What are the best ways to manage risks in stage combat and fight choreography?

2 Train the actors

The actors who perform stage combat or fight choreography need to undergo proper training and preparation, both physically and mentally. They need to learn the basic techniques and safety rules of stage combat, such as how to strike, block, fall, roll, and react. They need to practice the choreography with their partners and the fight director, and make sure they are comfortable and confident with each move. They need to warm up before each performance, and check their weapons and props for any defects or damage. They also need to communicate and cooperate with each other, and respect each other's boundaries and consent.

3 Supervise the rehearsal

The rehearsal of stage combat or fight choreography requires constant supervision and feedback from the fight director or the stage combat instructor. They need to oversee the choreography and make sure it is clear, consistent, and realistic. They need to monitor the actors' performance and correct any mistakes or problems. They need to ensure that the actors are following the safety rules and protocols, and that they are not endangering themselves or others. They also need to coordinate with the director, the stage manager, and the technical crew, and make sure that the stage combat or fight choreography is integrated with the rest of the production.

4 Review the performance

The performance of stage combat or fight choreography is not a one-time event, but a continuous process that requires regular review and evaluation. The fight director or the stage combat instructor need to watch the performance and check for any issues or errors. They need to provide feedback and suggestions to the actors and the crew, and make any necessary adjustments or changes. They also need to document and report any incidents or injuries that occur during the performance, and take preventive measures to avoid them in the future.

5 Educate the audience

The audience is an important factor in stage combat and fight choreography, as they can influence the mood, the tension, and the impact of the scene. The fight director or the stage combat instructor need to educate the audience about the nature and the purpose of stage combat and fight choreography, and how they are different from real violence. They need to inform the audience about the safety rules and expectations, such as not to touch, interfere, or distract the actors or the crew. They also need to encourage the audience to appreciate and applaud the actors' skill and effort, and to respect the art and the craft of stage combat and fight choreography.

6 Here’s what else to consider

This is a space to share examples, stories, or insights that don’t fit into any of the previous sections. What else would you like to add?