Scribd Logo
Upload

Welcome to Scribd!

  • VF Film Format Comparison 1 3x

    Uploaded by

    Kiruba Nidhi
    33 views1 page
    hawk lens description

    Original Title

    Vf Film Format Comparison 1 3x (1)[1]

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    hawk lens description

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    33 views1 page

    VF Film Format Comparison 1 3x

    Uploaded by

    Kiruba Nidhi
    hawk lens description

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Comparison of Modern Film Formats

    Hawk Anamorphic: 1.3x squeeze Digital & Analog

    The new Hawk V-Lite 1.3x Anamorphics support a wide range of


    cameras and release formats. The following table gives an
    overview of the main differences between anamorphic

    and spherical shooting.

    Format

    Anamorphic
    2.40 Scope

    Used Image Area

    340

    mm2

    Super 35
    2.40 spherical

    245

    Advantages

    Super 35
    1.78 spherical

    466

    mm2

    340

    Camera Systems

    Elegant framing, represents


    big production value, high
    speed film stock applica
    ble, less depth of field,
    largest sensor/negative area,
    ultimate format for theatrical
    release, ideal format for
    HDTV release.

    Limited availability of re
    quired 1.3x anamorphic
    lenses.

    Arri Alexa 16:9


    Arri Amira
    Sony F55/F65
    Red Epic/Scarlet
    Canon C500 PL
    Canon 1D/7D PL
    3-perf film

    Standard lenses and cameras


    available widely.

    Lower image quality,


    flat look, high speed film
    stock not applicable,
    shorter lenses, smallest
    sensor/negative area of
    all 35mm formats.

    Arri Alexa* 16:9


    Arri Amira*
    Sony F55*/F65*
    Red Epic/Scarlet*
    Canon C500 PL*
    Canon 1D/7D PL*
    3-perf film*

    Highest image quality, less


    depth of field, huge sensor/
    negative area, ultimate format
    for 16:9 HDTV productions
    and TV commercials.

    Limited availability of
    required anamorphic
    lenses.

    Arri Alexa 4:3


    Sony F55*/F65*
    Red Epic/Scarlet*
    Canon C500 PL*
    Canon 1D/7D PL*
    4-perf film

    Standard lenses and cameras


    available widely.

    Lower image quality, flat


    look, shorter lenses.

    Arri Alexa 16:9


    Arri Amira
    Sony F55/F65
    Red Epic/Scarlet
    Canon C500 PL
    Canon 1D/7D PL
    3-perf film

    mm2

    Anamorphic
    1.78 Scope

    Disadvantages

    mm2

    No matter which of the above listed formats you are planning to shoot the new Hawk V-Lite 1.3x
    Anamorphics use 33% more sensor/negative area compared to standard spherical lenses. Along with
    the new Hawk lenses Vantage developed new viewfinders for all Arri cameras. Also, the PSU video
    assist systems have been upgraded to desqueeze the 1.3x images.

    Image area cropped

    Made in Germany by Vantage Film GmbH


    For further information contact Vantage Film, Phone +49 961 26795, Fax +49 961 62983, www.vantagefilm.com

    You might also like