped pajamas to carry heavy stones across the green. The Holocaust imagery was undeniable, and the incident attracted national attention. But things had settled down and, a few years back, a group of Jewish alumni raised the money to establish a Hillel House on campus, so Jewish parents were finally comfortable sending their children to Wilder. My father had had no such qualms; I’d spent my whole life around Jews and he wanted me to go to Wilder precisely so I could get away from them.

I went to the dinner with Sally Steinberg, of the Bethesda Steinbergs, whom I’d met earlier that week in a step aerobics class. Sally was the coddled only child of older parents who’d met at Brandeis, where they desperately wanted her to go, but Sally had insisted on Wilder. Her parents relented, as they did with everything, and as a prerequisite to enrollment, they’d made her promise to attend weekly Shabbat dinners.

Zev was there when we arrived, sitting at the long dining table. The rabbi, a young man wearing a Boston Red Sox yarmulke, introduced us, and Zev held out his hand. This was something people at Wilder did, I’d discovered, they shook hands, something I’d only ever done with adults, and rarely. Pleased to meet you, he said, taking Sally’s hand and then mine. His grip was strong, his fingers stained yellow at the tips.

Let me guess where you’re from, he said to me as girls in long skirts fluttered around us carrying handfuls of plastic silverware and jugs of grape juice. New York.

How’d you know?

He pointed at my scuffed Doc Martens. But you’re not an uptown girl. Not West Side either. Downtown?

Impressive. Lower East Side. He asked what my father did for a living—something else people at Wilder did—and I told him he owned an appetizing store.

An appetizing store? Really? Wow. I didn’t know Jews like you still existed.

Jews like what?

Jews who sell smoked fish and seeded ryes. I thought all those stores were gone.

A lot of them are gone, but there are still a few. I named them—Guss’ Pickles, Yonah Shimmel knishes, Kossar’s bialys, Russ & Daughters.

Cute, Zev said. Like something out of a Malamud novel. He reached for a piece of challah. So, what? Your father pinned all his hopes on you? Sent you here to fulfill his dream of upward mobility?

I didn’t know what to say. I’d never heard my father’s ambitions summed up so succinctly, or so crassly. Zev was looking at me like I was a unicorn but I couldn’t tell if it was wonder in his eyes or if he wanted to lure me closer to cut off my horn. Before I could answer, the rabbi began reciting the prayers welcoming in Shabbat.

Dinner was chaotic and long. There were many courses, each one interrupted by more prayers and candle lighting. The long-skirted girls, one of whom was the rabbi’s wife, cleared plates and poured seltzer while the rabbi’s two young sons ran around dressed like miniature actuaries. I hadn’t been around so many Jews since I got to Wilder; not that there were a lot of us—the room felt crowded mostly on account of it being small. Sprung loose from Scarsdale and Great Neck, the Jews of Wilder had to stick together. During dinner, I found out Zev was a freshman like me, but older because he’d spent those two years in the army. He was short and stocky with close-cropped black hair, and a nose that looked like it had been punched in. He’d been born in Iran, he told me, but moved to Israel as a child after the revolution. He smelled like cigarettes and body spray. We bonded mainly over our mutual disdain of everyone else, including Sally, who announced, loudly, that she’d come to the dinner because her mother told her it would be a good place to find a husband. (She would go home that night with the boy seated to her left, Gabe Feldman, whom she would indeed eventually marry.) Over the years, I would discover that Zev’s disdain for people extended to most everyone at Wilder, perhaps even to people in general, but that night, making fun of the people at Hillel House was the most fun I’d had since I arrived.

As the meal came to a close, one of the girls who was clearing dropped a stack of dirty plates. Mazel tov! Gabe shouted. Sally laughed. The girl looked like she was about to cry. I felt an instant kinship with her and moved to help, but Zev grabbed my wrist.

Don’t, he said. Let them do it. Stay and talk to me some more. His grip was strong, but I liked it, the press of it, the force. I couldn’t remember the last time anyone had looked at me with such intensity, or if anyone ever had. I sat back down and talked to him for the rest of the night.

Zev and I stayed friends after that, although friends might not have been the right word. Whenever we saw each other, in the dining hall or library, he would seek me out and we would talk, not about little things like what his parents did for a living or if he had a pet, but big things like politics, economics, God, the Middle East. Zev challenged me to articulate my beliefs, to explain why I was a feminist or a Democrat. I wasn’t a debater by nature and somewhere along the way had come to believe that what I felt, if it couldn’t be articulated or defended, was invalid. Maybe that’s why I thought I had to listen to Zev, who was clear in his beliefs and never wavered. When we talked, I could feel my mind stretching to take in this new worldview—his worldview—but mostly I was trying to figure out if he liked me, if he thought I was pretty, if he ever thought about kissing me. It only occurred to me later that Zev didn’t have any friends besides me, that whenever I saw him at a party or lecture, he was always alone. He sought me out because he had no one else to talk to, because no one else could stand him.

Debra, for one, hated him. You don’t have to be friends with him just because he’s Jewish, she said, but that wasn’t the reason. There was something dangerous about Zev that felt exciting to me, a cold, bitter exterior I was determined to crack. He was exactly the sort of man I would avoid when I was older and knew better, but we usually learn that the hard way.

He just wants to fuck you, Debra said, but I wasn’t sure. Other than grabbing my wrist that night at Hillel House, Zev never touched me. Sometimes, after we’d been arguing for a while, I found myself waiting for the feel of his hand, unfamiliar, uninvited.


THE HEATER IN the corner rattled loudly, like something or someone was trapped inside. Zev’s hands were rough and chapped and everywhere—under my shirt, pawing at the space between my legs. A line from a poem ran through my head—Then all night you rummaged my flesh for some body else. I felt as though I’d been dropped into the middle of a sexual encounter that had been going on for a while. I placed a hand on the wall behind me, tried to catch my breath. I thought about asking him to slow down when he pulled me toward the bed.

Zev was strong, his body taut like a drum. He lay down on top of me and pulled up my shirt. I heard a couple of buttons pop off, which, for some reason, made me laugh. Zev didn’t laugh though, and for the first time that night, maybe in my whole life, I felt scared.

Whoa there, soldier, I said as he started to unzip his pants. From this close up, his skin looked oily, his eyes too close together. Could you maybe slow down a little? Despite all the kissing and touching, I was barely aroused.

Zev was breathing hard, as if he’d run up a flight of stairs. I don’t think I can, he said, slipping my hand into the opening of his boxer shorts. It was damp and humid in there. Come on, he breathed into my neck. Why’d you come up here anyway?

Why had I come, I thought as Zev threaded a hand up the back of my shirt and unhooked my bra. He pushed me down on the extralong twin mattress, and I thought about telling him I had my period. I heard voices in the hallway, people walking by, enjoying their night. I wondered if I should call out to them, but there was nothing remarkable happening. I’d been here before—not in Zev’s room per se, but under boys who smelled like sweat and dirty hair. Zev reached for a condom, and I thought about my mother on a long-ago first day of school, the slap of her Dr. Scholl’s sandals against the sidewalk. Be a good girl, Isabel, she’d said, bending down to kiss me on the nose. It’ll be over before you know it.

I was still dry, so Zev licked a finger and placed it inside me before easing himself in. Then he moved his dick back and forth slowly, trying to find a comfortable rhythm. I tried to pull my shirt closed because I didn’t like being shirtless in front of a man, but he grabbed my wrists and held them above my head.

My eyes were open but Zev’s were closed, his eyelids fluttering as if he was watching something play out inside them. Maybe a scene from a Western, and I was the stallion he was riding across the dusty plains. Or maybe we were riding across the voluptuous deserts of Israel. Did Israel have deserts? All I could picture from that part of the world were scenes from Operation Desert Storm. With each thrust, my head pressed against the metal headboard. I tried to think about something else, anything else, like the paper I’d just turned in about Russian Jewry in the nineteenth century. I watched the shadows move across the popcorn ceiling, listened to the buzz of the fluorescent lights out in the hallway, as Zev moved faster, ramping up to the big finish. And then, finally, after several shuddering thrusts, he sputtered and came, quietly, like every boy I’d slept with who’d only ever had sex in places where he had to be quiet. Part of me was disappointed he didn’t scream or cry out so I would know if he liked it, if anyone liked it.

What are you doing for break? Zev asked after he peeled off the condom and tossed it into the trash, where it landed among old copies of the Wall Street Journal and strings of dental floss.

Not too much, I said, buttoning my shirt as best as I could. Working in my dad’s store mostly. How about you?

I’m going to Washington with a couple international students. There isn’t enough time to go home.

We talked for a minute or two about Washington and what he should do while he was there. He should definitely visit the Vietnam Veterans Memorial, I said, since I knew he was interested in monuments to mass tragedies. I told him about the time I went to DC in high school and a group of kids got sent home for doing Whip Its.

Have a good break, I said. Then I grabbed my things and left. It was really cold out now, the wind whipping with such force I began to reconsider my position on windchill, if I’d ever really held a position in the first place. I’ll tell Zev he was right the next time we talk, I thought, before remembering that I was never going to talk to him again.


I OFTEN WONDER what would have happened if Debra hadn’t been in our room when I got back, as she so often wasn’t. But there she was, sitting on the papasan chair eating a bowl of Sugar Corn Pops. Kelsey was already gone, on her way to Sun Valley, where she’d spend a few days skiing with Jason and his family before heading home to New York for Christmas. Debra and I were leaving the next day. She’d drive me as far as Scarsdale, then her parents would put me on the train to Grand Central.

Where were you? Debra asked as I sat down on the sofa. Something hurt, deep in some place I couldn’t see or name. I shifted slightly until the sensation lessened.

With Zev Neman, I said, reaching for a handful of cereal. My voice sounded shaky. I found it hard to say his name.

Well, praise Jesus. Did you finally fuck him?

I thought about telling the story the way Debra would, as another crazy one-night stand, the kind she had with boys and girls she barely knew, people she picked up and discarded with ease. But I couldn’t frame what had happened with Zev in those terms. There was a darkness to it, a heaviness, like the way my body felt right before my period. The cereal had become a sickly sweet paste in my mouth, and I wondered if I might vomit.

Isabel. Debra pushed herself up awkwardly in the strangely deep chair. What the fuck. Did something happen? She set her bowl down on the steamer trunk we used as a coffee table and rested her hands on her knees.

I don’t remember exactly what I said. Only that, as I spoke, Debra stood up and started pacing, her thighs jiggling each time her foot hit the creaky wooden floor. Her dark hair had dried into the kinks she tried to tame into submission. They stuck out of her head now, making her look as if she’d been electrified. Maybe that was how she summoned her indefatigable energy, I thought, as I rested my head on the arm of the sofa. There was a tender spot on the back of my skull. I reached back and pressed on it.

Holy shit, she said. "I always hated that

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