Georgian Heritage Foundation’s Post

In a pivotal moment on April 14, 1978, Georgia stood at the crossroads of linguistic identity. Threatened by Soviet authorities to relinquish Georgian as the official language in favor of Russian, the people of Georgia rose in defiance. Led by thousands, predominantly students, the protests culminated on Rustaveli Avenue in Tbilisi. On that historic day, around 15,000 voices echoed through the streets, demanding the preservation of our mother tongue. Today, as Georgia commemorates Mother Language Day each April 14, the legacy endures. Georgian, celebrated as a "living culture of three writing systems," stands proudly on UNESCO's Intangible Heritage list, a testament to the unwavering spirit of our people. We at the Georgian Heritage Foundation celebrate this day through the efforts of our students in the Calligraphy as an Art Program, led by Georgian Master Calligrapher Giorgi Sisauri. Currently, we are on the 36th lecture of the Asomtavluli alphabet, one of the three writing systems. Asomtavruli holds a significant place in Georgian history, being the oldest script among the three Georgian writing systems. Dating back to the 5th century, it was initially used primarily for religious texts and inscriptions on monumental structures. Over time, it evolved into the more familiar Mkhedruli script, which is now the modern Georgian alphabet. However, Asomtavruli remains a cherished aspect of Georgian heritage, symbolizing the rich cultural legacy of the nation. In today's globalized world, especially among the young generation living outside of Georgia, preserving Asomtavruli and other elements of Georgian heritage becomes even more vital. These efforts not only connect them to their roots but also contribute to the continuation of Georgian identity and culture across borders. We have chosen to dedicate our time to its study because we believe it is important not only to teach Mkhedruli to our students but also to ensure the preservation of all writing systems. This is crucial for popularizing our heritage and maintaining our Georgian identity. *** Presented below are some of the Asomtavruli Capital Letters commissioned by Giorgi Sisauri, Nina Gelashvili, Nutsa Urushadze and Sophie Tsulaia.

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