Worldpanel by Kantar’s Post

Moving, a Disney Plus Original (Star Original) produced by our parent company, Next Entertainment World (Studio&NEW) has become the most-watched Korean drama on Disney Plus and Hulu. The drama is a feast of great stories and actors, and it has been out for 11 episodes, breaking records every week. Moving is likely to become Disney's squid game to attract global audiences. If you haven't watched it, you should! #DisneyPlus #Moving #NEW

The rise of streamers has catalyzed a (New) Golden Age of TV. Episodic shows have become more engaging, slicker than ever, and more nuanced—honing in on pinpoint cultures and subcultures. With shows so engaging it’s not surprising that when we hit an ad break, we can’t hit skip fast enough. But aren’t ad makers missing a massive opportunity to connect with a relevant and ultra dialed in audience? Sibling Rivalry Partner and Head of Films, Darren Foldes points out that “If we align as an industry to address the mismatch in quality between the majority of ads on streaming platforms and the incredible shows they house, we’ll start a virtuous cycle of more channels, more opportunities, and, in turn, continuously better creative work.” Read Darren’s POV below via Print Magazine: https://lnkd.in/dZ_vr2PN 🎨 by SR Design Director, Eduardo Palma #advertising #streaming #production

We’re going from A-Z naming the elements that make great entertainment shows. Here goes this week’s first effort with D > D is for Dilemma Viewers love watching Dilemmas play out on screen. Whether it’s the tension of a high-stakes choice for a constant on a game show, or an important personal decision for the participants in a reality show, Dilemmas provide big emotions and memorable moments in shows for the cast - and for the viewers. There’s more than one word for each letter In our entertainment show elements A-Z, so if you think of any more please add in the comments. #dilemma #entertainment #shows #YouTube #social #TV #gameshow #reality #formats #video #digital #content #development #production #socialfirst

Welcome to Watchworthy, your premier destination for discovering the next binge-worthy TV series and movies. In today's rapidly evolving world of entertainment, navigating the endless sea of options can be overwhelming. With so many streaming platforms, genres, and recommendations bombarding us from every direction, it's easy to feel lost in the vast landscape of #content.   That's where Watchworthy comes in – here to simplify your entertainment journey by curating the most compelling and highly-rated shows and films, tailored specifically to your unique tastes. Whether you're a die-hard fan of gripping dramas, side-splitting comedies, heart-pounding thrillers, or captivating documentaries, we've got you covered.   But Watchworthy is more than just a recommendation engine. It's a community of passionate entertainment enthusiasts, sharing their thoughts, reviews, and insights on the latest releases. Join the conversation, connect with like-minded viewers, and discover hidden gems that you won't find anywhere else.   So whether you're in the mood for a weekend binge-watch session, searching for a new obsession, or simply looking to explore the ever-expanding world of entertainment, let Watchworthy be your trusted guide. Say goodbye to endless scrolling and decision fatigue – with Watchworthy, your next favourite series is just a click away. Read the full article, part of Abrish N.'s "The Right Byte" series at: https://lnkd.in/dRX_E746

Acknowledging per my comment a great show, great creatives, great platform. Cornerstone content continues to be key. I’ve been in media and tech for about as long as Robert M. Bakish, for whom I have huge respect. We’ve discussed the challenges and Imperatives facing the industry. Despite the impasse at the moment, and a seeming chasm between the studios and the talent that drives eyeballs to revenues, Value remains with Talent. I wrote publicly 5-8 years ago that the streaming revolution meant studios no longer need to create volume and a long tail (industry speak for crap). The money needs to go into fewer bigger better productions but also more creative diversity. You don’t have to fill a schedule but you do have to meet demand and tastes are shifting. When I worked for the biggest B2B tech company in the world, managing their media sector, I was also engaged in broader strategic dialogue with the Board. I’ve also led strategy at one of the most important media companies in the world. We were one of the biggest investors in R&D (to the tune of about 1/4 of all Silicon Valley investment - now think about it that’s huge). I made a simple argument we should invest outside (at scale, $B’s). Sure we might have had 1/5 (do the math right) of all innovation assuming $spent = innovation delivered. But even on that assumption it meant we were missing out on 4/5 - that’s also huge. But we had a hugely proprietary history. That’s now all turned on it’s head tech is all about open source, and my old firm too (posts to follow). The media industry is retrenching, doing less, In danger of experimenting less; navel gazing internally whilst the world creative and cultural connectivity explodes - it’s the right plan (conserve cash, efficiency etc) but it’s also the wrong plan (see my earlier post referencing Saul Betmead de Chasteigner). So Bob (Or the other Bob, Rupert, Mike, John, James, Elizabeth, Martin or Tim) let’s do something new and innovative. Take a look outside, get on ground-level with us. Work closely with our talent and yours and feed the audience via your platform what they’re really ready for: something new, something borrowed, something old (I’m sorry we don’t do blue). It doesn’t need to be a marriage, but I’ve always felt this small media industry works best together. I’m hugely sympathetic to the concerns, and we would support as a small indie, but outside the USA we’re not on strike and talent and stories are Global. You have to go to where there’s a thriving positive cultural clash to find true creative innovation. Much of that is outside the USA - we’re inherently culturally heterogeneous. And whilst we’re at it let’s show our audience the world and do some good for society. Media is the industry that counterbalances a poorly functioning political system. There’s no more fascinating story than US politics right now. WTS our content is coming. IAXA Global #StoriesthatShouldbeTold #VoicesthatNeedtobeHeard

Think your favorite show is safe on streaming? Think again. Streaming giants such as Disney+ and HBO Max are navigating uncharted waters. Rather than capitalizing on their expansive libraries, they're pulling the plug on big-budget shows even before they hit the screen. What's driving this? It's a mix of substantial cost-cutting and tax-saving strategies. Disney+'s much-awaited "Nautilus," a prelude to Jules Verne’s masterpiece, has been buried by this approach. Similarly, crowd-pullers like "Westworld" and "Willow" are vanishing without a trace. The allure of streaming—the promise of limitless, ever-present content—is proving to be a mirage. Amid cancellations and industry upheavals, our trust in perennial content is wavering. #Disney #HBO #Streaming #Entertainment

Unraveling the Mystery of Today S72E173 in Serialized Television In this article, we delve into the significance of this enigmatic term, uncovering its meaning, relevance, and the stories it encapsulates. https://lnkd.in/dfN3i8tC #today_s72e173 #television #entertainment #fun #shows #foryou #foryoupage #serials #series #platform #televisionplatform

New Post: The 50 Best Shows on Disney+ accurate Now - https://lnkd.in/dm8BfCsF, if you didn’t know, isn’t just for kids. With its ownership of the Lucasfilm brand and the Marvel titles, the streaming service offers plenty of grown-up content in its bid to compete with Netflix and Amazon—and we’re not just talking movies. Since launching the service, Disney has used the name recognition of Star Wars and Marvel to launch scores of TV shows, from The Mandalorian to Loki. In the list below, we’ve collected the ones we think are the best to watch, from those franchises and beyond. Want more? Head to our best movies on Disney+ list if you’re […]

🙋🏻♀️ Disney+ question: Does Disney+ have autoplay? Is there an option somewhere in settings where I can enable it? And if they don’t have autoplay, why? Asking for myself and every other parent out there who is trying to get some things done around the house before it becomes full blown holiday madness, and it’s impossible to do it all within 1 episode of Mickey Mouse Clubhouse. I need at least 2. ☺️ #disneyplus #disney #streaming #streamingmedia #disneyfamily #consumerinsights #disneystreaming