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Festival of Britain 1951

Laura Kindermann , Minh Tu Nguyen, Nicole Gruba


History
Destruction and unemployment after WW2
Shortages in materials
Crisis in confidence in the Labour government
Need to change political and social climate
The idea
Picking up on the original thought of 1943 to mark the
centenary of the Great Exhibition, Chief plotter
Herbert Morris initiated the Festival of Britain in 1947
The Exhibitions
South Bank Exhibiton
Pleasure Gardens in Battersea
Architecture in Popla
Science at South Kensington
Industrial power in Glasgow
Farming in Belfast
Travelling Exhibition
Festival Ship
Converted aircraft carrier Campania
The architect Misha Black with James Holland, Ralph Tubb and Hugh
Casson, examine the plans on the propossed site at the South Bank in
London for the Festival of Britain 1951
Ralph Tubbs
9 Jan 1912- 23 Nov 1996
Educated in Architectural Assciation
Worked for Erno Goldfinger in 1935
After 1 year working for no wages, Tubbs then returned
in late 1930s to work on the design of Goldfinger’s own
house in Willow Road Hampstead
Dome of Discovery
Designed by Ralph Tubbs,
constructed by Freeman Fox
Was the largest dome on the
world at that time
Diameter of 365ft and 93 ft
high
Constructed by concrete
and aluminum
Skylon
Designed by Hidalgo
Moya and Phillip
Powell
Pure and simple
without any functional
purpose
350ft high, cigar-
shaped aluminum-
cladbody, suspended
by 3 visible cables
Sir John Leslie Martin
17 August 1908-28 July 1999
Graduated at Manchester
University and then taught
at the University of Hull
In 1937, co-edited the
journal Circle
After World War II, he
became the Deputy
Architect to the London
County Council
Royal Festival Hall
Designed by Leslie Martin,
Peter Moro and Robert
Matthew as a contribution of
the London County Council to
the Festival of Britain 1951
He designed the structure as
an egg in the box to describe
the separation of the curved
auditorium space from the
surrounding building and the
noise and vibration of the
adjacent reailway viaduct
Officially opened on 3 May
1951
Live Architecture Exhibition

opened on 3 May 1951


'vertical feature': a tall
construction crane, 200ft high
Most of the exhibits where
temporary tents or domes
Exhibition Enclosure
'The Rosie Lee' café, which
was said to be capable of
serving 2,000 people a day.
The Building Research
Pavilion was introduced
by 'Gremlin Grange', a
scaled-down version of an
inter-war 'jerry-built'
semi-detached house
Gremlin Grange cont,
The interior layout of the displays was expressed on
the outside by a series of boxes, which to East India
Dock Road presented a sequence of brilliantly
painted red, blue, white, pink, and mauve cubes.

rain heating lighting noise


maintenance
penetration
Town Planning Pavilion
Town Planning Pavilion, Inside, a series of themes
demonstrated the principles of town planning and the
urgent need for new towns.
 Themes where
'The Battle for Land'
'The Needs of the People',
'How can these needs be met?‘
'Work in progress'.
At the far end was a vermiculite dome, containing the 'Heart
of the Town' model, which showed how the centre of an
imaginary town 'Avoncaster' might be remodeled.
Permanent Buildings

Trinity Church could be


viewed by parties applying in
advance
Permanent Buildings

A terraced house, No. 14 Grundy Street, was furnished


as a show house
Permanent Buildings

No. 2 Overstone House, was furnished as


a show flat
End Result of the Live Architecture
Exhibit
The exhibition enclosure had attracted 86,646 visitors
the equivalent of 580 a day.
Prediction was to have about 10,000 to 25,000 in 1950
Bad Turn out
 Location
 Accessibility
 Advertisement
 Lack of exciting exhibits
The Festival was a Success
It had been a success and turned over a profit as well as being
extremely popular.
The Festival ran for 5 months before closing in September 1951.
However, the following month the Conservatives won the
General Election
The Festival was perceived by Prime Minister Churchill as
socialist propaganda
The order was made for the demolition of the Festival site.
The only feature to remain was the Royal Festival Hall which is
now a Grade I listed building, the first post-war building to
become so protected and is still hosting concerts to this day.

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