Mable’s Post

This video is a great way to explain and show how disabilities are perceived and addressed, but from the point of view of those with disabilities, where their environment was built based on their needs and how that creates barriers for people without the same disability. It shows the importance of adjusting the environment to suit particular needs rather than telling people that they need x or y piece of technology.

Just like businesses are required to give physical access to people living with a disability, online accessibility is important, legally and ethically. Making content accessible makes great business sense,” Susan says. “The more you lower the barriers to people accessing your content, the better your reach will be.” Around 1 in 6 (18%) of people in Australia – or about 4.4 million – live with a disability of some kind. Nearly one-third (32%) of those, or about 1.4 million have severe or profound disability, some needing help with communication activities, or communicating more easily using non-spoken forms of communication (ABS 2019a). Clarity and accessibility to online text becomes crucial for this sector of the population. Here are some tips from our team to help make your online content more accessible: ✅ Use plain English and avoid jargon. Could a twelve-year-old understand what you’re saying? ✅ Make sure your website has a logical structure and is easy to navigate  Images should have clear, short, descriptive alternative text (alt text) ✅ Use good colour contrast and font size. Don’t place spidery text over images! ✅ Make sure your site has the ability to make text larger or smaller  Important details should be able to be read by a screen reader—and not just be shown in flattened images ✅ Have subtitles, captions, and transcripts available for audio and visual content. #accessibility #communication #onlineaccessibility #language #disability #marcomms

The use of children's images on comms Is it possible to do any initiative for the upliftment or growth of children without using their images? Do comms become more effective when we use children's images? I am the parent who refuses to have their child posted anywhere by anyone and I find myself consistently at loggerheads with those I share her with; school, family, friends, parents of her friends, and institutions that offer child-friendly activities. I want my daughter to be educated, entertained and inspired through extracurricular activities and interaction with a wider community. However, nowhere in these, do I accept that she should be photographed or videographed for consumption by strangers on the internet. As a services provider whose target audience is kids, do you cater for parents like me, who don't want their kids' images used in your comms? What do you do with our children when it's time for group pics? What's your impression of us when we tick 'no consent' for socials? #childrensprivacy #childprotection #responsiblecomms Image from: https://lnkd.in/dDdsmzsY 

The world Needs Global African children's media platforms to champion African narratives. The need for  global  African children's brands and platforms is vital. Just as Disney, Nickelodeon, Sesame Street, and Cartoon Network have worldwide impact, powerful African voices in children's media are essential. Children's media holds immense power as it shapes young minds. Unfortunately, there's a severe lack of media portraying Africa positively and educationally. It's crucial for African children to access media reflecting their culture and values. For the Black Diaspora, these global African voices connect them to their heritage, fostering a sense of identity and pride. It also counters negative stereotypes that non-Black African and non-African Diaspora children often encounter in mainstream media. Establishing powerful African voices in children's media is our responsibility. Many individuals, from authors, to illustrators and animation studios, are working hard to make this a reality. The future looks promising for the emergence of influential  African global children's brands. The Scribes Media, a digital publishing company, is one of the firms at the forefront of this mission, uniting writers, illustrators, and animators of African heritage to craft content for the young demography. We are coming up with ALO. An App that will carry a library of literature books, comics, phonics, graphic novels, animations , games and other education and entertainment content from creators of African descent. If you are a writer, illustrator, and animators who creates content for children, please click on the links below to join the community where updates will be provided on the onboarding process. Facebook https://lnkd.in/duA2KGNQ Instagram https://lnkd.in/d7yKWWED #childrenmediabrand #ALOapp #writers, #illustrators #animators

The world Needs Global African children's media platforms to champion African narratives. The need for  global  African children's brands and platforms is vital. Just as Disney, Nickelodeon, Sesame Street, and Cartoon Network have worldwide impact, powerful African voices in children's media are essential. Children's media holds immense power as it shapes young minds. Unfortunately, there's a severe lack of media portraying Africa positively and educationally. It's crucial for African children to access media reflecting their culture and values. For the Black Diaspora, these global African voices connect them to their heritage, fostering a sense of identity and pride. It also counters negative stereotypes that non-Black African and non-African Diaspora children often encounter in mainstream media. Establishing powerful African voices in children's media is our responsibility. Many individuals, from authors, to illustrators and animation studios, are working hard to make this a reality. The future looks promising for the emergence of influential  African global children's brands. The Scribes Media, a digital publishing company, is one of the firms at the forefront of this mission, uniting writers, illustrators, and animators of African heritage to craft content for the young demography. We are coming up with ALO. An App that will carry a library of literature books, comics, phonics, graphic novels, animations , games and other education and entertainment content from creators of African descent. If you are a writer, illustrator, and animators who creates content for children, please click on the links below to join the community where updates will be provided on the onboarding process. Facebook https://lnkd.in/dnQSiwT2 Instagram https://lnkd.in/dRvfm77D #childrenmediabrand #ALOapp #writers, #illustrators #animators

As a person with a disability, have you thought of a career as a Copy Editor? Check out the qualifications, education and training you need as well as training organizations. The median salary is over $50,000. The qualifications for a copy editor job can vary depending on the specific role and industry, but there are some general requirements and skills that are commonly sought after. Here's a breakdown: Education and Training: Formal Education: While not always mandatory, a bachelor's degree in English, journalism, communications, or a related field is often preferred. Some employers may accept an associate degree or equivalent experience. Certifications: Earning certifications like Certified Copy Editor (CCE) or Editor in the Publishing Industry (EPI) can demonstrate your expertise and commitment to the field. Skills and Knowledge: Excellent Grammar and Punctuation: This is the cornerstone of copy editing. You should have a firm grasp of grammar rules, punctuation, and style guides. Strong Attention to Detail: You should be able to spot even the smallest errors in spelling, grammar, and formatting. Research and Fact-Checking Skills: You may need to verify information and ensure accuracy in the content you edit. Writing Skills: While not always required, strong writing skills can be helpful for providing clear and concise feedback to writers. Proficiency in Editing Software: Familiarity with tools like Microsoft Word, Adobe Acrobat, and project management software is often expected. Communication and Collaboration Skills: You'll need to work effectively with writers, editors, and other stakeholders to ensure a smooth editing process. Additional Qualities: Time Management and Organization: Meeting deadlines and staying organized are crucial for copy editors. Ability to Work Independently: You'll often be working on your own, so you need to be self-motivated and able to manage your time effectively. Problem-Solving Skills: You'll need to be able to identify and solve problems with the content you edit. Adaptability and Willingness to Learn: The publishing industry is constantly evolving, so you need to be able to adapt to new technologies and trends. Experience: Entry-level copy editor jobs may not require prior experience, but having some experience in editing, writing, or proofreading can give you a competitive edge. Internships, volunteer work, or freelancing can all be helpful in gaining experience. Here are some resources that you can use to learn more about copy editing and find copy editor jobs: American Copy Editors Society (ACES): https://aceseditors.org/ Editorial Freelancers Association (EFA): https://www.the-efa.org/ ProPublica: https://lnkd.in/gH4PzEsX MediaShift: https://www.mediagraph.io/ #disability @jobs disABLEDperson.com

Including captions in your videos benefits everyone. You will be able to involve viewers with hearing loss in your content, and other viewers might prefer it too if sound is likely to disturb the people around them. Watch our 2-minute video on why accessible communications matter, with a focus on captions: https://ow.ly/bKLX50QeYCn #BDFTechTaskforce #A11y #Captions #Accessibility #AccessibleVideos #AccessibleCommunications

It blows my mind that there are 9.7 billion searches for #Deaf on TikTok and Instagram but these numbers aren't surprising in the least. There is a market of 11.5 million Deaf and Hard of Hearing people and so little content out there that caters to this audience. The irony is that TikTok and Instagram are among the more challenging platforms. When a friend sends you a video from one of these platforms, the captions are almost always obscured by the video details that get displayed in front of the captions. In fact, the majority of content creators and their platforms aren't designed with people like me in mind. Even though many organizations will claim they meet accessibility requirements, I'm willing to bet #Deaf people were left out of these efforts from a user experience standpoint. If you're a digital accessibility professional, please include Deaf consumers (read: not employees) in the customer experience journey. I'd love to end the "check the box" complacency that comes with just slapping on captions.

Imagine a world where everything is designed primarily for people with disabilities. Where doors are wide but short, books are printed in braille, and communication is through sign language. The Social Model of Disability challenges us to see "disability" not as an individual's limitation but as a flaw in design. As business owners, founders, managers, and those responsible for building digital products or services, we hold the power to create inclusive products. Instead of handing out "helmets," why not build environments where everyone can thrive without extra effort? If you want to learn more about making your digital products accessible and inclusive, let's connect! https://lnkd.in/dfMxppX