Chris Jones

Summer stock and seasonal schtick abound in the Broadway transfer of the 1959 musical "Once Upon a Mattress," a production from City Center that will make Broadway fans wonder when...

The massed forces of the Confederacy are no match for Cole Escola’s chaotic version of Mary Todd Lincoln, a wild-eyed wannabe cabaret star marinated in whiskey, paint thinner and self-delusion...

"Cats: The Jellicle Ball," the adored and despised 1981 Andrew Lloyd Webber musical is now a ballroom-fueled extravaganza where you get to question your 1980s musical-theater kibble and savor it...

Samm-Art Williams' "Home," a play that should be much better known, is a small work about an ordinary, rural man's struggles in an unforgiving and often inhuman world, but also...

While it’s a massive show, Marc Bruni’s production doesn’t really convey the sense of flapper-age decadence that created the adjective “Gatsbyesque.”

With "Mother Play," playwright Paula Vogel has created a deeply personal play about life with her late mother, who surely would have been delighted to be portrayed by no less...