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The Hero, The

Tragic Hero, and


The Anti-Hero

The Hero
Traditionally in literature a hero is a character
who possesses a strong moral character.
This is a character that seems to always do
to right thing, no matter what the
situation.
A hero has a strong conviction, is dynamic,
and/or has a certain magnetism that draws
the reader to him/her.
A hero does not necessarily complete their
journey on their own, but they are the
central character in the story.

Tragic Hero Background


A tragic hero is often used in Shakespearean literature.
This model of a hero may not always be a good guy.
The tragic hero has made its way into more
contemporary literature because audiences can relate
to them.

Tragic Hero Traits


The tragic hero is someone we, as an audience, look up
tosomeone superior.
The tragic hero is nearly perfect, and we identify with
him/her
The hero has one flaw or weakness
We call this the tragic flaw, fatal flaw, or hamartia

The Anti-Hero
The concept of an Anti-Hero is often used in darker
literature.
The Anti-Hero is being used more in modern literature as
authors try to portray villains as complex characters
An Anti-Hero relates to a reader because the Anti-Hero
displays more humanity that a regular Hero.
Instead of a standard tragic flaw an Anti-Hero may try to
do what is right by using questionable means.

Anti-Hero Traits
Anti-Heroes can be obnoxious.
Anti-Heroes can be pitiful.
Anti-Heroes can be awkward.
Anti-Heroes can be passive.

Types of Anti-Hero
(Fences Troy Maxson)

Some Anti-Heroes may be unable to commit to traditional


values of society.
This type of Anti-Hero distrusts conventional society.
Another type of Anti-Hero cannot get a break in life.
He/she will move from one disappointment to another,
their efforts always ending in failure.
The Anti-hero does not always die at the end of a text
However, Troy does die at the end of the play.

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