A young boy accidentally joins a band of time travelling dwarves, as they jump from era to era looking for treasure to steal.A young boy accidentally joins a band of time travelling dwarves, as they jump from era to era looking for treasure to steal.A young boy accidentally joins a band of time travelling dwarves, as they jump from era to era looking for treasure to steal.
- Awards
- 1 win & 8 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to Terry Gilliam, David Rappaport believed he got his part for his acting ability alone, without size being a contributing factor. As a result, he didn't socialize with his co-stars. During the Invisible Barrier scene, when the other bandits retaliate against Randall, the actors were expressing their frustrations with Rappaport.
- GoofsNumerous inaccuracies in the "historical" scenes. The film means to depict history as visualized by a well-read 11-year-old, not a formally trained historian. This is consistent with the theme of whimsical, casual time travel wherein history is deliberately contaminated.
- Quotes
Evil: God isn't interested in technology. He cares nothing for the microchip or the silicon revolution. Look how he spends his time, forty-three species of parrots! Nipples for men!
Robert: Slugs.
Evil: Slugs! HE created slugs! They can't hear. They can't speak. They can't operate machinery. Are we not in the hands of a lunatic?
- Crazy creditsAt the end of the credits, the scene where the Bandits have their photo taken is replayed.
- Alternate versionsAt least one version shown on US television cut the sequence of the knight bursting out of Kevin's closet and much of what came after that (Kevin's Dad telling him to keep the noise down, breakfast the following morning, etc.) This truncated version goes right from Kevin getting into bed to the Time Bandits emerging from the closet, but retains the rattling closet doors that announced the knight's arrival.
- ConnectionsEdited from A Night to Remember (1958)
- SoundtracksMe And My Shadow
Arranged by Trevor Jones
Composed by Billy Rose (as Rose), Al Jolson (as Jolson), and Dave Dreyer (as Dreyer)
Published by Francis Day & Hunter
Performed by David Rappaport, Kenny Baker, Malcolm Dixon, Mike Edmonds, Jack Purvis, and Tiny Ross
Featured review
I wonder if I would've liked this more, or less, as a child...
After submerging myself finally into Time Bandits, perhaps too late (or too soon, if I had kids maybe it would've been a different experience), I found it reminded me of a live-action version of one of these animated adventures I would watch on TV as a kid, where a child would be brought into a fantastical universe away from his dull, ordinary existence, with strange friends/characters, and then go on adventures. In a couple of small ways its even palatable to the Terry Jones/Jim Henson collaboration Labyrinth. But the difference here is that it is fused with some more mature humor and some darker elements. In a way this is what the college-age fans of Monty Python in the 70's must have seen as the perfect film to take their kids to see in the 80's. Terry Gilliam, co-writer/director (co-written with fellow Python Michael Palin), knows how to entertain, and many sequences are terrific. It's a shame that some of them were not as much, and a little spotty. The sheer zaniness though, and the will for Gilliam to keep throwing visual gags and intense, fun imagery, keeps it never boring.
It's without a doubt that Time Bandits is in a sense a more 'mainstream' (err, accessible) picture than many of Gilliam's other works, mostly because it tries to reach into the imagination in all people, young and old. Kevin (Craig Warnock, a good straight-character for the audience amid all the ruckus), is in a land of his own imagination, until a group of pillaging dwarfs (played by the likes of David Rappaport and Kenny 'R2-D2- Baker) traveling through time with a stolen map with gaps through time provided by a crazed 'supreme being'. They visit Napoleon (Ian Holm, an ingenious role), Robin Hood (John Cleese), and by accident King Agamemnon (Sean Connery, an unexpectedly cool role). But when the Evil Genius (David Warner, one of the funniest performances of the film) knows they have it, he'll do anything to lure them in to get it from them.
This leads to a climax that in a darker, more scrambled way, reminded me of the climax of Blazing Saddles. There, like in this film, the story almost runs off the tracks, as many parts of history come into play with the forces of good versus evil. It does come to a satisfying conclusion, but in a small way is almost too much. Pauline Kael's comment that "the film suffers from a surfeit of good ideas" is not without some truth. There are so many jokes, so much imagination, so much creativity, its like a tipping scale that balances back and forth, rarely in the middle, of how affecting it is. For children, therefore, it is a sure bet, because children (for all of the modern corporate grabbing and testing of material) thrive on material like this, where the appearance of a comedian like Michael Palin in two separate, hilarious roles, doesn't matter as much as the sheer one-of-a-kind nature of everything put together. Some of the film is violent (as when the Evil Genius blows things up randomly), but always like a cartoon; one can sense the animation influence in the style's bones.
And that is what separates this film from the other films and shows I saw as a child, that there is this need on the part of the filmmaker not to stick to anything really expected, while still in a 'once upon a time' framework. Some jokes may not be funny to kids until they get older, but images like the giant trudging slowly through the water, the dwarfs in a peril in the cages, the pageantry of the Greek sequences. It's all delightful, but also a little overwhelming, and of course a bit much on the first go-around.
It's without a doubt that Time Bandits is in a sense a more 'mainstream' (err, accessible) picture than many of Gilliam's other works, mostly because it tries to reach into the imagination in all people, young and old. Kevin (Craig Warnock, a good straight-character for the audience amid all the ruckus), is in a land of his own imagination, until a group of pillaging dwarfs (played by the likes of David Rappaport and Kenny 'R2-D2- Baker) traveling through time with a stolen map with gaps through time provided by a crazed 'supreme being'. They visit Napoleon (Ian Holm, an ingenious role), Robin Hood (John Cleese), and by accident King Agamemnon (Sean Connery, an unexpectedly cool role). But when the Evil Genius (David Warner, one of the funniest performances of the film) knows they have it, he'll do anything to lure them in to get it from them.
This leads to a climax that in a darker, more scrambled way, reminded me of the climax of Blazing Saddles. There, like in this film, the story almost runs off the tracks, as many parts of history come into play with the forces of good versus evil. It does come to a satisfying conclusion, but in a small way is almost too much. Pauline Kael's comment that "the film suffers from a surfeit of good ideas" is not without some truth. There are so many jokes, so much imagination, so much creativity, its like a tipping scale that balances back and forth, rarely in the middle, of how affecting it is. For children, therefore, it is a sure bet, because children (for all of the modern corporate grabbing and testing of material) thrive on material like this, where the appearance of a comedian like Michael Palin in two separate, hilarious roles, doesn't matter as much as the sheer one-of-a-kind nature of everything put together. Some of the film is violent (as when the Evil Genius blows things up randomly), but always like a cartoon; one can sense the animation influence in the style's bones.
And that is what separates this film from the other films and shows I saw as a child, that there is this need on the part of the filmmaker not to stick to anything really expected, while still in a 'once upon a time' framework. Some jokes may not be funny to kids until they get older, but images like the giant trudging slowly through the water, the dwarfs in a peril in the cages, the pageantry of the Greek sequences. It's all delightful, but also a little overwhelming, and of course a bit much on the first go-around.
Helpful•3515
- Quinoa1984
- Sep 3, 2005
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Bandidos del tiempo
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $42,365,581
- Opening weekend US & Canada
- $6,507,356
- Nov 8, 1981
- Gross worldwide
- $42,368,025
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
![Time Bandits (1981)](https://m.media-amazon.com/images/M/MV5BODg1NGYwN2MtNWI0OC00N2RiLWE4YzMtOTlhZTgxNmI3NTM0XkEyXkFqcGdeQXVyMjUzOTY1NTc@._V1_QL75_UX90_CR0,1,90,133_.jpg)