From the course: Premiere Pro Guru: Video Finishing Techniques
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The Direct Link workflow with SpeedGrade - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Video Finishing Techniques
The Direct Link workflow with SpeedGrade
Direct integration between an NLE and a dedicated color correction application has kind of been a holy grail for a lot of companies over the past few years. Many have attempted this integration but none, in my opinion, have succeeded as well as Adobe has with Premiere Pro and SpeedGrade. And that syncs the direct link technology found between these two applications. Essentially, Direct Link allows you to open up a Premiere Pro project file inside of SpeedGrade. You can apply your looks and your grades inside of SpeedGrade and then simply save the project. And because it's a Premiere Pro project you were working with. When you open it back up inside of Premiere Pro, guess what? All of your corrections and all of your looks have been applied. It's an insanely powerful and intense workflow that cuts out so much time. Instead of having to export files and pass off interchange files like XMLs and EDLs. We can simply work on one unified project and file format from your Pro project file…
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Contents
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Improving render quality with sequence settings4m 54s
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Using video scopes to analyze brightness and contrast9m 38s
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Using video scopes to analyze color8m 35s
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Additional scope options with ScopeBox9m 28s
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Fixing common contrast problems8m 49s
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Fixing common color problems11m 6s
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Raw and log formats8m 18s
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Adjustment layers for color correction5m 10s
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Tracking color corrections5m 54s
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Using Lumetri effect presets4m 41s
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The Direct Link workflow with SpeedGrade9m 47s
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Developing a look in SpeedGrade to use in Premiere Pro8m 50s
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Noise reduction with SpeedGrade and After Effects9m 11s
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Noise reduction with Neat Video7m 43s
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