The Festival of Britain in 1951 was organized to boost morale in postwar Britain. Major exhibits were housed at the South Bank in London, including the Dome of Discovery and Skylon. The Royal Festival Hall, designed by Leslie Martin and still standing today, was part of the exhibition. Though popular, the Conservative government saw the Festival as socialist propaganda and ordered demolition after it closed, with the Hall as the sole remaining structure.
The Festival of Britain in 1951 was organized to boost morale in postwar Britain. Major exhibits were housed at the South Bank in London, including the Dome of Discovery and Skylon. The Royal Festival Hall, designed by Leslie Martin and still standing today, was part of the exhibition. Though popular, the Conservative government saw the Festival as socialist propaganda and ordered demolition after it closed, with the Hall as the sole remaining structure.
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The Festival of Britain in 1951 was organized to boost morale in postwar Britain. Major exhibits were housed at the South Bank in London, including the Dome of Discovery and Skylon. The Royal Festival Hall, designed by Leslie Martin and still standing today, was part of the exhibition. Though popular, the Conservative government saw the Festival as socialist propaganda and ordered demolition after it closed, with the Hall as the sole remaining structure.
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History Destruction and unemployment after WW2 Shortages in materials Crisis in confidence in the Labour government Need to change political and social climate The idea Picking up on the original thought of 1943 to mark the centenary of the Great Exhibition, Chief plotter Herbert Morris initiated the Festival of Britain in 1947 The Exhibitions South Bank Exhibiton Pleasure Gardens in Battersea Architecture in Popla Science at South Kensington Industrial power in Glasgow Farming in Belfast Travelling Exhibition Festival Ship Converted aircraft carrier Campania The architect Misha Black with James Holland, Ralph Tubb and Hugh Casson, examine the plans on the propossed site at the South Bank in London for the Festival of Britain 1951 Ralph Tubbs 9 Jan 1912- 23 Nov 1996 Educated in Architectural Assciation Worked for Erno Goldfinger in 1935 After 1 year working for no wages, Tubbs then returned in late 1930s to work on the design of Goldfinger’s own house in Willow Road Hampstead Dome of Discovery Designed by Ralph Tubbs, constructed by Freeman Fox Was the largest dome on the world at that time Diameter of 365ft and 93 ft high Constructed by concrete and aluminum Skylon Designed by Hidalgo Moya and Phillip Powell Pure and simple without any functional purpose 350ft high, cigar- shaped aluminum- cladbody, suspended by 3 visible cables Sir John Leslie Martin 17 August 1908-28 July 1999 Graduated at Manchester University and then taught at the University of Hull In 1937, co-edited the journal Circle After World War II, he became the Deputy Architect to the London County Council Royal Festival Hall Designed by Leslie Martin, Peter Moro and Robert Matthew as a contribution of the London County Council to the Festival of Britain 1951 He designed the structure as an egg in the box to describe the separation of the curved auditorium space from the surrounding building and the noise and vibration of the adjacent reailway viaduct Officially opened on 3 May 1951 Live Architecture Exhibition
opened on 3 May 1951
'vertical feature': a tall construction crane, 200ft high Most of the exhibits where temporary tents or domes Exhibition Enclosure 'The Rosie Lee' café, which was said to be capable of serving 2,000 people a day. The Building Research Pavilion was introduced by 'Gremlin Grange', a scaled-down version of an inter-war 'jerry-built' semi-detached house Gremlin Grange cont, The interior layout of the displays was expressed on the outside by a series of boxes, which to East India Dock Road presented a sequence of brilliantly painted red, blue, white, pink, and mauve cubes.
rain heating lighting noise
maintenance penetration Town Planning Pavilion Town Planning Pavilion, Inside, a series of themes demonstrated the principles of town planning and the urgent need for new towns. Themes where 'The Battle for Land' 'The Needs of the People', 'How can these needs be met?‘ 'Work in progress'. At the far end was a vermiculite dome, containing the 'Heart of the Town' model, which showed how the centre of an imaginary town 'Avoncaster' might be remodeled. Permanent Buildings
Trinity Church could be
viewed by parties applying in advance Permanent Buildings
A terraced house, No. 14 Grundy Street, was furnished
as a show house Permanent Buildings
No. 2 Overstone House, was furnished as
a show flat End Result of the Live Architecture Exhibit The exhibition enclosure had attracted 86,646 visitors the equivalent of 580 a day. Prediction was to have about 10,000 to 25,000 in 1950 Bad Turn out Location Accessibility Advertisement Lack of exciting exhibits The Festival was a Success It had been a success and turned over a profit as well as being extremely popular. The Festival ran for 5 months before closing in September 1951. However, the following month the Conservatives won the General Election The Festival was perceived by Prime Minister Churchill as socialist propaganda The order was made for the demolition of the Festival site. The only feature to remain was the Royal Festival Hall which is now a Grade I listed building, the first post-war building to become so protected and is still hosting concerts to this day.