General Fiction

#1 NEW YORK TIMES BESTSELLER • A REESE’S BOOK CLUB PICK • READ BY MERYL STREEP In this beautiful and moving novel about family, love, and growing up, Ann Patchett once again proves herself one of America’s finest writers. “Patchett leads us to a truth that feels like life rather than literature.” —The Guardian In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew. Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

Riley Sager meets If We Were Villains in a compelling new psychological thriller by R. J. Jacobs, following a tight-knit group of graduate students studying the psychology of lying. When one of them is discovered dead after an experiment, everything the group thought they knew about deception crumbles . . . Campus is empty, a winter storm is blowing in, and someone is lurking in the shadows, waiting for their chance to kill again. Forest, North Carolina. Under the instruction of enigmatic Professor Joe Lyons, five graduate students are studying the tedious science behind the acts of lying. But discovering the secrets of deception isn't making any of the students more honest though. Instead, it's making it easier for them to guard their own secrets-and they all have something to hide. When a test goes awry and one of them is found dead, the students find themselves trapped by a snowstorm on an abandoned campus with a local detective on the case. As harbored secrets begin to break the surface, the graduates must find out who's lying, who isn't, and who may have been capable of committing murder. It turns out deception is even more dangerous than they thought . . .

An instant New York Times Bestseller Beloved bestselling author Mitch Albom returns with a powerful novel of hope and forgiveness that moves from a coastal Greek city during WWII to America in the golden age of Hollywood, as the intertwined lives of three young survivors are forever changed by the perils of deception and the grace of redemption. Eleven-year-old Nico Krispis has never told a lie. His schoolmate, Fannie, loves him because of it. Nico’s older brother Sebastian resents him for both these facts. When their young lives are torn apart during the war, it will take them decades to find each other again.  Nico’s innocence and goodness is used against his tightly knit community when a German officer barters Nico’s reputation for honesty into a promise to save his loved ones. When Nico realizes the consequences of the betrayal, he can never tell the truth again. He will spend the rest of this life changing names, changing locations and identities, desperate to find a way to forgiveness—for himself and from the people he loves most. Albom’s extraordinary storytelling is at its powerful best in his first novel to confront the destruction that lying can wreak both on the world stage as well as on the individual lives that get caught up in it. As The Stranger in the Lifeboat spoke to belief, The Little Liar speaks to hope, in a breathless page-turner that will break your heart open and fill it with the power of the human spirit and the goodness that lies within us all. Narrated by the voice of Truth itself, The Little Liar is a timeless story about the power of love to ultimately redeem us, no matter how deeply we blame ourselves for our mistakes. 

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future. “[Ariel] Blake is adept at describing romantic moments, sumptuous palace finery, and bloody battles. Her characters have depth and personalities, and speakers are easily identified. Òdòdó is an original character, and Blake invests her with gravitas and dignity.”—LitHub “A bewitching, thrilling and vibrant novel that had me enthralled with every twist and turn.” —Jennifer Saint, New York Times bestselling author "This splendid romantic adventure, loosely based on the Persephone myth, receives a sterling performance by Ariel Blake" —AudioFile Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland, and living conditions for the women in her blacksmith guild, who were already shunned as social pariahs, grow even worse. Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife. In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, she finds the power that saturates this world of battle and political savvy too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by reforging the shaky loyalties of the court in her favor, or risk losing everything—including her life. Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head. A Macmillan Audio production from Tor Forge.

A feel-good journey of possibility, second chances, and falling in love again…with life. Perfect for fans of P.S. I Love You! ""A lively, witty ride with a strong cast of supporting characters. Avery tackles the topic of grief in a way that manages to feel lighthearted and profound at the same time."" —Meg Mitchell Moore, bestselling author of Summer Stage Robin Lindstrom spent her first year as a young widow cocooned in the safe haven of the Minnesota farmhouse she’d once shared with Gabe, the love of her life—the man she thought she’d be with ’til the end. But her world is turned upside down when she receives an email informing her that her late husband has enrolled her in a dating app. The subscription lasts 12 months; use it!, Gabe’s message-from-the-grave reads. I don’t like the thought of you being alone. If you won’t do it for yourself, do it as a favor to me. Please. How could Gabe, of all people, be asking her to venture out into the murky waters of 21st century online dating? As her underemployed brother, Theo, points out, it’s “only” for a year, and it’s basically Gabe's last request. And so, Robin tentatively takes steps to put herself out into the world once more, even if it means awkward outings at bowling alleys, club-hopping with DJs, and stammering conversations at dinner. Along the way, she’s surprised to find herself meeting new people, trying new things…and even getting to know a new version of herself. Because everyone deserves a second chance at love—and loving life.

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a tragic mystery that haunts the survivors, unravels a family, and remains unsolved for nearly fifty years July 1962. Following in the tradition of Indigenous workers from Nova Scotia, a Mi’kmaq family arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come. In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret. For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

Named Most Anticipated by Goodreads, LitHub, and Book Riot, this “tense dystopian thriller” (TIME) captures an urgent and unflinching portrayal of a woman’s fight for her family’s security in a world shaped by global warming and rapid technological progress. In a city addled by climate change and populated by intelligent robots called “hums,” May loses her job to artificial intelligence. In a desperate bid to resolve her family’s debt and secure their future for another few months, she becomes a guinea pig in an experiment that alters her face so it cannot be recognized by surveillance. Seeking some reprieve from her recent hardships and from her family’s addiction to their devices, she splurges on passes that allow them three nights’ respite inside the Botanical Garden: a rare green refuge where forests, streams, and animals flourish. But her insistence that her son, daughter, and husband leave their devices at home proves far more fraught than she anticipated, and the lush beauty of the Botanical Garden is not the balm she hoped it would be. When her children come under threat, May is forced to put her trust in a hum of uncertain motives as she works to restore the life of her family. Written in taut, urgent prose, Hum is a work of speculative fiction that unflinchingly explores marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities. As New York Times bestselling author Jeff VanderMeer says, “Helen Phillips, in typical bravura fashion, has found a way to make visible uncomfortable truths about our present by interrogating the near-future.”

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF SUMMER 2024 • A NEW YORK TIMES BESTSELLER • A GOOD MORNING AMERICA BOOK CLUB PICK • ONE OF THE WASHINGTON POST’S BEST BOOKS OF THE SUMMER “This summer’s hottest debut.” —Cosmopolitan • “Witty, sexy escapist fiction [that] packs a substantial punch...Fresh and thrilling.” —Los Angeles Times • “Electric...I loved every second.” —Emily Henry “Utterly winning...Imagine if The Time Traveler’s Wife had an affair with A Gentleman in Moscow...Readers, I envy you: There’s a smart, witty novel in your future.” —Ron Charles, The Washington Post A time travel romance, a spy thriller, a workplace comedy, and an ingenious exploration of the nature of power and the potential for love to change it all: Welcome to The Ministry of Time, the exhilarating debut novel by Kaliane Bradley. In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time. She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed 1845 expedition to the Arctic, so he’s a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machines,” “Spotify,” and “the collapse of the British Empire.” But with an appetite for discovery, a seven-a-day cigarette habit, and the support of a charming and chaotic cast of fellow expats, he soon adjusts. Over the next year, what the bridge initially thought would be, at best, a horrifically uncomfortable roommate dynamic, evolves into something much deeper. By the time the true shape of the Ministry’s project comes to light, the bridge has fallen haphazardly, fervently in love, with consequences she never could have imagined. Forced to confront the choices that brought them together, the bridge must finally reckon with how—and whether she believes—what she does next can change the future. An exquisitely original and feverishly fun fusion of genres and ideas, The Ministry of Time asks: What does it mean to defy history, when history is living in your house? Kaliane Bradley’s answer is a blazing, unforgettable testament to what we owe each other in a changing world.

NATIONAL BESTSELLER From bestselling and award-winning author Patrick deWitt comes the story of Bob Comet, a man who has lived his life through and for literature, unaware that his own experience is a poignant and affecting narrative in itself.  Bob Comet is a retired librarian passing his solitary days surrounded by books and small comforts in a mint-colored house in Portland, Oregon. One morning on his daily walk he encounters a confused elderly woman lost in a market and returns her to the senior center that is her home. Hoping to fill the void he’s known since retiring, he begins volunteering at the center. Here, as a community of strange peers gathers around Bob, and following a happenstance brush with a painful complication from his past, the events of his life and the details of his character are revealed. Behind Bob Comet’s straight-man façade is the story of an unhappy child’s runaway adventure during the last days of the Second World War, of true love won and stolen away, of the purpose and pride found in the librarian’s vocation, and of the pleasures of a life lived to the side of the masses. Bob’s experiences are imbued with melancholy but also a bright, sustained comedy; he has a talent for locating bizarre and outsize players to welcome onto the stage of his life. With his inimitable verve, skewed humor, and compassion for the outcast, Patrick deWitt has written a wide-ranging and ambitious document of the introvert’s condition. The Librarianist celebrates the extraordinary in the so-called ordinary life, and depicts beautifully the turbulence that sometimes exists beneath a surface of serenity.

""Irresistible...Filled with surprise, poignancy, and excitement, this is a surefire winner."" --Publishers Weekly (starred review) A brilliant and witty drama about two brave female World War II veterans who survived the unthinkable without ever losing their killer instinct…or their joie de vivre. Meet the Williamson sisters, Britain’s most treasured World War II veterans. Now in their late nineties, Josephine and Penny are in huge demand, popping up at commemorative events and history festivals all over the country. Despite their age, they’re still in great form—perfectly put together, sprightly and sparky, and always in search of their next “excitement.” This time it’s a trip to Paris to receive the Légion d’honneur for their part in the liberation of France. And as always, they will be accompanied by their devoted great-nephew, Archie. Keen historian Archie has always been given to understand that his great aunts had relatively minor roles in the Women’s Royal Navy and the First Aid Nursing Yeomanry, but that’s only half the story. Both sisters are hiding far more than the usual “official secrets”. There’s a reason sweet Auntie Penny can dispatch a would-be mugger with an umbrella. This trip to Paris is not what it seems either. Scandal and crime have always quietly trailed the Williamson sisters, even in the decades after the war. Now armed with new information about an old adversary, these much decorated (but admittedly ancient) veterans variously intend to settle scores, avenge lost friends, and pull off one last, daring heist before the curtain finally comes down on their illustrious careers.

#1 New York Times bestselling author Danielle Steel delivers a poignant novel about a mother and daughter who must repair their relationship and find a way to follow their hearts. Oscar-winning actress Ardith Law is a Hollywood icon. Radiant at sixty-two, she is the epitome of glamour and a highly respected artist. But her success has come at a price: She has a strained relationship with her daughter, Morgan, who at thirty-eight still blames Ardith for putting her career before being a mother. Morgan is a successful plastic surgeon in New York City—and the distance from Ardith’s Bel Air mansion is not lost on either of them. Ardith became a single mother when Morgan was seven, after her unfaithful husband died in a helicopter accident. In recent years, she has found amiable companionship with fellow actor Bill West. But Ardith’s comfortable world is turned upside down when she hires a temporary personal assistant, Josh Gray, while Bill is away filming in London. Josh’s rougharound-the-edges persona is the opposite of what Ardith is used to, but an unexpected tragedy brings them closer, stirring up conflicting feelings in her for this younger man. In New York, Morgan is swept off her feet by world-renowned TV anchorman Ben Ryan. Though more than two decades her senior, Ben is handsome, charismatic, and just as smitten as Morgan. But when a blackmail scheme puts his career—and their relationship—on the line, Morgan doesn’t know where to turn. Perhaps … to her mother? As each woman navigates an unconventional romance, they cautiously approach each other on new terms and attempt to put aside their past for a new future. In Upside Down, Danielle Steel tells an unforgettable story of bold choices, second chances, and the hope of reconciliation.

The first novel from one of the original Kings of Comedy, Cedric “The Entertainer,” an engaging and entertaining crime caper that is a valentine to close-knit black families and tightly woven communities struggling to get by during the Depression and World War II. Babe is a charismatic and widely loved man, a gambler with a gift for gab that often gets him out of tricky situations. He’s also a dreamer, something he shares with his patient and loving wife, Rosie. They both yearn for financial stability and see the land they own as insurance for future generations. But when Babe and a few comrades enlist in a scheme that improbably falls apart, he endangers the little security the family has.  On the verge of losing everything, what’s a family man to do? If you’re a gambler like Babe, you double down and risk it all for one big score—this time, a plan involving railroad boxcars. Will Babe succeed? Will Rosie continue to support her husband? Are the Feds on to his make-or-break scheme? Flipping Boxcars is Cedric “The Entertainer” at his most engaging best—a charming, fast-paced novel that pays homage to his beloved grandfather and a generation past, anchored by rich, multi-dimensional characters and oozing with irresistible charm.

A prolific and celebrated poet, critic, editor, and teacher, John Freeman is one of the most recognized and versatile forces behind today’s literary scene. His Everand Original, Hit and Run, represents a departure for him as a writer. A work of autobiographical fiction, it inhabits that space between lived experience and the imagination’s riff on that experience. It begins when the narrator — a newly married young man named John — witnesses an accident at the ragged end of a night out with friends. A hit-and-run in downtown Sacramento, California: “Bang! A body pinwheeling in the air,” Freeman writes. “Then something which felt like silence but surely wasn’t. Not at three a.m. at that intersection. When the reality reel rethreaded into the projector there was a man splayed out on the center median, a crowd of revelers laughing and teetering….” The victim does not survive, and that fact — as surreal as it is undeniably real, as horrifying as it is commonplace in its testament to human fragility — becomes a destabilizing crack in John’s world. His sense of safety, home, and his own assumptions about himself are shaken, setting off a series of shock waves in his life that test his marriage, sanity, and what sort of justice is possible for the dead man or for any of us. As the police try to find the driver responsible and enlist John’s help in the investigation, Hit and Run becomes a page-turning whodunit while taking on age-old and acutely topical human mysteries: how we make sense of the unimaginable and brutally unexpected, and how we manage to heal and find connection even as we’re hunted and haunted by loss and chaos. Perhaps the most personal and revealing work Freeman has ever written, it is also a story of romantic love lost and then — against all odds — found. Above all, it’s an urgent and audacious consideration of what it means to bear witness. Freeman does not shy from that responsibility, whatever the costs and frights, and word by word moves from the self-estrangement common in those made to cope with traumatic events to a kind of homecoming, with all the stakes and intimacy of personal essay and the poetics and possibility of the best literary fiction.

A National Bestseller A USA TODAY Bestseller A New York Times Editors’ Choice A Goodreads Choice Award Finalist Named a Best Book of the Year by The Washington Post, Good Housekeeping, Electric Literature, Tor, and Literary Hub From the critically acclaimed author of Bunny comes a “Grimm Brothers fairy tale for the modern age” (Good Housekeeping) and “darkly funny horror novel” (NYLON) about a lonely young woman who’s drawn to a cult-like spa in the wake of her mother’s mysterious death. “Surreal, scary and deeply moving—like all the best fairy tales” (People). A Most Anticipated Book of 2023 by Time, Vogue, The Guardian, Goodreads, Bustle, The Millions, LitHub, Tor, Good Housekeeping, and more! For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror—and the great shimmering depths (and demons) that lurk on the other side of the glass. Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, Rouge explores the cult-like nature of the beauty industry—as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, Rouge holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.

A REESE'S BOOK CLUB PICK INSTANT NEW YORK TIMES BESTSELLER From the #1 New York Times bestselling author of Eleanor & Park and Attachments comes Slow Dance—a novel of true love and friendship. “A will-they, won't-they second chance romance for the ages, this one is poised to be one of summer's breakout hits.” —PEOPLE “Sexy, sweet, wise, and nostalgic – Jane Austen’s Persuasion for our times.” — Gabrielle Zevin, New York Times bestselling author of Tomorrow, and Tomorrow, and Tomorrow “Deeply human, profoundly romantic. Rowell will break your heart and you’ll thank her for it.” — Leigh Bardugo “I loved every page of Slow Dance, a book that is romantic to its core, and as funny and smart as its wonderful characters.” — Emma Straub Back in high school, everybody thought Shiloh and Cary would end up together . . . everybody but Shiloh and Cary. They were just friends. Best friends. Allies. They spent entire summers sitting on Shiloh’s porch steps, dreaming about the future. They were both going to get out of north Omaha—Shiloh would go to go to college and become an actress, and Cary would join the Navy. They promised each other that their friendship would never change. Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed. Now Shiloh’s thirty-three, and it’s been fourteen years since she talked to Cary. She’s been married and divorced. She has two kids. And she’s back living in the same house she grew up in. Her life is nothing like she planned. When she’s invited to an old friend’s wedding, all Shiloh can think about is whether Cary will be there—and whether she hopes he will be. Would Cary even want to talk to her? After everything? The answer is yes. And yes. And yes. Slow Dance is the story of two kids who fell in love before they knew enough about love to recognize it. Two friends who lost everything. Two adults who just feel lost. It’s the story of Shiloh and Cary, who everyone thought would end up together, trying to find their way back to the start.

“Brilliant.” —The Washington Post * “Nuanced and compelling.” —The New York Times From the PEN/Hemingway Award–winning author of The Madonnas of Echo Park, an engrossing dystopian novel set in a near-future America where mandatory identification wristbands turn second-generation immigrants into second-class citizens—“a well-imagined allegory of divisive racial politics” (Kirkus Reviews). Iris Prince is starting over. After years of drifting apart, she and her husband are going through a surprisingly drama-free divorce. She’s moved to a new house in a new neighborhood, and has plans for gardening, coffee clubs, and spending more time with her nine-year-old daughter Melanie. It feels like her life is finally exactly what she wants it to be. Then, one beautiful morning, she looks outside her kitchen window—and sees that a wall has appeared in her front yard overnight. Where did it come from? What does it mean? And why does it seem to keep growing? Meanwhile, a Silicon Valley startup has launched a high-tech wrist wearable called “the Band.” Pitched as a convenient, eco-friendly tool to help track local utilities and replace driver’s licenses and IDs, the Band is available only to those who can prove parental citizenship. Suddenly, Iris, a proud second-generation Mexican American, is now of “unverifiable origin,” unable to prove who she is, or where she, and her undocumented loved ones, belong. Amid a climate of fear and hate-fueled violence, Iris must confront how far she'll go to protect what matters to her most. “Part social commentary and part thoughtful consideration of themes that include family, identity, transitions, perspectives, and hope” (Shelf Awareness), My Name Is Iris is an all-too-possible story that offers a brilliant and timely look at one woman’s journey to discover who she can’t—and can—be.

An essential companion to the inspirational classic The Alchemist, filled with timeless stories of reflection and rediscovery. From one of the greatest writers of our age comes a collection of stories and parables unlocking the mysteries of the human condition. Gathered from Paulo Coelho’s daily column of the same name, Maktub, meaning “it is written,” invites seekers on a journey of faith, self-reflection, and transformation. As Paulo Coelho explains, “Maktub is not a book of advice—but an exchange of experiences.” Each story offers an illuminated path to see life and the lives of our fellow people around the world in new ways, allowing us to tap into universal truths about our collective and individual humanity. As Coelho writes, “a man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun . . . ends up blind.” These wise tales offer the perspective of talking snakes, old women climbing mountains, disciples querying their masters, Buddha in dialogue, mysterious hermits, and many saints addressing the mysteries of the universe. Following the path of his previous internationally bestselling works, this thoughtful collection of short, inspirational pieces, introduced in a foreword by the author, will engage seekers of all ages and backgrounds.

This program includes an author's note read by the author and a conversation between the author and Audie Award–winning narrator Patti Murin. "Murin guarantees Frankel’s story is impeccably, convincingly, utterly heard. A creative process-illuminating author/narrator 'geeking out' interview provides a delightful aural bonus."—Booklist ​“Not all stories of adoption are stories of pain and regret. Not even most of them. Why don’t we ever get that movie?” India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward sixteen-year-old to Broadway ingenue to TV superhero. Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do — she tells a journalist the truth: it’s a bad movie. Soon she’s at the center of a media storm, battling accusations from the press and the paparazzi, from protesters on the right and advocates on the left. Her twin ten-year-olds know they need help – and who better to call than family? But that’s where it gets really messy because India’s not just an adoptive mother… The one thing she knows for sure is what makes a family isn’t blood. And it isn’t love. No matter how they’re formed, the truth about family is this: it's complicated. A Macmillan Audio production from Henry Holt & Company.

A road novel, a coming-of-age tale, and a raunchy slapstick comedy that tells—in careening, charismatic prose—the (true) story of the theft of the body of Saint John of the Cross. In August 1592, a bailiff and his two assistants arrive at the monastery of Úbeda, with the secret task of transferring the remains of Saint John of the Cross, the great Carmelite poet and mystic, to his final abode. When they exhume him, they find the saint's body as incorrupt and fresh as when he died.  Thus commences a series of adventures and misfortunes populated by characters that seem to be drawn from mythology. Luis Felipe Fabre masterfully incorporates Saint John's verses into his prose, as if the saint had prophesied the delirium that would surround his own posthumous transfer. This funny, highly entertaining novel manages to honor the mystical poetry of the Carmelite while inviting the reader to reflect on issues such as the sacred and the profane, the body and the soul, and spiritual (as well as carnal) ecstasy. 

For fans of Lisa Halliday and Susan Choi, The Anniversary is a simmering page-turner about an ascendant writer, the unresolved death of her husband, and what it takes to emerge on her own Novelist J.B. Blackwood is on a cruise with her husband, Patrick, to celebrate their wedding anniversary. Her former professor, film director, and cult figure, Patrick is much older than J.B.. When they met, he seemed somehow ageless, as all gods appear in the eyes of those who worship them. But now his success is starting to wane and J.B. is on the cusp of winning a major literary prize. Her art has been forever overseen by him, now it may overshadow his. For days they sail in the sun, nothing but dark water all around them. Then a storm hits and Patrick falls from the ship. J.B. is left alone, as the search for what happened to Patrick – and the truth about their marriage – begins. Propulsive and fiercely intelligent, The Anniversary is exquisitely written with a swift and addictive plot.  It’s a novel that asks: how legible, in the mind of the writer, is the line between reality and plot? How do we refuse the people we desire? And what is the cost, to ourselves, to others and to our art, if we don’t?

The Devil Wears Prada meets The Assistants in this “compulsively readable, frightening, but addictive” (Shelf Awareness) debut following a young woman who takes a job working for an enigmatic influencer and quickly discovers there’s an ugly side to being a #GirlBoss. After a series of go-nowhere jobs in the New York publishing world, Harper Cruz is desperate for a salary that won’t leave her scrambling to make rent each month. So when she stumbles across a job posting from an influencer offering triple her last paycheck, she automatically submits her résumé. Harper may not be familiar with self-help guru Charlotte Green, but her relentless optimism and charismatic can-do spirit has created a cult-like following of women across the country. When she selects Harper among thousands of other applicants in less than twenty-four hours, it’s obvious she sees something she likes. Harper decides to take a leap of faith and become the newest member of The Greenhouse. Accepting the job means a move to Nashville, and Harper is quickly dazzled by the glamourous world Charlotte has built in Music City. The Greenhouse is more than a workplace—it’s a family—and Harper soon finds herself swept into its inner circle. At first, she loves working in such an inspirational environment, where mandatory dance parties, daily intentions, and group bonding activities make up for long hours and Charlotte’s persistent demands for loyalty. But the deeper Harper is pulled into Charlotte’s world, the more she realizes that having it all comes with a price in this “magnetic story” (Publishers Weekly).

Chosen by John Irving in the New York Times as One of the Best Books of the 21st Century “Paul Theroux has exploited this biographical lacuna with great shrewdness and gusto… his fictional account of Blair’s life there [Burma] is a valid and entirely credible attempt to add flesh to the skeletal facts we have of this time. […]this novel is one of his finest, in a long and redoubtable oeuvre.” —New York Times Book Review From the acclaimed author of The Mosquito Coast and The Bad Angel Brothers comes a riveting new novel exploring one of English literature’s most beloved and controversial figures—George Orwell—and the early years as an officer in colonial Burma that transformed him from Eric Blair, the British Raj policeman, into Orwell the anticolonial writer. At age nineteen, young Eton graduate Eric Blair set sail for India, dreading the assignment ahead. Along with several other young conscripts, he would be trained for three years as a servant of the British Empire, overseeing the local policemen in Burma. Navigating the social, racial, and class politics of his fellow British at the same time as he learned the local languages and struggled to control his men would prove difficult enough. But doing all of this while grappling with his own self-worth, his sense that he was not cut out for this, is soon overwhelming for the young Blair. Eventually, his clashes with his superiors, and the drama that unfolds in this hot, beautiful land, will change him forever.

Set in a Lower East Side tenement in the early days of the COVID-19 lockdowns, Fourteen Days is an irresistibly propulsive collaborative novel from the Authors Guild, with an unusual twist: each character in this diverse, eccentric cast of New York neighbors has been secretly written by a different, major literary voice—from Margaret Atwood and John Grisham to Tommy Orange and Celeste Ng. One week into the COVID-19 shutdown, tenants of a Lower East Side apartment building in Manhattan have begun to gather on the rooftop and tell stories. With each passing night, more and more neighbors gather, bringing chairs and milk crates and overturned pails. Gradually the tenants—some of whom have barely spoken to each other—become real neighbors. In this Decameron-like serial novel, general editors Margaret Atwood and Douglas Preston and a star-studded list of contributors create a beautiful ode to the people who couldn’t escape when the pandemic hit. A dazzling, heartwarming, and ultimately surprising narrative, Fourteen Days reveals how beneath the horrible loss and suffering, some communities managed to become stronger. Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capó Crucet, Joseph Cassara, Angie Cruz, Pat Cummings, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Douglas Preston, Alice Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, Caroline Randall Williams, De’Shawn Charles Winslow, and Meg Wolitzer! Supplemental enhancement PDF accompanies the audiobook.

A debut novel of female friendship and coming-of-age from Jazmina Barrera, acclaimed author of Linea Nigra and On Lighthouses, translated by Christina MacSweeney. It was meant to be the trip of a lifetime. Mila, Citlali, and Dalia, childhood friends now college aged, leave Mexico City for the England of The Clash and the Paris of Courbet. They anticipate the cafés and crushes, but not the early signs that they are each steadily, inevitably changing.  That feels like forever ago. Mila, now a writer and a new mother, has just published a book on needlecraft—an art form so long dismissed as “women’s work.” But after learning Citlali has drowned, Mila begins to sift through her old scrapbooks, reflecting on their shared youth for the first time as a new wife and mother. What has come of all the nights the three friends spent embroidering together in silence? Did she miss the signs that Citlali needed help?

Along with her husband, a ghostwriter for a famous thriller author returns to her mother's house in the Florida town where she grew up. As the summer heat sets in, she wrestles with family secrets and memories of her own troubled youth. Her mercurial sister, who lives next door, spends a growing amount of time using MIND’S EYE, a virtual reality device provided to citizens of the town by ELECTRA, a tech company in South Florida, during the doldrums of a recent pandemic. But it’s not just the ominous cats, her mother’s burgeoning cult, or the fact that her belly button has become an increasingly deep cavern—something is off in the town, and it probably has to do with the posters of missing citizens spread throughout the streets. During a violent rainstorm, the writer’s sister goes missing for several days. When she returns, sprawled on their mother’s lawn and speaking of another dimension, the writer is forced to investigate not only what happened to her sister and the other missing people but the uncanny connections between ELECTRA, the famous author, and reality itself. A sticky, rain-soaked reckoning with the elusive nature of storytelling, Laura van den Berg’s Florida Diary is an interlocking and page-turning whirlwind. With inimitable control and thrilling style, she reaches deep into the void and returns with a story far stranger than either reality or fiction. "State of Paradise  is a weird, wild, thrilling journey through cults, addiction, messed-up families, the pandemic, the weather, and the strangeness and beauty of the great state of Florida. Laura van den Berg's writing is razor sharp and full of depth and humor, and she has an incredible imagination. This book is freaking brilliant." —Jami Attenberg, author of All This Could Be Yours

From the critically acclaimed, bestselling author of The Cartographers and The Book of M comes an inventive new novel about a woman who wins the chance to rewrite every mistake she’s ever made… and how far she’ll go to find her elusive “happily ever after.” But there’s a twist: the reader gets to decide what she does next to change her fate. One woman. Endless options. Every choice has consequences. Meek, play-it-safe Marsh has just turned forty-five, and her life is in shambles. Her career is stagnant, her marriage has imploded, and her teenage daughter grows more distant by the day. Marsh is convinced she’s missed her chance at everything—romance, professional fulfillment, and adventure—and is desperate for a do-over. She can’t believe her luck when she’s selected to be the star of the global sensation All This and More, a show that uses quantum technology to allow contestants the chance to revise their pasts and change their present lives. It’s Marsh’s only shot to seize her dreams, and she’s determined to get it right this time. But even as she rises to become a famous lawyer, gets back together with her high school sweetheart, and travels the world, she begins to worry that All This and More’s promises might be too good to be true. Because while the technology is amazing, something seems a bit off.… Can Marsh really make her life everything she wants it to be? And is it worth it? Perfect for fans of Matt Haig’s The Midnight Library and Kate Atkinson’s Life After Life, bestselling author Peng Shepherd’s All This and More is an utterly original, startlingly poignant novel that puts the reader in the driver’s seat. 

INTERNATIONAL BESTSELLER “Daring . . . a brilliant contemporary novel.”—Colm Tóibín  An intimate, sharply funny novel about a couple heading toward their wedding, and the three friends who may draw them apart Meet Celine and Luke. For all intents and purposes, the happy couple. Luke (a serial cheater) and Celine (more inter­ested in piano than domestic life) plan to marry in a year. Archie (the best man) should be moving on from his love for Luke and up the corporate ladder, but he finds himself utterly stuck. Phoebe (the bridesmaid and Celine’s sister) just wants to get to the bottom of Luke’s frequent unexplained disappearances. And Vivian (a wedding guest) is the only one with any emotional distance and observes her friends like ants in a colony. As the wedding approaches and their five lives intersect, these characters will each look for a path to the happily ever after—but does it lie at the end of an aisle? In her wry, sprightly, and unmistakable voice, Naoise Dolan makes the marriage plot entirely her own in a sparkling ensemble novel that is both ferociously clever and supremely enjoyable.

A tender and wickedly funny portrait of England told through four generations of one family. Bournville is a quiet village in the heart of England famous for its chocolate. For eleven-year-old Mary, it is the center of her world, the place where most of her family’s friends and neighbors have worked for decades and where the streets smell faintly of chocolate.  During the next three-quarters of a century, Mary will have children and grandchildren and great-children. She will live through the Coronation of Queen Elizabeth II and the 1966 World Cup final (the last time England won), royal weddings and royal funerals, Brexit and Covid-19. Parts of the chocolate factory will be transformed into a theme park, and Bournville itself will gradually disappear into the sprawl of the growing city of Birmingham. As we travel through seventy-five years of social change, from James Bond to Princess Diana, and from wartime nostalgia to the World Wide Web, one pressing question starts to emerge: will these changing times bring Mary's family—and their country—closer together, or leave them more adrift and divided than ever before? Bournville is a rich and poignant new novel from the bestselling, Costa award-winning author of Middle England. It is the story of a woman, of a nation's love affair with chocolate, of Britain itself.

In this instant New York Times bestselling novel by “Southern sensation Kristy Woodson Harvey” (Good Morning America), four women come together to save the summer camp that changed their lives and rediscover themselves in the process. Nearly thirty years ago, June Moore bought Camp Holly Springs and turned it into a thriving summer haven for girls. But now, June is in danger of losing the place she has sacrificed everything for and begins to realize how much she has used the camp to avoid facing difficulties in her life. June’s niece, Daphne, met her two best friends, Lanier and Mary Stuart, during a fateful summer at camp. They’ve all helped each other through hard times and the three are inseparable even in their thirties. But when attorney Daphne is confronted with a relationship from her past—and a confidential issue at work becomes personal—she is faced with an impossible choice. Lanier, meanwhile, is struggling with tough decisions of her own. After a run-in with an old flame, she is torn between the commitment she made to her fiancé and the one she made to her first love. And when a big secret comes to light, she finds herself at odds with her best friend…and risks losing the person she loves most. But in spite of their personal problems, nothing is more important than Camp Holly Springs. When the women learn their childhood oasis is in danger of closing, they band together to save it, sending them on a journey that promises to open the next chapters in their lives. Lyrical and unforgettable, “The Summer of Songbirds is a warm, hopeful story of friendship, love, and second chances” (Emily Henry, #1 New York Times bestselling author).

“Dazzling.” —Los Angeles Times * “Energetic and hugely enjoyable.” —The Guardian, Best Fiction of the Year * “As intoxicating as a swig of bathtub gin.” —Good Housekeeping The bestselling and award-winning author of Golden Hill delivers a “smoky, brooding noir set in the 1920s” (Slate) that reimagines how American history would be different if, instead of being decimated, indigenous populations had thrived. Like his earlier novel Golden Hill, Francis Spufford’s Cahokia Jazz inhabits a different version of America, now through the lens of a subtly altered 1920s—a fully imagined world filled with fog, cigarette smoke, dubious motives, danger, and dark deeds. In the main character of hard-boiled detective Joe Barrow, we have a hero of truly epic proportions, a troubled soul to fall in love with as you are swept along by a propulsive and brilliantly twisty plot. One snowy night at the end of winter, Barrow and his partner find a body on the roof of a skyscraper. Down below, streetcar bells ring, factory whistles blow, Americans drink in speakeasies and dance to the tempo of modern times. But this is Cahokia, the ancient indigenous city beside the Mississippi living on as a teeming industrial metropolis containing people of every race and creed. Among them, peace holds. Just about. Yet that corpse on the roof will spark a week of drama in which this altered world will spill its secrets and be brought, against a soundtrack of jazz clarinets and wailing streetcars, either to destruction or rebirth. “Atmospheric…many of us will recognize our own held-breath bafflement, caught, as we are, on the darkling plain of our own barely believable times” (The Washington Post).