Scott Reinhard

Scott Reinhard is a graphics editor at the New York Times, where he focuses on cartography and data visualization. He holds a master's degree in Graphic Design from North Carolina State University.

Latest

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    How Simone Biles Won the Olympic Women’s Gymnastics All-Around Gold

    The most difficult vault in the world and an explosive floor routine brought Biles her second all-around win, while her teammate Sunisa Lee picked up the bronze and Rebeca Andrade of Brazil took silver.

    By Maggie Astor, Weiyi Cai, K.K. Rebecca Lai, Scott Reinhard, Bedel Saget, Joe Ward, Josh Williams and Jeremy White

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    How the U.S. Team Won the Olympic Women’s Gymnastics Gold

    See frame-by-frame analyses of the skills that allowed Simone Biles, Sunisa Lee, Jade Carey and Jordan Chiles to claim the top of the podium in Paris with a combined 171.296 points.

    By Maggie Astor, Weiyi Cai, K.K. Rebecca Lai, Scott Reinhard, Bedel Saget, Joe Ward, Josh Williams and Jeremy White

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    One Area Where Biden Is Leading Trump: His Number of Donors

    President Biden recently overtook former President Donald J. Trump in the total number of donors who have given to his campaign, which is often seen as a proxy for voter engagement.

    By Albert Sun, Scott Reinhard and Rebecca Davis O’Brien

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    A New Pacific Arsenal to Counter China

    With missiles, submarines and alliances, the Biden administration has built a presence in the region to rein in Beijing’s expansionist goals.

    By John Ismay, Edward Wong and Pablo Robles

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    How the Key Bridge Collapsed in Baltimore: Maps and Photos

    A major bridge in Baltimore collapsed after being struck by a cargo ship early Tuesday, sending vehicles plunging into the water and setting off an emergency response.

    By Weiyi Cai, Agnes Chang, Lauren Leatherby, Lazaro Gamio, Leanne Abraham and Scott Reinhard

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    Ghosts on the Glacier

    Decades after the unexplained deaths of two American climbers in Argentina, a camera belonging to one of them was found in the snow. The film held astonishing images, but the mystery endures.

    By John Branch and Emily Rhyne

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