DISCOGRAPHY

Can’t Take My Eyes Off You

Chorus (SATB) & Brass Band
Arr.: Marcel Saurer

Bob Crewe / Bob Gaudio

EMR 3660

1 Full Score 2 1st B Trombone + 

1 E Cornet 2 2nd B Trombone + 
3 Solo B Cornet I 1 Bass Trombone + 
3 Solo B Cornet II 2 Euphonium
1 Repiano Cornet 2 E Bass
3 2nd B Cornet 2 B Bass
3 3rd B Cornet 1 Keyboard / Guitar (optional)
1 B Flugelhorn 1 Bass Guitar (optional)
2 Solo E Horn 1 Drum Set
2 1st E Horn 20 Chorus
2 2nd E Horn
2 1st B Baritone
2 2nd B Baritone
Venus
Track Titel / Title Time N° EMR N° EMR
N° (Komponist / Composer) Blasorchester Brass Band
Print & Listen Concert Band
Drucken & Anhören 1 In The Stone (Foster / White / Willis) 3’08 EMR 10395 EMR 3526
Imprimer & Ecouter 2 Can’t Take My Eyes Off Y
Take ou (Crewe / Gaudio)
You 3’59 EMR 10116 EMR 3527
3 Concerto pour un Eté (Morisod) 3’39 EMR 10315 EMR 3528
4 Birdland (Zawinul) 3’40 EMR 10332 EMR 3529
5 Gymnopédie (Satie) 3’56 EMR 10214 EMR 3530
6 Venus (Leeuwen) 3’20 EMR 10464 EMR 3531

www.reift.ch 7
8
Dragostea Din T ei (Balan)
Tei
Nights In White Satin (Hayward)
3’26
4’37
EMR 10509
EMR 10338
EMR 3532
EMR 3533
9 Let Me Entertain You (Chambers / Williams)
You 3’15 EMR 10323 EMR 3534
10 Stardust (Carmichael) 4’23 EMR 10260 EMR 3535
11 Yackety Sax (Rich / Randolph) 1’37 EMR 1804 EMR 2530
12 My Sunny Child (Haas) 2’30 EMR 10458 EMR 3536
13 What’s A Woman (Gielen / Schoovaerts / Schoufs) 3’03 EMR 10398 EMR 3537
14 Everybody Needs Somebody T o Love
To 2’32 EMR 10115 EMR 3538
(Berns / Burke / Wexler)
15 She’ll Be Coming Round The Mountain (Parson) 3’11 EMR 10399 EMR 3539
Case Postale 308 • CH-3963 Crans-Montana (Switzerland) Zu bestellen bei • A commander chez • To be ordered from:
Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail : [email protected] • www.reift.ch Editions Marc Reift • Case Postale 308 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch
 Recorded on CD - Auf CD aufgenommen - Enregistré sur CD
Chorus (SATB) 2
Can't Take My Eyes Off You

CHORUS (SATB) 53
    
                        

     
3
Bob Crewe/Bob Gaudio   
Disco Groove q = 128 Arr.: Marcel Saurer

                      
ba - by, Now that I found you, stay. And let me love you ba - by let me love you. Par - don the

     
A B Adapt.: Bertrand Moren

        
mf
     
  
    
|
3
Photocopying
       3     
You're just too good to be true. Can't take my eyes off you.
   
is illegal!


     3
E

59
3 3 3 3 3 3
3 3 3                             
mf

     
way that I stare. There's no - thing else to com - pare. The sight of you leaves me weak. There are nowords left to speak.
                      
  
21

       3 3 3 3 3 3 3

 
66

                
You'd be like heav - en to touch. I wan - na hold you so much. At long last love has ar - rived. 3 3 3 3 3 3 3

                                 


3 3 3 3 3 3 But if you feel like I feel please let me know that it's real. You're just too good to be true. Can't take my
          
     
        
  
        
   
 
27 3 3 3 3
3 3 3

       
 
F
   
73

                                
 
    
And I thank God I'm a - live.

        
You're just too good to be true. Can't take my eyes off you.
               
                
I love you, ba - by and if it's quite al - right, I need you, ba - by, to warm a

      
eyes off you.
f
         


     
3 3 3 3 3

             

 
34 C D
 
                                 
79
   
  
                                 
  
f I love you, ba - by and if it's quite al - right, I need you, ba - by, to warm a lone - ly night. I love you,
    
                     
    
   
lone - ly night. I love you, ba - by. Trust in me when I say: Oh pret - ty ba - by, Don't bring me

           
    
           
            
            
  

       
47
    
      
85
  
                 
                
           




     
                     
ba - by. Trust in me when I say: Oh pret - ty ba - by, Don't bring me down I pray. Oh pret - ty down I pray. Oh pret - ty ba - by, Now that I found you, stay. Oh pret - ty ba - by,
       
                      

 

       
 
           
 
EMR 3660
© COPYRIGHT EMI - INTERNATIONAL MUSIC PUBLICATIONS www.reift.ch www.reift.ch
EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND)
ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED EMR 3660
 Recorded on CD - Auf CD aufgenommen - Enregistré sur CD
| 4
Bob Crewe/Bob Gaudio 7 8 A 9 10 11 12 13
Photocopying
is illegal! Can't Take My Eyes Off You Arr.: Marcel Saurer

Adapt.: Bertrand Moren        
2 3 4 5 6

  
Chorus
Disco Groove q = 128

               

 
                               
Chorus
 
   
      
               
Eb Cnt.

 
f

                                           

Eb Cornet         Solo Cnt.I         
mf f
       

  
     
                                 
Solo Bb Cornet I Solo Cnt.II         
mf f

                   

     
                         
     
Solo Bb Cornet II
mf
Rep.Cnt.
   
f

           
             
     
                                
     
Repiano Bb Cornet
mf
2nd Cnt.
     
f

                
             
           
                                  

2nd Bb Cornet
mf
3rd Cnt.
          

 
f

                                
                                 
3rd Bb Cornet
  
         
Flug.

   
mf

 
f

                             

           
Bb Flugel Horn
mf Solo Hn.

 
f

                
                                
Solo Eb Horn
mf 1st Hn.           

   
f
           
   
 
1st Eb Horn

                                 

mf
      
2nd Hn.

    
f

            
                                        
2nd Eb Horn
       
  
mf 1st Bar.

                     f

           
                  
                  
1st Bb Baritone


   
mf 2nd Bar.
          


                      f
                                    
2nd Bb Baritone

1st Tbn. 

       
  
mf

    
1st Bb Trombone   f

              

                        
mf
          

2nd Tbn.
2nd Bb Trombone         f

                        

          
mf

   
B.Tbn.

Bass Trombone   
  f

 
           
      
Euph.                                 
mf

               
Bb Euphonium                       
 
f

 
              
                      
mf

Eb Bass
                     
                                                  
                
Eb Bass

f

    
Bb Bass                             
mf
                       
             
   


Bb Bass                                                      


                 
f
mf

     
F Gm7 C7 F Dm Gm7
       
G/F Gm/F F G/F Gº/F
                               

  
 
 
 
  
 
 

                   
Keyboard / Keyb./
Guitar / Gtr./
mf f
     
Bass Guitar
                                        
Bass
                                   
      
(optional)
                    
                                                                           
 Hi-Hat                                                                                                    
simile

Drum Set                            Drums                                

mp
always strong Bass Drum f
EMR 3660
© COPYRIGHT EMI - INTERNATIONAL MUSIC PUBLICATIONS
EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) www.reift.ch EMR 3660 www.reift.ch
ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED
 5 6
14 15 16 17 B 18 19 20 21 22 23 24 25 26 27 28

 
                

          
You'd be like heav - en to touch. I wan - na hold you so much. At long last love has ar - rived. And I thank God I'm a - live.
     3                 
You're just too good to be true. Can't take my eyes off you. Chorus
            
Chorus

 

 
   
3 3 3 3 3 3 3 3 3 3 3

   
mf

Eb Cnt.                   
    Eb Cnt.          
      
fp

              

  
Solo Cnt.I             Solo Cnt.I         
fp

       
          
               
Solo Cnt.II    Solo Cnt.II 
fp

  
        
    

               
Rep.Cnt.      Rep.Cnt.
fp

           
           
            
2nd Cnt.
  2nd Cnt.
fp

  
        
 
                    
  
  
3rd Cnt. 3rd Cnt.
fp

        
3 3 3 3 3

 
3 3 3 3 3

        
3

       
3
Flug.
                    Flug.
                               
fp     
    
mf

                   
3 3
               
3 3 3 3 3 3 3 3 3 3
                                    
Solo Hn.
 Solo Hn.
    
fp mf

                   
3 3 3 3

                       
3 3 3 3 3 3
   
3


3
                         
1st Hn.
   1st Hn.
    
fp mf

           
3

3
 
3 3

            
3 3 3 3 3 3 3

               
3


                          
2nd Hn.
  
   2nd Hn.
     
mf

  
fp

  
            
    
               
1st Bar. 1st Bar. 
fp mp

  
      
 
             

2nd Bar.      2nd Bar.        
fp mp

          


                  
3 3 3 3
                    
3 3 3
 
3 3 3 3

           
3

            
1st Tbn. 1st Tbn.  
fp mp

             
         
 
        
2nd Tbn.     2nd Tbn.
fp mp

            

     
   
 
         
    

B.Tbn. B.Tbn.
fp mp

             3    3   3       3  

                 
3

                    
3


3
  
3 3 3 3
 
3

   
Euph. Euph.
mf

 
fp

                           
                                    
       
                             
             
Eb Bass
 
                             
Eb Bass
fp
mf  
       
Bb Bass                                               
                Bb Bass                                                


     


                            
mf
fp

   

F7 Bb Bbm F
   
C7 F F Fmaj7
   
    
D7#9

         


 
















 














    
Keyb./ Keyb./
Gtr./ mf Gtr./
 
fp
                                                        
Bass Bass

                         
         
             
                              
              simile
                                                                                                                            
Drums                               Drums                                  
p mp

EMR 3660 www.reift.ch EMR 3660 www.reift.ch

 29 30 31 32 33 C 34 35
7 8 36 37 38 39 40 41 42

 
                  

  
Chorus You're just too good to be true. Can't take my eyes off you. Chorus f I love you,

                
             
3 3 3

        
                                                            
 
Eb Cnt.
      Eb Cnt.
               
mf fp
f
       
Solo Cnt.I 

             

  

     
  Solo Cnt.I
 
 
  

  

      
 
  

  

      
 
  

 

 
   
mf f fp

      
                      
                
             
        
   
Solo Cnt.II    Solo Cnt.II       
mf f fp

           
              
                                                     
Rep.Cnt.
      Rep.Cnt.
          
mf f fp

           
                                              
                 
  
2nd Cnt.
     2nd Cnt.
         
mf f fp f

           
     
                     
 
                                       
                
3rd Cnt. 3rd Cnt.
mf fp

   
f f

           
       
                       
  
                                    
             
Flug. Flug.
mf fp f

    
f
                    
                        
    
  
3 3 3
                          
Solo Hn.
    Solo Hn.
f fp f

                    
            
                                         
3 3 3

           
     
1st Hn. 1st Hn.
f fp f

  
            
    
3
     
3 3

2nd Hn.          
  
  

  

  

      2nd Hn.   

  

  

      

  

  

      

  

   

     
f fp f

1st Bar.          

  

     
  1st Bar. 
  

  

      
 
  

  

      
 
  

 

 
   
fp
f

                                       

           
 
         
2nd Bar.     2nd Bar.
          
f fp

                                               

 
1st Tbn.         1st Tbn.                
f fp

              
                                                       
2nd Tbn.     2nd Tbn.
          
f fp

    3                                                    
3
        
3

   
               
B.Tbn.  B.Tbn.
f fp

    3   3                          

                                        
3

      


         
Euph. Euph.

   
f fp

                        
                                
                                                   
           
Eb Bass Eb Bass
    f      
fp
             
Bb Bass                                                          Bb Bass                                      

 
  
     f
                     
fp

   
   
        
G/F Gm/F F Gm7 C7 F Dm Gm7 C7 F
             
               
D7#9

 

 

 
 
                        
Keyb./         Keyb./
            
 
Gtr./ Gtr./
f
   
fp
                                            
Bass Bass
       
                     
       
                 
          
                  
             
                                                                                                              
simile

Drums                               Drums                               
p
f

EMR 3660 www.reift.ch EMR 3660 www.reift.ch

 9 10
D 43 44 45 46 47 48 49 50 51 52 53 54 55

        
                                 
          
     
       


 
               
          
ba - by and if it's quite al - right, I need you, ba - by, to warm a lone - ly night. I love you, ba

  
- by. Trust in me when I say: Oh pret - ty ba - by, Don't bring me down I pray. Oh pret - ty ba - by, Now that I found you, stay. And let me love you ba -
                               
             
                     
Chorus Chorus
                    
   
      

                                    

Eb Cnt.   Eb Cnt.                     
mp f

         
                     
         
tutti
           
Solo Cnt.I  Solo Cnt.I    
mp One f

  
                  
         tutti
        
      
Solo Cnt.II 
mp One
Solo Cnt.II         
  
 
f
                
                                         
Rep.Cnt.
mp
Rep.Cnt.
  
mf cresc.

                                            
  
 
              

  
              
                       
 cresc. 
2nd Cnt. 2nd Cnt.
mf

      
                                    
3rd Cnt. 
         

          
             

 
                      3rd Cnt.
     cresc. 
mf

                                            

    

  
   
Flug.            

 
              
        Flug.            
mf

                  
cresc.
                            
Solo Hn.                
               
 

  
    Solo Hn.              
  
f


   
  
                                                    
1st Hn.               
          1st Hn.       

          
f

         
                           
            
 
      
2nd Hn.                 
          2nd Hn.                

f

    
     
                     
                     
1st Bar. 1st Bar.  
f

  
                            
2nd Bar. 
      2nd Bar. 
 

           
f

   
                               

                  
1st Tbn.        1st Tbn.   
f mf cresc.

  
 
                                
        
2nd Tbn. 2nd Tbn.            
f mf cresc.

  
                                     
  
             
B.Tbn. B.Tbn.      

                 
f mf

   
      
cresc.
   
      
Euph.        Euph.     

  

   
f

                                                 
                              
                                
Eb Bass Eb Bass
mf
       cresc.

   
Bb Bass                                         Bb Bass 
 
                      

 
                                                      
 
mf cresc.


Gm7 Gm7/C C7 Fmaj7 Dm7 Gm7 Gm7/C C7 F D7#9 Gm7 Gm7/C C7 Fmaj7 Dm7 Gm7 C7/G Gm7

    

 
      
  
  
   
    
   

  
Keyb./   Keyb./  
   cresc. 
Gtr./ mf Gtr./
Bass
                                 
Bass
           
                 
                          
                            
                                   simile 
                                                                                                   
simile

Drums                           Drums                             
mf p mf cresc.

EMR 3660 www.reift.ch EMR 3660 www.reift.ch

 11 Bearbeitungen für Chor (SATB) und Blasorchester / Brass Band
56 57 58 E 59 60 61 62
Diese Bearbeitungen sind in erster Linie als Blasorchesterwerke mit fakultativer Mitwirkung eines Chors konzipiert.


Die Instrumentenstimmen sind selbständig, so dass der Dirigent ohne weiteres den Chor streckenweise auslassen darf. Andererseits kann er auch gewisse
 
             
3 3 3 3 3
  
Instrumentalverdopplung streichen, um eine grössere Transparenz zu erzielen. Schliesslich kann der Chor ganz oder teilweise durch eine Solostimme
               ersetzt werden.

  
- by let me love you. Par - don the way that I stare. There's no - thing else to com - pare. The sight of

   
   Arrangements pour Choeur (SATB) et Harmonie / Brass Band
Chorus

   
mf
               
  3

3 3 3 3 Il s’agit d’arrangements qui sont conçus au départ comme oeuvres instrumentales avec la participation facultative d’un choeur. L’écriture pour harmonie

    
est ainsi complète en elle-même, ce qui permet au chef d’adapter la partition en supprimant le choeur à certains moments s’il le désire. Par contre, il
Eb Cnt.     
     3  
               
3 3 3 3
     pourrait aussi éliminer certaines doublures instrumentales pour alléger l’accompagnement. Le choeur peut être entièrement ou partiellement remplaçé par
 une voix solo.
fp mf

          3     3     3   3     3  Arrangements for Chorus (SATB) and Concert Band / Brass Band
Solo Cnt.I     
fp mf These arrangements are conceived primarily as band works, with optional additional chorus. The band parts are self-sufficient, so the conductor should feel
 3    3   3  
     
    3
   3 
  
free to adapt the score as he wishes by leaving the chorus out at certain moments, or on the contrary by reducing the band’s doubling of the choral parts
    
  to lighten the texture. The chorus may also be entirely or partially remplaced by a solo voice.

Solo Cnt.II
fp mf
Titel Composer Edition N° Edition N°
      
 
Concert Band (Price) Brass Band (Price)
Rep.Cnt.      
f fp 1492 «Conquest of Paradise» VANGELIS EMR 1579 (Pa) EMR 1636 (Na)

 
Alexandrie, Alexandra FRANCOIS, Claude EMR 10093 (Na) -
 
  
     
       Amen from the «Messiah» HÄNDEL, Georg Fr. EMR 1342C (Gf) EMR 1343C (Ga)
 
2nd Cnt.
Anvil Chorus VERDI, Giuseppe EMR 10137 (Ma) EMR 2970 (La)
f fp Auld Lang Syne ARMITAGE, Dennis EMR 1674 (Ma) EMR 2582 (La)


   
   
Ave Maria païen PLAMONDON / COCCIANTE EMR 10094 (La) EMR 2973 (Ja)
      
  
3rd Cnt. Bohemian Rhapsody QUEEN / MERCURY EMR 1573 (Sa) EMR 2560 (Qa)
Chess (Anthem) ANDERSSON / ULVAEUS EMR 1578 (Oa) EMR 2547 (Na)
    
f fp
    Choral / Sinfonia + Gavotte BACH / HÄNDEL EMR 1358C (Gf) EMR 1359C (Ga)

Flug.       Conquistador MORTIMER, J.G. EMR 10163 (Ua) EMR 2914 (Ta)
fp Dona Nobis Pacem BACH, Johann S. EMR 1344C (Gf) EMR 1345C (Ga)
 
f

      Don’t cry for me, Argentina (+ Solo Voice) WEBBER, Andrew L. EMR 1545 (Pa) EMR 2546 (Oa)
    3  
              
3 3 3 3

Solo Hn.        Egyptian March STRAUSS, Johann EMR 1951 (Na) EMR 2761 (Ma)
fp
Gloryland (+ Solo Voice ) RICHARDS, Scott EMR 1547 (Ma) EMR 2583 (La)

 
mf
Gospel Train TAILOR, Norman EMR 1535 (Ta) EMR 2580 (Sa)
 
    
   
 

  Greensleeves TRADITIONAL EMR 10317C (Oa) -
1st Hn.     Hark, The Herald Angels Sing TRADITIONAL EMR 1760C (Ma) EMR 2778C (La)
fp mp
Highlights from Carmen BIZET, Georges EMR 1581 (Ua) EMR 1685 (Qa)
    
 
   
 
Hymn To Red October POLEDOURIS, Basil EMR 10240 (Na) -
2nd Hn.  
 

     I Will Follow Him (Sister Act) POURCEL / MAURIAT EMR 10038 (Oa) EMR 2755 (Na)
fp mp Ihr Kinderlein kommet / Lasst uns TRADITIONAL EMR 1366C (Ma) EMR 2776C (La)
            
Il est né, le divin enfant TRADITIONAL EMR 1368C (Ma) EMR 2633C (La)
      
1st Bar.   Irish Eyes TRADITIONAL EMR 10329 (Ma) -
fp mp Jingle Bells TRADITIONAL EMR 1758C (Ma) EMR 2757C (La)

        
Joy To The World TRADITIONAL EMR 1772C (Ma) EMR 2626C (La)
 
  

     La Mer TRENET, Charles EMR 10331C (Na) -
2nd Bar.  Les anges dans nos campagnes TRADITIONAL EMR 1759C (Ma) EMR 2763C (La)
fp mp
Les Lacs du Connemara SARDOU / DELANOE / REVA EMR 10082 (Qa) -
                   
3 3 3 3 3
           Les Trois Cloches (+ Solo Voice) GILLES EMR 10046 (Na) EMR 2768 (Ma)
1st Tbn.    March Of The Three Kings TRADITIONAL EMR 1765C (Ma) EMR 2653C (La)
f fp mp Merry Christmas SCHNEIDERS, Hardy EMR 1770C (Ma) EMR 2762C (La)

   
Money, Money, Money ABBA EMR 10081 (Oa) EMR 2991 (Ma)
      
2nd Tbn.     Moscow Nights
Music
MORTIMER, J.G.
MILES, John
EMR 1574 (Sa)
EMR 1576 (Ua)
EMR 2579 (Ra)
EMR 2538 (Ta)
fp mp

 
f

    
Non Nobis Domine (Henry V) DOYLE, Patrick EMR 10185 (Ja) EMR 2969 (La)
      
   
O Come, All Ye Faithful TRADITIONAL EMR 1771C (Ma) EMR 2764C (La)
B.Tbn.  O Du Fröhliche TRADITIONAL EMR 1764C (Ma) EMR 2771C (La)

  
fp mp

    
f O Holy Night TRADITIONAL EMR 1773C (Ma) EMR 2772C (La)
     3         
3 3 3
       
3
   O Tannebaum / In Dulci Jubilo TRADITIONAL EMR 1762C (Ma) EMR 2774C (La)
Euph.   Ode To Joy BEETHOVEN, Ludwig van EMR 10156 (Ma) -
fp mp Oh Happy Day TRADITIONAL EMR 10041 (Ma) EMR 2758 (La)
 
One Moment in Time HAMMOND / BETTIS EMR 1575 (Oa) EMR 2518 (Na)
           
                               
Eb Bass 
        Pie Jesu WEBBER, Andrew Lloyd EMR 10324C (Ma) -
   
 f     mf
    Pomp And Circumstance Nr. 1 ELGAR, Edward EMR 10124 (Ua) EMR 2974 (Qa)
Qu’est-ce qu’on attend pour être heureux HORNEZ / MISRAKI EMR 1826 (Ka) -
                     

Requiem Aeternam TAILOR, Norman EMR 10085 (Pa) EMR 2880 (Na)
   
             


    f             
      
Bb Bass
Samba Olé NORIS, Günter EMR 1843C (Ma) EMR 2542C (La)
    Stille Nacht / Kommet Ihr Hirten TRADITIONAL EMR 1757C (Ma) EMR 2777C (La)
mf

 
Süsser die Glocken nie klingen TRADITIONAL EMR 1769C (Ma) EMR 2775C (La)

     
C7/G Gm7 Db/Eb Eb Ab Abmaj7

  

     
    
 

The First Nowell TRADITIONAL EMR 1761C (Ma) EMR 2652C (La)
    
  Time to say Goodbye / Con te partirò BOCELLI, Andrea EMR 1577 (Oa) EMR 2570 (Na)

Keyb./
Gtr./ mf Triumphal Scene From Aida VERDI, Giuseppe EMR 10126 (Va) EMR 2972 (Ra)
       
f
                
                       
Bass Troy HORNER, James EMR 10182 (Oa) EMR 2933 (Na)
  
  
          Viva Verdi VERDI, Giuseppe EMR 1582 (Xd) EMR 1680 (Ua)


Vom Himmel hoch / Leise rieselt TRADITIONAL EMR 1763C (Ma) EMR 2773C (La)
                                                       

We are the Champions QUEEN / MERCURY EMR 1580 (Oa) EMR 2571 (Na)
Drums                             We Are The World JACKSON / RICHIE EMR 1865 (Na) EMR 2769 (Ma)
f mf We Have A Dream BOHLEN, Dieter EMR 10057 (Na) EMR 2867 (La)
We Wish You A Merry Christmas TRADITIONAL EMR 1767C (Ma) EMR 2770C (La)
EMR 3660 www.reift.ch
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