Were you as excited as we were to see Baela’s flight on Moondancer? Check out this BTS and watch the season 2 on #StreamOnMAX. Congrats again to our incredible team who worked on this thrilling sequence! Watch the full 'Crafting a Dragon Chase' Behind The Scenes video by HBO Max here! : https://lnkd.in/eA5PFPUH — Étiez-vous aussi emballés que nous de voir le vol de Baela sur Moondancer ? Découvrez ce making-of et regardez la saison 2 sur #StreamOnMAX. Félicitations encore à notre incroyable équipe qui a travaillé sur cette séquence palpitante ! Regardez la vidéo complète des coulisses "Crafting a Dragon Chase" par HBO Max ici !: https://lnkd.in/eA5PFPUH #HouseOfTheDragon #BTS
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** Ce février 2024, #MolotovTV vous réserve une sélection époustouflante de films, séries, et documentaires! 🎥🌟 Découvrez notre guide des incontournables et enrichissez vos soirées. Lisez l'article complet pour ne rien rater! ➡️ [lien] #Streaming #Entertainment #Cinéma #Télévision **
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I wonder what would happen if— and hear me out on this one— if these major companies allocated just a quarter of the resources and energy they devote to mergers and acquisitions toward developing original TV concepts and movies? Could Hollywood have already rebounded from the significant financial setbacks it faced due to the pandemic and strikes? What if investing less in existing intellectual property and more in creativity led to breakout successes? Could this transform Hollywood's reputation and, in turn, prove more profitable? I understand the concept of market consolidation and the significance of strong leadership. I also understand the allure of the high-stakes games played by Wall Street. However, I don't understand the logic in the perceived lower risk in pursuing mergers and acquisitions, which often lead to debt and layoffs, over scaling more original/creative project ideas. It often seems as though these executives and CEOs derive more enjoyment from discussions about building monopolies than they do from fostering creativity and storytelling.
David Ellison's Skydance remains in pole position to gain control of Paramount Global, with Sony and Apollo waiting in the wings.
Skydance Still In Pole Position For Paramount As Two Hash Out Terms; Sony & Apollo Waiting In The Wings
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Dreaming of relaxing in your very own home cinema? Or maybe a media room instead? If you need a little guidance choosing between the two, Clarke Infinity is here to help. Read our latest blog for plenty of helpful information. https://ow.ly/squR50Qx97x #ClarkeInfinity #HomeCinema #MediaRoom #AV #Blog #LatestBlog
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How can an upgraded home theater system elevate your Big Game day? We're here to show you! Click here to learn more about enhancing your media space with projectors, screens, and surround sound so that you feel like you're at the stadium! https://bit.ly/4977vfT #DTronics #homeentertainment #mediaroom#BigGame
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Dans ce premier épisode de notre nouvelle série « LE PIPELINE », découvrez la Sony FX3, la caméra qu'on utilise sur 95% de nos projets vidéo. #productionvideo #videoproduction #videocorporative #corporatevideo #videos
LE PIPELINE: Sony FX3 (Ep.01)
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Production Internet, Streaming, and Wi-Fi Guru, Technical Producer, Principal Network Engineer - TV & Film / Conventions / Corporate Events / Public Safety - IATSE 695
Computer networking has become an indispensable aspect of modern event production, playing a crucial role in ensuring the smooth execution and enhanced experience of events. Dante from Audinate is a prime example of how AV over IP has become a vital tool in modern event production. #dante #eventnetworking #eventproduction #networking
🥇Dante will help NBC Sports go for the gold at the 2024 Paris Olympics! See how Dante technology will help their production teams better tell the story of the Olympians. #dante #audinate #avtechnology #audiovisual #broadcast #oneconnection https://hubs.li/Q02fbwqk0
2024 Paris Olympics: NBC Sports Has a Huge Audio Agenda
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Le pire trailer de blockbuster... Notre oeil est habitué à l'uniformisation extrême de ces séquences. Pourtant elles n'ont rien de naturel, elles obéissent à une cadence de montage particulière, assez rapide, qui permet une brève exposition du scénario, tout en sélectionnant des scènes vendeuses (https://lnkd.in/eVUCTH7K ). La musique est souvent un remix d'une mélodie familière faite pour coller rythmiquement à un crescendo émotionnel (deux violonistes ironisent ici : https://lnkd.in/erJaJPci ). Pourquoi changer les recettes peu risquées qui amènent les gens en salle ? Quand j'ai vu le trailer de Megalopolis (https://lnkd.in/eGDtuNyV), j'ai été interloqué par le refus de jouer ce jeu. Une musique peu présente, un plan unique, des effets spéciaux peu impressionnants, une vraie histoire. J'en ai marre de l'uniformisation des films à gros budget et m'ennuie souvent en voyant un copier-coller d'un voyage du héros de plus en plus superficiel. Peut-être un des pires trailers de l'histoire, mais il m'a donné une furieuse envie de voir le film.
All Movie Trailers Sound The Same
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Research Director | Technology, Media and Entertainment | Consultant, Keynote Speaker, Research and Insights
Here are the scores on the doors as we entered the weekend. Barbie streams (😎) ahead, with 4.1m Oppenheimer on 2.6 but with a similar share of on-platform viewing - i.e. share of current subscribers. Two important metrics to track over the coming weeks: 1 - Total views, both Barbie and Oppenheimer will see a boost in viewing due to Oscars publicity - but how much of a lead will the Best Picture (and 6 other awards) grant for Oppenheimer compared to an effective snub, only the Best Original Song win for Barbie. 2 - With Disney timing a range of discounts and offers across the globe, to tie in with Poor Things core streaming window, how many of these big budget titles will become the "first watched" show, i.e. how many subscribers will be drawn into a sub specifically because of these movies. We'll check back in to reveal all, in a couple of weeks time once the data-dust has settled! #oscars2024 #oppenheimer #barbie #imjustken
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