Tiana Durrant’s Post

10 ways to say "YES" to World Theatre Day: 1. Support your local non-profit and/or educational theatre with your time, talent, and/or energy. 2. Chant out loud: Theatre is life. 3. See a show, live and in person! There's nothing like the common bond of an audience built while watching live theatre. 4. Watch a recorded or streamed theatrical performance on a screen, either at home or in a public venue. 5. Plan a future theatre experience. 6. Read a script, book, or article about theatre. 7. Write your government representatives about the economic and societal values of local theatre. (Americans for the Arts have lots of research if you want or need numbers.) 8. Audition for a show. Be brave. You'll get applause. 9. Volunteer your technical, marketing, organizational, artistic, or other skills for a local production. 10. Embrace your ability to improvise (after all, you do it every day)! #worldtheatreday #supportlocaltheatre #AmericansfortheArts #nancyproofed

Addressing Domestic Violence Through Forum Theatre a two year project delivered by Intercultural Roots funded by the Peabody Community Fund External Evaluation & Impact Report Year One - By Claire Burrell. The "Addressing Domestic Violence Through Forum Theatre" project, led by Intercultural Roots and funded by the Peabody Community Fund, has seen remarkable success in its first year. The workshops, expertly facilitated by Drs. Almiro Andrade and Andrea Maciel, have promoted personal growth, relational confidence, and community cohesion. As the project moves into its second year, commencing in late summer, those interested in participating should stay tuned for further information. The full evaluation and impact report by Claire Burrell, along with a related video, provides deeper insights into the project's significant achievements and future potential. ‘The report presents how the pioneering arts for health and social change organisation, Intercultural Roots, are using Forum Theatre (Boal, A.1992) to engage communities in the question; how do we live with violence? The two year project, which is funded by the Peabody Community Fund, is bringing together Peabody Housing tenants and local residents to discuss, express and explore issues of violence and conflict in their lives and local communities. At the conclusion of its first year, the report locates how the Forum Theatre workshops are creating safe spaces and holding secure boundaries for people to recall, enact and consider their subjective and collective concerns. The evaluation brings forward how this creative forum enables participants to refresh their experience of relational connectivity, promoting deeper understanding of how conflict manifests in each others lives and deepening a sense of belonging to community. The highly positive outcomes in the first year, locate how the project has successfully nurtured personal growth in the lives of participants, enhancing relational confidence, social change and the co-creation of community.’ Please read the full report: https://lnkd.in/evT6wf_9 Year 2 activities in London starting around Aug / Sept '24 - call out coming soon... #theatre #theater #performance #socialchange #forumtheatre #communitytheatre #participatorytheatre #theatreoftheoppressed #Boal #acting #actor #theatrelife #art #artsforchange #education #activism #advocacy #socialjustice #creativity #mentalhealth

"The National Theatre Wales was told in September that it was not to receive any more funding from the Arts Council of Wales. The Arts Council of Wales said their funding application did not convince." AutogenAI's software is built to help organisation's to produce convincing applications. We ensure that organisations' written submissions are highly evidenced, properly structured, and well researched. We enable our customers to deploy case studies, statistics and explain how key criteria will be met. We make it easy to insert win themes and address customer issues to score top marks against the published scoring criteria. Our customers are winning 10 to 20% more funding using our software as well as reducing the time it takes to write funding applications, RFPs and proposals by up to 85%. We have a special rate for charities and not-for-profits. Don't be stopped from doing what you do due to poor funding applications. (Our software also translates in over 100 languages including Welsh). https://lnkd.in/e8CCCrvD

2️⃣0️⃣0️⃣ We've just performed our 200th play at Seenaryo. I've co-directed or mentored on maybe 20 of them. Many of these 200 plays were directed by celebrated professionals with years of theatre experience. But some of our most talented directors are recent graduates from our training programme, with little prior experience and who come from some of the least-served communities in the Arab region. Making theatre with non-professionals in Lebanon and Jordan isn't just a logistical or fundraising challenge. Every one of those 200 plays was created through a complex negotiation between the directors, the participants, and their dozens of biographical and imaginative stories all jostling to be told. It's a careful process of participatory decision-making and consensus-building. There are safeguarding cases that need careful referral (the reality of working with vulnerable communities), political disagreements that need mediation, and there are participants whose lives will take a different path because of making theatre. In each of the 200 plays, there were probably tears of sadness as participants express the injustice of the world around them; there were possibly tears of frustration at the difficulty of a collaborative creative act between 15+ people; there were certainly tears of joy in the euphoria after performing to an audience. It's a radical, human joy of creating something together then finding yourself where you never expected onstage. If you spread out those shows equally, we'd have done a play every fortnight for eight years. Feeling inspired thinking of the tens of thousands of participants, creatives, coordinators, technicians, drivers, donors and audience members - our community who've made these 200 plays a reality. Here's to the next 200. 🎭 #theatre #socialjustice #lebanon #jordan

I'm thrilled to have written an article in the recent Drama & Theatre magazine on Generative AI and how it can be used within drama teaching. I share some strategies and ideas from the work I've been doing with Bindya Chauhan FCCT (She/Her) on this growing field of interest. #drama #drameducation #GenerativeAI #dramateaching

The Internet of Things - Feb 3rd & 4th, in Silves. https://lnkd.in/dXtEuhC3 #theatre #play #comedy #algarve #Silves #TheInternetOfThings

“I suggest building in some structure and then letting the creativity dance. After all, what’s progress without some forward motion?” ~ Elise Larsen MA:  Executive Director at Special Gifts Theatre. Read more about  creativity and structure: https://loom.ly/c6jXIhM #creativeenvironment  #nonprofitinsurance #mindfulmethodology #insuranceexperts #mindfulinsurance

Just because you have a mic on doesn't mean your audience can hear you clearly. Here are some tips we love to use to help improve our diction: 🟢Practice tongue twisters 🔵Read aloud and practice your pace 🟢Exaggerate mouth movements 🔵Practice speaking up #theatre #art #community #nonprofitorganization #explore #tulsa #Oklahoma #worldstagetheatrecompany

Interesting insight into the need for change in the US nonprofit theatre model. Reminds me of various models being explored in the proposed national theatre and dance policy in South Africa. A common thread between the article and the policy is that artists/companies should be funded directly over venues being maintained at enormous costs. https://lnkd.in/dNT3Dts3