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Winterland: A Novel
Winterland: A Novel
Winterland: A Novel
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Winterland: A Novel

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Perfection has a cost . . . With transporting prose and meticulous detail, set in an era that remains shockingly relevant today, Rae Meadows's Winterland tells a story of glory, loss, hope, and determination, and of finding light where none exists.

Soviet Union, 1973: There is perhaps no greater honor for a young girl than to be chosen for the famed USSR gymnastics program. When eight-year-old Anya is selected, her family is thrilled. What is left of her family, that is. Years ago, her mother disappeared without a trace, leaving Anya’s father devastated and their lives dark and quiet in the bitter cold of Siberia. Anya’s only confidant is her neighbor, an older woman who survived unspeakable horrors during her ten years imprisoned in a Gulag camp—and who, unbeknownst to Anya, was also her mother’s confidant and might hold the key to her disappearance.

As Anya rises through the ranks of competitive gymnastics, and as other girls fall from grace, she soon comes to realize that there is very little margin of error for anyone and so much to lose.

LanguageEnglish
Release dateNov 29, 2022
ISBN9781250834539
Author

Rae Meadows

Rae Meadows is the author of four previous novels, including I Will Send Rain. She is the recipient of the Goldenberg Prize for Fiction, the Hackney Literary Award for the novel, and the Utah Book Award, and her work has been published widely. She grew up admiring the Soviet gymnasts of the 1970s, and in her forties decided to go back to the thing she loved as a child. She now trains regularly in gymnastics. She lives with her family in Brooklyn.

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  • Rating: 4 out of 5 stars
    4/5
    This book follows Anya who lives with her father in Siberia, enduring cold, endless nights, and harsh conditions. At the age of 8, Anya is selected to train as a gymnast in an elite state run program. Her love of gymnastics slowly changes to a need to become bigger and better than her competitors. Although she suffers injury, she works through the pain, muscle aches and pushes her body to the breaking point.I enjoyed reading this book. I've never read anything about the soviet gymnastics program and thought it was fascinating. I felt for the girls, who had to sacrifice their health for the state as they pushed to constantly do more and more. The book had a sad, nostalgic feel to it, permeated by the secondary characters sadness and struggles. Overall, 4 out of 5 stars.
  • Rating: 4 out of 5 stars
    4/5
    Author Rae Meadows’s Winterland effectively captures the the isolation, ambition, and cruelty that lurked within the USSR’s state-sponsored gymnastics program in the 1970s. Under the direction of her relentless coach, gymnast Anya works through exhaustion, malnutrition, and pain to master the gravity-defying routines that will bring glory and Olympic medals to her homeland. She is driven by a love of gymnastics that transcends her suffering and fears. Only a muted ending mars this otherwise compelling story of love and sacrifice. Recommended.
  • Rating: 4 out of 5 stars
    4/5
    This novel is centered around Anya, a young Soviet athlete who carries the hopes of her community. Talented at gymnastics, Anya begins training at a very young age and when she comes to the attention of a demanding coach, the sport begins to take over her life. Anya spends more time with her coach than her father, she travels far beyond the distant city within the Artic Circle that was her home, she receives injections so that she can continue to compete despite an ankle injury, and she's put on a restrictive diet that keeps her from going through puberty. At times, this makes for a difficult reading and the narrative does have a tendency to jump between perspectives. Still, I enjoyed this novel and I found the story compelling overall. Those interested in historical fiction set in the Soviet Union would likely enjoy this novel.
  • Rating: 5 out of 5 stars
    5/5
    This exciting new novel tells the story of Anya, tapped at eight years old to join the prestigious USSR gymnastics program. The story weaves the threads of Anya's rise through the ranks of the fiercely competitive program with the mystery of her mother's disappearance from Siberia years earlier. Just look at this gorgeous cover! Winterland looks like the perfect book for a cold winter weekend.
  • Rating: 4 out of 5 stars
    4/5
    This is an incredible book, immersive but dark. I read it while on vacation—not your typical beach read, but I read it compulsively. I have always been fascinated by gymnastics, and Olga Korbut is the first gymnast I remember watching on TV. This novel reflects my worst suspicions of how the Soviet gymnasts of that era achieved their perfection. Chilling, especially with the recent revelations here about abuse of members of the US gymnastics team.
  • Rating: 4 out of 5 stars
    4/5
    Anya Yurievna Petrova is the central character in this story, chosen for the elite school of gymnastics in Norilsk at the age of 8 in 1973. While the story focuses on the lives of Soviet gymnasts who competed in the 1970's and early 1980's, the story encompasses Soviet life from the time of Stalin to 8 years after the break up of the Soviet Union in 1998. Anya is born to Katrina and Yuri who met in the Arbat in 1954 after Stalin's death. Devoted to the Soviet communism, they move to Norilsk, a closed city whose importance is the mining of copper and nickel. Yuri works in the copper mines and Katrina teaches ballet at the local conservatory. Katrina becomes disillusioned with the political system and the bleak landscape of Siberia. When she is threatened by the authorities she mysteriously disappears when Anya is 5 years old. Norilsk is also known for its gulag established under Stalin, and Vera, an elderly woman who lives in Anya's apartment building represents that time. Vera spent 10 years in the gulag where she lost her son and husband. Once released from prison, she is unable to leave the area where her loved ones died. She ruminates on the past and suffers from survivors guilt. She cares for Anya after school and becomes a surrogate babushka to her.Much of the book focuses on the grueling and relentless training of the young girls as gymnasts. They are required to work through injury and pain, with painful joints anesthetized so they could continue to train. Food is withheld in the attempts to keep them small, and medicines are used to keep them from entering puberty and developing secondary sexual characteristics. Their education is sacrificed to the all encompassing physical training. These sacrifices are made under the guise of patriotism, though the coaches and the higher ups are the ones who benefit from the success of the girls. It is assumed that Anya is a composite character of Soviet gymnasts at the time, though several of the famous gymnasts of that era appear in the text. The most significant is Elena Mukhina, Anya's roommate at the Round Lake training center and the closest friend she ever had. Elena became a quadriplegic while training for the 1980 Olympic games.This was a challenging book to read because the grim environment, the repression of individuality, and the cruelty at the hands of the State suffered by all of the characters. At the end of the book Elena says to Anya, "Our greatness required cruelty, didn't it? I'm not sorry it's over." That statement pretty much sums it up. It's a well written book, and it's hard not to compare these gymnast's stories with the recent stories of Simone Biles, as well as the current threat of authoritarianism in the world. Let's hope that the cruelty does not return.I received this ARC through the Early Readers program. This review is my honest opinion of the book.
  • Rating: 5 out of 5 stars
    5/5
    I am completely and totally obsessed with Winterland. It is beautifully written and I always love a good sports story. The tension builds slowly as anyone with even a passing knowledge of Soviet history knows that things will go terribly at some point and Rae does a magnificent job of building up to those moments. The characters are some of my new favorites and I love how it just feels like a slice-of-life story, if that life is being lived under the totalitarian government of the USSR in the 1970s.
  • Rating: 5 out of 5 stars
    5/5
    In 1953, Anya is 8 years old living in Norilsk, Siberia with her father, when she competes for a coveted position in the Soviet Union gymnastics team. Her mother, Katerina, was a well-respected ballerina who disappeared without a trace three years earlier. The memories of Katerina haunt both Anya and her father. Living in their apartment complex is Vera, who suffered the unimaginable loss of her husband and only child during the purge of political dissidents in the Gulag camp. Her harrowing story parallels Anya's. When Katerina begins to question the Soviet ideals, she shares her skepticism with Vera, who is very frightened for Katerina. She knows full well the punishment that Russia can inflict. When Anya is accepted as a member of the Soviet team, her life begins a trajectory that is riveting. She now belongs to the Soviet Union, and she is no longer a child, but a commodity. Her father is financially compensated for his daughter's participation. Her training is rigorous, and pain is to be ignored and managed with injections rather than rest. Academics are of little interest to those overseeing the training of the gymnasts. The goal is ultimately to win Olympic gold for Russia. There are many names that are familiar to those of us who watch the gymnastic competition with awe at their accomplishments. The toil the training took on the competitors is staggering, and they are essentially discarded with no education when no longer able to compete.The last part of the book takes place in Brooklyn in 1998. Anya is a waitress in a Russian restaurant, and her father is in a nursing home. She is finally able to locate and visit her dear friend and fellow gymnast in Russia, who is a quadriplegic after an accident that occured during gymnastics training. There is a bittersweet poignancy to their memories of training and competing together. By 1998, much has changed within the Russia they once knew. This is a horrifying look into the psyche and history of the Fatherland in the mid-20th century, and particularly disturbing given the current situation with Ukraine. This is a book worth reading, and I am grateful to LibraryThing and the publisher for the opportunity to read it.
  • Rating: 4 out of 5 stars
    4/5
    WINTERLAND is fine historical fiction about the life of a gymnast in the Soviet Union during the 1970s. The reader is meant to understand this as typical. Anya is an eight-year-old girl living in Siberia. Her parents chose to live here in their zeal to support the great Soviet Union. Yet her mother has disappeared, and her disappearance becomes the great mystery running throughout this story.When the Soviet Union chooses Anya for gymnastics training, although she is happy and excited, her life is taken over by the state as if she no longer belongs to her father. And her trainer cares more for how she represents the Soviet Union than he does for the life of this child. Her life is not hers. This is how she grows up.Note that, although Anya herself is fiction, some of the other gymnasts in the story are real, and you may recognize their names. One of her friends, Elena, is based on an actual gymnast.Although I tend to favor page turners, this book is not that. But it is so interesting and even touching in some parts that I give it high ratings.I won this book from the publisher through librarything.com.
  • Rating: 4 out of 5 stars
    4/5
    Fascinating story of a young gymnast growing up and training in the Soviet Union in the 1970s. Much historical background on the Soviet system, the camps, the mindsets of its people. Characters are well-drawn and interesting. Somewhat slow moving for me.
  • Rating: 5 out of 5 stars
    5/5
    Full disclosure: I didn't think I'd like this book very much. I ordered it mostly because my wife and daughter have been gymnastics fans as long as I can remember. And WINTERLAND is about gymnastics, but it's a lot more than just a chick-lit sports book. It is literary historical fiction at its very best. This Rae Meadows is just a flat out wonderful writer.Talented with a capital T!We follow the story of Anya Petrov from the time she is eight to well into her thirties, in a story that takes us from the former Soviet Union in the 70s to Brooklyn in the late 90s. Anya, daughter of a former Bolshoi ballerina, is picked out as a promising gymnast for the local state-sponsored program in Norilsk (Siberia), an honor which includes a stipend for her family. She is immediately withdrawn from school and thrust into a rigid, often cruel, daily regime of training and strict dieting. Academics are largely ignored. Normal growth and development are discouraged, as evidenced in a comment by a clinic doctor, who asks Anya's age. Learning she is almost in nine, he responds -"'I have something to stop the -' He made a vague hand gesture over his chest to indicate breasts. 'In a couple years. It's a new era. They want to keep them little girls as long as possible.'"Anya's mother had gone missing when she was five, so her father, Yuri, who had been raising her alone, was grateful for Anya's talent and her seeming good fortune in being selected for the program. Anya shows an iron determination in upping her game and advances rapidly, moving, along with her coach, Anatoly, to a more modern training camp near Moscow. The competition is fierce, but although friendships between the gymnasts were rare, Anya makes one very close friend in her roommate, Elena, a few years older, who is one of the brightest up and coming stars in the Soviet system.Because we learn, by this time the Soviet stars that Anya had worshipped from afar, were nearly done. "Nellie Kim was on beam, sulking ... She was beautiful and intense - half Korean, half Tatar, from Tajikistan - the first to do a double back Salto - two full flips - at the Olympics. She was as mean as vinegar. No one talked to her. 'She's twenty,' Anatoly had said. 'She's done anyway. Like your Korbut.'"And as for Olga Korbut -"... now she was a hardened version of herself ... her face worn, angry. Korbut was twenty-two, but she'd aged well beyond that, her body was pared to sinews. She smoked ... Here was a woman, posing as the little girl. Anatoly was right; she was over."Anya continues to excel, finally joining the Soviet team for the Moscow Olympics (boycotted by the U.S. and other countries because of the Soviet invasion of Afghanistan). But along the way she learns some hard facts about competitive gymnastics, best expressed by a former gymnast forced to quit when she becomes pregnant by her trainer."First you just love it ... Second you need it; you can't live without it ... Third is when you realize you don't belong to yourself anymore ... The fourth is when you still want it, but nobody wants you anymore."WINTERLAND is without question a tour de. force in writing, as well as a compelling indictment of the old Soviet system of competitive sports, which probably has not changed that much in modern Russia. And there is also a compelling backstory of the old Gulags, found in a secondary character, Vera, a survivor who helped Yuri raise Anya after her mother disappeared. Vera has some dark secrets of her own, and her story opens a dark window into the Stalin years.And, years later, we find Anya living in Brooklyn, having immigrated to the U.S. after the collapse of the Soviet Union. She visits her father in a Brighton Beach nursing home, filled mostly with old Russian immigrants. I found one comment by another old patient there eerily appropo for what is happening here in our own country right now. He said to Anya -"Young lady, do you know why we didn't put Stalin on trial? Because to condemn Stalin is to condemn everyone. Your friends. Your neighbors. Your family."Something to consider. Maybe our DoJ is considering this too.When I said I didn't think I'd like this book? Well I was right. I didn't just like it. I loved it. A beautifully written, well researched, absolutely gripping read. Bravo, Rae Meadows! My very highest recommendation.- Tim Bazzett, author of the memoir, BOOKLOVER
  • Rating: 4 out of 5 stars
    4/5

    I really enjoyed this book. From the beginning, I was completely immersed in a world that was unfamiliar to me. The story centers around Anya, a young girl who is chosen to train in gymnastics in 1970's Soviet Union. Anya lives in Norilsk, a town in Northeastern USSR, above the Arctic Circle. Rae Meadows captures the cold and dark of the Siberian town beautifully. She also paints a vivid picture of life in the Soviet Union through Anya and her family. Anya's mother, a ballet dancer, fell out of favor with the Party and disappeared, and her father, a true believer in Communism, must reconcile his idealistic beliefs with the hardships and harsh reality around him. Their elderly neighbor, Vera, was forever changed by her ten year imprisonment and loss of husband and child in a gulag. Anya loves all of them and must try to make sense of the conflicting messages she receives. A talented gymnast even at eight years old, Anya endures unrelenting pressure and abuse to keep her position. I recommend this book!

  • Rating: 5 out of 5 stars
    5/5
    They were idealistic young people who volunteered to move north of the Arctic Circle to mine copper, for the country, for the people, believing themselves “the true builders of Communism.” Yuri, and his wife Katerina who left behind a career with the Bolshoi Ballet, their friends Irina and Vitka the poet.Vitka was denounced and rehabilitated. Katherina disappeared. Yuri’s health was breaking down from exposure to chemicals at his job. Their daughter Anya had her mother’s grace, drive, and facility and is chosen to study gymnastics, to train for the Olympics.Yuri believed in the Communist dream of equality, the importance of his work. But all around them were people who had survived their internment in the camps and stayed on. They had been imprisoned by Stalin for owning too many cattle and horses, for being landowners, for “murky political charges,” for writing poetry that “promoted the cult of the individual” of which Vitka was accused. Anya’s neighbor Vera was one of these survivors, her husband and son starved or murdered in the camps. She remains for them, and out of the guilt of what it took to survive. Vera told her story to Katerina, causing her questioning of the political system she had believed in. The forbidden poetry of Marina Tsvetaeva also set in motion Katerina’s questioning. Why was there no room for art and love in Communism?Anya saw gymnastics as her way out of Norilag. She loved the challenge. It was an honor to be chosen to train for the Olympics, to bring glory to one’s country. Her role model was Olga Korbut. Anya’s life would be controlled by her trainer until she was eighteen, when she moved on to a state job,The story of Anya’s training is brutal, for the girl has no value unless she can do the impossible, and win. When she is hurt, she is given injections and forced to continue training before she heals. The coaches are tyrants, determining how long the girls train, what they eat. what they will do. Anya is stubborn. She does the impossible. She is on her way to the Olympics. She meets an older gymnast, Elena, and they develop a deep love. Anya finds her mother’s forbidden copies of poems and shares them with Elena. After an injury, Elena is pushed too far and a failure results in tragedy.Anya’s story is an emotional read. Vera and Yuri and Katerina’s stories give depth and insight into Soviet history. Theirs is a story of Idealism meeting cruel reality, patriotism questioned, learning one’s country does not care about the individual, learning how evil flourished.Meadows manages to describe the world and training of gymnastics in a way that holds the reader’s interest, drawing from her own love of 1970s Soviet Olympic contenders in gymnastics and her own experience and training.At it’s root, the character’s suffering stems from the state. After the collapse of the Soviet Union, Anya and Yuri, poisoned by copper, immigrated to America, living with other homesick Russians in Brooklyn, sharing a nostalgia for what no longer existed, and perhaps never did.We knew a Russian exchange student who was in America while during the collapse. Yuri had high hopes for the future, believing that his country could reinvent itself. He was excited to return home. I often wonder what happened when he returned to a country in disarray.Patriotism can drive one to do illogical things. Katerina once danced for Stalin, but follows Yuri into a brutal wilderness. Yuri’s health is ruined without protection against the copper. The gymnasts’ mental and physical well being are ignored in the quest for Olympic glory to prove the state’s superiority. They try to ignore the legacy of the camps.It’s a warning to us all.I received a free egalley from the publisher through NetGalley. My review is fair and unbiased.

Book preview

Winterland - Rae Meadows

Katerina smoothed back her hair, tucking in a dark strand that had come loose from her bun. The tips of her fingers were cold and leached of color. This had happened when she was pregnant with Anya, and now here it was, returned, as if her blood had retreated to the center of her body.

She had let her Ballet III girls out a few minutes early, and she was alone in the studio, the steady tic tic of dripping icicles in the sun outside the window. She rested her right hand lightly on the barre and rounded her left arm above her head into fourth, her body still, back straight. She pushed into the earth with her standing leg and, hips square, brushed the toes of her working leg against the floor, extending, lifting her leg high, up into a grand battement. She lowered her leg in a controlled sweep, cleanly through tendu into fifth.

What was she doing? She was stalling, she was late. She held her fingertips in her fists for a moment to try to warm them before she pulled a skirt and sweater over her leotard and tights. She cinched the belt of her old red Moscow coat, its fox-fur collar soft against her face.

In the dance institute office, Galina crunched on sushki, a messy pile of bread rings right on her desk.

I have an appointment, Katerina said.

Galina flicked her eyes up and sniffed.

She has probably talked to them already, Katerina thought. Galina would volunteer information; she would not have to be prodded. Katerina had asked Vera how the camps could have happened, and here was her answer: lumpy, pale, petty, ordinary Galina.

You have a lesson with Inna, Galina said, brushing crumbs from her lap, her brown skirt in strained folds over her hips. In an hour.

I will be back, Katerina said. But would she?

Gather yourself together, she told herself. She thought of her Anya, that dark and blazing little creature. Your whole body breathes when you dance, she’d told her. You expand and then come back to the center. Anya was only five, but she understood, nodding with seriousness.

Spin me, Mama.

It was spring, but still freezing. Sun shot through the heavy, polluted sky. Dirty snowdrifts three meters high edged the street. At least the snow disguised the rubbish and rubble underneath. Katerina walked with her chin tucked in, the piercing cries of gulls circling overhead. A man walked behind her, the flaps of his ushanka tied up above his ears. Large square glasses, vodka blooms across his cheeks. She pulled her coat tighter and tried to coax blood into her fingers, her hands shoved in her pockets as she walked. A mud-crusted Moskvitch sputtered past, a plume of exhaust in her face. She crossed the street. The man followed.

The District Office was an immense pale-green building repainted every summer. The longer daylight showed its cracked façade, the gray snow line, patches of mildew like continents on a strange map. Yuri attended Committee meetings here; she had never been inside. But she had been summoned.

What would they say? We have heard things. You have complaints, comrade?

She couldn’t feel her fingers, but she could feel her fear in her tight inhales. She stood in front of the massive wooden door, her heart knocking against her ribs. The man leaned against a lamppost, took off his gloves, and lit a cigarette.

She could run. But what then? Even if she got away from the man, they would not let her go.

Katerina looked up from the valley to the hills on the edge of the city. There was so much beauty out on the steppe, she could lose herself in the boundless tundra. Thousands of unforgiving kilometers. A place that existed long before humans, wild and brutal and empty. They wouldn’t find her there. To spin and spin in all that nothingness.

The man was waiting to see that she went in. She looked back at the door and then turned and kept walking.

PART I

NORILSK, 1973

CHAPTER 1

"Wake up, Dochka."

Anya’s father brushed the hair from her face. His breath was warm on her ear, and she smelled the faint bitter herbs from his morning tea. She rolled over under the weight of a thousand blankets, or so it felt, quilt upon quilt to keep out the relentless chill. It was night dark. The sun would not rise today. Her father pulled the chain of the small brass lamp next to her narrow bed.

You don’t want to be late.

Anya sat up with a start, remembering what day it was, immune, suddenly, to the cold.

Breakfast is on the table, he said.

She cartwheeled across the small bedroom they shared, her heart leaping ahead of her, and flung open the door to the amber light of the kitchen. Her skin was as pale as milk, a thin shroud over the blue lattice of her veins. Her hair, as dark and sleek as mink, hung halfway down her back. Like her mother’s. They will make you cut it, he had told her.

The table was set with tea and bread and cheese, and in the middle of her plate, one perfect orange.

Papa!

She held the orange to her face and breathed it in. The rarest of indulgences in Norilsk. She closed her eyes and let the extravagant smell transport her, for the briefest moment, to somewhere warm and bright.

A special occasion, her father said. He crossed one arm over his chest and rubbed his fiery beard with his free hand. His eyes glinted green in the lamplight. We’ll celebrate tonight.

She didn’t ask, What if I am not chosen? It was what they had worked for.

"Irina’s made vatrushki," he said.

Irina lived on the first floor of their building. She came over sometimes and sat at the kitchen table and drank vodka with Anya’s father, and they would sing Komsomol songs and hug each other.

Anya peeled the orange with ritualistic concentration, pulling off the white membrane string by string. She held the soft puckered orb in all ten fingertips and then laid the little half-moons in a ring on her plate like petals.

Norilsk was north of the Arctic Circle, three thousand kilometers from Moscow. A Siberian town reachable only by plane or ship ramming through cracks in the frozen Arctic Sea. The home of some of the largest deposits of nickel and copper on earth. Anya was born here and had never been anywhere else. The rain burned her skin, the fog made her throat itch, and the air made her cough. The snow blew gray and sharp like tiny nails. The Daldykan ran red from the sludge of copper smelting. During the polar winter, the sun didn’t rise for two months. But Norilsk Nickel employees each received a Yunost’ black-and-white TV, and the state store shelves were stocked with sweetened milk, while everyone else scrabbled for a block of margarine. The wages were almost twice what workers made on the mainland, the rest of the Soviet territory that wasn’t their inaccessible outpost.

Anya lived for summer to arrive, that brief chapel of light, from late May to late July, when the sun never set, and a manic joy infused even the drunk old men who left their chess games and traipsed along the tundra hills. Herds of deer emerged from the taiga and came north, galloping right through town. The melted snow revealed a glittering landscape of scrap metal and unfinished train tracks warped from the cold. She and her father would shiver into Dolgoye Lake near where the town’s heating pipes passed through. Afterwards they would sun themselves on the rocks like seals. They would fill baskets with bittersweet golden cloudberries under a vast, translucent sky, the heat like balm.

There were the bones, of course, that rose up and washed ashore each June, reminders of the camp closed fifteen years before. No one spoke of the labor camp, Norillag. The kerchiefed babushki collected the femurs and ulnas and skulls and buried them next to the gardens they tended like children, lovingly caring for every plant that dared to grow in that brief reprieve.

Sometimes you need cruelty to appreciate beauty, her father told her after he and Irina had started in on the vodka.

Anya glanced out the dark window at a row of streetlights that would stay lit all day. It was a long time until spring. Her father packed cold sausages in his lunch pail to take to the copper plant. At least he didn’t go in the mines, she thought, down into the depths of the earth in blackness so complete it could rob your mind. It frightened her to imagine him there. Her classmate Viktor told her he’d gotten to ride the elevator down the mineshaft once with his father. When the door had opened back at the top, a voice over the speaker said, We bid you farewell. May your life be filled with much good news.

Anya placed the last section of orange on her tongue and held it there before crushing it with her teeth.


They had to have a plan before they went outside. No dawdling. The air felt like shards of glass in Anya’s lungs. Her father wrapped her in wool scarves and her fur-flap hat until all that was exposed was her nose. She was barely able to see through slits where the edges of the scarves met. The school had declared aktirovka two days last week, but the wind had died down enough to reopen, despite the snow and temperatures that dipped to forty degrees below zero.

Go to Vera’s after school, Yuri said. I will fetch you there.

Their neighbor was older than the domovoi, but she had a bowl of little chocolates wrapped in silver foil. She had looked after Anya since she was five, when her mother went missing.

They paused at the door. Their building was painted soft pink so it could be found in the blinding monochrome winter, grouped with three other buildings around an enclosed courtyard to save them, for a few moments, from the wind.

When will he come? Anya asked.

Her father pulled her scarf down so he could hear her.

"I don’t know. The director just said today. Do your best, Dochka."

She always did. She was a serious child. Not prone to laughing or playing around like others her age. You carry around your own storm cloud, her friend Sveta teased. You can’t change yourself, Anya knew. You are who you are.

Her scarf made her neck itch.

Did you hear about the naturalist? she asked.

Who, Ledorsky?

The eccentric professor lived on the fourth floor and subsisted on kasha and fermented milk, which he claimed protected him against the toxic air.

He took in a polar bear cub. An orphan. In his apartment.

Sometimes I forget you’re only eight, her father said.

I’ll ask Vera about it today.

He laughed. Let me know what you find out.

When they saw the headlights of the bus, they pushed into the darkness and steeled themselves against the biting air. You couldn’t wait at the bus stop or you might die from exposure. You couldn’t smile or the saliva would freeze in your mouth, and the pain in your teeth would make your eyes water, and then they would freeze shut. Anya couldn’t see the looming smokestacks in the dark, but even the cold couldn’t take away the smell of sulfur. They hurried down Leninskiy Prospekt as the bus stopped in front of the stone Lenin, a foot of snow on top of his head.

They fell into seats on the warm bus.

"Vsegda gotova," she said. Always ready.

"Vsegda gotova," he said.

He had taught her the Young Pioneers motto when she was two.


The class sang May There Always Be Sunshine to start the day. Anya never sang the third stanza, "May there always be Mama, but came back strong for May there always be me."

It’s today, Sveta whispered. Her pale hair was pulled tight in a bun. He’s coming today.

I know, Anya said.

Svetlana Nikolaevna Alexandrova! the teacher snapped.

When the bell rang, the children stripped down to their underpants and laid their clothes on their chairs, sliding their slippers underneath. Boots were lined up outside the door; they never bothered with shoes. Viktor passed out the dark goggles. They filed into the small windowless room and made a circle around the quartz lamp for their daily UV light bath. Sveta bounced on her toes, up in relevé, down, up, down. Anya pointed one toe out in front of her, then the other.

There’s a man in our building who has a polar bear cub, Anya said.

Sveta’s eyes flashed wide, and she grabbed Anya’s wrist.

What’s its name?

Aika.

Have you seen it?

Not yet.

I tried on my mother’s lipstick last night, Sveta said, dropping her voice. Pink. But she caught me, and I got in trouble.

To Anya, lipstick was more exotic than a polar bear cub. Makeup was a way to stand out when you were supposed to look like everyone else. It was irresistible, of course.

How did it look?

Gorgeous.

Anya had a memory of her mother, a flash of an image, skin powdered and lips red, her hair piled high on her head. What had she been doing? Where had she been going? She’d looked ghostly, unreachable, like a character in a fable, the pretty one being watched by a wolf. Or maybe it wasn’t her mother at all. Maybe just a picture she had seen.

After the light session, the children put on their physical culture uniforms. But before they could line up for the gym, their instructor walked in followed by a barrel-chested man in an ill-fitting suit, his shirttail hanging down below his jacket in the back. The man tapped out a Laika and lit it, holding it in the corner of his mouth. He looked them over with an imposing, heavy brow, his eyes squinting through the smoke.

Sveta shot her eyes to Anya. But she already knew.

CHAPTER 2

Yuri had met Katerina on the Arbat in 1954. In those heady days in Moscow after Stalin was dead, people started smiling again, and the wide pedestrian street hummed like a beehive in the sun. At seventeen Yuri believed he was living through history, a part of something great. All of them Young Pioneers and now Komsomol, all of them believers. Their fathers had defeated the Germans in the Great Patriotic War. They would build a just and modern nation. But it wasn’t the Motherland on Yuri’s mind that May afternoon, the smell of balsam poplar buds in the air, when it was warm enough to hold his jacket over his shoulder, taking in the market stalls, the mushrooms and cabbages and goat milk, the sketch artists who would pencil your likeness for a few kopeks, the old blind accordion player. The only thing on his mind was sex. He blamed the springtime. And his virginity.

Yuri found himself walking behind a trio of teenage girls with tight buns and turned-out feet. The little one in the middle with the darkest hair. Her ears were velvety pink, and he wanted to roll them in his fingers. She turned around and narrowed her eyes at him.

Buy a ticket, she said.

Yuri laughed, blushed. You are a dancer.

You’re smart.

The other two girls giggled and pulled away as Katerina moved in step with him. She was as small as a child—her head didn’t reach his shoulder. Her eyes were almost black, with a cavernous depth. She stirred something in him, and not just because he wanted to kiss those rose-petal lips.

You walk like a duck, he said.

Quack, she said.

Yuri felt like he had lived a century since then. He sat in the windowless cement room outside the Hades-like potroom of the smelter and drank cold tea from his thermos. He had been a pyrometallurgist at Norilsk Nickel for fifteen years. A red-and-yellow poster was pasted to the wall opposite: COPPER IS THE BACKBONE OF OUR ELECTRICAL AGE! He knew the gritty and fearless workers were the true builders of Communism. Work was work, but he liked the predictability of it; he liked doing his part.

Copper-rich ore was clawed out of the depths below Norilsk, smashed to powder in giant drums, which were then flooded with water, the copper sulfate floating to the top. This was where Yuri came in. He lowered canvas filters into the huge bins to skim the blue salts from the water. The roaster burned off the sulfur, and massive furnaces refined what remained into molten copper. Chunks of shiny black slag were hauled out and dumped in massive heaps along the edge of the city.

On his way out of the plant each day, Yuri liked to pass by the gleaming 225-kilogram ingots of copper. He still felt it, the call of duty to build a great Soviet Union, from each according to his ability, to each according to his work. If not that, then what? He had once held a position on the City Party Executive Committee but was dismissed without explanation, a typed note on yellow paper. Because of Katerina? He would never know; you didn’t get to ask why. He still had his Party membership, but he had lost favor.

Anya looked so much like her mother it was as if he’d had nothing to do with her making. Her single-mindedness should not have come as a surprise. He would not hold her back even though he knew it meant he might lose her. He would not make that mistake again.

The whistle blew. It was time for plant workers to do their midmorning calisthenics.


Anya felt her heart scamper and then catch up with a thud as the man from the sports school looked them over. He took the cigarette from his mouth and blew smoke to the ceiling.

Who wants to be a gymnast? he gruffed. Girls only.

Anya and five other girls raised their hands.

Stand up.

He shook his head at Sasha, the tallest girl in the class, and she sat down. He pinched the fat on Maria’s arm and frowned, but he didn’t dismiss her. He eyed the rest of them.

Follow me, he said.

They went to the school gymnasium. Instead of the balls and hoops and nets that usually littered the floor, the gym had been cleared out and outfitted with a thick rope to the ceiling, a freestanding metal bar, and some thin rubber mats. Anya and Sveta held hands, their bare feet white and bony against the floorboards.

Gymnastics is not for little birds, the man said. It’s for little Marina Chechnevas.

Chechneva was born in the north, a war pilot, a Soviet hero.

To Anya, gymnastics was the glittering key that would unlock a world that most people could never know. What it felt like to fly. Gymnastics would turn her into herself.

It’s fun, too, Sveta whispered. Maybe he doesn’t know that.

Sveta was the tiniest and best among them. She’d been flipping off chairs and bending her back in a full circle since she was four. But last year Sveta’s father, a mineworker, had gotten in trouble. He’d told a joke to a friend while sitting in the sauna at the banya: A portrait of Stalin hangs on the wall behind a speaker who reads a report on Stalin, the choir sings a song about Stalin, a poet reads a poem about Stalin. What’s the occasion? A night commemorating the anniversary of Pushkin’s death. Someone informed on him. He was interrogated at the district militia’s office for eighteen hours. Stalin had been dead for twenty years, Solzhenitsyn had been excerpted in Novy Mir, Stalingrad had been renamed Volgograd—and yet Stalin had won the War, and a neo-Stalinist headed the Party Committee in the north. Making jokes about Stalin, and really, a joke about the Soviet Union, was suspect. And hadn’t Sveta’s father been heard criticizing Brezhnev, himself a neo-Stalinist? The Thaw ushered in by Khrushchev had been long over. Sveta’s father emerged with a black eye—I fell, I fell, he said—and worse, he was stripped of his Party membership. A Russian expelled from the Party was a man in exile in his own country.

He was lucky, Yuri had told Anya. He’d landed his palms flat on the table as punctuation, and then turned up the radio in the kitchen in case someone was listening. There was a time he would’ve been sent away to Vorkuta to dig coal for ten years.

Sveta’s father was a small, wiry man with twinkling eyes and a quick laugh. Anya couldn’t imagine how he could be dangerous to anybody.

Sveta squeezed Anya’s hand for luck. The stout man led the girls around the gym, through drills and exercises. He didn’t want to see what they knew how to do. He wanted to see who was strong, flexible, tough.

Climb the rope. Faster. No feet! Legs out! he barked.

He held a stopwatch and marked things on the side of an envelope.

Little chubby one, he said to Maria. You are too slow.

He didn’t say anything to Anya, but she did not let up.


Yuri had trained as a promising gymnast at Dynamo in Moscow until age eleven when he was sidelined by a torn rotator cuff, and Katerina had been a prominent dancer for the Bolshoi. When Anya was three years old, they had received a visit from a sports and culture administrator, a stocky woman in a navy-blue skirt and jacket who sat on the edge of the sofa, her knees pressed together.

Will it be ballet or gymnastics for the girl? she asked. She tapped her pen on a stack of papers she held in her lap.

Yuri was flattered. Katerina was wary; she knew what would be ahead for her daughter.

You don’t have to decide now, the woman said with a shrug. But it was clear a decision, if not made by them, would be made for them.

Later when Anya was asleep, Katerina spoke softly near his ear.

She will never be full, Yurka. Her body will never not hurt. Always clay for men’s fingers, she said.

Don’t you want to see her dance?

Not yet. Please. Let’s give her time to be a child.

So they waited.

And now, despite Yuri having lost his prominent status with the Executive Committee, Anya had already been deemed an asset to the Soviet Union. Two years ago, Yuri had enrolled her at the ballet school. Surely Katerina would have wanted this for Anya? Their girl was different! She was destined! But Anya chafed under the cold eye of Marina Korolya, herself having once danced for the Bolshoi. Again, Anya. Extend, Anya. Lighter, Anya. Why aren’t you more like your mother, Anya? Sveta, who had only ever wanted to be a gymnast, taught Anya how to cartwheel, how to stand on her hands. Anya found a joy she had never felt in ballet.

And then Anya and Yuri had watched the Olympic Games in Munich on the television. Everyone knew the Soviet gymnasts were the best in the world. Ludmilla Tourischeva had won everything for years—the USSR, European, and World Championships. She was pretty, like a film actress, her dark hair styled in a smooth sweep, her tall, curvy body graceful and dramatic. But it was the newcomer Olga Korbut who transfixed Anya. As she watched, something physical happened in her body; she felt her hands tingle, her hair stand up. Korbut was seventeen but looked ten, small and flat chested, with a lopsided smile and messy pigtails adorned with loopy yarn bows. Tourischeva was of the earth; Korbut defied it, whipping her body through the air, flitting with audacity.

The Soviets dominated, as always, winning the team gold. Korbut won gold on the floor and silver on the bars. But Tourischeva won the most coveted all-round gold.

People don’t like too much change at once, her father said. Korbut will have her day.

In the end the medals didn’t much matter to Anya. Anya recognized something in Korbut, and she wanted it. She knew that by not choosing ballet she was turning away from her mother. But Katerina was gone. Anya felt a new kind of want, a current turned on in her body.

Papa, she said.

He looked at her for a long time and then turned away.

I know that look, he said.

Yuri exhaled a big breath through puffed cheeks. The state system was unparalleled. It was an honor. It was brutal. But she would be taken care of, a job for which he felt ill equipped on his own. They had gotten by for three years, just the two of them, but life had felt perilous and unsettled. Sometimes when he looked at Anya, he was scared by all the things he felt, a bone-jarring love, but fear, too, that she depended only on him, and a reminder, always, of the wife he had lost.

They pick later this year, he said.

Sveta told me.

If you make it— He stopped.

She knew, even at her young age, that if she made it, if she kept going, she would have to leave him. She saw the sadness in him, but she saw something else too. Pride. A spark of excitement.

I will help you, he said.

He trained her in their apartment. Frog jumps and push-ups, back bends and hollow holds. He pressed on her back as she sat in a straddle until her body pancaked against the floor. He pushed her to stay on her hands against the wall for thirty seconds, a minute, two. She sweated and ached and cried and got up again. He fashioned a bar from a thick dowel across the bedroom doorway for pull-ups and leg lifts.

Anya’s focus never wavered, even when her legs noodled from exhaustion. It was more than a goal. It was a vision. A bright burning spot that eclipsed, for the time being, that ever-shifting feeling of unease she carried in her core.

"We’ll make your body and mind strong, Dochka," Yuri said.


The bristly rope was like stinging nettles on the ripped skin of her palms. Her stomach muscles quivered from leg lifts from the bar. Her inner thighs were sore from center oversplits, one foot held above the floor on a folded mat. Sveta, still full of energy, executed flawless back walkovers while waiting for her turn, a 180-degree split leap when they moved stations. The man with the cigarette did not seem to take notice.

I can do a front walkover, Sveta said. Would you like to see?

You were not asked, he said. He folded his arms across his broad chest and looked away. "Get back in

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