Diana Jaskierny

Diana M. Jaskierny, “Edouard Manet, Portrait of Lise Campineanu, 1878,” technical entry in French Paintings and Pastels, 1600–1945: The Collections of The Nelson-Atkins Museum of Art, ed. Aimee Marcereau DeGalan (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.524.2088.

Diana M. Jaskierny, “Edouard Manet, White Lilacs in a Crystal Vase, ca. 1882,” technical entry in French Paintings and Pastels, 1600–1945: The Collections of The Nelson-Atkins Museum of Art, ed. Aimee Marcereau DeGalan (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.526.2088.

Diana M. Jaskierny, “Eugène Boudin, Trouville, Beach Scene, 1874,” technical entry in ed. Aimee Marcereau DeGalan French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.603.2088.

Diana M. Jaskierny, “Jean Siméon Chardin, Still Life with Cat and Fish, 1728,” technical entry in French Paintings and Pastels, 1600–1945: The Collections of The Nelson-Atkins Museum of Art, Aimee Marcereau DeGalan, ed., (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.310.2088

Diana M. Jaskierny, “Elisabeth Louise Vigée Le Brun, Portrait of Marie Gabrielle de Gramont, Comtesse de Caderousse, 1784,” technical entry in Aimee Marcereau DeGalan, ed., French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.334.2088

Diana M. Jaskierny, “Claude Monet, Snow Effect at Argenteuil, 1875 (2015.13.14),” technical entry in Aimee Marcereau DeGalan, ed., French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.629.2088

Diana M. Jaskierny, “Claude Monet, Snow Effect at Argenteuil, 1875 (44-41/3)” technical entry in Aimee Marcereau DeGalan, ed., French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.628.2088

Diana M. Jaskierny, “Claude Monet, Boulevard des Capucines, 1873—1874,” technical entry in Aimee Marcereau DeGalan, ed., French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.626.2088

Diana M. Jaskierny, “Edouard Manet, The Croquet Party, 1871,” technical entry in Aimee Marcereau DeGalan, ed., French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.522.2088

Diana M. Jaskierny, “Paul Cezanne, Quarry at Bibémus, 1895–1900,” technical entry in Aimee Marcereau DeGalan, ed., French Paintings, 1600–1945: The Collections of the Nelson-Atkins Museum of Art (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.710.2088

Postgraduate Diploma dissertation

This study investigated forty-three panel paintings housed in the Brown Gallery of Knole House. The majority of these paintings date to the early 17th Century, with some later additions to the collection. A systematic and objective approach to the classification and categorisation of cracks patterns and delamination on paintings has not yet been established in conservation studies. This project aims to attempt such classification within a paintings… Show more

Postgraduate Diploma dissertation

This study investigated forty-three panel paintings housed in the Brown Gallery of Knole House. The majority of these paintings date to the early 17th Century, with some later additions to the collection. A systematic and objective approach to the classification and categorisation of cracks patterns and delamination on paintings has not yet been established in conservation studies. This project aims to attempt such classification within a paintings series with documented history, and aims to identify patterns among these structural issues in relation to the environmental trends in collected data. Show less

Research Forum Painting Pairs Report, in collaboration with Samantha Roberts

Thesis (M.A. in Art History)
This exhibition catalog mainly features the private collection of icons belonging to Father Ron Hilt, Associate Pastor at St. George Byzantine Catholic Church, a Romanian Catholic church located in Aurora, Illinois. This collection is primarily composed of Russian and Ukrainian icons from the nineteenth through twenty-first centuries