Andrew Howard’s Post

AI ARTISTS NEED TO CHALLENGE HOLLYWOOD CINEMATIC WITH SERIOUS PRODUCTIONS. As AI artists, we must elevate our efforts and strive for excellence. Merely creating a few images using our favorite AI app won't suffice, as many other creatives can do the same. When presenting ideas to Hollywood (& The Top 50 of the A&E industry), it's crucial to approach the process professionally and thoroughly. While the initial pitch showed promise, it's essential to recognize that successful pitches to Hollywood require more than presenting ideas. Although it may have initially seemed like a joke, approach realizing your dreams with belief, purpose & determination to maximize your potential. Instead of expending energy on creating a beautiful pictorial, it's essential to infuse belief and action. Toward that clear goal, Consider showcasing a 3-minute copyrighted trailer or explore placing it on the blockchain. This approach may resonate with potential buyers. Always remember to act with a clear purpose. Industry discussions indicate a skepticism and an attitude of "wait and see," like Warren Buffet, who currently sits on $295 Billion invested in gold instead of stocks (I just heard he is waiting for prices to drop). Hollywood and the Top 50 Studios in the world demand AI creators to deliver captivating cinematic experiences for a Festival Hit or a Blockbuster that is creative and achieves financial success. Hollywood and Top 50 Film Studios rely heavily on acquiring and producing cost-effective series from regions like Canada, Asia, and Eastern Europe, where studio time and content creation come at a lower cost (with 40% tax incentive for AI or CGI, 30% for other) This economic strategy enables studios to procure fictional content for as little as USD $3 million per hour of programming, occasionally up to USD $5 million. These values are based on market studies from 2022, with an inflation factor and a potential increase of these values by approximately 30 percent by 2024. Consequently, there may be a noticeable decline in original content production within Hollywood, with sporadic blockbuster productions aimed at retaining subscribers occurring at most once a month for each significant studio. Two years in a row now, at many film markets like Cannes and NY or Hollywood and Paris, the buyers were not excited by big, expensive Hollywood-style projects. Most buying is focused on reality shows and documentaries where they get the best bang for their buck. Honestly, I don't think the industry knows where they are going. So, everyone is at a standstill, waiting to see what happens. To address these shifts and get attention from major media, AI artists and filmmakers must level up by creating content of Blockbuster proportion that captivates audiences at a low cost using AI, Web3 & their creativity. #AI #AIFilms #AIContent #CreativeEconomy #Creative Garrett Thierry, M.B.A. Greg Mitchell Rick Lemmons New York University UCLA Reuven Cohen Alisée de Tonnac

If you are wondering about what to watch next on Netflix, take a look at this detailed list of the most watched shows. "Starting today we will publish What We Watched: A Netflix Engagement Report twice a year. This is a comprehensive report of what people watched on Netflix over a six month period, including: - Hours viewed for every title — original and licensed — watched for over 50,000 hours; - The premiere date for any Netflix TV series or film; and - Whether a title was available globally. In total, this report covers more than 18,000 titles — representing 99% of all viewing on Netflix — and nearly 100 billion hours viewed." Happy Streaming! https://lnkd.in/ejJckTQ9

Yesterday was a big day for the future of data transparency in streaming. Netflix, for the first time, released a comprehensive report of what people watched on their platform over a six month period. Y’all this is huge. The release sets the expectation that we should see one of these reports from Netflix every 6 months. 👏🏽 The excel includes: • Hours viewed for every title — original and licensed — watched for over 50,000 hours • Premiere date for any Netflix TV series or film • Whether a title was available globally This is really exciting and imo it is a step in the right direction. I can’t help but to think that if WGA and SAG AFTRA didn’t strike this year, this wouldn’t have been possible. ✊🏽 Rising tide lifts all boats, y’all. Here is the link to the report: https://lnkd.in/gygHtaWu

What we watched: a #Netflix engagement report. This is a comprehensive report of what people watched on Netflix over a six month period from Jan to Jun23. #marketing

Based on flight which got disappeared, there is a series in Netflix you can watch on the link given below. https://lnkd.in/g4KngSvZ

“What We Watched: A NETFLIX Engagement Report” This is a comprehensive report of what people watched on Netflix over a six month period, including: Hours viewed for every title — original and licensed — watched for over 50,000 hours; The premiere date for any Netflix TV series or film; and Whether a title was available globally. In total, this report covers more than 18,000 titles — representing 99% of all viewing on Netflix — and nearly 100 billion hours viewed. Over 60% of Netflix titles released between January and June 2023 appeared on our weekly Top 10 lists. So while this report is broader in scope, the trends reflected in it are very similar to those in the Top 10 lists. READ MORE including a link 🔗 to the FULL REPORT via the #Netflix webpage below 👇🏾 #OTTReport #Streaming #StreamingWars https://lnkd.in/gUV7xd-T

"Since launching our weekly Top 10 and Most Popular lists in 2021, Netflix has provided more information about what people are watching than any other streamer except YouTube. And now we believe it’s time to go further. Starting today we will publish "What We Watched: A Netflix Engagement Report" twice a year. This is a comprehensive report of what people watched on Netflix over a six month period, including: a) hours viewed for every title — original and licensed — watched for over 50,000 hours; b) the premiere date for any Netflix TV series or film; 3) and whether a title was available globally.  In total, this report covers more than 18,000 titles — representing 99% of all viewing on Netflix — and nearly 100 billion hours viewed" https://lnkd.in/dQJZqj52

Netflix is finally lifting the curtain! In a bold move to dispel the mystery around its viewership numbers, the streaming giant will now publish a detailed report every six months, revealing what's hot and what's not. Ted Sarandos the co-CEO, says it's time to turn the lights on for creators, viewers, and the media. So, get ready for some binge-worthy statistics along with your favorite shows! #NetflixTransparency #StreamingInsights #IndustryGameChanger 🎥📊🍿

🎞 For the first time ever, it is possible to know globally what exactly are your #genz and #genalpha consumers watching on Netflix: What We Watched: A Netflix Engagement Report - was released yesterday. 🗞 Why this is news? In the past Netflix never gave a full report about the watch time of titles, only top lists. Now, there is are Jan-June watch time list of 18 000 titles available! 😎 Teen titles are very high on the list; "#Wednesday" (500M+ hours watch time), #outerbanks (400M+ hours), XO Kitty (200M+ hours) 🌎 Non-English content generates more than 30% of the watch time 🤝 The list reveals what titles are viewed by your young consumers and helps you think of the collabs, trends and topics related globally. #trends #streaming #collabs #insight #watching #binge #brandbuilding https://lnkd.in/gUV7xd-T

We continue this week's Long Win theme by looking at the concept of "Losers" in these Netflix documentaries. In a "winning is everything" society, how do we handle failure? This series profiles athletes who have turned the agony of defeat into human triumph. Why not watch an episode over the weekend? #TheLongWin #DirectorofSport #educationalleadership