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Patrick Brzeski

Asia Bureau Chief

Patrick Brzeski is The Hollywood Reporter's Asia Bureau Chief. Based in Tokyo, Brzeski works closely with THR's team of Asia correspondents to cover some of the world's fastest growing and most dynamic entertainment markets. He is a Southern California Journalism Award winner and National Arts and Entertainment Journalism Awards nominee for feature writing. His work has appeared in the Wall Street Journal, South China Morning Post, Financial Times and elsewhere.

More from Patrick Brzeski

China Box Office: Ticket Revenue Slips 9 Percent in First Half of 2024

China’s movie box office made a roaring start to the year, but sales have waned in the months since. Ticket revenue for the first half of 2024 totaled $3.4 billion (RMB 23.9 billion), down 9 percent from last year, according to data released Tuesday by consultancy Artisan Gateway. Total admissions for the period reached 550 […]

Crunchyroll to Stream ‘Kaiju No. 8’ Season Two

Hit Japanese anime series Kaiju No. 8 is getting a second season. Shortly after the credits rolled on the show’s season-one finale Saturday, global specialty streamer Crunchyroll revealed that work is already underway at the storied Japanese anime studio Production I.G for a follow-up story arc. Crunchyroll says it will stream the season two return […]

Crunchyroll to Release ‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ in Theaters as Film Trilogy

Crunchyroll and Sony Pictures Entertainment are giving the blockbuster Demon Slayer anime franchise an appropriately grand finish. The partners revealed Sunday that they will release Demon Slayer: Kimetsu no Yaiba Infinity Castle, the last episodes in the hit anime franchise, as a trio of theatrical films in cinemas worldwide. The three-part installment represents the final […]

Netflix to Stream Chinese Suspense Series ‘See Her Again’ in Deal With China’s Tencent

Global streamer Netflix has picked up select international streaming rights to the much anticipated Chinese fantasy suspense series See Her Again. Currently in postproduction, the show is expected to drop later this year simultaneously on Netflix and Chinese streamer Tencent Video. The deal was unveiled this week at the ongoing 29th Shanghai TV Festival.  See Her […]

‘Stuff the British Stole’ Doc Series to Be Reimagined as Scripted Heist Drama

Stuff the British Stole, the popular Australian-Canadian documentary series exploring the controversy surrounding cultural objects purloined by British colonialists, is set to be reimagined as a big-budget scripted heist series. The new version is backed by Warner Bros. International Television Production Australia (The Twelve, Love Me) and Wooden Horse (The Clearing, Mother & Son). The partners describe […]

Chinese Auteur Jia Zhang-ke’s ‘Caught By the Tides’ Sells to Sideshow, Janus Films for U.S. Distribution

Sideshow and Janus Films have snapped up U.S. distribution rights to Chinese master filmmaker Jia Zhangke’s latest feature Caught by the Tides, which premiered to rave reviews at this year’s Cannes Film Festival. The two distributors said they will “release the film exclusively in theaters in the coming months.” Caught by the Tides is composed almost […]

Rising Taiwanese Editing Studio Cutting Edge Films Keeps the Festival Hits Coming

What did five of the most critically acclaimed Asian movies that premiered at this year’s Cannes Film Festival have in common? They all were edited by rising Taiwanese studio Cutting Edge Films.  Formally established only in 2022, the company comprises a small group of film professionals who have worked together for over a decade. They […]

Shanghai Film Festival: Kazakh Drama ‘The Divorce’ Takes Top Prize

The 26th Shanghai International Film Festival came to a glitzy conclusion Saturday as Kazakh film The Divorce, directed by Daniyar Salamat, took home the top Golden Goblet award for best feature at a star-studded closing ceremony in the Chinese commercial capital. A period drama set in the 1920s during the establishment of Soviet authority on the Kazakh steppe, […]

Shanghai: Zeng Zi’s ‘Friday, Funfair’ Wins Asian New Talents Top Prize

Chinese drama Friday, Funfair, directed by Zeng Zi, was named best film of the 26th Shanghai International Film Festival’s Asian New Talent section, which honors distinguished works by emerging filmmakers from across the Asia-Pacific region. The film is in tune with a recent trend in Chinese cinema of tackling the pressures and hardships women face […]

‘Train to Busan’ Director Yeon Sang-ho Teams With Alfonso Cuarón for Netflix Thriller ‘Revelations’ (Exclusive)

Korean multi-talent Yeon Sang-ho is getting back in business with Netflix for his next feature film — with a little help from Oscar-winning filmmaker Alfonso Cuarón. Yeon has signed to direct a movie adaptation of his own popular Korean webtoon, Revelations, with Cuarón onboard to executive produce and consult on the project.  Yeon first became […]

Imax Expands Partnership With China’s Wanda Film

Imax Corporation and Wanda Film, China’s largest movie exhibitor, are deepening their longstanding partnership with a new deal to upgrade technology and collaborate on future events and experiences. Wanda Film is already Imax’s biggest exhibition partner in the world, with 381 Imax locations in operation across China — and another 19 already on the way. The deal […]

Shanghai: CMC Pictures to Release Chen Sicheng’s Spy Thriller Tentpole ‘Decoded’ in U.S., U.K. (Exclusive)

Chinese distributor CMC Pictures has taken the worldwide rights — excluding China — to local hitmaker Chen Sicheng’s much-anticipated next feature, Decoded. The company says it will release the film theatrically in North America, the U.K., Australia, New Zealand and other major international markets later this year following its Chinese bow, expected in the second half […]

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