Steve Aldous’ Post

The mystery of why Audiences react in general positive to FILM NOIR herofigures is fundamental to the striving of every American who daily fights the good fight rebounding from despair and defeat under European rule. If no names need be mentioned an uppity German Director makes some PHANTASY on American Soil its just a feeble attempt never able to give the viewer namely the American viewer the true comeback hero overcoming ALL odds never to be defeated . Lacking a true foundation actually being an American there is no way for Euopean Cinema to grasp of what mettle the average American truly is made and why European Cinema what America concerns strikes out time after time. It is well worth studying particular FILM NOIR

The mystery of why Audiences react in general positive to FILM NOIR herofigures is fundamental to the striving of every American who daily fights the good fight rebounding from despair and defeat under European rule. If no names need be mentioned an uppity German Director makes some PHANTASY on American Soil its just a feeble attempt never able to give the viewer namely the American viewer the true comeback hero overcoming ALL odds never to be defeated . Lacking a true foundation actually being an American there is no way for Euopean Cinema to grasp of what mettle the average American truly is made and why European Cinema what America concerns strikes out time after time. It is well worth studying particular FILM NOIR

What’s the future of the drama program at UCSI International School KL? Hear from Dr. Qasim, Head of Performing Arts, as he reveals exciting plans for drama as an IGCSE subject and shares why drama truly matters. https://lnkd.in/gPz5qxrx Share this post and spread the news!

What’s the future of the drama program at UCSI International School KL? Hear from Dr. Qasim, Head of Performing Arts, as he reveals exciting plans for drama as an IGCSE subject and shares why drama truly matters. https://lnkd.in/gPz5qxrx Share this post and spread the news!

The latest episode of #ChaptertoCinema is here where we discuss #LaalSinghChaddha. Do watch it and let us know your thoughts in the comments. #BookAdaptation #ScreenAdaptation #IndianCinema #WednesdayWisdom https://lnkd.in/gz3Aic-V

"The merit of the film Past Lives, written and directed by Korean Canadian Celine Song, is not its grandiose scale or beautiful scenery, but in its astutely controlled plot and action." Distinguished SFU Professor in the SFU School of Communication, Dal-Yong Jin, writes about the Oscar-nominated film Past Lives, Korean immigrant stories and digital diaspora in cinema for The Conversation Canada. Read more: https://ow.ly/zkca50QvxA3

Among other things, we probably have just avoided French cinema industry annihilation. Had the far-right RN party secured an absolute majority in the French parliament, their agenda would have limited government funding exclusively to “patriotic films”. Eerily similar to what has already happened to the annihilated Russian film industry. De jure, you can still shoot any film there, after jumping over the logistical hurdles of minor inconveniences: no bank transfers, no Eurimages participation, no new camera rentals, no actors (squeezed abroad)… However, like everywhere else, you need a rating certificate to screen anything publicly. In other words, an authorization delivered by the Ministry of Culture, which effectively restricts approvals to… historically patriotic dramas or positively-childbearing family comedies.

Let's look at what Zoya Akhtar's latest film got right and wrong with this review of Archies: Beyond the nepotism debate. Read this article by Heenakshi on the Imperium Publication website to learn more.

ITUTUMBA KA NG TATAY KO - A loving homage to all of the glorious action romps of yesteryear, almost like a Scary Movie-esque celebration of what made those films such big hits complete with all the tropes. Read our review here: https://wix.to/VA7nbUT

#Nigeria: Funke Akindele's A TRIBE CALLED JUDAH—the highest-grossing Nigerian film ever—continues its historic run, set to premiere in nine Francophone African countries on Friday, January 19, 2024. Managed by Canal Olympia Showtimes Cinemas, the film will open theatrically in 13 regions across nine French-speaking African countries. See the graphic below. Why might this expansion be significant? The exchange of films between Anglophone and Francophone African countries, specifically theatrical distribution, isn't a common practice and has been a challenge due to cultural differences, language barriers, and market dynamics. However, in recent years, there has been an increasing interest in cross-cultural distribution as African film industries grow and diversify. The rise of digital platforms and streaming services has also played a role in facilitating wider distribution and access to films across linguistic boundaries. Still, intra-continent distribution systems face challenges. It makes A TRIBE CALLED JUDAH's expansion into Francophone African territories notable. Coincidentally, I discussed this issue broadly in a post early this week (see my profile page).