Lyn's Reviews > The Plague

Albert Camus’ The Plague is a laugh RIOT!

Just kidding, it is about the bubonic plague, really not very funny at all.

However, it is a modern masterpiece of allegory, symbolism and imagery. The surface story is about plague in the early 1940s visiting the Algerian coastal city of Oran. While Camus tells a complete tale of disease, fear, despair, compassion and selfless heroism; the story of lasting significance is told between the lines with insightful observations and thought provoking dissertations on philosophy and theology.

Camus uses the epidemic to explore relationships, community and existence. Critics have seen The Plague as an allegory on Germany’s occupation of France, but I think it can also be read to represent man’s propensity towards chaos and evil, while ultimately remaining good. Scholars will point out that Camus is primarily identified as an atheist, but his later writings revealed at least a sympathetic position towards religion.

While some of the poetry of his French is lost in translation, his technique comes across as sparse but eclectic and his characterization and imagery evokes comparisons of such far ranging stylists as Hemingway and DH Lawrence. And Camus’ individuality shines through his excellent prose. Here is not an anodyne essayist but rather a vibrant athlete and vocal member of the French resistance; Camus is a masterful but reluctant artist. Camus the fighter is revealed in page after page. That may be the central message conveyed: that life is worth living and worth fighting for, no matter the likelihood of victory or the seemingly overwhelming natural forces assailing us, or even the result of the fight.

The enduring residents of Oran do not so much fight and prevail as they simply survive, but Camus emphasizes that the act itself of fighting, the performance of resisting the devastating force of nature makes them stronger, makes them worthy of survival regardless of whether or not they do survive.