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Episode 77: “Brand New Cadillac” by Vince Taylor and the Playboys
Episode 77: “Brand New Cadillac” by Vince Taylor and the Playboys
ratings:
Released:
Apr 7, 2020
Format:
Podcast episode
Description
Episode seventy-seven of A History of Rock Music in Five Hundred Songs looks at "Brand New Cadillac" by Vince Taylor and the Playboys, and the sad career of rock music's first acid casualty. Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers have two bonus podcasts this week. There's a half-hour Q&A episode, where I answer backers' questions, and a ten-minute bonus episode on "The Hippy Hippy Shake" by Chan Romero.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Resources
As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode.
There are several books available on Vince Taylor, including an autobiography, but sadly these are all in French, a language I don't speak past schoolboy level, so I can't say if they're any good.
The main resources I used for this episode were the liner notes for this compilation CD of Taylor's best material, this archived copy of a twenty-year-old homepage by a friend of Taylor's, this blogged history of Taylor and the Playboys, and this Radio 4 documentary on Taylor. But *all* of these were riddled with errors, and I used dozens of other resources to try to straighten out the facts -- everything from a genealogy website to interviews with Tony Sheridan to the out-of-print autobiography of Joe Barbera. No doubt this episode still has errors in it, but I am fairly confident that it has fewer errors than anything else in English about Taylor on the Internet.
Errata
I say that Gene Vincent also appeared on Oh Boy! -- in fact he didn't appear on UK TV until Parnes' next show, Boy Meets Girls, which would mean Taylor was definitely the originator of that style.
A major clanger -- I say that Sheridan recorded "Why" while he was working on "Oh Boy!" -- in fact this wasn't recorded until later -- *with the Beatles* as his backing band. I should have known that one, but it slipped my mind and I trusted my source, wrongly.
Patreon
This podcast is brought to you by the generosity of my backers on Patreon. Why not join them?
Transcript
On the twenty-first of May 1965, at the Savoy Hotel in London, there was a party which would have two major effects on the history of rock and roll music, one which would be felt almost immediately, and one whose full ramifications wouldn't be seen for almost a decade. Bob Dylan was on the European tour which is chronicled in the film "Don't Look Back", and he'd just spent a week in Portugal. He'd come back to the UK, and the next day he was planning to film his first ever televised concert.
That plan was put on hold. Dylan was rushed to hospital the day after the party, with what was claimed to be food poisoning but has often been rumoured to be something else. He spent the next week in bed, back at the Savoy, attended by a private nurse, and during that time he wrote what he called "a long piece of vomit around twenty pages long". From that "long piece of vomit" he later extracted the lyrics to what became "Like a Rolling Stone".
But Dylan wasn't the only one who came out of that party feeling funny. Vince Taylor, a minor British rock and roller who'd never had much success over here but was big in France, was also there. There are no euphemisms about what it was that happened to him. He had dropped acid at the party, for the first time, and had liked it so much he'd immediately spent two hundred pounds on buying all the acid he could from the person who'd given it to him.
The next day, Taylor was meant to be playing a showcase gig. His brother-in-law, Joe Barbera of Hanna Barbera, owned a record label, and was considering signing Taylor. It could be the start of a comeback for him.
Instead, it was the end of his career, and the start of a legend:
[Excerpt: Vince Taylor and the
Patreon backers have two bonus podcasts this week. There's a half-hour Q&A episode, where I answer backers' questions, and a ten-minute bonus episode on "The Hippy Hippy Shake" by Chan Romero.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Resources
As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode.
There are several books available on Vince Taylor, including an autobiography, but sadly these are all in French, a language I don't speak past schoolboy level, so I can't say if they're any good.
The main resources I used for this episode were the liner notes for this compilation CD of Taylor's best material, this archived copy of a twenty-year-old homepage by a friend of Taylor's, this blogged history of Taylor and the Playboys, and this Radio 4 documentary on Taylor. But *all* of these were riddled with errors, and I used dozens of other resources to try to straighten out the facts -- everything from a genealogy website to interviews with Tony Sheridan to the out-of-print autobiography of Joe Barbera. No doubt this episode still has errors in it, but I am fairly confident that it has fewer errors than anything else in English about Taylor on the Internet.
Errata
I say that Gene Vincent also appeared on Oh Boy! -- in fact he didn't appear on UK TV until Parnes' next show, Boy Meets Girls, which would mean Taylor was definitely the originator of that style.
A major clanger -- I say that Sheridan recorded "Why" while he was working on "Oh Boy!" -- in fact this wasn't recorded until later -- *with the Beatles* as his backing band. I should have known that one, but it slipped my mind and I trusted my source, wrongly.
Patreon
This podcast is brought to you by the generosity of my backers on Patreon. Why not join them?
Transcript
On the twenty-first of May 1965, at the Savoy Hotel in London, there was a party which would have two major effects on the history of rock and roll music, one which would be felt almost immediately, and one whose full ramifications wouldn't be seen for almost a decade. Bob Dylan was on the European tour which is chronicled in the film "Don't Look Back", and he'd just spent a week in Portugal. He'd come back to the UK, and the next day he was planning to film his first ever televised concert.
That plan was put on hold. Dylan was rushed to hospital the day after the party, with what was claimed to be food poisoning but has often been rumoured to be something else. He spent the next week in bed, back at the Savoy, attended by a private nurse, and during that time he wrote what he called "a long piece of vomit around twenty pages long". From that "long piece of vomit" he later extracted the lyrics to what became "Like a Rolling Stone".
But Dylan wasn't the only one who came out of that party feeling funny. Vince Taylor, a minor British rock and roller who'd never had much success over here but was big in France, was also there. There are no euphemisms about what it was that happened to him. He had dropped acid at the party, for the first time, and had liked it so much he'd immediately spent two hundred pounds on buying all the acid he could from the person who'd given it to him.
The next day, Taylor was meant to be playing a showcase gig. His brother-in-law, Joe Barbera of Hanna Barbera, owned a record label, and was considering signing Taylor. It could be the start of a comeback for him.
Instead, it was the end of his career, and the start of a legend:
[Excerpt: Vince Taylor and the
Released:
Apr 7, 2020
Format:
Podcast episode
Titles in the series (100)
Episode 2: “Roll ‘Em Pete” by Big Joe Turner and Pete Johnson: Heres the second episode, on Roll Em Pete by Big Joe Turner and Pete Johnson. One erratum before we continue -- in the episode, I say that Shake, Rattle, and Roll follows a particular formula common in hokum songs. Thats not actually true for the origina by A History of Rock Music in 500 Songs