Tom Vaughanโ€™s Post

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I write screenplays professionally and teach others to do the same. Follow me for 2x daily posts on all things screenwriting.

After screenwriting professionally for 27 years, I have settled on a process that gives me the quickest route to a polished draft. Here are the five primary steps. ๐Ÿ‘‡ ๐Ÿญ. ๐—ฃ๐—ฟ๐—ฒ-๐—ข๐˜‚๐˜๐—น๐—ถ๐—ป๐—ฒ This is when I determine the story, dramatic question, and general concept that I will exploit in the drama. I use these to generate as many great scenes and emotional moments as I can. ๐Ÿฎ. ๐—ข๐˜‚๐˜๐—น๐—ถ๐—ป๐—ฒ ๐˜๐—ต๐—ฒ ๐˜€๐˜๐—ผ๐—ฟ๐˜†. I take the scenes I generated in the pre-outline phase and patch them into a narrative using the decisions about the story and the dramatic question. I still use the corkboard and index cards for this. I like to see it visually on the wall. ๐Ÿฏ. ๐—ช๐—ฟ๐—ถ๐˜๐—ฒ ๐˜๐—ต๐—ฒ ๐˜๐—ฟ๐—ฒ๐—ฎ๐˜๐—บ๐—ฒ๐—ป๐˜ I used to hate this phase, but now I love it. This is when my writing starts. Writing out one paragraph per scene forces me to be decisive about those scenes as well as exploit and explore things that may surprise me. ๐Ÿฐ. ๐—ช๐—ฟ๐—ถ๐˜๐—ฒ ๐˜๐—ต๐—ฒ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ฝ๐—น๐—ฎ๐˜† This is now comparatively a breeze. I start each day knowing what I want to do, and I mostly have fun doing it. There is also plenty of room left for surprises, but because I have done the work, I know which surprises help me and which ones do not. ๐Ÿฑ. ๐—ฅ๐—ฒ๐˜„๐—ฟ๐—ถ๐˜๐—ฒ๐˜€ This is an obvious phase, but because of what I have done in the previous steps I don't spend as much time here as I used to. This is because I am not searching. I have made decisions so it's always about how to best execute those decisions. -- Of course, everyone is different, but this process and value system contribute to a consistency in my work that I did not possess in my early years. I spend less floundering and rarely pursue fatally flawed projects. It has made the whole thing more fun. ๐—ง๐—›๐—”๐—ง'๐—ฆ ๐—” ๐—ช๐—ฅ๐—”๐—ฃ ๐—™๐—ข๐—ฅ ๐—ง๐—›๐—œ๐—ฆ ๐—ฃ๐—ข๐—ฆ๐—ง! If you enjoyed this post and are interested in #screenwriting: 1. Follow me for more of these. 2. And share it if you think others will find it helpful! Join 5k+ other screenwriters every Tuesday for The Story and Plot Weekly Email. It's the best 5-minute investment you will make in your screenwriting all week. https://lnkd.in/gQPvsGgc

Tom Vaughan

I write screenplays professionally and teach others to do the same. Follow me for 2x daily posts on all things screenwriting.

2mo

Interested in screenwriting?ย  I share everything I learned over 27 years as a professional screenwriter in my Story and Plot Weekly Email. It's a free screenwriting lesson every Tuesday morning.ย  Subscribe here: https://storyandplot.link/linkedin

Bob Johnson

Screenwriter. Copywriter. Storyteller.

2mo

When writing your treatment, is it one paragraph per scene, or per sequence of scenes? I find that I'll have 20 or 30 sequences but will end up with 100 or more scene headings.

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Austin Oguri

Aspiring Television Writer

2mo

Excellent process! I do things similarly myself when I write. Always love to see professionals sharing how they do things!

Thank you. I find this very helpful

Jesse Koepke

Freelance editor for impactful, inspiring documentaries | Screenwriter and fantasy author | Father, husband, follower of Jesus

2mo

Love the process! Can You zoom in on revisions? I tend to get stuck there, feeling a little intimidated by climbing the mountain again.

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Seems to be a great process!

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Adam Green

Film & TV Editor - Credits include โ€˜The Witcherโ€™, โ€˜The Day Of The Jackalโ€™, โ€˜A Gentleman In Moscowโ€™, โ€˜Willowโ€™, โ€˜The Last Kingdom; Seven Kings Must Dieโ€™

2mo

At what point in your workflow do you work on character? And when your characters start to come together, do you find that they begin to influence the shape of your story based on what they would do in a given situation? Or do you tend to mould them to fit your story needs?

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Allen Johnson

Screenwriter/ Playwright/ Author/ Copywriter/ Fight Choreographer

2mo

Sounds much like how I approach things. I typically add a pre- #1 step where I'll chat with the Producers / Department heads about budgets, what assets they want built into the story, and if anyone has basically been cast already and I should be writing the part for them (or writing it to lure them).

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Dodie Jacobi

Develops and Advises Media & Entertainment IP

2mo

Love seeing these processes even though I donโ€™t aspire to screenwrite, the early phases you describe help me shape developing properties. And all is very similar to my writing processes for marketing and education.

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