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By — Tommy Walters Tommy Walters Leave a comment 0comments Share Copy URL https://www.pbs.org/newshour/arts/watch-director-lee-isaac-chung-on-how-faith-grounds-minari Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter WATCH: Director Lee Isaac Chung on how faith grounds ‘Minari’ Arts Mar 22, 2021 2:59 PM EDT When the Yi family joins a local church service in rural Arkansas, nobody knows what to say or do. Sitting among the congregation of farming families — all dressed in their Sunday best — the family receives a frown from a boy in the pew in front of them. The pastor asks them to stand, calling out: “What a beautiful family. We’re so glad you’re here!” The congregation looks on, wide-eyed and curious. The encounter, neither welcoming nor hostile, marks the Yi family’s first experience meeting a community of churchgoers in the film “Minari,” about a Korean American family who start a new life in northwestern Arkansas in the 1980s. For “Minari,” writer and director Lee Isaac Chung drew on his memories of religion growing up in the south. As a child of Korean immigrants, his family moved to Arkansas when he was about 2 years old. Chung said his experience with religion was two-fold. He attended a Baptist church in Lincoln, Arkansas, to make friends and learn English. And a few years later, his parents started a church of their own to foster a community with the few Koreans in northwest Arkansas. Churches have been central for Korean immigrants as a place to get together, he said. “I felt like I was growing up with two different churches, in a sense,” Chung told the PBS NewsHour’s Jeffrey Brown. “And that’s always stayed with me — not just the religion of it — but the day-to-day understanding that these beliefs, that faith itself, is something that I need as something to sustain me.” WATCH: How Yuh-Jung Youn’s memories of her own great-grandmother inspired her ‘Minari’ role By — Tommy Walters Tommy Walters Tommy Walters is an associate producer at the PBS NewsHour. @tommykwalters
When the Yi family joins a local church service in rural Arkansas, nobody knows what to say or do. Sitting among the congregation of farming families — all dressed in their Sunday best — the family receives a frown from a boy in the pew in front of them. The pastor asks them to stand, calling out: “What a beautiful family. We’re so glad you’re here!” The congregation looks on, wide-eyed and curious. The encounter, neither welcoming nor hostile, marks the Yi family’s first experience meeting a community of churchgoers in the film “Minari,” about a Korean American family who start a new life in northwestern Arkansas in the 1980s. For “Minari,” writer and director Lee Isaac Chung drew on his memories of religion growing up in the south. As a child of Korean immigrants, his family moved to Arkansas when he was about 2 years old. Chung said his experience with religion was two-fold. He attended a Baptist church in Lincoln, Arkansas, to make friends and learn English. And a few years later, his parents started a church of their own to foster a community with the few Koreans in northwest Arkansas. Churches have been central for Korean immigrants as a place to get together, he said. “I felt like I was growing up with two different churches, in a sense,” Chung told the PBS NewsHour’s Jeffrey Brown. “And that’s always stayed with me — not just the religion of it — but the day-to-day understanding that these beliefs, that faith itself, is something that I need as something to sustain me.” WATCH: How Yuh-Jung Youn’s memories of her own great-grandmother inspired her ‘Minari’ role