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Are you watching the Olympics? Over the last century, venues have changed, structures have been built, and the overall design has evolved alongside a changing world. Want to learn about the historic architecture of the Olympic Games? Read more below! https://lnkd.in/g8Xtxxeb

For the Architectural Record, Andrew Holder of the LADG | LA Design Group, Inc. describes his office's exhibition design for Eternal Medium: Seeing the World in Stone at the Los Angeles County Museum of Art (LACMA) and asks, "As a model for architecture, can the white cube be repurposed to center artifacts, be earnest, include things that originate outside the exhibition, and allow those things to represent themselves as entities separate from the context of the institution? Further, can it do this while retaining something of its power?" https://lnkd.in/eTkuGgyM

We are delighted to present our forthcoming scenographic work. This exhibit aims not only to display historical remnants but also to engage visitors in a thoughtful dialogue surrounding the complex narratives of our shared past. Located within a space rich with controversy, our exhibition harnesses the inherent tensions and complexities surrounding the representation of colonial history. The chosen venue, known for its contentious nature, serves as a thought-provoking backdrop that challenges traditional norms of museum display and encourages critical reflection. Central to our exhibition's design is the use of the stripe principle, a concept that has sparked debate within the realm of historical restoration. Rather than shying away from this polemic topic, we have embraced it as the cornerstone of our architectural framework. The stripe principle, traditionally a subject of contention, has been ingeniously integrated into our layout, becoming the very essence that guides visitors through our collection. This deliberate choice transforms controversy into a provocative force, engaging audiences in an unconventional yet immersive journey.#adhocpractice #hanoiadhoc

Impressive to say the least. Ergonomics and style beautifully merged to create a Statement.

How can you create three separate worlds inside an 8x8m space in the European Parliament? I honestly don't know anyone on the planet who has done it more often than Koen Huyghe. A few things to keep in mind for your EP exhibition ambitions - you'll need an MEP sponsor - an MEP can sponsor up to 2 exhibitions in their 5-year term - the EP has built its exhibition space with "art on walls" in mind, but much more is possible (within certain constraints, see next) - the EP has strict rules about what you may/may not do in the space - the EP Exhibition service will only speak to an MEP's office throughout the process, not directly to the org organising the exhibition or a third party (like Bump). - Three months is about the very minimum lead time you need from the planned week of the exhibition, so you'll want to have a sponsor identified by then along with a designated space. - We would expect that exhibitions kick off closer to Q1/Q2 2024, once MEPs get settled in their focus areas. - The MEPs mostly likely to pull the trigger sooner on a "yes" to sponsorship are those who are returning and already committed to a certain subject area

Tomorrow at UCL East Cinema, 14:00-19:30: Olympic Urbanism An afternoon symposium exploring city responses to hosting the Olympic Games and their subsequent legacies and sustainability. The symposium accompanies a special ‘Olympic Urbanism’ edition of the Planning Perspectives journal and the launch of the fourth edition of Olympic Cities, edited by John and Margaret Gold. International scholars and contributors will explore the changing ideas and practices that have influenced how cities have responded to hosting the Games, discuss the lessons about legacy and sustainability that can be learned from previous events and anticipate the challenges facing the host cities of Games to come. https://lnkd.in/e6-3kaxb

What better item to practice on but this icon of a calculator. The Braun calculator has become an icon of modern design, launching countless imitators over the decades and essentially establishing the design standard of a pocket calculator’s form. As a mark of its reputation, it can be found in the permanent collection of the Museum of Modern Art, New York. Spline #splinetool #spline3d #design #3ddesign #productdesign #productmodeling #websitedesign #figmsdesign #graphicdesign #duluthminnesota

"Inhabiting Time" is the concluding presentation of Korean curator Somi Sim’s year-long collaboration with Breguet. Placing chronological and architectural space in dialogue, this final revolution of the clock sees Sim engage with how people singly and collectively experience time. In this video, Sim explains how the display for Frieze Los Angeles, featuring the work of artists Gordon Matta-Clark and a new commission by People’s Architecture Office, responds to "the very intimate human relationship we have to time." Each edition of the collaboration has focused on a different dimension of time and each has featured two artists. "My reason for approaching artists in pairs for each exhibition is to approach time from multiple perspectives," explains Sim. "I have curated the exhibitions as a dialogue between two artists, with the connection to Breguet forming the triangle." To discover more about Frieze Los Angeles: http://ms.spr.ly/6041cRJm1

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“Whether you’re eight or eighty, you want your world to work for you.” This quote from the “Unlimited by Design” exhibition at the Cooper Hewitt, Smithsonian Design Museum in New York encapsulates the spirit of universal design. The same conditions for everyone, no matter their age, rather than special solutions for the select few. But what is behind the term “universal design”? How does the approach, which is at once both #innovative and universal, address the challenges of demographic change? Read more at https://lnkd.in/g4NCaG_q