A Survey of The Use of The Term Vedanā in The Pā I Nikāyas
A Survey of The Use of The Term Vedanā in The Pā I Nikāyas
A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy
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When the minds free The bodys delicate. King Lear III. iv.11-12
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Acknowledgements Many people have made this thesis possible. I owe a great debt to all my teachers and to all those who helped me in diverse other ways. I am grateful to my first Pali teacher, Dr. R. Panth. I wish to acknowledge the support and assistance I received from Professor S.N. Mukherjee of the University of Sydney, who encouraged me in my early days at the University of Sydney. Dr. Peter Masefield was of great assistance in reading and commenting on a number of the chapters. Dr. Stephen Morey provided encouragement and assistance with formatting. Patrick GivenWilson and Virginia McLeod supported and encouraged me from beginning to end. The librarians of the Fisher Library, University of Sydney, especially those in the Interlibrary Loans Section, were unfailingly helpful. A thesis cannot proceed without a good supervisor. I have been as lucky as one can be in having as my supervisor Dr. Peter Oldmeadow. He is not only a fine scholar, but is solicitous for my welfare in every way. Whenever I needed him, he was available. Whenever he judged it necessary he challenged the conceptual basis of my thinking and I was thereby able to gain a deeper understanding of the topic. I owe a special debt to my parents Ivor and Patricia Salkin who encouraged and supported me throughout. All of the people mentioned above have helped to make this thesis what it is; for any shortcomings I alone am responsible.
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Table of Contents
Acknowledgements Table of Contents ... Abbreviations used in this thesis Introduction Chapter one: Vedan and the soteriological practices described in the four principal Nikyas Chapter two: Vedan and the paicca-samuppda Chapter three: Physical and mental aspects of vedan Chapter four: A survey of the use of the term vedan in descriptions of the
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workings of kamma in the Nikyas 132 Chapter five: Conclusion .. 151 Bibliography .. 157
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Statement of Originality This thesis contains no material which has been accepted for the award of any other degree or diploma in any University, or which has been previously submitted for any degree or diploma. It contains no material previously published or written by another person, except where due reference is made in the text of the thesis.
.. Sean Salkin
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Abbreviations used in this thesis The abbreviations of the titles of Pali texts are those adopted by the Critical Pali Dictionary.
CPD MW PED
Critical Pali Dictionary M. Monier Williams, Sanskrit-English Dictionary Pali Texts Societys Pali-English Dictionary
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1 Introduction This thesis takes as its starting point certain statements made by the meditation teacher S.N. Goenka, of which the following is typical: [W]hatever arises in the mind, the Buddha discovered, will be accompanied by a physical sensation. Hence, whether the meditator is exploring the mental or the physical aspect of the phenomenon of I, awareness of sensation is essential. This discovery is the unique contribution of the Buddha, of central importance in his teaching. Before him in India among his contemporaries, there were many who taught and practised sla [morality] and samdhi [concentration]. Pa [wisdom] also existed, at least devotional or intellectual wisdom: it was commonly accepted that mental defilements are the source of suffering, that craving and aversion must be eliminated in order to purify the mind and to attain liberation. The Buddha simply found the way to do it. What had been lacking was an understanding of the importance of sensation. Then as now, it was generally thought that our reactions are to the external objects of sense--vision, sound, odour, taste, touch, thoughts. However, observation of the truth within reveals that between the object and the reaction is a missing link: sensation. The contact of an object with the corresponding sense door gives rise to sensations; the sa assigns a positive or negative valuation, in accordance with which the sensation becomes pleasant or unpleasant, and one reacts with craving or aversion. The process occurs so rapidly that conscious awareness of it develops only after a reaction has been repeated many times and has gathered dangerous strength sufficient to overpower the mind. To deal with the reactions, one must become aware of them at the point where they start; they start with sensation, and so one must be aware of sensations. The discovery of this fact, unknown before him, enabled Siddhattha Gotama to attain enlightenment, and this is why he always stressed the importance of sensation.1
S.N. Goenka, The Discourse Summaries, Talks from a Ten-day Course in Vipassana Meditation, Igatpuri, India, Vipassana Research Institute, 1997, p.58.
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2 In this striking statement Goenka gives paramount importance to sensations, which is his translation of the Pali term vedan. This thesis is an exploration of the use of the term vedan in the Pali Nikyas. The first chapter focuses on passages in which vedan features in descriptions of practices which lead to liberation from suffering. The second chapter is an extension of the first, studying the use of the term vedan in passages dealing with the causal sequence which has profound soteriological significance, the paicca-samuppda (dependent origination). The third chapter looks at passages in the Nikyas which deal with mental and physical aspects of vedan. Goenka places great emphasis on the role that bodily sensations play in the meditation technique that he teaches: Vipassan means a special kind of vision: observation of the reality within oneself. This is achieved by taking as the object of attention ones own physical sensations. The technique is the systematic and dispassionate observation of sensations within oneself. This observation unfolds the entire reality of mind and body.2 This chapter examines texts from the Nikyas which put vedan in physical and mental contexts. It also places this issue in the broader context of descriptions of physical and mental aspects of other phenomena in the Nikyas. Some attention is paid in this chapter to conflicting views of various Pali commentaries on these passages. The fourth chapter surveys passages in the Nikyas which highlight vedan in their descriptions of the workings of kamma (Skt. karma). An important preoccupation of this thesis is an examination of passages in the Nikyas in which Pali terms related to vedan play significant roles, in particular, the terms vedayita, vedaniya and the verb pai-sa-vid. In the second chapter we see how the verb pai-sa-vid seems to stand in for vedan in certain presentations of the paiccasamuppda. In the third chapter, it is noted that these terms occur in passages which
William Hart, The Art of Living, Vipassana Meditation as Taught by S.N. Goenka, San Francisco, Harper and Row, 1987, p.91. Goenka also states that whatever arises in the mind manifests itself as a sensation in the body. One cannot emphasize this teaching enough. In U Ba Khin and Pierluigi Confalonieri, The Clock of Vipassana has Struck, Seattle, Pariyatti, 1999, p. 101.
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3 describe combinations of mental and physical events. They also play an important role in descriptions of the working of kamma, as seen in the fourth chapter. A number of modern writers on the texts of the Nikyas have commented on the importance of the role of vedan. Thus Nyanaponika, translating vedan as Feeling: Through actual experience it can thus be confirmed that the ever-revolving round of Dependent Origination (paicca-samuppda) can be stopped at the point of Feeling, and that there is no inherent necessity that Feeling is followed by Craving. Here we encounter Feeling as a key factor on the path of liberation, and, therefore the Contemplation of Feeling has, in Buddhist tradition, always been highly regarded as an effective aid on that path.3 To my knowledge, however, none of these writers has ever followed up comments like these with any kind of study of this term as it is used in the Nikyas, let alone thorough, detailed and systematic study that the above statement would seem to call for.4 The writers who have made comments like these have strong connections with the Theravada tradition.5 Those western scholars who have written on the texts of the Pali Nikyas from a critical point of view almost invariably make no indication that vedan could have any special significance. Their preoccupations lie elsewhere. Commenting on the increasing number of monographs concerned with Buddhist thought in the last twenty-five years, R. Gethin notes that by far the majority gravitate towards those aspects of the Nikya thought-world that immediately capture the imagination of the mind nurtured in the traditions of modern western philosophy: conditioned arising (paicca-samuppda), the absence of a substantial self (anatt), and nibbna. In these scholars have seen reflections of some of the classic preoccupations of western philosophy such as causality, the logical contradictions of difference and identity involved in the
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Thera Nyanaponika, Contemplation of Feeling, Kandy, Buddhist Publication Society, 1983, p.2. Nyanaponikas book The Contemplation of Feeling, referred to in the above footnote, is not, as its title may imply, a thorough study of the use of the term vedan in the Pali texts, but a translation of the Vedansayutta of the Sayuttanikya, as well as some extracts from other suttas, with a brief introduction. 5 See for example those cited at the beginning of the second chapter of this thesis.
4 notion of change, the concept of the person and personal identity, and the metaphysics of the absolute. I do not wish to suggest that one is mistaken in seeing such reflections, but only that reflections can be misleading. The point is that in Buddhist thought discussion of paicca-samuppda, anatt and nibbna is not pursued as an end in itself but subordinated to the notion of the spiritual path, which is hardly true of the discussion of causality, change and metaphysics in western thought. The danger is that we rather hastily translate the Nikyas into terms that are more congenial to us without having first understood the original language.6 The important passages on vedan in the Nikyas come for the most part as part of descriptions of practices which in the terms of these texts lead to a cessation of dukkha (suffering). Western scholars have somehow overlooked the importance of the role vedan, an importance which my survey of the use of this term clearly shows it has. This thesis focuses on the texts of the Nikyas. In her recent study, S. Hamilton explains why she chooses to use these texts as the focus for her research. Her comments apply also to my own situation: I wanted to see what the earliest Pali material had to say on the subject before it was significantly adapted or elaborated as the Theravda tradition developed. This approach is not so much intended to suggest that there is a pre-Theravda form of Buddhism as to look at the primary texts without reference to how the tradition has interpreted them in later material.7 She notes that she is aware that this approach is somewhat controversial,8 and in a later study she discusses the dangers of synchronic essentialism9: In effect, this is synchronically analysing a large, ancient, and undatable collection of texts without taking into account how they in all probability
R. Gethin, The Buddhist Path to Awakening: A Study of the Bodhi-Pakkhiy Dhamm, Leiden, Brill, 1992, p.19. 7 S. Hamilton, Identity and Experience, the Constitution of the Human Being According to Early Buddhism, London, Luzac Oriental, 1996, p.xvii. 8 Ibid., p.xxx. 9 A term used by Edward Said. See his Orientalism, New York, Vintage Books, 1979, p.240.
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5 changed over a period of time. While one can thus come up with what seem to be the essentials of what they say, it may be that because the material developed incrementally there was never a time when the tradition itself viewed it in quite that way. I do no see a way around this problem ... Having said that, given the way the Pali Buddhist texts were preserved and compiled I do not see how anyone could treat the Sutta Piaka other than broadly synchronically. Any attempt to take into account a diachronic perspective would immediately render one vulnerable to far more serious criticism ...10 In this thesis I also treat the texts of the Nikyas synchronically. For the most part I have only examined the Nikyas, but there are a number of places where I have included some discussion of the views of the Pali commentators on certain passages. One faces many difficulties when dealing with the texts of the Nikyas. In discussing and analysising them, I am constantly reminded of some comments made by R. Gethin: We are faced not so much with a single finished canvas as with a bewildering array of sketches and detailed studies which it is impossible to take in at once. Their subject is seen from different angles and in various aspects; it is viewed from near and afar.11 My approach has been greatly influenced by the great German Indologist Wilhelm Halbfass. His sensitive approach to Indian texts has always struck me as worthy of imitation, though I fear that I often fail to fulfil the task that he outlines: ... it is our first responsibility to understand the Indian statements. But this in itself is a complex and elusive process. It requires, first of all, much learning, familiarization and assimilation. We have to be able to translate the texts into our own languages; we have to listen to them as carefully and patiently as possible; we have to be aware of their traditional cultural context and background. But we also have to be aware of our own background... Mere familiarization and
Sue Hamilton, Early Buddhism: a New Approach. The I of the Beholder, Richmond, Surry, Curzon, 2000, p.5. 11 Gethin, 1992, p.20.
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6 assimilation are not enough; this has to be supplemented by conceptual analysis and clarification. We are not just dealing with words. The relationship and transition between familiarization and clarification is complex and elusive.12 The term vedan is usually translated as sensation or feeling. For the purposes of this thesis, I have chosen to use this term untranslated. My translations of Pali passages in this thesis are heavily indebted to the translations of Pali texts done by the Rhys Davids, I.B. Horner, F.L. Woodward, K.R. Norman, Bhikkhu Bodhi, amoli and Maurice Walshe.
Wilhelm Halbfass, On Being and What There Is: classical Vaisesika and the history of Indian ontology, Albany, State University of New York Press, 1992, p.12.
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7 Chapter One: Vedan and the soteriological practices described in the four principal Nikyas The first part of this chapter is devoted to an examination of passages from a number of suttas which give importance to vedan in descriptions of soteriological practices. Three suttas from the Dghanikya will be studied, the Brahmajlasutta, the Mahnidnasutta and the Mahparinibbnasutta. From the Majjhimanikya, we will look at five suttas, the Ca- and Mah-tahsakhayasuttas, the Dghanakhasutta (which is referred to in the Commentaries as the Vedanpariggahanasutta), the Dhtuvibhagasutta, and the Chachakkasutta. A number of suttas from the Sayuttanikya will also be studied, including some from the section of that nikya devoted to suttas on the topic of vedan, the Vedansayutta.
The Brahmajlasutta The first sutta of the Dghanikya, the Brahmajlasutta, has a striking example of this usage of the term vedan. The main part of this sutta1 describes various views, 62 in total, represented as being held by thinkers of the Buddha's day. The 62 views are presented in groups, and after each group the following passage appears: This, bhikkhus, the Tathgata understands: These viewpoints thus grasped and adhered to will lead to such-and-such destinations in another world. This the Tathgata knows, and more, but he is not attached to that knowledge. And being thus unattached he has experienced for himself perfect peace, and having understood as they really are the arising and passing away of vedan, their attraction and danger and the escape from them, the Tathgata is liberated without remainder.1
Tayida bhikkhave Tathgato pajnti: Ime dihihn eva-gahit eva-parmah eva-gatik bhavissanti evam-abhisampary ti. Ta ca Tathgato pajnti, tato ca uttaritara pajnti, ta ca pajnana na parmasati, aparmasato c'assa paccatta yeva nibbuti vidit, vedanna samudaya ca atthagama ca assda ca dnava ca nissaraa ca yath-bhta viditv anupd vimutto, bhikkhave, Tathgato. DN I 16-17.
8 This passage occurs thirteen times2 and is an important structural element in this long sutta. The term vedan is given a privileged position in this key passage. The Buddha is represented as describing himself as completely enlightened (anupd vimutto) when he has known as they are (yathbhta viditv) certain characteristics of vedan. In the introduction to his translation of this sutta, Bhikkhu Bodhi makes the following comments on this passage (he translates vedan as feeling): Not understanding the real causes for their adherence [to views], the theorists delight in the feelings that arise conditioned by the proclamation of their views. This generates more craving and clinging in turn, as attempts to recapture the pleasant feelings, and these maintain the continued revolution of the round of existence. Since the basic root of the round, and the origin of suffering, is craving, and craving is conditioned by feeling, the Buddha singles out feeling as the existential factor most requiring examination to bring the round to an end. Feeling is the bait of the round (vamisa) which will be swallowed when left unexamined, but will be discarded if the hook it conceals is detected. Ignorance of feeling means not seeing its origin, passing away, satisfaction, unsatisfactoriness, and the escape from it, --the five angles from which any mundane phenomenon must be inspected to gain insight into its real nature. In order to contrast the ignorance of the theorists with his own wisdom, in the refrain following each of the expositions of views, the Buddha specifies his own understanding of feelings under these five headings.3 Bhikkhu Bodhi acknowledges the crucial role that vedan plays in this process: the Buddha singles out feeling as the existential factor most requiring examination to bring the round to an end. I have not, however, been able to find any Pali text which refers to vedan as vamisa.
DN I 6-17, 21-22, 24, 28, 29, 30, 31, 32, 33, 36, 38, 38-39 and 39. Bhikkhu Bodhi, The Discourse on the All-embracing Net of Views, Kandy, Buddhist Publication Society, 1978, p.36.
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9 The Mahnidnasutta In the Dghanikya's Mahnidnasutta the process of liberation is described with reference to sensations. This is done, however, in an unusual way, in a way which we do not find again in the Nikyas. Here is the concluding section of the relevant passage: From the time, nanda, when a bhikkhu no longer regards vedan as the self, or the self as being impercipient (appaisavedana), or as being percipient (att me vediyati) and of a nature to feel (vedandhammo), by not so regarding, he does not cling to anything in the world. When he does not cling, he is not agitated. When he is not agitated, he personally attains Nibbna. He understands: Birth is destroyed, the holy life has been lived, what had to be done has been done, there is no more coming to any state of being.4 Three ways of regarding (samanupassati) vedan in relation to the self (atta) are given here. When they are avoided, there is liberation. R. Gethin has described the centrality of the critique of self in the Nikyas: The Buddhist critique of self is directed at all theories or views of the self that imply some sort of unchanging self whether that self is conceived of as eternal, immortal, or merely subsisting unchanged for the duration of a particular lifetime, or any period of time. As Prof. Norman has shown, the refutation of the Upanishadic identification of the tman with the world is the primary focus of the critique of self contained in the Alagaddapama Sutta. Elsewhere Buddhist texts attack a whole range of views concerning the self.5 In the preceding section of the Mahnidnasutta, the Buddha explains why each of these ways of regarding the self is incorrect. The first of these, the view that vedan is my self, that is the identification of vedan with an abiding self, is refuted on the ground
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Yato kho nanda bhikkhu n'eva vedana attna samanupassati, no pi appaisavedana attna samanupassati, no pi Att me vediyati, vedandhammo hi me att ti samanupassati, so eva asamanupassanto na kici loke updiyati, anupdiya na paritassati, aparitassa paccatta yeva parinibbyati, Kh jti, vusita brahmacariya, kata karaya, npara itthattyti pajnti. DN II 68 5 R. Gethin, The Foundations of Buddhism, Oxford, Oxford University Press, 1998, p.148.
10 that vedan is a changing phenomenon, conditioned, dependently arisen, subject to destruction.6 If the self is identified with vedan, then the disappearance of the self has to be countenanced, which is out of the question for those who hold to the Upaniadic view of the self. The second view holds that the self is not vedan, that the self does not feel. This is refuted on the grounds that if nothing at all were felt, then there could not be the thought I am. The third view states that Vedan is not my self, but my self is not non-feeling, my self feels, my self is of the nature of vedan (vedan-dhammo). The refutation of this view seems to rest on the Buddha's understanding that there is no vedan in the state of full liberation--nibbna. This view is expressed in various places in the Nikyas. It is found in the reverse (pailoma) statement of the dependent-orgination formula. The term used for the cessation of vedan in the reverse statement of the dependent-orgination formula is also used in the Buddha's refutation here: vedan-nirodh. Identifying one's self as of the nature of vedan (vedan-dhamma) cannot be correct in terms of the ultimate truth of a fully liberated person, because there is a state where vedan ceases, that is nibbna. Steven Collins has given a useful summary of this passage: ... the Buddha asks how many ways are there in which (a man can) regard self?. His interlocutor, the monk nanda, answers that there are three: feeling is regarded as identical with self, in the words feeling is my self; or the self is regarded as without feeling, my self is insentient; or neither of these things is the case but my self feels, my self has the attribute of feeling. The Buddha declares that it is not fitting (na kkhamati) to regard the matter in any of these ways, for the following reasons. In the first case, where self and feeling are identical, he says that feeling is of three types, pleasant, painful, and neutral. With which is the self to be identified, since only one type can occur at any given time? All three types of feeling are impermanent, causally conditioned phenomena, so that in any case the self would have to be the same, subject to
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11 arising and decay. This is an idea so manifestly untenable for the Buddha as to receive no comment. In the second place, where the self was held to be insentient, the Buddha asks, where there is no feeling at all, is it possible that one might say I am? Since this is not possible, the view is again not fitting. In the third place, where the self is held to feel, or have the attribute of feeling, he asks a similar question: where feeling is completely absent ... might one be able to say this (is what) I am? Here also, since this is not possible, the view is not fitting.7 Liberation comes from not regarding vedan and atta in any of these three ways (so eva asamanupassanto).8
The Mahparinibbnasutta The third sutta of the second volume of the Dghanikya is the famous Mahparinibbnasutta. This long sutta follows the last days and the passing away of the Buddha. Immediately after the description of the passing away of the Buddha, there is a series of four verses. The fourth is shown as being spoken by one of the leading disciples of the Buddha, Anuruddha: There was no breathing in and breathing out for such a one with steadfast mind; unmoved, aiming at peace, the muni died. With undisheartened mind he bore sensation; like the quenching of a lamp was the release of his mind.9
Steven Collins, Selfless persons, Cambridge, Cambridge University Press, 1982, p.99-100. The commentary on this passage explains these three statements in a rather curious way. It sees all five aggregates covered by the three statements, the first statement identifying the self with the vedan aggregate, the second identifying the self with the aggregate of matter, or the body (rpa), and the third identifying the self with the aggregates of perception, sakhras and consciousness. The commentary states that these last three aggregates are to be understood in the final statement because they are associated with vedan (vedansampayuttatt). Sv II 505. 9 Nhu asssa-passso hita-cittassa tdino. Anejo santim rabbha ya klam akar muni Asallnena cittena vedana ajjhavsayi: Pajjotass'eva nibbna vimokho cetaso ahti. DN II 157
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12 The Buddha's passing away is also, in these texts, the moment of his final liberation from suffering, his final entering of nibbna which is free from suffering. This is the socalled parinibbna. Here this moment of dying (klam akar) and of release (vimokho) is described along with the bearing or enduring (ajjhavsayi) of vedan. Whether or not the term vedan has the same meaning here as it does in the Brahmajlasutta, and whether or not it is playing the same role in the description of the soteriological process that we find in the Brahmajlasutta are important questions. To help us find answers to these questions we need to examine the context of these verses more closely. The final parinibbna of the Buddha takes place in the sixth recitation section (bhavra) of the Mahparinibbnasutta. In the second recitation section, there is an episode which describes the Buddha falling sick which includes the following passage: Now during the rainy season, a severe sickness arose in the Fortunate One, with sharp vedan as if he were about to die. But the Fortunate One bore them mindfully, with understanding and without being disturbed.10 The term vedan here refers only to unpleasant sensations experienced in sickness. There are a number of places in the Nikyas where the term vedan is associated with sickness. Generally speaking, it is not usually used in these contexts as part of a description of a soteriological process. However, the two terms that we find here describing the manner in which the Buddha bears these vedans, sata (mindful) and sampajna (with understanding), are both of vital importance in certain soteriological practices described in the Nikyas. They are of particular importance in the two suttas on the establishing of mindfulness, the Satipahnasuttas, and at other places in the Nikyas where the practice of the establishing of mindfulness is discussed. In the fourth recitation section, the Buddha takes what is to be his last meal. After the meal he falls sick again, and the description here is almost identical with that given for his earlier illness, quoted above. So at this significant juncture in the narrative, we again
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Atha kho Bhagavato vasspagatassa kharo bdho uppajji, bh vedan vattanti mraantik. T suda Bhagav sato sampajno adhivseti avihaamno. DN II 99
13 find this combination of the bearing of vedan, and of being sata (mindful) and sampajna (with understanding). By the time Anuruddha's verses come, immediately after the passing away of the Buddha, the cumulative effect allows us to interpret the bearing of sensations as a soteriologically important element in the description of the last moments of the Enlightened One which are given in those verses.11
The Satipahnasutta The four establishings of mindfulness (satipahnas) are amongst the most important of the soteriological practices described in the Nikyas. They figure in the summary of the Buddha's teaching known as the Bodhipakkhiyadhammas (factors leading to Enlightenment), which are found at numerous places in the Nikyas. There are two Satipahnasuttas in the Nikyas, one in the Dghanikya, the other in the Majjhimanikya, differing in that one of the sections is considerably expanded in the former. The former is thus known as the Mahsatipahnasutta (the Great Satipahnasutta). They are the most detailed and comprehensive accounts of these practices in the Nikyas.12 The soteriological aim of the establishing of mindfulness practices is described in unambiguous terms in the opening passage of the sutta (D II 290): they are for the experiencing (or realisation) of nibbna (nibbnassa sacchikiriyya). The four establishings of mindfulness are then briefly given in a formulaic phrase which is applied to each of them. The four are the observation of the body (kynupassan), the observation of vedan (vedannupassan), the observation of the mind (cittnupassan) and the observation of mental phenomenon (dhammnupassan). The body of the sutta is divided into four sections, each treating one of the four establishings of mindfulness. The section devoted to the observation of vedan is relatively short, covering just one page, whereas the section on the observation of the body comes to seven pages and the one on the observation of mental contents sixteen
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These verses of Anuruddha also appear in the Sayuttanikya (SN I 2). The references here will be to the Dghanikya version.
14 pages. The practice described is the knowing (pajnti) by the bhikkhu of the type of vedan that he is experiencing, according to certain categories. When he is experiencing pleasant (sukha) vedan, he knows that he is experiencing pleasant vedan. The same formula is given for unpleasant (dukkha) vedan and for vedan which is neither pleasant nor unpleasant (adukkhamasukha). This three-fold formula is then given two more times, the first for each of the three kinds of vedan which is associated with greed (smisa), and then for each of the three as not associated with greed (nirmisa). The section on the observation of vedan ends with a passage which is identical to the concluding passages for each section of the other three establishings of mindfulness, the only difference being that here we find the word vedan whereas in the kynupassan section we find the word kya, in the cittnupassan section we kind the word citta, etc. The practice described in this passage is not, therefore, specific to vedan. In the overall design of the sutta, the observation of vedan does not receive any more emphasis than the three other practices. There are, however, other places in the Nikyas where the practice of satipahna is given a special connection with vedan.
The Satosutta (SN V 180): The Satosutta gives a marked emphasis to the understanding of vedan in connection with this practice. This is one of the short suttas in the Satipahnasayutta, the section devoted to the four establishings of mindfulness in the Sayuttanikya. The sutta begins with a phrase which introduces the two main elements of the practice, and then underlines the importance of this practice. The two elements are then briefly described: Bhikkhus, a bhikkhu should remain mindful and with full understanding. This is my teaching to you. And how, bhikkhus, is a bhikkhu mindful? ... And how, bhikkhus, is a bhikkhu possessed of full understanding? Here, bhikkhus, the bhikkhu knows that vedan arise, that they remain, and that they disappear. He knows that thoughts arise, that they remain, and that they
15 disappear. He knows that perceptions arise, that they remain, and that they disappear.13 The description of the bhikkhu who is mindful (sato) is the same as the description of the four establishings of mindfulness at the beginning of the Satipahnasuttas.14 The description of the bhikkhu who is possessed of full understanding (sampajno) is not, however, found in those suttas, and it is here that vedan plays an important role. The practice of one who is possessed of full understanding is described firstly as knowing the characteristic of impermanence of vedan, and then of thoughts (vitakka), and of perceptions (sa). Once again we find vedan associated with the concept of impermanence in the description of a soteriological practice. The Buddha is represented as describing these practices as my teaching to you [i.e. to the bhikkhus] (aya vo amhkam anussan). There are numerous statements in the Nikyas which represent the Buddha as stating that the main, indeed the sole, concern of his teaching is the soteriological.15 Here this teaching is said to be connected with the understanding of vedan. The short passage describing the arising, staying and passing away of vedan, thoughts and perceptions occurs in a number of other places in the Nikyas. In the Acchariyabbhutadhammasutta of the Majjhimanikya, nanda, the Buddha's chief attendant, gives, in the presence of the Buddha, a list of the Buddha's wonderful and marvellous qualities (acchariy abbhutadhamm). These qualities are chiefly concerned with supernatural events which took place at the time of the birth of Gotama, and the description of them takes up most of the sutta. At the end of nanda's account, the Buddha says to nanda that he should also remember another of his qualities, which he then gives in the following terms:
13
Sato bhikkhave bhikkhu vihareyya sampajno, aya vo amhkam anussan. Kathaca bhikkhave bhikkhu sato hoti. Kathaca bhikkhave bhikkhu sampajno hoti. Idha bhikkhave bhikkhuno vidit vedan uppajjanti, vidit upahahanti, vidit abbhattha gacchanti. Vidit vitakk uppajjanti Vidit sa uppajjanti SN V 180-81. 14 D II 290 and MN I 56. 15 For example, Bhikkhus, both formerly and now what I teach is suffering and the cessation of suffering. (Pubbe cha bhikkhave etarahi ca dukkhan c'eva papemi dukkhassa ca nirodha. MN I 140).
16 Here, nanda, the Tathgata knows that vedan arise, that they remain, and that they disappear.16 The same is said for perceptions (sa) and thoughts (vitakka) as in the passage quoted above which describes a bhikkhu who is possessed of full understanding. The passage is thus given a very marked emphasis in this sutta. As Bhikkhu Bodhi has noted in his translation of this sutta, [t]his statement seems to be the Buddha's way of calling attention to the quality he regarded as the true wonder and marvel.17
The Catahsakhayasutta In the Majjhimanikya there are two suttas about the destruction of craving (tahsakhaya), the 37th sutta of that collection, the Catahsakhayasutta (the Shorter Discourse on the Destruction of Craving), and the 38th, the Mahtahsakhayasutta (the Greater Discourse on the Destruction of Craving). In both of these suttas, vedan plays an important role in descriptions of the process of liberation. In the first, the setting is a mythological one. Sakka, the ruler of the gods, is represented as asking the Buddha to explain to him briefly (sakhittena) how a bhikkhu is liberated by the destruction of craving. The reply is given as follows: Here, ruler of gods, a bhikkhu has heard that nothing is worth adhering to. When a bhikkhu has heard that nothing is worth adhering to, he directly knows everything; having directly known everything, he fully understands everything; having fully understood everything, whatever vedan he feels,whether pleasant or painful or neither painful-nor-pleasant, he abides observing impermanence in those vedan, observing fading away, observing cessation, observing relinquishment. Observing thus, he does not cling to anything in the world. When he does not cling, he is not agitated. When he is not agitated, he personally attains Nibbna. He understands: Birth is destroyed, the holy life has been
16
Idh', nanda, Tathgatassa vidit vedan uppajjanti, vidit upahahanti, vidit abbhattha gacchanti. MN III 124. 17 amoli, Bhikkhu, and Bhikkhu Bodhi, The Middle Length Discourses of the Buddha, Boston, Wisdom Publications, 1995, p.1132, note 1166.
17 lived, what had to be done has been done, there is no more coming to any state of being.18 The formula given to describe the enlightened bhikkhu is a standard one used to describe an arahant. The role of vedan in this process is clearly of great importance. Having fully understood all phenomena (sabba dhamma), the bhikkhu observes four phenomena with regard to vedan. Firstly he is described as abiding observing impermanence with regard to vedan (so tsu vedansu aniccnupass viharati). He is thus applying one of the fundamental concepts of the thought world of the Nikyas to vedan. He also abides observing fading away (virga), cessation (nirodha) and reliquishment (painissagga) with regard to vedan. Vedan is the basis for all of these observations. The text goes directly from these observations to the description of the bhikkhu not clinging to anything in the world, and thus becoming liberated. The significance of this passage is emphasized by being repeated twice further on in the sutta. It is also found in a sutta in the Aguttaranikya19, indicating that it was considered to be of some importance by the compilers of these texts.
The Mahtahsakhayasutta The second of the pair of suttas on the destruction of craving, the Mahtahsakhayasutta, also gives much emphasis to vedan in its description of the process of liberation. This remarkable sutta calls for a detailed analysis. The passage relevant to the term vedan occurs as part of a longer passage which begins by explaining the conditions for the conception of a child. The period of the mother's
18
Idha devnam inda bhikkhuno suta hoti: sabbe dhamm nla abhinivesy ti. Eva-ce devnam inda bhikkhuno suta hoti: sabbe dhamm nla abhinivesy ti, so sabba dhamma abhijnti, sabba dhamma parijnti, sabba dhamma pariya ya kaci vedana vedeti, sukha v dukkha v adukkhamasukha v, so tsu vedansu aniccnupass viharati, virgnupass viharati, nirodhnupassi viharati, painissaggnupassi viharati; so tsu vedansu aniccnupass viharanto... na kici loke updiyati, anupdiya na paritassati, aparitassa paccatta yeva parinibbyati, Kh jti, vusita brahmacariya, kata karaya, npara itthattyti pajnti. (MN I 251, also on p.254 and 255.) 19 AN IV 88
18 pregnancy, her giving birth to the child and her feeding it with her milk are then briefly described. The text then goes on to explain two things which follow on from the growth of the child and the ripening (paripka) of his sense organs (indriya). The first is that the child plays with various toys and at various games. We are even given some examples of these: with a toy windmill, with a toy cart, with a toy bow.20 This whole passage is quite remarkable: we are far from the abstractions of philosophers, but are dealing with concrete, everyday reality. The other situation specified as following on from the child's growth and the development of his sense organs is his enjoyment of the five strands of sense-pleasures (kmagua). This leads into the sequence in which vedan plays a key role. The sequence is given twice. Firstly we have a description of the process by which suffering arises, and then after that comes a description of the process by which suffering ceases, the process of liberation from suffering. Each of these descriptions is six-fold in structure; the first gives the following passage for the five physical senses and for the mind: When he has seen a material shape through the eye, he feels attraction for agreeable material shapes, he feels repugnance for disagreeable material shapes; and he dwells without mindfulness aroused as to the body, with a mind that is limited; and he does not comprehend that freedom of mind and that freedom through intuitive wisdom as they really are, whereby those evil unskilled states of his are stopped without remainder. Possessed thus of compliance and antipathy, whatever vedan he feels--pleasant or painful or neither painful nor pleasant--he delights in that vedan, welcomes it and persists in cleaving to it.21 The person described in this passage dwells anupahita-kya-sati (without mindfulness aroused as to the body). This is the negative form of the word upahita-kya-sati, upahita having the sense of standing up ready, with attention fixed (PED). It is in this state that he develops attraction for the pleasant sense objects and repugnance for the
MN I 266 So cakkhun rpa disv piyarpe rpe srajjati, appiyarpe rpe bypajjati, anupahitakyasati ca viharati parittacetaso, ta-ca cetovimutti pavimutti yathbhta na-ppajnti yatth'assa te ppak akusal dhamm aparises nirujjhanti. So eva anurodhavirodha sampanno ya kaci vedana vedeti, sukha v dukkha v adukkhamasukha v, so ta vedana abhinandati abhivadati ajjhosya tihati. MN I 266
20 21
19 unpleasant. This, then, is the base from which tah arises, the thirst which keeps the mind unbalanced and which is the cause of suffering (dukkha) as explained in the second Noble Truth. But the passage goes further, probing deeper into this phenomenon. First comes another brief description of this condition: so eva anurodhavirodha sampanno. I.B. Horner translates this passage as possessed thus of compliance and antipathy, and notes that this phrase is explained in the Pali commentary as attachment as well as hatred.22 Thus it is a kind of summary of the preceding sentence with its description of one who feels attraction (srajjati) and repugnance (bypajjati). It is in this context that the text proceeds to make its important point about vedan: whatever vedan he feels--pleasant or painful or neither painful nor pleasant--he delights in that sensation, welcomes it and persists in cleaving to it.23 The passage continues with an explanation of the result of this: From delighting in that vedan, from welcoming it, from persisting in cleaving to it, delight arises; whatever is delight amid those vedan, that is grasping; conditioned by grasping is becoming; conditioned by becoming is birth; conditioned by birth, old age and dying, grief, sorrow, suffering, lamentation and despair come into being. Such is the arising of this entire mass of suffering.24 The latter part of this passage belongs to the standard paicca-samuppda formula. The sutta continues with a passage which is also found in the Smaaphalasutta of the Dghanikya, and which recurs in many suttas of the Majjhimanikya. It describes the development of a disciple from the moment he acquires confidence in the Buddha's teachings to his attainment of arahantship. The sequence follows its standard course up
I.B. Horner, The Collection of the Middle Length Sayings, London, Pali Text Society, 1954, vol. I, pp. 322-3. 23 yam kaci vedana vedeti, sukha v dukkha v adukkhamasukha v, so ta vedana abhinandati abhivadati ajjhosya tihati. MN I 266 24 Tassa ta vedana abhinandato abhivadato ajjhosya tihato uppajjati nand, y vedansu nand tadupdnam, tass'updnapaccay bhavo, bhavapaccay jti, jtipaccay jarmaranam sokaparidevadukkhadomanassupys sambhavanti, evam-etassa kevalassa dukkhakkhandhassa samudayo hoti. MN I 267
22
20 until the description of the four jhnas. From this point we return to the subject matter of the passage immediately preceding this sequence, that is to kya-sati, vedan and the paticca-samuppda. The sequence of psychological events is identical, but the sense is inverted, each sentence now being in the negative. Thus instead of the phrase ... he feels attraction for agreeable material shapes...25 we find ... he does not feel attraction for agreeable material shapes...26 Awarenenss of the body (kya-sati) is now upahita, (PED: standing up (ready)), whereas in the earlier passage it is anupahita. This person no longer delights in vedan (so ta vedana nbhinandati); the delight (nand) in vedan ceases: y vedansu nand s nirujjhati...27 And from this point the reverse sequence of the paicca-samuppda is given, ending with the usual formula: Thus this entire mass of suffering ceases.28 This is the goal of the Buddha's teaching, the cessation of suffering, and in this sutta it is related directly and in detail to a practice connected with the awareness of vedan.
The Dghanakhasutta The Buddha's discourse to the wanderer Dghanakha in the Majjhimanikya, the Dghanakhasutta, is of great significance for understanding the role of vedan in the soteriological process. It seems that the ancient commentators on these texts understood
... piyarpe rpe srajjati.. MN I 266 ... piyarpe rpe na srajatti... MN I 270 27 Ibid. 28 evam etassa kevalassa dukkhakkhandhassa nirodho hoti, Ibid.
25
26
21 that vedan is of great importance in this sutta, for they refer to it as the Vedanpariggahanasutta, the Discourse on the Grasping of Sensation.29 The significance of the passage in which the soteriological process is described is underlined by some of the events in the narrative setting. Immediately after the Buddha has finished his address to Dghanakha, we are told that Sriputta had been standing behind the Buddha while the discourse was going on. Sriputta is counted as one of the two chief disciples of the Buddha. This important personage is shown as thinking favourably of the discourse, and while he is doing this his mind was liberated from the savas (defilements) by not clinging.30 In a number of places in the commentaries, it is related that this is the moment when Sriputta became an Arahant, while listening to this discourse of the Buddha's on vedan. The first part of the passage on vedan in this sutta is identical with a part of the section on vedan in the Mahnidnasutta, examined above. This is the Buddha's refutation of the first manner of regarding the self (atta) and vedan, the identification of the self with vedan. As in the Mahnidnasutta passage, the Buddha here begins by stating that there are three vedan, pleasant, painful and those which are neither painful nor pleasant. Further on he characterizes each of these vedan with a list of adjectives. For pleasant vedan, for example, we find the following phrase (the Buddha addresses Dghanakha as Aggivessana, which is probably his clan name): Pleasant vedan, Aggivessana, is impermanent, conditioned, dependently arisen, subject to destruction, vanishing, fading away and ceasing.31 After this passage, the text of the Dghanakhasutta departs from that of the Mahnidnasutta. The next passage in the Dghanakhasutta describes the process by which a noble disciple (ariyasvaka) becomes enlightened with this knowledge: Seeing thus, a well-taught noble disciple becomes disenchanted with pleasant vedan, disenchanted with painful vedan, disenchanted with neither-painful-norpleasant vedan. Being disenchanted, he becomes dispassionate. Through
Sv II 418, III 882 and Ps II 862, IV 87, Mp I 92, 321, also DhA I 79; ThagA II 95 anupdya savehi citta vimucci MN I 501 31 Sukh pi kho Aggivessana vedan anicc sakhat paiccasamuppann khayadhamm vayadhamm virgadhamm nirodhadhamm (MN I 500)
29 30
22 dispassion [his mind] is liberated. When it is liberated there comes the knowledge: It is liberated. He understands: Birth is destroyed, the holy life has been lived, what had to be done has been done, there is no more coming to any state of being.32 The final phrases of this passage are standard formulations for an enlightened person and are found throughout the Nikyas. The earlier part of the passage places great emphasis on vedan in this description of a practice which results in liberation from suffering.
The Dhtuvibhagasutta Vedan plays a rather different role in a description of the process of liberation in the Dhtuvibhagasutta of the Majjhimanikya. Here an important passage on vedan comes after the description of the process of liberation; it shows how the enlightened person responds to different vedan. This occurs as part of a long section which is a commentary on the first words of a short formula given near the beginning of the sutta: one should not neglect wisdom.33 The text asks, And how, bhikkhu, does one not neglect wisdom? Towards the end of the long passage which is the reply to this question comes the description of liberation, after a sequence in which a person comes to understand that the four formless (arpa) states are conditioned (sakhata). One of the standard formulas to describe the process of liberation follows this: He does not cling to anything in the world. When he does not cling, he is not agitated. When he is not agitated, he personally attains Nibbna. He understands: Birth is destroyed, the holy life has been lived, what had to be done has been done, there is no more coming to any state of being.34
32
Eva passa ariyasvako sukhya pi vedanya nibbindati, dukkhya pi... nibbinda virajjati, virg vimuccati, vimuttasmi vimuttam - iti a hoti; kh jti, vusita brahmacariya, kata karaya npara itthattyti pajnti. MN I 500 33 paa nappamajjeyya MN III 239 34 na kici loke updiyati anupdiya na paritassati aparitassa paccatta yeva parinibbyati: Kh jti vusita brahmacariya, kata karaya npara itthattyti pajnti. MN III 244
23 Then comes the passage in which the way in which the enlightened person just described experiences vedan: If he feels a pleasant vedan, he understands: It is impermanent; there is no holding to it; there is no delight in it. If he feels a painful vedan, he understands: It is impermanent; there is no holding to it; there is no delight in it. If he feels a neither-painful-nor-pleasant vedan, he understands: It is impermanent; there is no holding to it; there is no delight in it. If he feels a pleasant vedan, he feels it detached. If he feels a painful vedan, he feels it detached. If he feels a neither-painful-nor-pleasant vedan, he feels it detached.35 Once again we find the association of impermanence, one of the key notions of the Nikyas, and vedan. Another important idea which we have seen associated with vedan in the Mahtahsakhayasutta is also found here, that of not clinging (anajjhosita). And as in that sutta also, delight is not taken in vedan (anabhinandita). This significant passage on the correct way to respond to vedan of different types is found in a number of other places in the Nikyas. Its importance is in this way underlined. In one of the suttas of the Nidnasayutta36 and one of the suttas of the Khandhasayutta,37 it occurs, as it does in the Dhtuvibhagasutta, after the Birth is destroyed (kh jti) formula which indicates that the bhikkhu is fully liberated. In one of the suttas of the fifth volume of the Sayuttanikya,38 it occurs after a description of a bhikkhu who has developed a series of meditational stages know as the four jhnas, the four formless states and the cessation of perception and sensation (savedayitanirodha). It also occurs in one of the suttas of the Vedansayutta, the section of the Sayuttanikya which is devoted to suttas on the topic of vedan.39
The Chachakkasutta
35
So sukha ce vedana vedeti, S anicc ti pajnti; Anajjhosit ti pajnti; Anabhinandit ti pajnti. Dukkha ce vedana vedeti... So sukha ce vedana vedeti, visayutto na vedeti; so dukkha ce vedana vedeti, visayutto na vedeti, adukkhamasukha ce vedana vedeti, visayutto na vedeti. MN III 244. 36 SN II 82 37 SN III 126 38 SN V 319 39 SN IV 213
24
In the Chachakkasutta of the Majjhimanikya, vedan plays a key role in a passage which first describes how one does not make an end of suffering,40 and which then goes on to describe how one does do this. Making an end of suffering is equivalent to attaining the goal of liberation, so this passage is of great significance to our study. The second part of this passage is as follows: When one is touched by a pleasant vedan, if one does not delight in it, welcome it, and remain holding to it, then the underlying tendency to craving does not lie within one. When one is touched by painful vedan, if one does not sorrow, grieve and lament, does not weep beating ones breast and become distraught, then the underlying tendency to aversion does not lie within one. When one is touched by a neither-painful-nor-pleasant vedan, if one understands as it really is the arising and passing away of vedan, its attraction and danger and the escape from it, then the underlying tendency to ignorance does not lie within one. Bhikkhus, that one shall here and now make an end of suffering by abandoning the underlying tendency to craving for pleasant vedan, by abolishing the underlying tendency to aversion towards painful vedan, by extirpating the underlying tendency to ignorance in regard to neither-painful-nor-pleasant vedan, by abandoning ignorance and arousing knowledge--this is possible.41 In this passage, the soteriological process is described in terms of vedan and the underlying tendencies or (latent) dispositions (CPD) (anusaya). Certain types of anusayas are eradicated in relation to certain types of vedan, and the result of this is the arising of knowledge (vijj) and the end of suffering, that is, liberation.
dukkhass' antakaro bhavissatti n'eta hna vijjati MN II 285 So sukhya vedanya phuho samno nbhinandati nbhivadati njjhosya tihati; tassa rgnusayo nnuseti. Dukkhya vedanya phuho samno na socati na kilamati na paridevati na uratti kandati na sammoha pajjati; tassa paighnusayo nnuseti. Adukkhamasukhya vedanya phuho samno tass vedanya samudaya ca atthagama ca dnava ca nissaraa ca yathbhta pajnti; tassa avijjnusayo nnuseti. So vata, bhikkhave, sukhya vedanya rgnusaya pahya dukkhya vedanya paighnusaya paivinodetv adukkhamasukhya vedanya avijjnusaya samhanitv avijja pahya vijja uppdetv dihe va dhamme dukkhassa antakaro bhavissatti, hnam eta vijjati. MN III 286.
40 41
25 There is a short passage in a sutta of the Nidnasayutta which gives a great deal of emphasis to vedan in the soteriological process. When the three vedan are well understood, I declare that there is nothing further which the noble disciple has to do.42 The phrase nothing further to be done (natthi kici uttari karaya) means that the noble disciple's goal of full liberation has been reached. Later in this sutta the same passage recurs, firstly with the words the three cravings43 replacing the three vedan, and then with the words name and form.44 Thus according to this sutta's account, the full comprehension of vedan is one of three ways of achieving full liberation.
The Vedan-sayutta Third sutta, Pahnena The Vedansayutta of the Sayuttanikya is perhaps the most important source of information in the Nikyas on the term vedan. Many of its suttas describe aspects of the soteriological process. The third sutta of the Vedansayutta, the Pahnenasutta, puts great emphasis on the role of vedan in its description of a practice of this type. The sutta begins with a passage which is a kind of summary of the passage looked at above in the Chachakkasutta of the Majjhimanikya in which the soteriological process is explained in connection with the underlying tendencies (anusayas). As in the Chachakkasutta, certain types of anusayas are eradicated in relation to certain types of vedan, and it is said that the bhikkhu who eradicates these anusayas has made an end of suffering (antam aksi dukkhassa SN IV 205). This description occurs in a prose passage at the beginning of the sutta. This is followed by six lines of verse which repeat the same sentiment. The sutta then ends with another
tsu vedansu paritsu ariyasvakassa natthi kici uttari karayanti vadmi. SN II 99. tisso tah, SN II 100 44 nmarpa SN II 100
42 43
26 four lines of verse which are of great importance for understanding the role of vedan in the soteriological process. But when a bhikkhu who is ardent does not neglect complete understanding, Then that wise man fully understands Vedan in their entirety. Having fully understood vedan He is free from savas in this very life. Firm in Dhamma's ways, with the bodys breakup The one who has knowledge cannot be reckoned.45 Here we find terms from the description of the practice of the four establishings of mindfulness associated with the full comprehension (pari) of vedan, and the result of this is described as full liberation. The bhikkhu does not let go of (na ricati) sampajaa (complete understanding), one of the qualities described in the opening passage of the Satipahnasuttas. The term ardent (tpin) also appears in this part of the Satipahnasuttas, and we find it again in this sutta. The bhikkhu thus has full comprehension of (parijnti) all vedans, and he is wise (paita). In the final two lines, the bhikkhu, having fully understood vedan (So vedan pariya), is said to be free from the savas. He is called one who has knowledge (vedagu) and at death he does not return to the finite world (sakha).
Fifth sutta, the Dahabbenasutta. The last four lines of verse are repeated further on in the Vedansayutta: they provide the concluding lines to the twelfth sutta of the collection, the ksasutta. The final two lines are found again in the fifth sutta of the Vedansayutta, the Dahabbenasutta.
45
Yato ca kho bhikkhu tp, sampajaa na ricati Tato so vedan sabb, parijnti paito So vedan pariya, dihe dhamme ansavo Kyassa bhed dhammaho, sakha nopeti vedag ti. SN IV 206
27 This sutta describes another way in which a bhikkhu can make an end of suffering in connection with vedan: When a bhikkhu regards pleasant vedan as suffering, painful vedan as a barb, neutral vedan as impermanence, such a one is called, bhikkhu, rightly seeing. He has made an end of suffering.46 The logic of seeing pleasant vedan as suffering is explained, as we have noticed, in another sutta of the Vedansayutta (SN IV 216): pleasant vedan is a source of suffering because it is, like all compounded things (sakhras), subject to destruction, decay and change.
The Sallasutta. The theme of unpleasant vedan being a barb, mentioned in the Dahabbenasutta, is elaborated upon in the next sutta, the Sallasutta. The term barb occurs in a simile which likens a person who is not a noble disciple experiencing an unpleasant vedan and as a consequence becoming agitated to a person who is pierced by two barbs. The noble disciple, on the other hand, is pierced by only one barb: he feels the unpleasant vedan, but his mind does not suffer as a result. The noble disciple is then described as not having aversion to unpleasant vedan and thus eradicating the underlying tendencies (anusaya) associated with unpleasant vedan; as not delighting in pleasant vedan and thus eradicating the anusayas related to pleasant vedan; and as understanding the impermanent nature of sensations which are neither pleasant nor unpleasant and thus eradicating the anusayas which are associated with them. This is followed by a passage which we have encountered in the Dhtuvibhagasutta of the Majjhimanikya.
46
Yato kho bhikkhave bhikkhuno sukh vedan dukkhato dih honti, dukkh vedan sallato dih hoti, adukkhamasukh vedan aniccato dih hoti, aya vuccati bhikkhave bhikkhu sammaddaso... antam aksi dukkhass ti. SN IV 207.
28 If he feels a pleasant vedan, he feels it detached. If he feels a painful vedan, he feels it detached. If he feels a neither-painful-nor-pleasant vedan, he feels it detached.47 Here the soteriological import of the practice described in this passage is made explicit and unambiguous by a concluding sentence which is not found in the Dhtuvibhagasutta. The Buddha is represented as stating I say that this noble disciple is called detached from birth, old age, death, grief, suffering, dejection and despair, detached from suffering.
48
The phrasing of this sentence repeats the cadences of the previous passage which refer to the noble disciple as being detached from the various types of vedan. The detachment from suffering that is mentioned here is, in the terms of the Nikyas, the state of liberation.
Vedan and the four noble truths The first sutta of the Vedansayutta The first sutta of the Vedansayutta is another which features vedan in a description of soteriological practices. The first sutta is significant in this respect in two ways. It explains in four lines of verse how a bhikkhu becomes free from craving (nicchta) and fully liberated (parinibbutta). Firstly the bhikkhu is described with the following line: Concentrated, fully understanding, aware is the disciple of the Buddha.49 The terms fully understanding (sampajno) and aware (sato), are key terms in descriptions of one of the important soteriological practice described in the Nikyas, the four establishings of mindfulness.
47
So sukha ce vedana vedeti, visayutto na vedeti; so dukkha ce vedana vedeti, visayutto na vedeti, adukkhamasukha ce vedana vedeti, visayutto na vedeti. SN IV 209. 48 Aya vuccati bhikkhave ariyasvako visauto jtiy jarya maraena sokehi paridevehi dukkhehi domanassehi upysehi visautto dukkhasm ti vadmi. SN IV 210. 49 Samhito sampajno sato buddhassa svako. SN IV 204.
29
The second connection that this sutta has with soteriological practices occurs in the next lines. Here we find vedan used as a substitute for suffering (dukkha) in what is otherwise a rehearsal of the four noble truths. In many places in the Nikyas the Buddha is represented as summarising his teachings as the four noble truths. They are stated in what is traditionally regarded as his first discourse, known as the Dhammacakkapavattanasutta (V I 10 and SN V 420). In a passage which first appears in the second sutta of the Dghanikya, the Smaaphalasutta, and which occurs subsequently in all of the remaining suttas of the first volume of the Dghanikya and in fifteen suttas of the Majjhimanikya, the realisation of the four noble truths is described as the highest goal of a bhikkhu's practice. In this passage it is equated with complete liberation. The four noble truths are given in these suttas in the following terms: He understands as it is This is suffering. He understands as it is This is the arising of suffering. He understands as it is This is the cessation of suffering. He understands as it is This is the path leading to the cessation of suffering.50 In this first sutta of the Vedansayutta we find a parrallel to the four noble truths, with the word suffering (dukkha) replaced by the word vedan. The student of the Buddha, who has full understanding (sampajna) and is aware (sata), understands vedan, and the arising of vedan, and where they cease, and the path leading to (their) destruction.51 The next line of the sutta states that because of the ceasing of sensations, the bhikkhu is liberated. This first sutta of the Vedansayutta is thus of fundamental importance for understanding the significance of vedan in the soteriological process. Vedan is placed here in the context of what is regularly presented in the Nikyas as the Buddha's most
50
So ida dukkhan ti yathbhta pajnti, aya dukkhasamudayo ti yathbhta pajnti, aya dukkhanirodho ti yathbhta pajnti, aya dukkhanirodhagmin paipad ti yathbhta pajnti. DN I 83-84. 51 Vedan ca pajnti, vedannaca sambhava Yattha cet nirujjhanti, maggaca khayagmina. SN IV 204.
30 important statement concerning suffering and the way out of suffering, that is the four noble truths.
Group of four suttas in second chapter of the Vedansayutta Further into the Vedansayutta, in its second chapter, there is a group of four suttas which follow the same model as the first sutta, that is, they would each be a presentation of the four noble truths except that the term suffering is replaced by sensation.52 These suttas are all in prose, differing thus from the first sutta. The central passage of these four suttas is identical. Firstly, the following questions are asked: What is vedan? What is the arising of vedan? What is the ceasing of vedan? What is the path leading to the ceasing of vedan?53 Here we have a passage which follows the pattern in which the four noble truths are enunciated. In reply to the first question comes the following phrase: There are these three vedan, nanda: pleasant, painful and neutral vedan.54 On one level, this may seem an unusual choice as a substitute for dukkha, especially the pleasant (sukha) vedan and the vedan which is neither painful nor pleasant (adukkhamasukha). This thought appears to have occurred to some of those listening to the Buddha's discourses, for there is a sutta in the Vedansayutta which deals with this question. Here a bhikkhu is represented as asking the Buddha how the Buddha's phrase whatever is felt is suffering55 relates to the three vedans, pleasant, painful and neither painful nor pleasant. The bhikkhu's noticing of the apparent discrepancy between the two teachings is praised by the Buddha. He then goes on to point out that all compounded things (sakhras) are
These are suttas number 15, 16, 17, and 18 (SN IV 219-23). Katam nu kho bhante vedan, katamo vedansamudayo, katamo vedannirodho, katam vedannirodhagmin paipad. (SN IV 219-20) 54 Tisso im nanda vedan, sukh vedan dukkh vedan adukkhamasukh vedan. SN IV 220. 55 ya kici vedayita ta dukkhasmi SN IV 216, also found at MN III 208 and SN II 53, and cf. SN IV 205, lines 3-4.
52 53
31 impermanent (anicca), subject to destruction (khayadhamma), decay (vayadhamma), fading away (virgadhamma), ceasing (nirodhadhamma) and change (viparimadhamma), and that it is for this reason that he declared that everything that is felt is suffering. Thus we are allowed to conclude that vedans which are pleasant and neutral also fall into this category of compounded things, and are also suffering. In this respect vedans of all kinds are a suitable substitute for the first noble truth of suffering in this passage which follows the model of the four noble truths. The answers to the next two questions, What is the arising of vedan? and What is the ceasing of vedan? is connected with the place of vedan in the paicca-samuppda. In the paicca-samuppda, vedan is said to exist because of contact (phassapaccay vedan). Here a similar locution is used for the explanation of the arising of vedan: From the arising of contact is the arising of vedan.56 The explanation of the ceasing of vedan in these four suttas of the Vedansayutta is identical to the description of the ceasing of vedan in the reverse statement of the paicca-samuppda. In both we find the phrase From the ceasing of contact is the ceasing of vedan (phassanirodh vedannirodho SN IV 220). The response to the fourth question, What is the path leading to the ceasing of vedan?, is exactly the same as the standard description of the fourth noble truth, the path leading to the ceasing of suffering: it is the noble eightfold path (ariya ahagika magga). Thus in these four suttas of the Vedansayutta the most important soteriological teachings of the Nikyas are given in terms of vedan.
Group of three suttas in the third chapter of the Vedansayutta Further on again into the Vedansayutta, in its third and final chapter, there is a group of three suttas (numbers 23, 24 and 25) which resemble the four that we have just looked at, except that in the middle of the presentation of the four truths of vedan, the arising of vedan, etc., there is a fifth element added. This comes after the arising of vedan
56
32 (vedansamudaya), and is the path leading to the arising of vedan (vedansamudayagmin paipad). These three suttas have the same pattern as the four of the second chapter, in that they are in a question and answer structure. The reply to the question What is the path leading to the arising of vedan is given with one word: craving (tah, SN IV 233). Tah is of course a key term in the descriptions of soteriological practices that we find in the Nikyas. In the classical expositions of the four noble truths, in what is represented as the Buddha's first discourse, for example (SN V 421), or in the Mahsatipahnasutta (D II 308), craving is equated with the arising of suffering (Ida kho pana bhikkhave dukkhasamudayam ariyasacca, yya tah... SN V 241), and the complete cessation of craving is said to be the cessation of suffering (Ida kho pana bhikkhave dukkhanirodham ariyasacca, yo tass yeva tahya asesavirganirodho... SN V 241).
The Pubbeasutta and the phrase pubbe ananussutesu dhammesu cakkhu udapdi The statements concerning vedan that are found in these suttas are emphasised in a significant manner in the second sutta of this group, the Pubbeasutta, the 24th sutta of the Vedansayutta. The Buddha is represented as saying that before his enlightenment (pubbe me bhikkhave sambodh), the questions that we find in the other suttas had occurred to him, that is, What is vedan?, etc. He then relates that the responses as given in the other suttas occurred to him. Finally, each of the elements of these passages are given in the following form: At the thought, bhikkhus, This is vedan, --in things not heard of before there arose in me vision, there arose in me knowledge, insight arose, wisdom arose, light arose.57 Passages which are parallel to this one appear in a few other places in the Nikyas. It seems that this locution is reserved for important utterances. It appears, for example, in the Buddha's first discourse, with This is vedan, etc., replaced by This suffering, etc. It also appears in a sutta of the Dghanikya in which the Buddha is represented as
57
Im vedan ti me bhikkhave pubbe ananussutesu dhammesu cakkhum udapdi, a upapdi, pa udapdi, vijj udapdi, loko udapdi. SN IV 233.
33 relating an account of the life of a former Buddha by the name of Vipassin. In this sutta, the phrase comes after Vipassin's discovery of the paicca-samuppda, which is represented as the moment of his enlightenment. Here the passage begins, At the thought Arising, arising... (Samudayo samudayo ti... DN II 33). This sequence is repeated in seven suttas of the first chapter of the Nidnasayutta, which is the section of the Sayuttanikya concerned with the paicca-samuppda (suttas 4 to 10, SN II 510.) The first six of these suttas deals with the realisation of the paicca-samuppda by six former Buddhas, and thus their enlightenment. After their realisation of each causal link in the paicca-samuppda comes the passage found in the account of the Buddha Vipassin's experience just mentioned. The seventh sutta uses the same terms to describe, in the first person, the experience of Gotama the Buddha. This same passage appears in a short sutta of the Satipahnasayutta of the Sayuttanikya, introduced by each of the four establishings of mindfulness. Thus for the first we find At the thought, bhikkhus, This is the observation of the body with regard to the body, --in things not heard of before there arose in me vision... (Aya kye kynupassan ti me bhikkhave pubbe ananussutesu dhammesu cakkhum udapdi... SN V 178). The practices of the four establishings of mindfulness are, as we have seen, of great importance amongst the soteriological practices of the Nikyas. This formula, then, seems to be used primarily in connection with realisations of great soteriological significance. Its use here in the 24th sutta of the Vedansayutta serves to underline the significance of the practice of knowing vedan in the same way that suffering is known in the description of the four noble truths.
Aguttaranikya sutta, AN I 176-77 (Vediyamnassa ... ida dukkhanti papemi) In all there are nine suttas in the Vedansayutta which present vedan in the same terms as suffering is presented in the four noble truths.58 There is another sutta of great interest on this topic in the Aguttaranikya. The passage which is of interest to our enquiry begins with a statement of the first part of one of the standard presentations of the paicca-samuppda formula found in the Nikyas. At the term vedan, however, it takes a turn which is different from its usual enunciation:
58
34
Conditioned by contact is vedan. Now to him who has feeling, monks, I make known: This is suffering. I make known: This is the arising of suffering. I make known: This is the cessation of suffering. I make known: This is the practice that leads to the cessation of suffering.59 This passage also links vedan and the four noble truths, but in a manner which is quite different to the manner in which this is done in the suttas of the Vedansayutta looked at above. After the statement of the cause of vedan, instead of the next link in the paicca-samuppda, conditioned by vedan is craving (vedanpaccay tah), we find a phrase which begins with the present participle of the verb vediyati, a verb which is related to vedan. This passage seems to be saying that the feeling of vedan is a preliminary requirement for a person to be taught one of the key soteriological doctrines of the Nikyas, that is the doctrine of the four noble truths.
Other contexts in which vedan is presented in the four noble truths formula Returning now to the presentations of vedan in a manner akin to that in which suffering is presented in the four noble truths which we noticed in the Vedansayutta, we must note here that there are other contexts in which we find vedan presented in this manner. In these contexts it finds its place alongside a number of items which are given in the same four-fold pattern. There are several suttas in the Nidnasayutta in which this occurs.60 The other items in this case are the other members of the paicca-samuppda, with the exception of avijj.61 So in these suttas, vedan is given no special emphasis. It takes its place alongside ten other members of the paicca-samuppda, all of which are given in the pattern in which suffering is given in the exposition of the four noble truths. For example, we find old-age-and-death in the following presentation in sutta 13:
59
...phassapaccay vedan. Vediyamnassa kho panha bhikkhave ida dukkhan ti papemi, aya dukkhasamudayo ti papemi, aya dukkhanirodho papemi, aya dukkhanirodhagmin paipad ti papemi. AN I 176-77 60 Suttas 13, 14, 27, 28, 29, 30, 33, 65 and 82-93. 61 The Nidnasayutta is made up of suttas on the theme of the paicca-samuppda.
35 They know old-age-and-death, they know the arising of old-age-and-death, they know the cessation of old-age-and-death, they know the path leading to the cessation of old-age-and-death.62 This then is repeated for the ten following members of the paicca-samuppda, the final member, ignorance (avijj), being omitted. In the Sammdihisutta of the Majjhimanikya, the same pattern with an added question and answer passage for each member (What is old-age-and-death, etc., (Katama pan'vuso jarmaraa, etc., MN I 49)), is found for all the members of the paicca-samuppda, including avijj, and with the term food (hra) added at the beginning. Similarly, there are several suttas in the Khandhasayutta of the Sayuttanikya (suttas 50, 56, and 57), as well as two in other parts of the Sayuttanikya (SN III 257-58 and SN IV 386-87), which present each of the five aggregates which make up a person (the pacakkhandha) in the same four-fold pattern in which suffering is presented in the exposition of the four noble truths. Vedan is one of these aggregates, along with matter (rpa), perceptions (sa), volitional activities (sakhra) and consciousness (via). So in these suttas as well, vedan is not given any special emphasis which would distinguish it from the other aggregates. There is one sutta in the Aguttaranikya in which the treatment of vedan parallels that seen in the above passages: And when the noble disciple thus knows vedan, their origin, variety, fruit, ending, and the steps leading thereto; he knows this penetrative holy life as vedan's end.63 Here we have the same pattern in which suffering is presented in the exposition of the four noble truths with two more items added: the noble disciple also knows the variety (vemattata) of vedans and the result (vipka) of vedans. The soteriological
62
jarmaraam pajnanti, jarmaraasamudayam pajnanti, jarmaraanirodhapajnanti, jarmaraanirodhagmini paipada pajnanti. SN II 15 63 Yato ca kho bhikkhave ariyasvako eva vedan pajnti, eva vedanna nidnasambhava pajnti, eva vedanna vemattata pajnti, eva vedanna vipka pajnti, eva vedannirodha pajnti, eva vedannirodhagminipaipada pajnti, so ima nibbedhika brahmacariya pajnti vedannirodha. AN III 412-13.
36 significance of knowing all of these is underlined by the final phrase in which this practice is describe as being the mode of living of Brahma (brahmacariya). Elsewhere in the Canon, brahmacariya is described as being for completely making an end of suffering (samm dukkhassa antakiriyya Vin.i.12). The PED gives as part of its definition of this term the following phrase: in Buddhist sense the moral life, holy life, religious life, as way to end suffering.... The sutta in which this passage appears also has the same formula repeated for a number of other phenomena. These are sense pleasure (km), perception (sa), the savas (defilemts), karma (Pali kamma), and suffering (dukkha) (A III 410-17). So as with the suttas looked at above in which we find a similar treatment of vedan alongside other members of the paicca-samuppda and of the five aggregates, vedan is not being emphasised in any special way here. The significance of the treatment of vedan is appreciated by the consideration of the wider context. The treatment of vedan in the four-fold pattern that we find in the Vedansayutta does not occur for any of the other members of the paicca-samuppda, nor for any of the other aggregates. Nowhere in the Nikyas are they treated in this manner in isolation from the other members. Vedan is unique amongst these terms in being presented on its own in the formulation that is associated with the four noble truths.
Conclusion The passages studied in this chapter clearly give great emphasis to vedan in their descriptions of soteriological processes. As far as I am aware, none of these passages have been grouped together and examined by those who have written on these texts. This survey shows that Goenkas emphasis on vedan in his meditation teachings have a firm basis in the texts of the Nikyas. When drawing conclusions from any study of passages in the Nikyas, however, it is important to bear in mind the disparate nature of these texts. R. Gethins comments, quoted in the introduction to this thesis, are worth repeating here:
37
We are faced not so much with a single finished canvas as with a bewildering array of sketches and detailed studies which it is impossible to take in at once. Their subject is seen from different angles and in various aspects; it is viewed from near and afar.64 There are of course many suttas in the Nikyas which make no mention of the term vedan. This is not to say, however, that these suttas contradict the hypothesis that the correct understanding of vedan is an important element in the path to liberation. The following chapter pursues this theme further in an investigation of the term vedan as it is used in certain important causal schemas found in these texts.
64
38 Chapter Two: Vedan and the paicca-samuppda A number of modern writers on the Pali texts have made remarkable comments about the importance of the role of the term vedan in the descriptions of various causal sequences in the Nikyas. Thus D. Kalupahana in his study of causality in Buddhism: ... up to the point of feeling or sensation one is governed by the causal pattern. But immediately after that begins deliberate activity, which can lead one either to subjection to the objective order of things, that is, to enslavement to things of the world, or to freedom from bondage to such things through the elimination of egoconsciousness.1 As noted in the introduction to this thesis, Nyanaponika has also given great emphasis to vedan in this context. Here he translates vedan as Feeling: Through actual experience it can thus be confirmed that the ever-revolving round of Dependent Origination (paicca-samuppda) can be stopped at the point of Feeling, and that there is no inherent necessity that Feeling is followed by Craving. Here we encounter Feeling as a key factor on the path of liberation 1 Bhikkhu Bodhi also lays great stress on the crucial role of vedan (again translated as feeling): a relationship of conditionality, unlike a necessitarian one, allows for a margin of freedom in responding to the condition. The place in the sequence of conditions where that margin takes on the greatest importance is the link between feeling and craving. It is at that brief moment when the present resultant phase has come to a culmination in feeling, but the present causal phase has not yet begun, that the issue of bondage and liberation is decided. If the response to feeling is governed by ignorance and craving, the round continues to revolve; if
Thera Nyanaponika, Contemplation of Feeling, Kandy, Buddhist Publication Society, 1983, p.2.
39 the response replaces craving with restraint, mindfulness and methodical attention, a movement is made in the direction of cessation.2 Having made these striking observations on the place of vedan in certain causal sequences, it is surprising that none of these writers has looked in detail at the use of this term in such contexts in the Nikyas. This chapter examines the use of the term vedan in causal sequences such as the paicca-samuppda in the Nikyas. The paicca-samuppda is an important concept in the Nikyas. In one of the suttas of the Majjhimanikya it is equated with the dhamma (the teaching of the Buddha) itself: He who sees the paicca-samuppda sees the dhamma, he who sees the dhamma sees the paicca-samuppda.3 An obvious place to begin our investigations of the textual accounts of the paiccasamuppda is the Nidna-sayutta of the Sayuttanikya. This important section of the canon groups together suttas which deal with the concept of cause (nidna). The first sutta, in reply to the question what is the paicca-samuppda?, gives the following statement, without any elaboration: ...conditioned by ignorance are the karma-formations; conditioned by the karmaformations is consciousness; conditioned by consciousness is psycho-physicality; conditioned by psycho-physicality are the six (sensory) spheres; conditioned by the six (sensory) spheres is contact; conditioned by contact is vedan; conditioned by vedan is craving; conditioned by craving is grasping; conditioned by grasping is becoming; conditioned by becoming is birth; conditioned by birth, ageing and dying, grief, sorrow, suffering, lamentation and despair come into being Such is the arising of this entire mass of suffering.4
Bhikkhu Bodhi, The Great Discourse on Causation, The Mahnidna Sutta and its Commentaries, Kandy, Buddhist Publication Society, 1984, p.11-12. 3 Yo paicca-samuppda passati so dhamma passati, yo dhamma passati so paicca-samuppda passati. MN I 191 4 Avijj-paccay sakhr, sakhra-paccay via, vina-paccay nma-rpa, nma-rpapaccay sayatan, sayatana-paccay-phasso, phassa-paccay vedan, vedan-paccay tah, tahpaccay updna, updna-paccay bhavo, bhava-paccay jti-paccay jar-maraa soka-paridevadukkha-domanassupys sambhavanti. SN II 1-2
2
40
This sequence of twelve links is found in this form in many suttas of all four Nikyas. A wide variety of translations and interpretations have been applied to these terms. The term sakhra, for instance, can be found in modern translations as any of the following: impressions, conformations, formations, disposition, aggregates, mental activities, volitional acts, composite-unity, pre-natal forces, co-operating forces, synthesis, karmic form-energy and affirmations5. As A.L. Basham has noted, this series has been commented on again and again by ancient and modern scholars, and perhaps not fully understood by anybody.6 I do not intend to provide a commentary on this series here. Rather I will attempt to elucidate the role of just one of the terms of the sequence, vedan. This will of course entail some discussion of the terms in its immediate vicinity, and some comments on the series as a whole. I will also attempt to place the discussion found in the suttas on vedan and the paicca-samuppda in the broader context of the teachings of the Nikyas. As R. Gethin has put it, In their own terms, the Nikyas teach but two things: dukkha [suffering] and the cessation of dukkha. And he adds, significantly, that in the Nikyas the processes and means that bring about the cessation of dukkha are conceived of primarily in terms of spiritual practice and development.7 With reference to the paicca-samuppda, Gethin has some relevant comments upon which I will elaborate in this chapter: ... in Buddhist thought discussion of paiccasamuppda... is not pursued as an end in itself but subordinated to the notion of the spiritual path...8 An important aspect of the presentation of the paicca-samuppda quoted above is that not one of the terms of the sequence is given more emphasis than any other term. There are many suttas, however, which highlight one term or another, and there are quite a number of suttas which throw light on the term vedan and on its place in the series.
See David M. Williams, The Translation and Interpretation of the Twelve Terms in the Paiccasamuppda, Numen, vol.XXI, 1974, p.40. 6 A.L. Basham, The Wonder that was India, Calcutta, Rupa, 1991, p. 271. 7 R. Gethin, The Buddhist Path to Awakening, Leiden Brill, 1992, p.18. 8 Ibid., p.19.
5
41 The Mahnidnasutta When turning to the Dghanikya in our investigation of the paicca-samuppda, the Mahnidnasutta (the Great Discourse on Causation) provides an obvious starting point. Rhys Davids, in the introduction to his historic 1910 translation of this sutta made the following comments: The doctrine of paicca-samuppda--that all dhamm (phenomena physical and mental) are paiccasamuppann (happen by way of cause) finds in the following Suttanta the fullest exposition accorded to it throughout the Piakas.9 This discourse is occasioned by some comments on the paicca-samuppda by nanda, the Buddhas attendant. nanda claims that the paicca-samuppda appears clear to him, and the Buddha reprimands him for underestimating its significance before proceeding with his exposition. This response could well serve as a warning to any exegetist working on this series. The sutta continues with the Buddha giving an outline of the series, first in the manner of a catechism, and then in the standard version which is used in the first sutta of the Nidna-sayutta, quoted above. There is, however, an important difference: three of the twelve terms of the Nidna-sayutta sequence are missing. They are avijj, sakhra and sayatana. These omissions do not, however, affect the place of the term vedan in the sequence; the terms preceding and following vedan remain the same. As in the first sutta of the Nidna-sayutta, the first two presentations of the paicca-samuppda series in this sutta do not lay emphasis on any particular term or terms of the series. All are presented in a uniform, undifferentiated manner. The sutta continues with a third presentation of the paicca-samuppda series in a third format. And on this occasion a strong emphasis is given to the vedan link. This third presentation proceeds by giving a short explanation of each term in the series. The usual progression of terms is followed, beginning with jti, up until vedan. From vedan, however, the description of the causal sequence turns back on itself to again describe the
9
T.W. Rhys Davids, Dialogues of the Buddha, vol.ii, London, Pali Text Society, 1977, p.42.
42 relationship between tah and vedan. This now leads into a new sequence of causation. In the standard paicca-samuppda series, the existence of updna is dependent on tah. Instead, in this passage, the next phrase is taha paicca pariyesan (craving conditions seeking), which in turn gives rise to the following series: seeking conditions acquisition, acquisition conditions decision-making, decisionmaking conditions lustful desire, lustful desire conditions attachment, attachment conditions appropriation, appropriation conditions avarice, avarice conditions guarding of possessions, and because of guarding of possessions there arise the taking up of stick and sword, quarrels, disputes, arguments, strife, abuse, lying and other evil unskilled states.10 The text then continues with a reiteration of the new series in reverse order, in an expanded formula which emphasizes the dependence of each element of the series upon the preceding element. Finally we come back to the term tah. And at this point a statement is made concerning the importance of the role of vedan in the scheme of these sequences. In Pali it reads as follows: Iti kho nanda ime dve dhamm dvayena vedanya eka-samosara bhavanti.11 This phrase has presented some difficulties for translators over the years. T.W. Rhys Davids felt the need to include a few words in square brackets in his translation, in an attempt to make the meaning more clear. So, now, nanda, these two aspects [of craving] from being dual become united through the sensation [which conditions them].12 Bhikkhu Bodhi, in his 1985 translation, offers a slightly different emphasis:
10
pariyesana paicca lbho, lbha paicca vinicchayo, vinicchaya paicca chanda-rgo, chandarga paicca ajjhosna, ajjhosna paicca pariggaho, pariggaha paicca macchariya, macchariya paicca rakkho, rakkhdhikaraa dadna-satthdna-kalaha-viggaha-vivdatuvatuva-pesua-musvd aneke ppak akusal dhamm sambhavanti. DN II 58-59 11 DN II 61 12 T.W. Rhys Davids, Dialogues of the Buddha, London, Pali Text Society, 1977, vol. ii, p.52.
43
Therefore, nanda, these two phenomena, being a duality, converge into a unity in feeling.13 The phrase vedanya eka-samosara puts strong emphasis on the term vedan. The term samosaraa is a rather uncommon one. The Pali Text Societys Pali-English Dictionary notes that it means coming together, meeting, union, junction. A.K. Warder, in his Introduction to Pali, recommends that in order to elucidate key terms, the student should work if possible from concrete everyday language... to the less obvious dialogues of the philosophers.14 In a Sayuttanikya sutta we find a passage where this term is used in just such an everyday context. Just as, brethren, in a peaked house all rafters whatsoever go together to the peak, slope to the peak, join [samosaraa] in the peak, and of them all the peak holds chief place.15 This vivid image gives an impression of the emphasis being placed on the term vedan. Vedan links the two sequences which are the subject of this section of the sutta. By viewing the two sequences side by side (fig. 1), we can see that both tah and vedan, amongst other terms, are common to them. And yet the above statement identifies vedan as the point where the two come together. This pointed emphasis on vedan will be more fully appreciated when we come to look at suttas which explore this junction in more detail. The current text, at this point, returns to its exposition of the standard paicca-samuppda series.
Bhikkhu Bodhi, The Great Discourse on Causation, The Mahnidna Sutta and its Commentaries, Kandy, Buddhist Publication Society, 1984, p.12. 14 A.K. Warder, Introduction to Pali, London, Pali Text Society, 1984, p.xi. 15 Seyyath pi bhikkhave kgrassa y kci gopnasiyo sabb t kagam kaninn kasamosara kta tsam aggam akkhyati. SN III 156.
13
44 Fig. 1 Mahnidnasutta: 1st sequence consciousness (via) name-and-form (nma-rpa) contact (phassa) vedan craving (tah) grasping (updna) becoming (bhava) birth (jti) 2nd sequence consciousness (via) name-and-form (nma-rpa) contact (phassa) vedan craving (tah) seeking (pariyesan) acquisition (lbha) decision-making (vinicchaya) old-age and death, etc. (jar-maraa) lustful desire (chanda-rgo) attachment (ajjhosna) appropriation (pariggaha) avarice (macchariya) guarding of possessions (rakkha) taking up of stick and sword, etc. (dadna-satthdna )
Following this exposition, the remainder of the sutta is not directly concerned with the paicca-samuppda, but one term from the series is given some further attention in a long passage which discusses various soul theories; this is our term vedan. This part of the sutta has been examined in detail in the first chapter of this thesis.
The Brahmajlasutta The Dghanikya is counted as the first book amongst the collections of suttas of the Pali canon. Its first sutta, the Brahmajlasutta, lays strong emphasis on vedan and discusses it in relation to the paicca-samuppda. The main body of the sutta is an exposition of sixty-two of the views or philosophies (dihis) which were prevelant in the Buddhas day, and their relationship to the Buddhas realization. Following this detailed exposition, which occupies some twenty-six pages in the Pali Text Society edition,16 is a
16
DN I 13-38.
45 section which the editors of that edition have headed as the Summary17. Each of the sixty-two views are here stated three times, grouped in their various categories (or rather the holders of these views are listed as proclaiming their views), qualified in a different way each time. Finally, all of these view-holders are listed in relation to the paiccasamuppda, which is here stated for the first time, in a shortened version. Thus, the sixty-two dih are presented in five rounds: firstly with their particulars detailed, and then three times in the summary and finally with reference to the paicca-samuppda. The first four rounds, in fact, bring us closer and closer to the final presentation, and what we see here is a kind of evolution of the paicca-samuppda. The relationship of the various views to the Buddhas realization in the first round is expressed in the following terms: This, bhikkhus, the Tathgata understands: These viewpoints thus grasped and adhered to will lead to such-and-such destinations in another world. This the Tathgata knows, and more, but he is not attached to that knowledge. And being thus unattached he has experienced for himself perfect peace, and having understood as they really are the arising and passing away of vedan, their attraction and danger and the escape from them, the Tathgata is liberated without remainder.18 This passage appears in identical form thirteen times, as a foil to the various and manifold doctrines. In the previous chapter we noted the important role that vedan plays in this passage. The repeated passage of the second round presents some problems of translation and interpretation (Maurice Walshe comments that the difficulty of translating Pali is sometimes considerable, even when one thinks one knows the meaning!19):
DN I 39-45. Tayida bhikkhave Tathgato pajnti: Ime dihihn eva-gahit eva-parmah eva-gatik bhavissanti evam-abhisampary ti. Ta ca Tathgato pajnti, tato ca uttaritara pajnti, ta ca pajnana na parmasati, aparmasato cassa paccatta yeva nibbuti vidit, vedanna samudaya ca atthagama ca assda ca dnava ca nissaraa ca yath-bhta viditv anupd vimutto, bhikkhave, Tathgato. DN I 16-17. 19 Ibid., p. 534.
17 18
46 Tatra, bhikkhave, ye te samaa-brhma sassata-vd sassata attna ca loka ca papenti catuhi vatthhi, tad api tesa bhavata samaabrhmana ajnata apassata vedayita tah-gatna paritasitavippanditam eva.20 This passage is repeated thirteen times, each time in relation to a different group of samaa-brhmaas and their respective dihis. T.W. Rhys Davids and Walshe offer slightly different interpretations through their translations. Rhys Davids, whose translation of the Dghanikya was the work of a pioneer, proposes the following: Of these, brethren, those recluses and Brahmans who are Eternalists, who in four ways maintain that the soul and the world are eternal... that opinion of theirs is based only on the personal sensations, on the worry and writhing consequent thereon, of those venerable recluses and Brahmans, who know not, neither perceive, and are subject to all kinds of craving.21 Walshe gives: Thus, monks, when those ascetics and Brahmins who are Eternalists proclaim the eternity of the self and the world in four ways, that is merely the feeling of those who do not know and see, the worry and vacillation of those immersed in craving.22 The key word in the current context is vedayita, and the key issue is whether or not it can be equated with the term vedan of the paicca-samuppda. Its role in the sentence also needs to be considered, and through this consideration I find myself at variance with both of the above renderings. The PED gives vedayita as the past participle of the verb vedeti, which is explained in a separate entry as having a twofold meaning:
DN I 39 Dialogues of the Buddha, volume I, The Pali Text Society, London, 1977, pp. 52-53. 22 Op. cit., p. 87.
20 21
47 either intellectually to know (cp. veda), or with reference to general feeling to experience (cp. vedan). For the present tense two bases are to be distinguished, viz. ved, used in both meanings; and vediy used only in meaning of experience.23 Vedayita is closely related to the second form, and thus to the second part of the twofold meaning, which this dictionary compares to the paicca-samuppda term vedan. Childers Dictionary of the Pali Language,24 an older work but one still held in high repute (first published in 1875; old but still important, comments Warder25) approaches this term from a different angle, but reaches a similar conclusion. Under the definition of vidati, which is given as to know, to ascertain, we read that there is a curious form vediyati, often contracted to vedeti, which is used in the sense to feel, experience. And further on: from vediyati we have the participle of the perfect passive, neut. vedayita, sensation, feeling. The PED gives in its entry for vedayita only its meaning as an adjective, but here we find it as a noun. In Pali, as Warder has pointed out, the distinction between substantives and adjectives is not absolute, a good many words being used in both functions.26 He gives vedayita as a neuter noun meaning sensation, experience in the vocabulary of this book. It is as a noun that we can find similarity between this word and the vedan link of the paicca-samuppda. Rhys Davids, one of the editors of the PED, gives in his translation of the passage under examination, the adjectival meaning of vedayita, which he renders as based... on the personal sensations. Walshe has it as the noun, which seems to be clearer in the context of the sentence: surely it relates directly, as an accusative noun, to the preceding nouns in the genitive. These samaa-brhmaas are being described as ajnata apassata (not knowing, not seeing) of vedayita, in contrast to the Tathgata who has properly understood (yathbhta viditv) the characteristics of vedan, as described in the previous round.
T.W. Rhys Davids and William Stede, (editors), The Pali Text Societys Pali-English Dictionary, The Pali Text Society, London, 1986, p.648. 24 Robert Caesar Childers, A Dictionary of the Pali Language, Kegan Paul and Co., London, 1974. 25 Introduction to Pali, p.383. 26 Ibid., p.62.
23
48 The final nominative in this sentence is the compound paritasita-vipphandita (Rhy Davids worry and writhing), and this relates to the immediately preceding compound noun in the genitive (tah-gatna). This genitive is an attribute of the genitive samaa-brhmana found earlier in the sentence. As a rule attributes immediately follow the word to which they relate, but here we find the nominative vedayita between the main group of genitive nouns and this one. In Pali, according to Warder, departures from the usual word order in prose indicates emphasis, strong emotion.27 Thus we find the term tah (craving) thrown into relief, and it is this term, central to the Buddhas exposition of his realization in inummerable suttas, which follows the term vedan in the paicca-samuppda series. Maurice Walshes translation of this phrase seems to be gaining more credibility as we proceed. There is, however, one important aspect in which I feel it is lacking, and where Rhys Davids seems to come closer to what the real meaning may be. Walshe gives equal weight to the two words not in the genitive in this phrase (vedayita and paritasitavipphandita): that is merely the feeling of those..., the worry and vacillation of those... Yet it seems that they perform quite different roles in the sentence. Vedayita is grammatically subordinate to the two present participles which qualify samaabrhmanna, namely ajnata apassata. What is felt is what they do not know or see. On the other hand, the nominative paritasita-vipphandita relates to the whole clause, with an idiomatic relationship to the nouns in the genitive. Warder explains this idiom thus: A construction with a possessive genitive is very often equivalent to an English construction with the verb to have. (In Pali to have is hardly ever expressed by a verb but almost always by the genitive case.)... ida assa hoti, literally of him there is this, he has this.28
27 28
A.K Warder, Introduction to Pali, London, Pali Text Society, 1984, p.43, footnote 1. Ibid., p. 56.
49 So the two words vedayita and paritasita-vipphandita are in a definite sequence, together with the intervening compound in the genitive (tah-gatna). If we equate the phrase paritasita-vipphandita (worry and vacillation) with domanassa (distress... mental pain... unpleasant state of mind (PED)), which appears as one of the defining terms for dukkha (suffering) in the paicca-samuppda, then we have the kernal of the paicca-samuppda expressed in this round of explanation of the invalidity of the sixty-two dihis. The samaa-brhmaas, not knowing, not seeing vedan, involved in craving (tah-gat), acquire this suffering. What we see here then, is an adumbration of the significant central section of the paicca-samuppda: vedan craving (tah)suffering (dukkha). The third round is presented with a similar summarized version of the sixty-two views presented in groups, each of which is qualified in the same terms. This time we find the phrase tad api phassa-paccay at the end of each group of views, which Walshe gives as that is conditioned by contact. This is the first usage in this sutta of the term paccaya (condition or cause), the term which connects the links in the standard presentation of the paicca-samuppda. Both here and in the standard version of the paicca-samuppda the term paccaya is declined in the ablative case, indicating cause, a usage common in philosophical statements.29 This term is compounded with the word phassa (contact). The significance of the term here is its place in the paicca-samuppda, immediately preceding the term vedan, which has been the basis of the elaborations of the first two rounds. So we take one step back in the paicca-samuppda after the foreshadowing of the forward part of the chain in the preceding round. We are witnessing a kind of working out of the paiccasamuppda, an evolutionary process that we do not see in the many standard presentations of the paicca-samuppda given in the Nikyas. In the fourth round the wording becomes more emphatic. This categorical statement follows each of the groups of dihis which are arranged in the same way as they are in the previous two rounds:
29
50 ... te vata aatra phass paisavedissantti neta hna vijjati.30 For this Walshe gives: That all of these (Eternalists and the rest) should experience that feeling without contact is impossible.31 And Rhys Davids in a similar vein: That they should experience those sensations without contact, such a condition of things could not be.32 Both of them capture the emphatic nature of the idiom neta hna vijjati (this is impossible, it is not the case). More significantly, both of them use a similar choice of words to express the verb paisavedissanti. The root of this verb (pai-sa-vid) is defined by Warder as meaning feel, experience, and the PED uses the same words in its entry for paisavedeti (as well as undergo and perceive). Yet both of our translators choose to use a verb and an object to render this verb: experience that feeling (Walshe) and experience those sensations (Rhys Davids). Feeling and sensation are two words that both of them commonly use to translate the Pali term vedan. This term can be construed as being related to the root vid of the verb in question. Rhys Davids and Walshe have both chosen to extrapolate the noun vedan from the verb pai-sa-vid, and in doing so they have connected this passage with the paicca-samuppda, of which vedan is one of the key terms. Each of the successive rounds of the Brahmajlasutta moves closer and closer to the final form of the paicca-samuppda. The emphatic ... te vata aatra phass paisavedissantti neta hna vijjati
51 of this round can be read in this light as adumbrating the phassa-paccay vedan link of the paicca-samuppda Moreover, this phrase implies that there can be no vedan without phassa. This looks forward to the further elaboration of the paicca-samuppda, not found in this sutta, in which it is stated that phassa-nirodh vedan-nirodho.33 That is with the cessation of contact, sensations cease. The fifth and final round is much shorter than any of the preceding ones. All of the theorisers are listed in one sentence which ends with the following phrase in Walshes translation: they experience these feelings (paisavedenti) by repeated contact through the six sense-bases; feeling conditions craving; craving conditions clinging; clinging conditions becoming; becoming conditions birth; birth conditions ageing and death, sorrow, lamentation, sadness and distress.34 Rhys Davids and Walshe again translate paisavedenti with verb and object. Walshe continues with his experience these feelings. They are somewhat vindicated by the phrase which immediately follows this verb (tesa vedan-paccay tah), which Rhys Davids translates in an accurate, literal manner, which reads however rather clumsily: To them on account of the sensations arises craving The verb pai-savid is thus directly linked with the term vedan, of which the word sensations is a translation. And from there the rest of the paicca-samuppda unfolds, as found verbatim in many other passages of the Pali canon. The phrase preceding the term paisavedenti is also of much interest in our study of the evolution of the paicca-samuppda in this sutta: ... chahi phassyatanehi phussa phussa paisavedenti...
Found, amongst many other places, at DN II 35. ... sabbe te chahi phassyatanehi phussa phussa paisavedenti, tesa vedan-paccay tah, tahpaccay updna, updna-paccay bhavo, bhava-paccay jti-paccay jar-maraa soka-paridevadukkha-domanassupys sambhavanti. DN I 45.
33 34
52
It is the compound phassyatan which commands our attention. The phassa is the same contact which played such an important role in the previous two rounds. yatana is a new term for this sutta and is found immediately preceding phassa in the standard setting of the paicca-samuppda as sayatana. Sa is a variant form of the word cha, which we find here in the Brahmajlasutta in the instrumental case, meaning six. The word yatana literally means sphere or region, and the six yatana refer to the six spheres of perception, that is the five physical senses and the mind, and their corresponding objects: eye and visual objects; ear and sound; nose and odour; tongue and taste; body and touch; and mind and objects of the mind, that is thoughts of all kind. The compound is related to the verb paisavedenti by the use of an instrumental case ending (phassyatanehi). Thus we see foreshadowing of the section of the paicca-samuppda which precedes the term vedan: sayatanaphassavedan. We see in this passage an exposition of the paicca-samuppda in a manner quite unlike the standard formula which we find in so many suttas35. The usual setting is to indicate avijj (ignorance) as the base of the this entire mass of suffering (etassa kevalassa dukkhakkhandhassa samudayo), and then upwards through sakhra, via, nmarpa, sayatana, phassa, vedan, and from there onwards as we find it in this passage of the Brahmajlasutta. Instead we find that the furthest back that the workings of dependent origination are expounded is some kind of combination of phassa and sayatana. The effect of this is to highlight the vedan link of the paicca-samuppda: phussa phussa paisavedenti, repeatedly or continuously experiencing vedan, which results in tah (craving) and ultimately in dukkha. This emphasis on vedan in the last round harks back to the first round, in which the Buddhas enlightenment is described in terms of his understanding of the characteristics of vedan. The entire sutta is a kind of lead-up to this first, partial, exposition of dependent origination (paicca-samuppda) in the Canon36, in which we see various elements of it in embryonic form. And, as we have seen, a great deal of emphasis is given to vedan and to terms related to it (vedayita and paisavedeti) in the description of this process.
35 36
For example, in the first fifteen sutta of the second volume of the Samyutta-nikaya. Walshe, op. cit., p. 543, note 88.
53 The Mahtahsakhayasutta The paicca-samuppda forms the subject matter of a number of suttas of the Majjhimanikya. One of the most interesting of these is the well-known Mahtahsakhayasutta (the Great Discourse on the Destruction of Craving). In the first portions of the sutta, we find several statements of the standard, twelve-member paicca-samuppda formula, in which each link is presented in an undifferentiated manner, no one member being emphasised more than another. The later part of the sutta, which places great emphasis on the term vedan in its description of a soteriological practice, has been examined in the first chapter of this thesis. The following passage is the point at which the description of a certain way of reacting to vedan leads into the cycle of suffering that is the paicca-samuppda: whatever vedan he feels--pleasant or painful or neither painful nor pleasant-he delights in that sensation, welcomes it and persists in cleaving to it. From delighting in that vedan, from welcoming it, from persisting in cleaving to it, delight (nand) arises; whatever is delight amid those vedan, that is grasping; conditioned by grasping is becoming; conditioned by becoming is birth; conditioned by birth, old age and dying, grief, sorrow, suffering, lamentation and despair come into being. Such is the arising of this entire mass of suffering.37 The terminology is exactly the same as that used in the standard exposition of the paicca-samuppda, except that in place of craving (tah) we here find the term nand, joy, enjoyment, pleasure, delight (PED). The statement of the contrary state of affairs, when mindfulness of the body (kyasati) is in place (upahita), places similar emphasis on vedan. The person described no longer delights in vedan38; the delight (nand) in vedan ceases:
37
yam kaci vedana vedeti, sukha v dukkha v adukkhamasukha v, so ta vedana abhinandati abhivadati ajjhosya tihati Tassa ta vedana abhinandato abhivadato ajjhosya tihato uppajjati nand, y vedansu nand tad-updnam, tassupdnapaccay bhavo, bhavapaccay jti, jtipaccay jarmaranam sokaparidevadukkhadomanassupys sambhavanti, evam-etassa kevalassa dukkhakkhandhassa samudayo hoti. MN I 266-7 38 so ta vedana nbhinandati MN I 270
54 y vedansu nand s nirujjhati...39 And from this point the reverse sequence of the paicca-samuppda is given, ending with the usual formula Thus this entire mass of suffering ceases.40 The centrality of vedan to this process has been commented upon by Bhikkhu Bodhi. At the phrase he does not delight in that vedan,41 he notes in his translation, that [t]his statement reveals that the chain of dependent origination is broken at the link between feeling and craving. if one does not delight in feeling, craving will not have the opportunity to arise and set off reactions of like and dislike that provide further fuel for the round, and thus the round will come to an end.42 The point of departure for the Mahtahsakhayasutta is the opinion of a certain bhikkhu named Sti on the nature of via (consciousness) and the Buddhas rebuttal of this opinion. David Kalupahana has summarized this part of the sutta in the following manner: This discourse contains the famous Stis heresy, namely, the assumption that, to explain the possible continuity of human life after death, there ought to be a mysterious psychic agent that remains unchanged. The Buddhas application of the principle of dependent arising (paicca-samuppda) to account for any form of continuity is highlighted.43 The Buddha states that via is generated by conditions (paiccasamuppanna). He further indicates that there are six types of via, each of which is conditioned by one of the six senses (manas, the mind, is counted as one of these) and the object with which it comes in contact. Thus for visual consciousness:
MN I 270 evam etassa kevalassa dukkhakkhandhassa nirodho hoti. MN I 270 41 so ta vedana nbhinandati MN I 270 42 MLDB, pp.1232-3, note 414 43 David J. Kalupahana, A History of Buddhist Philosophy, continuities and discontinuities, Honolulu, University of Hawaii Press, 1992, p.272.
39 40
55 If consciousness arises because of the eye and material shapes, it is known as visual consciousness.44
The Nidna-sayutta, sutta 43, SN II 72 The first part of this account of the nature of the different kinds of via plays an important role in a number of suttas which deal with parts of the paicca-samuppda and in which vedan is highlighted as an important link in the causal sequence. The 43rd sutta of the Nidna-sayutta displays this sequence in its most basic form. First comes the description of consciousness that we encountered in the Mahtahsakhayasutta: Visual consciousness arises because of eye and material shapes...45 The union of these three is described as contact (phassa).46 In the standard formulation of the paicca-samuppda, contact leads to vedan. Here also we find the usual phrase describing this connection: from the condition of contact is vedan.47 After this comes a statement of the next link, with the usual phrasing: from the condition of vedan is craving.48 Here, though, the sequence is broken off. Instead of the four terms which usually follow craving (tah) (updna, etc.) the passage ends abruptly with a short concluding phrase: This, bhikkhus, is the arising of suffering.49
44
45
Cakkhu-ca paicca rpe ca uppajjati via, cakkhuvian-teva sakha gacchati. MN I 259 Cakkhu ca paicca rpe ca uppajjati cakkhuvia SN II 72 46 tia sagati phasso SN II 72 47 phassapaccay vedan 48 vedanpaccay tah. 49 Aya kho bhikkhave dukkhassa samudayo. SN II 72
56 The same sequence is then repeated for the five remaining sense faculties. This brief description of the arising of suffering (dukkha) is of great significance in understanding the place of vedan in the scheme of things in these texts. The arising of dukkha is equated here with the central crux of the paicca-samuppda. The paiccasamuppda is in fact reduced to three elements: phassa, vedan, and tah. The arising of the first of these comes about in an involuntary manner. The meeting of eye, material shape and visual consciousness is a mechanical process over which the individual does not have any control. To appreciate the full significance of the remaing two elements, we have to turn to the second section of the sutta, in which the Buddha teaches, as he announces in the first lines of the sutta, the disappearance (atthagama) of dukkha. The atthagama section begins in an identical manner to the first section on the arising (samudaya) of dukkha. After the phrase from the condition of vedan is craving (vedanpaccay tah), however, we find the following: From the complete cessation of craving comes the cessation of grasping...50 This leads into the so-called pailoma (reverse order) statement of the remainder of the paicca-samuppda, in which the cessation (nirodha) of one member of the sequence is said to be the cause for the cessation of the next. This culminates in the cessation of dukkha, its disappearance (atthagamo). The turning point is thus tah, which is dependent on vedan. This re-formulation of the paicca-samuppda, to include elements from the usual anuloma (forward order) exposition as well as the pailoma exposition in one sequence, is quite striking. A phrase very similar to that which usually begins the pailoma version--Avijjya tveva asesavirganirodh (from the complete cessation of ignorance... )--is here found in the middle of the causal sequence, with the word craving (tah) substituted for ignorance (avijj). So the process which is described as leading to suffering in the first half of the sutta does not necessarily lead to suffering, for the same process also begins the sequence found in the second half. The key to the stopping of one process and the starting of the other must therefore be found amongst those terms which constitute the turning point:
50
57
from the condition of vedan is craving; from the complete cessation of craving comes 51 We will look again at this Nidnasayutta sutta in the next section of this chapter, which takes as its point of depature two causal sequences described in the Chachakkasutta of the Majjhimanikya.
The Chachakkasutta. Throughout the Nikyas we find the paicca-samuppda presented as a kind of list, in which no one member is given any more emphasis than any other. There are, however, many suttas where some members of this sequence appear in contexts which highlight certain features of the sequence. The Chachakkasutta of the Majjhimanikya is one such sutta. We have already noticed in the previous chapter that this sutta gives emphasis to vedan in a description of a soteriological process. There are two features which indicate that this sutta is to be regarded as especially important. The Buddha is represented as speaking the following phrase in the opening lines: Bhikkhus, I shall teach you the Dhamma that is good in the beginning, good in the middle, and good in the end, with the right meaning and phrasing; I shall reveal a holy life that is utterly perfect and pure, that is, the six sets of six.52 The description of the Dhamma (the Buddhas teaching) and the holy life (brahmacariya) that occurs in this passage is found in many places in the suttas. It is, however, only here that it introduces one of the Buddhas discourses. Here it is, in fact, identified with the discourse. The closing lines of this sutta also indicate that it is of special importance. It is related there that while this discourse was being spoken, the minds of sixty bhikkhus became
vedanpaccay tah; tassyeva tahya asesavirganirodh... SN II 72 Dhamma vo, bhikkhave, desissmi dikalya majjhe kalya, pariyosna kalya sttha sabyajana kevalaparipua parisuddha brahmacariya paksessmi, yadida cha chakkni. MN III 280
51
52
58 liberated from the savas (defilements).53 There are only a few other suttas in the Nikyas which end with formulas which are similar to this. Amongst them are those suttas which are considered by the tradition to be the second and third discourses of the Buddha.54 There are two important passages in the Chachakkasutta which are related to the place of vedan in the paicca-samuppda and which recur in many other suttas in the Nikyas. The first of these includes three of the elements which occur sequentially in the middle part of the paicca-samuppda. They are contact (phassa), vedan, and craving (tah). The following passage introduces this section of the discourse: The six internal bases should be understood. The six external bases should be understood. The six classes of consciousness should be understood. The six classes of contact should be understood. The six classes of vedan should be understood. The six classes of craving should be understood.55 These six groups of six, the chachakka of the title of the sutta, are then explained in more detail. The six internal bases are explained as the five senses and the mind. The six external bases are the objects of these senses, that is, forms, sounds, odours, etc., and objects of the mind. The six types of consciousness are those that arise when each of the senses comes in contact with its respective external object, and when the mind comes in contact with a thought. Each of these types of consciousness is said to be dependent (paicca) upon the sense organ and its object. The six types of contact are said to be the meeting (sagati) of each of the sense organs, their respective object, and the resultant consciousness. From each of these six types of contact result the six types of vedan. And from each of these six types of vedan comes the six types of craving. When this sixth six is described, we have the whole sequence:
53
imasmi kho pana veyykaraasmi bhaamne sahimattna bhikkhna anupdya savehi cittni vimuccisu MN III 287 54 SN III 68 and SN IV 20 55 Cha ajjhattikni yatanni veditabbni, cha bhirni yatanni veditabbni, cha viaky veditabb, cha phassaky veditabb, cha vedanky veditabb, cha tahky veditabb. MN III 280
59 Dependent on eye and forms, eye-consciousness arises; the meeting of the three is contact; with contact as condition there is vedan; with vedan as condition there is craving.56 This passage is repeated for each of the remaining four senses and their objects, and for the mind and mental objects. It is clear that this passage focuses on the central portion of the paicca-samuppda; the position of vedan, immediately preceding craving, is thus highlighed. This passage appears imbedded in three suttas of the Nidnasayutta, and these same three suttas are found again, repeated without any change, in the Sayatanasayutta. Before we examine these suttas in detail, let us note that the fact that they appear in the Nidnasayutta makes it clear that this passage is related to the paicca-samuppda sequence, for the Nidnasayutta is made up of suttas which have as their subject the paicca-samuppda. Suttas 43, 44 and 45 of the Nidnasayutta57 are the same, respectively, as suttas 106, 107 and 113 of the Sayatanasayutta,58 and all of them contain the causal sequence found in the Chachakkasutta which is quoted above. The first sutta in each group has the title Suffering (Dukkha), and in it the Chachakkasutta sequence, repeated for each of the five sense doors and for the mind, is followed by the brief phrase This, bhikkhus, is the arising of suffering.59 The first noble truth is, of course, expressed by the single word dukkha (suffering), and it is the escape from this suffering which is the goal of the Buddhas teaching. Understanding the nature of suffering is essential for this task, so the description found in this sutta, in only a few words, of the human predicament, is of great interest. The process which we first saw described in the Chachakkasutta is here thrown into sharp relief, and within this process, vedan plays a key role. The second half of the sutta describes the disappearance of suffering (dukkhassa atthagamo). In this section the sequence as quoted above from the Chachakkasutta is
56
Cakkhu ca paicca rpe ca uppajjati cakkhuvia, tia sagati phasso, phassapaccay vedan, vedanpaccay tah. MN III 282 57 SN II 71-75 58 SN IV 86-88, 90-91 59 Aya kho bhikkhave dukkhassa samudayo, SN II72 = SN IV 86
60 again found, but after the term craving (tah), it is stated that there is the cessation (nirodha) of craving, and this leads into a statement of the cessation version of the paicca-samuppda (as found at SN II 1-2 and at many other places in the Nikyas), from the term tah onwards. The second sutta in this group of three, in both the Nidnasayutta and the Sayatanasayutta, is called the World (Loka), and it begins with a statement by the Buddha that he will teach the arising (samudaya) and the disappearance (atthagama) of the world. The first part of the sutta, which describes the arising of the world, begins with the passage quoted above from the Chachakkasutta, but after the term craving (tah), it proceeds to the phrase with craving as condition there is clinging (tahpaccay updna) and follows on with the remainder of the paicca-samuppda in its usual form. The second half of the sutta is identical to the second half of the previous sutta. We thus find here a more thorough combination of the sequence from the Chachakkasutta and the paicca-samuppda. In the Nidnasayutta, the third sutta in this group follows on immediately from the previous two, but in the Sayatanasayutta four other suttas intervene between the second and the third suttas of this group. The two suttas also have different titles in the different collections: in the Nidnasayutta it is called, after the name of the place where it was delivered, tika; in the Sayatanasayutta it is called Listening (upassuti), for reasons which will become clear. Otherwise, these two suttas are identical. The central part of these suttas is identical to the second sutta of each group, The World. It is only the frame which is different. A short narrative is added at the end of the sutta60, in which it is said that a certain bhikkhu was standing nearby listening to this sutta. The Buddha notices him, and asks him if he heard this discourse on the Dhamma (dhammapariyya). When he answers in the affirmative, the Buddha tells him that he should memorize, master, and bear in mind the discourse. He tells him that it is connected with his welfare (atthasahito), and related to the fundamentals of leading a good life (dibrahmacariyako). Similar words of emphasis occur after only three other suttas in the Nikyas.61 We thus find the combination of the sequence from the Chachakkasutta and the paicca-samuppda highlighted here in a significant manner.
60 61
61
We find, thus, the short sequence from the Chachakkasutta, which features the term vedan in a central position, emphasised in various ways. Firstly there is the repetition of these suttas in which it appears. It is common to find material from one Nikya repeated in another.62 As far as I can tell, however, the repetition of entire suttas in different books within one Nikya is rare. This is what we find here, with the same suttas found in two places within the Sayuttanikya. And secondly, the Chachakkasutta passage is emphasised in the third sutta in these groups by the framing story.
The first Chachakkasutta sequence and the Sayatanasayutta There are two suttas in the Sayatanasayutta which feature the sequence from the Chachakkasutta in a version which stops short at the term vedan: Dependent on eye and forms, eye-consciousness arises; the meeting of the three is contact; with contact as condition there is vedan.63 The first of these two suttas is introduced by the phrase I will show you, bhikkhus, a teaching for the comprehension of all attachment,64 and the second, in a similar vein, by the phrase I will show you, bhikkhus, a teaching for the exhausting of all attachment.65 Even though the sequence has been abbreviated, vedan keeps its place in these suttas which teach the comprehension and exhausting of all attachment.
The second Chachakkasutta sequence As mentioned above, the Chachakkasutta of the Majjhimanikya contains two elements which are related to the place of vedan in the paicca-samuppda, and which are found repeated, sometimes in slightly different guises, in many other places in the Nikyas. We now move on to the second of these, which is closely related to the first. As with the
As noted by K.R. Norman in Pali Literature, Wiesbaden, Harrassowitz, 1983, p.50 and p.55. Cakkhu ca paicca rpe ca uppajjati cakkhuvia, tia sagati phasso, phassapaccay vedan. SN IV 32-33. 64 Sabbupdnapariya vo bhikkhave dhamma desissmi SN IV 32 65 Sabbupdnapariydnya vo bhikkhave dhamma desissmi SN IV 33
62 63
62 first passage, this one is repeated for each of the five sense doors and their objects, and for the mind and mental objects: Bhikkhus, dependent on the eye and forms, eye-consciousness arises; the meeting of the three is contact; with contact as condition there arises [a feeling] felt (vedayita) as pleasant or painful or neither-painful-nor-pleasant.66 In this passage it is not vedan which exists with contact as its cause, as in the first passage; instead it is vedayita, be it pleasant, painful or neutral, which arises (uppajjati). As we have seen in the first part of this chapter, the term vedayita is closely related to vedan: its sense is usually what is felt or experienced, or simply feeling, experience. This passage leads into a passage which shows two ways of responding to vedan which is pleasant, unpleasant or neither pleasant nor unpleasant. The first does not allow an end to be made of suffering; the second, which we examined in the previous chapter, does allow the process of liberation to take place. So here we see the term vedayita taken up by the term vedan.
The second Chachakkasutta sequence and the Mahsayatanikasutta, MN 149 This second sequence from the Chachakkasutta is also found in the sutta which follows on from it in the Majjhimanikya, the Mahsayatanasutta. It appears, though, in a somewhat different shape: Bhikkhus, when one does not know and see the eye as it actually is, when one does not know and see forms as they actually are, when one does not know and see eye-consciousness as it actually is, when one does not know and see eyecontact as it actually is, when one does not know and see as it actually is [the feeling] felt (vedayita) as pleasant or painful or neither-painful-nor-pleasant that arises with eye-contact as condition, then one is inflamed by lust for the eye, for
66
Cakkhu ca, bhikkhave, paicca rpe ca uppajjati cakkhuvia, tia sagati phasso; phassapaccay uppajjati vedayita sukha v dukkha v adukkhamasukha v. MN III 285
63 forms, for eye-consciousness, for eye-contact, for [the feeling] felt as pleasant or painful or neither-painful-nor-pleasant that arises with eye-contact as condition.67 Here the items in the sequence are presented in the form of a list, rather than in a sentence which details the causal connections between the various items. It is not said, for instance, that eye-consciousness is dependent upon (paicca) the eye and forms; nor is it said that contact (phassa) is the meeting (sagati) of the eye, forms and eyeconsciousness. There is, however, one aspect of the causal nature of this sequence as presented in the Chachakkasutta which is retained, even in the list-like setting of this sutta: that is the connection between contact and vedayita. Instead of finding simply that which is felt as pleasant, painful or neither-painful-nor-pleasant after contact, we find the following phrase: ... [the feeling] felt as pleasant or painful or neither-painful-nor-pleasant that arises with eye-contact as condition ...68 After the passage from the Mahsayatanasutta quoted above comes a phrase which indicates that for the person who is in the state of being inflamed by lust for eye, forms, etc., craving increases (tah ... pavahati). Thus, if we take vedayita as equivalent to vedan, we have here a restatement of the central section of the paicca-samuppda in which vedan plays an important role, that is, conditioned by contact is vedan; conditioned by vedan is craving (phassapaccay vedan, vedanpaccay tah). This passage is repeated for the remaining sense doors and their respective objects, and for the mind and mental objects, and is then followed by a reverse statement of each of these, that is, when one knows and sees eye, forms, etc., then one is not inflamed with passion for them, and consequently craving is given up (tah .. pahyati).
Cakkhu, bhikkhave, ajna apassa yathbhta, rpe ajna apassa yathbhta, cakkhuvia ajna apassa yathbhta, cakkhusamphassa ajna apassa yathbhta, yam p ida cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkhamasukha v, tam pi ajna apassa yathbhta ... cakkhusmi srajjati rpesu srajjati ... MN III 287 68 ida cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkhamasukha v MN III 287
64
This second sequence from the Chachakkasutta also plays an important role in one of the largest sayuttas of the Sayuttanikya, the Sayatanasayutta (SN IV 1-204). This sayutta takes up about half of the fourth book of the Sayuttanikya, the Sayatanavagga. The second Chachakkasutta sequence occurs in 67 of the 207 suttas of the Sayatanasayutta.69 One of these suttas is traditionally regarded as the Buddhas third discourse.70 The second Chachakkasutta sequence is treated in a variety of ways in the Sayatanasayutta. In a number of places, the sequence is combined with an exposition of the Nikyas three characteristics of existence, that is, impermanence (anicca), suffering (dukkha), and not-self (anatta). The 43rd sutta of the sayutta, for example, includes the following passage, which is repeated for each of the sense doors and for the mind: All, bhikkhus, is impermanent. And what all is impermanent? The eye, bhikkhus, is impermanent. Forms are impermanent. Eye consciousness is impermanent. Eye-contact is impermanent. That which is felt (vedayita) as pleasant or painful or neither-painful-nor-pleasant, which arises with eye-contact as condition, is impermanent.71 This sutta is then repeated with painful (dukkha) replacing impermanent, and is then repeated again with not-self (anatta). Thus the second Chachakkasutta sequence is combined with some of the central themes of the Nikyas. Similar combinations of this sequence with the three characteristics are found in suttas 76-7872 and 146-14873 of this sayutta.
Question-and-answer sequence
Suttas number 24-26, 28-59, 62, 76-82, 84-86, 89-91, 99-102, 146-49, 151, 159-66, and 194. Number 28, also at Vin I 34 71 Sabbam bhikkhave anicca, kica bhikkhave sabba anicca. Cakkhum bhikkhave anicca. Rp anicc. Cakkhuviam anicca. Cakkhusamphasso anicco. Yam pida cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkham asukha v, tam pi anicca. SN IV 28 72 SN IV 48-49 73 SN IV 33-35
69 70
65 The second Chachakkasutta sequence also appears a number of times in this sayutta in combination with another sequence which also plays an important role in other places in the Nikyas. This sequence, which is in a question-and-answer format, provides some clarification of the three characteristics. The combination of these two sequences first appears in the 32nd sutta of this sayutta: Bhikkhus, what do you think? Is the eye permanent or impermanent? Impermanent, venerable sir. Is what is impermanent suffering or happiness? Suffering, venerable sir. Is what is impermanent, suffering, and subject to change, fit to be regarded thus: This is mine, this I am, this is my self? No, venerable sir.74 These questions are then put in connection with forms, eye-consciousness, eye-contact, and that which is felt as pleasant or painful or neither-painful-nor-pleasant, which arises with eye-contact as condition75; the answers are always the same. All of this is then repeated for the remaining sense doors and their objects, and for the mind and mental objects. This entire sequence is also found in suttas 62, 86, 89, and 149 of the Sayatanasayutta. In this passage, vedayita (feeling or experience), which arises dependent on sensedoor-contact or mind-door-contact, plays an important role, coming as it does as the final member of each sequence. The question and answer sequence in which all of this is set is also used in other contexts in the Nikyas. Most notably, it figures in analyses of the five aggregates (pacakkhandha), which, in these texts, are said to constitute a human being, namely,
74
Ta kim maatha bhikkhave cakkhu nicca v anicca v ti. Anicca bhante. Yam pannicca dukkha v ta sukha v ti. Dukkha bhante. Yam pannicca dukkha viparimadhamma kalla nu ta samanupassitu Etam mama eso ham asmi eso me att ti. No hetam bhante. SN IV 24-25 75 yam pida cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkham asukha v. SN IV 25
66 body (rpa), vedan, perception (sa), sakhras, and consciousness (via). The opening section of the Mahvagga of the Vinaya is a long narrative which covers the Buddhas awakening, and the events which followed it; the discourse which it records as the second discourse of the Buddha, sometimes called the Anattalakkhaasutta, includes this question and answer sequence,76 repeated for each of the five aggregates. This same passage also appears several times in the Majjhimanikya,77 and in many suttas of the Sayuttanikya, including 22 of the 158 suttas of the Khandhasayutta,78 which is the section of the Sayuttanikya which treats the five aggregates. Thus this question-andanswer formula plays an important role in the exposition of key concepts of Nikyas, amongst which we surely must include the notion of feeling or experience (vedayita) which arises dependent upon contact at each of the sense-door and the mind. We can also note that the vedayita of the sequence found in the Sayatanasayutta overlaps with the vedan of the five aggregates found in the same question-and-answer passages in the Khandhasayutta, as these two terms are closely related.
The Nandakovdasutta: a part of the second Chachakkasutta sequence and the questionand-answer sequence combined There is another sutta in the Majjhimanikya, the Nandakovdasutta, in which we find the first part of the second sequence from the Chachakkasutta which we have been discussing, in combination with the question-and-answer formula. Thus it is established that the eye, forms, and eye-consciousness, as well as the other sense doors and the mind, together with their objects and the resultant consciousness, are impermanent, suffering, and not to be considered as I or mine. Instead of proceeding, however, to eyecontact and then to that which is felt as pleasant or painful or neither-painful-norpleasant, which arises with eye-contact as condition, this passage takes a different turn. The following view is expressed: ... would anyone be speaking rightly who spoke thus: These six internal bases are impermanent and subject to change, but the pleasant, painful, or neitherpainful-nor-pleasant [feeling] that I experience (paisavedemi) in dependence
Vin I 14 MN I 138, 282; III 19-20 78 SN III 49, 67, 88, 94, 104-5, 118, 120, 125, 138, 148, 152, 181-87
76 77
67 upon (paicca) the six internal bases is permanent, everlasting, eternal, not subject to change?79 The answer is, of course, no. The phrase I experience is a translation of paisavedemi. From the passage which follows on from this one and which explains the reason for the answer in the negative, it is clear that paisavedemi is here being taken as a verbal equivalent of vedan: ... each vedan arises in dependence upon its corresponding condition, and with the cessation of its corresponding condition, the vedan ceases.80 Thus the term vedan in this passage takes up the phrase I experience pleasure, etc. of the previous one. This sequence, beginning with the statement of the mistaken view of what one experiences, is then repeated for the six external sense bases (bhir yatan), that is, forms, noises, smells, etc. The dependent nature of vedan is strongly emphasised in the above passage. This dependence is further emphasised in the two similies which accompany these passages: Now would anyone be speaking rightly who spoke thus: While this oil-lamp is burning, its oil, wick and flame are impermanent and subject to change, but its glow is permanent, everlasting, eternal, not subject to change?81 Now would anyone be speaking rightly who spoke thus: The root, trunk, branches, and foliage of this great tree standing possessed of heartwood are impermanent and subject to change, but its shadow is permanent, everlasting, eternal, not subject to change?82
79
... yo nu kho eva vadeyya: Cha kho me ajjhattik yatan, ya ca kho cha ajjhattike yatane paicca paisavedemi sukha v dukkha v adukkhamasukha v, ta nicca dhuva sassata aviparimadhammanti, --samm nu kho so, bhaginiyo, vadamno vadeyyti? ... MN III 273 80 Tajja tajja, bhante, paccaya paicca tajj tajj vedan uppajjanti. Tajjassa tajjassa paccayassa nirodh tajj tajj vedan nirujjhanti. MN III 273 81 yo nu kho, bhaginiyo, eva vadeyya: Amussa telapadpassa jhyato telam pi anicca viparimadhamma vatt pi anicca viparimadhamma acc pi anicca viparimadhamma, y ca khvssa bh s nicc dhuv sassat aviparimadhamm ti, --samm nu kho so, bhaginiyo, vadamno vadeyyti? MN III 273 82 yo nu kho, bhaginiyo, eva vadeyya: Amussa mahato rukkhassa tihato sravato mlam pi anicca viparimadhamma khandho pi anicca viparimadhamma skhpalsam pi anicca
68
The substanceless nature of vedan is also highlighted in these similies: like the glow from a lamp and the shadow of a tree, their existence is dependent on other factors. The Nandakovdasutta thus has as its starting point the sequence that we first noticed in the Chachakkasutta, although here we find it in a list-like setting. Rather than moving from eye-consciousness to eye-contact, and from there to that which is felt as pleasant or painful or neither-painful-nor-pleasant, which arises with eye-contact as condition, however, this sutta emphasises the dependence of vedan on the sense doors and on their respective objects, and on the mind and mental objects.
The Chachakkasutta sequences and passages featuring the term nibbindati Both of the sequences from the Chachakkasutta which include the terms vedan and vedayita along with other terms from the paicca-samuppda are found in a setting which plays an important role in many places in the Nikyas. We see the first sequence in this setting in the Chachakkasutta itself, with the first sentence of the following passage repeated for each of the other sense doors and their objects, and for the mind and mental objects: Seeing thus, bhikkhus, a well-taught noble disciple becomes indifferent to (nibbindati) the eye, indifferent to forms, indifferent to eye-consciousness, indifferent to eye-contact, indifferent to vedan, indifferent to craving. ... Being indifferent, he becomes dispassionate. Through dispassion [his mind] is liberated. When it is liberated, there comes the knowledge: It is liberated. He understands: Birth is destroyed, the holy life has been lived, what had to be done has been done, there is no more coming to any state of being.83
viparimadhamma, y ca khvssa chy s nicc dhuv sassat aviparimadhamm ti, --samm nu kho so, bhaginiyo, vadamno vadeyyti? MN III 274 83 Eva passa bhikkhave sutav ariyasvako cakkhusmimpi nibbindati, rpesu pi nibbindati, cakkhuvie pi nibbindati, cakkhusamphasse pi nibbindati, vedanya pi nibbindati, tahya nibbindati. ... Nibbinda virajjati, virg vimuccati, vimuttasmi vimutta iti a hoti: Khjti, vusita brahmacariya, kata karanya, npara itthattyti pajnti. MN III 286-7
69 This passage comes as the conclusion to the Chachakkasutta, and follows on from the exposition of the two sequences discussed above. In two of the suttas of the Sayatanasayutta a similar passage follows on immediately from a statement of a part of the first Chachakkasutta sequence in a form which makes clear its relation to the paicca-samuppda: Dependent on the eye and object arises eye-consciousness. The union of these three is contact. Dependent on contact is vedan. So seeing, the well-taught noble disciple becomes indifferent to (nibbindati) the eye, to forms, to eyeconsciousness, to eye-contact, and to vedan. Being indifferent, he becomes dispassionate. Through dispassion [his mind] is liberated.84 There are 28 suttas in the Sayatanasayutta which have the second sequence from the Chachakkasutta in this setting, in the following form: So seeing, bhikkhus, the well-taught noble disciple becomes indifferent to (nibbindati) the eye, to forms, to eye-consciousness, to that which is felt (vedayita) as pleasant or painful or neither-painful-nor-pleasant, which arises with eye-contact as condition.85 The remaining senses and their objects, and the mind and mental objects, are presented in the same way. This is then followed by the formula which describes the process of liberation, as in the Chachakkasutta. Amongst these 28 suttas of the Sayatanasayutta, this passage provides the conclusion to all five of the suttas which feature the three characteristics question-and-answer formula discussed above.86 Another of these suttas with the second sequence in the
84
Cakkhu-ca paicca rpe ca uppajjati cakkhuvia, tia sagati phasso, phassapaccay vedan. Evam-passa bhikkhave sutav ariyasvako cakkhusmimpi nibbindati, rpesu pi nibbindati, cakkhuvie pi nibbindati, cakkhusamphasse pi nibbindati, vedanya pi nibbindati. Nibbinda virajjati, virg vimuccati. SN IV 32-34 85 Evam passa bhikkhave sutav ariyasvako cakkhusmimpi nibbindati, rpesu pi nibbindati, cakkhuvie pi nibbindati, cakkhusamphasse pi nibbindati, yam pidam cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkhamasukha v tasmi pi nibbindati. SN IV 20 and passim. 86 suttas 32, 62, 86, 89, and 149
70 above setting is the one which is considered to be the Buddhas third discourse, the dittasutta (On fire).87 As with the question-and-answer formula, this formula with the verb nibbindati (he becomes indifferent to) is found in connection with other key concepts of the Nikyas. In particular, it is used in combination with the five aggregates in the Majjhimanikya88 and in many places in the Khandhasayutta of the Sayuttanikya. In this way, these sequences which we first find in the Chachakkasutta are placed amongst the central concerns of the Nikyas. There is another sutta in which this nibbindati formula is applied to the three vedans, pleasant, painful, and neither-painful-nor-pleasant. This is the Dghanakhasutta of the Majjhimanikya,89 which has been examined in some detail in the first chapter.
The Anthapiikovdasutta, MN 143 The above analysis of the two sequences from the Chachakkasutta gives an overview of the place of vedan in such causal sequences, and of their relationship to the paiccasamuppda. We also saw that there are many suttas in the Nikya in which we find passages which have much in common with the sequences found in the Chachakkasutta. There are, however, a number of sequences which are left out of this kind of classification, and which also include the term vedan. The Anthapiikovdasutta of the Majjhimanikya contains such a sequence. In it we find the following passage repeated numerous times: Then, householder, you should train thus: I will not cling to the eye, and my consciousness will not be dependent on the eye. Thus you should train.90 This same phrase is then repeated for the remaing senses and for the mind. After that it is repeated for the objects of the senses and of the mind. Then it is repeated for
SN IV 20 MN I 139 and MN III 20 89 MN I 500 90 Tasmtiha te, gahapati, eva sikkhitabba: Na cakkhu updiyissmi,na ca me cakkhunissita via bhavissati. Eva hi te, gahapati, sikkhitabba. MN III 259
87 88
71 consciousness (via) associated with each of the senses and with the mind, beginning with eye-consciousness (cakkhu-via). Then it is repeated for contact associated with each of the senses and with the mind, beginning with eye-contact (cakkhusamphassa). After that it is repeated for vedan which is born from the contact at each of the sense doors and the mind, beginning with vedan born of eye-contact (cakkhusamphassaj vedan). Thus far the sequence of terms is the same as that found in the Mahsayatanasutta of the Majjhimanikya91 and in many of the suttas of the Sayatanasayutta which we have looked at above, except that instead of having as its last element that which is felt as pleasant or painful or neither-painful-nor-pleasant that arises with eye-contact as condition,92 we now have vedan born of eye-contact (cakkhu-samphassaj vedan). In both cases, these phrases are repeated for the other sense doors and for the mind. The terms in all of these suttas are presented as a list. The only term which is stated to be causally dependent on the previous item in the list is vedan, or vedayita, which is dependent on contact. We have noticed that in some suttas this basic sequence extends further, to include the term that follows vedan in the paicca-samuppda, that is, craving (tah).93 Here in the Anthapiikovdasutta, further items are added to the list, but in this case they are not directly related to the paicca-samuppda. After vedan born of eye-contact (cakkhu-samphassaj vedan), comes a list of six elements (dhtu), namely, earth, water, fire, wind, space (ksa) and consciousness. Then comes a listing of the five aggregates, followed by the four formless jhnas, and by other groups.
Conclusion This detailed study of the role of vedan in causal sequences found in the Nikyas shows that there are indeed passages in which this term is given marked emphasis, and that the striking statements quoted at the beginning of this chapter from the writings of
MN III 287 yam p ida cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkhamasukha v, MN III 287, etc. 93 At MN III 280-82; SN II 71-75; SN IV 86-88, 90-91.
91 92
72 Kalupahana, Nyanaponika and Bhikkhu Bodhi do have a basis in the texts, especially when taken in conjunction with the passages explored in the first chapter of this thesis. In causal sequences of different kinds we find vedan being given an important role. As far as I know, this thesis is the first study to explore this question in any detail.
73 Chapter Three: Physical and mental aspects of vedan Most modern commentators on the Pali texts take vedan to be a purely mental phenomenon. The meditation teacher S.N. Goenka, however, emphatically stresses the physical nature of vedan (sensations): Equanimity must be practised at the level of bodily sensations in order to make a real change in ones life. At every moment sensations are arising within the body. Usually the conscious mind is unaware of them, but the unconscious mind feels the sensations and reacts to them with craving and aversion. If the mind is trained to become fully conscious of all that occurs within the physical structure and at the same time to maintain equanimity then the old habit of blind reaction is broken. There are two aspects of the human phenomenon: material and mental, body and mind. One must observe both. But one cannot actually experience the body without awareness of what arises in the body, that is, sensation. Similarly, one cannot observe the mind separately from what arises in the mind, that is, thought. As one goes deeper in experiencing the truth of mind and matter, it becomes clear that whatever arises in the mind is also accompanied by a physical sensation. Sensation is of central importance for experiencing the reality of both mind and body, and it is the point at which reactions start. In order to observe the truth of oneself and to stop generating mental defilements, one must be aware of sensations and remain equanimous as continuously as possible.1 The recent studies of S. Hamilton have also focused on the importance of the body in descriptions of the human phenomenon in the Pali texts: As my description of the operating of the khandhas has shown, there is no idea of one being a body with a detachable psychological appendage: the body is intrinsic to the operating of the cognitive apparatus as a whole, which includes
S.N. Goenka, The Discourse Summaries, Talks from a Ten-day Course in Vipassana Meditation, Igatpuri, India, Vipassana Research Institute, 1997, pp.47-48.
1
74 the complexities of ones emotional, appetitive, intellectual, psychological, aesthetic--and so on--make-up.2 Hamilton devotes very little space, however, to analysis of passages on vedan. This chapter is a study of descriptions mental and physical aspects of vedan found in the Nikyas. In a sutta of the Vedansayutta, the Buddha is represented as saying that vedan can be understood according to a number of different classifications. The first of these states that there are two vedans ... in [the Buddhas] way of expounding.3 The text continues: And what, bhikkhus, are the two vedans? They are bodily and mental vedans. These, bhikkhus, are called the two vedans.4 Later in the same sutta five vedans are discussed: And what, bhikkhus, are the five vedans? They are the faculties (indriya) of pleasure, pain, happiness, unhappiness, and indifference.5 No further information is given here concerning this manner of classifying vedan, but we find a series of three suttas in the fifth volume of the Sayuttanikya which reveals that this manner of classifying is also connected with the physical and mental aspects of vedan. In two of these suttas, these five faculties are equated with the commonly found three-fold classification of vedan: Now, bhikkhus, the faculty of pleasure and the faculty of happiness should be regarded as pleasurable vedan. Likewise the faculty of pain and the faculty of unhappiness should be regarded as unpleasant vedan. Likewise the faculty of
Sue Hamilton, Early Buddhism: a New Approach. The I of the Beholder, Richmond, Surry, Curzon, 2000, p.217-8. 3 dve pi may vedan vutt pariyyena, SN IV 231 4 Katam ca bhikkhave dve vedan. Kyik ca cetasik ca, im vuccanti bhikkhave dve vedan. SN IV 231 5 Katam ca bhikkhave pacavedan. Sukhindriya dukkhindriya somanassindriya domanassindriyam upekkhindriya im vuccanti bhikhave pacavedan. SN IV 231
2
75 indifference should be regarded as vedan which is neither pleasant nor unpleasant.6 In all three of these suttas the first and second faculties (sukhindriya and dukkhindriya) are identified with bodily pleasure and bodily pain (kyika sukha, kyika dukkha); the second and third (somanassindriya and domanassindriya) with mental pleasure and mental pain (cetasika sukha, cetasika dukkha); and the fifth (upekhindriya) is identified with that which is neither pleasant nor unpleasant at either the bodily level or the mental level (kyika v cetasika v neva sta nsta).7
The physical aspect of vedan Sabbsavasutta passage I wish to concentrate firstly on some passages which are primarily concerned with the physical aspect of vedan. To begin, let us look at a group of passages which are thematically related to the passages from the Mahparinibbnasutta which we noticed in the first chapter of this thesis. There the Buddha was described as enduring (adhivseti) harsh vedan in his final illness. The second sutta of the Majjhimanikya can be taken as the locus classicus for the related passages. This is the Sabbsavasutta in which savas (defilements) are classified according to the way in which they are to be abandoned (pahtabb). The fourth of the seven types described are savas that are to be abandoned by enduring (sav adhivsan pahtabb).8 The description of this process runs as follows: Here a bhikkhu, reflecting wisely, bears cold and heat, hunger and thirst, and contact with gadflies, mosquitoes, wind, the sun, and creeping things; he endures ill-spoken, unwelcome words and arisen bodily vedan that are painful, racking, sharp, piercing, disagreeable, distressing, and menacing to life.9
6
Tatra bhikkhave ya ca sukhindriya ya ca somanassindriya sukh s vedan dahabb. Tatra bhikkhave ya ca dukkhindriya ya ca domanassindriya dukkh s vedan dahabb. Tatra bhikkhave yadida upekhindriyam adukkhamasukh s vedan dahabb. SN V 210 and 211 7 SN V 209-11 8 MN I 7,10 9 Idha bhikkhave bhikkhu paisakh yoniso khamo hoti stassa uhassa jigacchya pipsya asamakasa-vttapa-sirisapasamphassna, duruttna durgatna vacanapathna, uppannna srrikna vedanna dukkhna tippna kharna kaukna astna amanpna
76
The Pali word used to describe these vedans as bodily is srrika, an adjective derived from the noun sarra, meaning body. The term kyika, which also means bodily, and which is used in the passages quoted above which describe the bodily and mental aspects of vedan, is thus not used here. According to this passage, then, certain savas, which are not specified, as indeed they are not for any of the methods of abandoning which are described in this sutta, are abandoned when the bhikkhu endures severely painful bodily vedan.
Bodily vedan in the context of the practice of the satipahnas The Sabbsavasutta passage in the Kyagatsatisutta Passages very similar to this occur in two other suttas of the Majjhimanikya. The contexts in which these passages appear in these suttas are of considerable interest for this study. The first sutta is the Kyagatsatisutta, the discourse on mindfulness of the body. The first part of this sutta10 is the same as the section of the Satipahnasutta which describes the observation of the body (kynupassan). The concluding section of the sutta is a description of ten benefits which can be expected from the practice of mindfulness of the body. The second of these is very similar to the passage quoted above from the Sabbsavasutta. There is, however, an interesting distinction between these passages. In the Sabbsavasutta, the enduring of painful bodily vedan is said to be a means of abandoning a certain type of sava. In the Kyagatsatisutta, the enduring of painful bodily vedan is achieved by means of other practices. The dual role of enduring painful vedan can be seen to be paralleled by some of the descriptions of vedan which we noted in the first chapter. In that chapter, many examples were given of the role that vedan plays in certain soteriological processes; and, as we saw, vedan also plays a role in a description of a person who has achieved his or her soteriological goal which occurs a number of times in the Nikyas. In the Majjhimanikya, this description of a liberated person occurs in the Dhtuvibhangasutta:
paharna adhivsakajtiko hoti. MN I 10 10 MN III 89-92
77
If he feels a pleasant feeling, he understands: It is impermanent; there is no holding to it; there is no delight in it. ... If he feels a pleasant feeling, he feels it detached ...11 In the Dhtuvibhagasutta, of course, the context is broader. In the Kyagatsatisutta, one who practises mindfulness of the body as described in the sutta is able to endure painful bodily vedan. The passage from the Dhtuvibhagasutta describes a person who is detached from vedan which is pleasant, unpleasant and neither pleasant nor unpleasant. There is also no indication whether these vedans are bodily or mental. There is, however, a broad similarity in the intent of these two passages: the result of spiritual practice is described in terms of vedan.
The Sabbsavasutta passage in the Dantabhmisutta The other sutta of the Majjhimanikya in which we find the passage which includes the description of a bhikkhu who endures painful bodily vedan is the Dantabhmisutta. Here as well the context is of great significance. The middle section of this sutta12 is made up of a long description of the stages through which an elephant trainer takes a wild forest elephant in order to train it, and of a comparison of this with the way in which the Buddha trains a disciple. The Buddhas training is part of a description which appears in a number of suttas in the Nikyas, including all but one of the suttas of the first volume of the Dghanikya.13 L. Schmithausen calls it the stereotyped detailed description of the Path to Liberation.14 The standard pattern of this description is however interrupted in a manner which is not found in any of its other rehearsals. After the stage of overcoming the five hindrances (nvaraa, namely craving (abhijjh), aversion (vypda), sloth and torpor
11
So sukha ce vedana vedeti, S anicc ti pajnti; Anajjhosit ti pajnti; Anabhinandit ti pajnti. So sukha ce vedana vedeti, visayutto na vedeti . MN III 244. 12 MN III 132-136 13 MN, eg. No. 27 = I 179 ff.; No. 51 = I 344 ff.; no.60 = I 412 f.; etc.; DN eg. I 62 ff., 171 ff., 206 ff., etc.; AN eg. 3.58 and 59 = I 163 ff.; 4.198 = II 208 ff.; 5.75 and 76 = III 92 f. and 100; etc. 14 Lambert Schmithausen, On Some Aspects of Descriptions or Theories of Liberating Insight and Enlightenement in Early Buddhism, in Klaus Bruhn und Albrecht Wezler (eds.), Studien zum Jainismus und Buddhismus (Gedenkschrift fr Ludwig Alsdorf), Wiesbaden, Franz Steiner, 1981, p.204.
78 (thnamiddha), agitation (uddhaccakukkucca) and doubt (vicikicch)) is described, instead of proceeding to a description of the four jhnas, as is usually the case, the text continues with the standard description of the four establishings of mindfulness. There then follows a short passage on the advantages of the practice of the four establishings of mindfulness, and soon after the stereotyped detailed description is resumed from the description of the second jhna up to the realisation of the four noble truths and the destruction of the savas. After this comes the passage quoted above from the Sabbsavasutta, which includes the description of the bhikkhu who endures painful bodily vedans. We can thus establish a connection between the Kyagatsatisutta and the Dantabhmisutta. Both of them contain in their concluding sections the passage which includes the description of a person who endures painful bodily vedans. And both of them give importance to the practice of the establishings of mindfulness. In the case of the former, only the first of the four establishings of mindfulness is given, the observation of the body (kynupassan), but that is given with all the detail that we find in the two Satipahnasuttas. In the latter, all of the four establishings of mindfulness are mentioned, but only in the summary formula which is found in the introductory section of the Satipahnasuttas. There seems, therefore, to be a connection between these two practices, the practice of enduring painful bodily vedan and the practice of the establishings of mindfulness.
Sabbsavasutta passage and the Mahparinibbnasutta In the first chapter of this thesis attention was drawn to a passage in the Mahparinibbnasutta in which the Buddha is described as enduring (adhivseti) vedan. Now during the rainy season, a severe sickness arose in the Fortunate One, with sharp vedan as if he were about to die. But the Fortunate One bore them mindfully, with understanding and without being disturbed.15
15
Atha kho Bhagavato vasspagatassa kharo bdho uppajji, bh vedan vattanti mraantik. T suda Bhagav sato sampajno adhivseti avihaamno. DN II 99
79 In this passage, vedan is not described as being bodily vedan. But nevertheless there are two important connections with the Sabbsavasutta passage. The first is that vedan in both passages is connected in some way with illness. The final illness of the Buddha is being described in the Mahparinibbnasutta. The vedan here is mraantika, or associated with maraa, death. In the Sabbsavasutta passage, amongst the adjectives describing unpleasant bodily vedan we find the term pa-hara, which literally means taking away life (PED, sv). In both of these passages, this vedan is endured patiently. The other important theme that these passages have in common is their association with the practice of the four establishings of mindfulness. The Buddha is described in this passage from the Mahparinibbnasutta with two of the key terms from the explanation of this practice, sata (mindful) and sampajna (with understanding). As we have just seen, there are two suttas in the Majjhimanikya, the Kyagatsatisutta and the Dantabhmisutta, which contain in their concluding sections the passage from the Sabbsavasutta, and which give importance to the practice of the establishings of mindfulness.
Sabbsavasutta passage and three suttas from the Sayuttanikya There is a passage which appears in two suttas of the Sayuttanikya which combines elements of the Sabbsavasutta passage and the Mahparinibbnasutta passage in a significant manner: Now at that time the Fortunate Ones foot was pierced by a stone splinter. Sorely indeed did the Fortunate One feel it, grievous the vedan he suffered in the body, keen and sharp, acute, unpleasant and unwelcome. But he endured all this mindfully, clearly aware and without becoming distressed.16 The context in both cases is similar to that of our passage from the Mahparinibbnasutta: something has happened to cause the Buddha unpleasant vedan. And the last sentence in each passage is the same: the Buddha bears the vedan with
16
Tena kho pana samayena Bhagavato pdo sakalikya khato hoti. Bhs suda Bhagavato vedan vattanti srrik vedan dukkh tibb khar kauk ast amanp. T suda Bhagav sato sampajno adhivseti avihaamno. SN I 27 and SN I 110
80 mindfulness and understanding. In this passage, though, the vedan is described in a different way: it appears here as it does in the Sabbsavasutta, except that the final attribute, taking away life (pahara) is missing. In the present discussion, the point to note is that the vedan in this passage which bears close resemblence to the Mahparinibbnasutta passage is specified as being bodily (srrika) vedan. In the first of these Sayuttanikya suttas, it is then reported that the middle section of this passage was repeated six times by six divine beings (devats), in connection with six different attributes of the Buddha. This middle section covers the key points that we have been discussing: He endures, mindful and discerning, the vedans that have arisen in his body, keen and sharp, acute, unpleasant and unwelcome, and he is not distressed.17 The practice of the establishing of mindfulness in connnection with bodily vedan is thus given particular emphasis here. These elements are again combined in a sutta in the Anuruddhasayutta of the Sayuttanikya. The bhikkhu Anuruddha is here described as being seriously ill. Some bhikkhus come to visit him, and ask how it is that the painful, bodily vedan that have arisen18 do not take hold of his mind and remain (citta na pariydya tihanti). He replies that it is because his mind is well established in the four establishings of mindfulness. So once again we find bodily vedan associated with the four establishings of mindfulness. In this context we may recall that it was Anuruddha who is described as uttering the verses which follow the passing away of the Buddha in the Mahparinibbnasutta, which we looked at in the first chapter of this thesis. These verses refer to the Buddhas enduring of vedan: With undisheartened mind he endured sensation. 19 All of these passages highlight the role of bodily vedan in connection with the practice of the establishing of mindfulness.
17
samuppann srrik vedan dukkh tibb khar kauk ast amanp, sato sampajno adhivseti avihaamno. SN I 28 18 uppann srrik dukkh vedan SN V 302 19 Asallnena cittena vedana ajjhavsayi DN II 157
81
Bodily vedan in other contexts The Sabbsavasutta passage and two suttas from the Aguttaranikya The passages that we have been examining so far have been concerned with bodily vedan and the establishing of mindfulness. There are, however, several passages in the Nikyas which deal with bodily vedan in other contexts. The passage quoted above from the Sabbsavasutta, which includes the notion of enduring painful bodily vedan, appears a number of times in the Aguttaranikya.20 One of these occurrences is particularly noteworthy. In this sutta, a course of action is outlined which leads to ten desired states. The sixth of these desired states is that described in the passage quoted from the Sabbsavasutta. The practice which is said to be the means of achieving each of these states is a kind of summary, albeit in a very generalized form, of some of the most important soteriological practices found in the Nikyas: ... he should be one who fufils the moral habits, who is intent on mental tranquillity within, whose meditation is uninterrupted, who is endowed with vision, a cultivator of empty places.21 The last of the ten benefits which come from this practice, as listed in this sutta, is liberation (vimutti) which is free from the savas. The enduring of bodily vedan thus finds itself amongst the most significant concepts and practices of the Nikyas. Another noteworthy occurrence of the last section of our Sabbsavasutta passage, the section which describes the bearing of bodily vedan, occurs in the tappasutta of the Aguttaranikya.22 In this sutta three grounds (ha) on which energy is to be exerted are described. The first two of these are also found in descriptions of right effort (sammvyma) as part of the noble eight-fold path and right exertion (sammappadhna) as part of the thirty-seven factors leading to enlightenment (bodhipakkhiyadhamma). These are the effort to not allow evil states (dhammas) to arise
AN II 118, 143, 153; III 163, 389; AN V 132 slesvev assa pariprakr ajjhatta cetosamatham anuyutto anirkatajjhno vipassanya samangato brhet sugrna AN V 131 22 AN I 153
20 21
82 and the effort to cause good states to arise. The third ground on which to apply effort, as described in this sutta, is for the bearing of painful bodily vedan which has arisen. The description here is identical with the description of painful vedan found in the Sabbsavasutta passage quoted above. Here this passage is placed alongside items which figure prominently in the most important enumerations of soteriological practices found in the Nikyas. The last sentence of the sutta underlines the high value placed upon these practices: Now when a bhikkhu exerts himself on these three grounds, he is called strenuous, wise, mindful, and for making a complete end of suffering.23 The bhikkhu here is described with one of the key terms from the practice of the establishing of mindfulness, sata. And he is also described as being one who is for making a complete end of suffering (samm dukkhassa antakiriyya), one of the descriptions of the goal of the Buddhas teaching. So the bearing of painful bodily vedan is here placed at the heart of the central concerns of the Nikyas.
Bodily vedan in the Vedansayutta Our passage from the Sabbsavasutta speaks of vedan which is arisen (uppanna), bodily (srrika), painful (dukkha) and taking away life (pahara). These same words are used to describe vedan in the verse section of one of the suttas of the Vedansayutta, the section of the Sayuttanikya devoted to suttas dealing with vedan. This is the Ptlasutta. The prose section of this sutta is also of great interest for our study of bodily vedan. The word ptla in the title of this sutta means cliff or abyss, and we are told that here it is a term for painful bodily vedan.24 An ordinary person who has not heard the Buddhas teaching (assutav puthujjano) is described as becoming very upset when he comes into contact with painful bodily vedan. It is said of him that he has not come out of the abyss (ptle na paccuhsi), that he has not found safe ground (gdhaca najjhag). The noble disciple who has heard (sc. the
23 24
Aya vuccati bhikkhave bhikkhu tp nipako sato samm dukkhassa antakiriyy ti. AN I 153 srrikna kho etam bhikkhave dukkhna vedanna adhivacana yad ida ptloti SN IV 206
83 Buddhas teaching) (sutav ariyasvako) on the other hand, does not become upset in similar circumstances; he has come out of the abyss and found safe ground. The verses which follow this prose passage repeat the main points of the prose, but add some terminology which is also found in the Sabbsavasutta. As well as being bodily and painful, vedan is now also arisen and taking away life. Furthermore, in the verse section, vedan is described as being either endured (adhivseti) or not endured, again using the same terminology as the Sabbsavasutta. Thus there are a large number of important passages in the Nikyas which place marked emphasis on the physical aspect of vedan.
Mental aspect of vedan There are far fewer references in the Nikyas to vedan which is explicity mental (cetasika) than to vedan which is explicitly bodily.
The Cavedallasutta Perhaps the most notable reference occurs in a passage in the Cavedallasutta of the Majjhimanikya in which the term sakhra (formations) is being discussed.25 The lay disciple Viskha questions the bhikkhun Dhammadinn as to the number of sakhras. She replies that there are three: sakhra of the body (kyasakhra), sakhra of speech (vacsakhra), and sakhra of the mind (cittasakhra). He then enquires as to the nature of these three, and is told that breathing in and out is a sakhra of the body, that initial application of thought and sustained application of thought (vitakkavicra) together is a sakhra of speech, and that perception (sa) and vedan together is a sakhra of the mind (sa ca vedan ca cittasakhro). Viskha then asks for the reasons for these classifications. For the third sakhra, Dhammadinn tells him that perception and vedan are both mental (cetasika), that these two phenomena are
25
MN I 301
84 bound to the mind or dependent on the mind (cittapaibaddha), and for this reason they are classed as a sakhra of the mind.26 Curiously, however, it is in this same sutta that we find a definition of vedan which states that there can be either a physical or mental aspect to vedan: Friend Viskha, whatever is felt bodily or mentally as pleasant and soothing is pleasant vedan.27 This is then repeated for unpleasant (dukkha) vedan, and for vedan which is neither pleasant nor unpleasant (adukkhamasukha). Are we dealing here with a logical inconsistency in the texts, or is there another explanation? The fact that in the first passage vedan is classed as a phenomenon (dhamma) which is bound to the mind or dependent on the mind (cittapaibaddha) does not rule out the possibility of vedan also being related to the body in some way. Another possible explanation is that certain types of vedan may be related to the body. This at least is S. Hamiltons view of the situation. In connection with the passage just quoted from the Cavedallasutta,28 she notes that vedan is experienced (vedayita) either bodily or mentally29. She goes on to comment that this analysis refers to different types of feeling and does not mean that all feelings have both physical and mental aspects.30
The Mahvedallasutta Other passages in the Nikyas which allow us to conceive of vedan in terms which are primarily mental are even less conclusive. In the Mahvedallasutta, which is the companion sutta to the Cavedallasutta, whence we have drawn the above passages, we find further clues as to the status of vedan. In particular, we find vedan closely
26
Sa ca vedan ca cetasik ete dhamm citta-paibaddh, tasm sa ca vedan ca cittasakhro ti MN I 301 27 Ya kho vuso Viskha kyika v cetasika v sukha sta vedayita aya sukh vedan. MN I 302 28 MN I 302 29 S. Hamilton, Identity and Experience, London, Luzac Oriental, 1996, p.43; emphasis is Hamiltons. 30 Ibid., p.44
85 associated with certain mental faculties. In the Cavedallasutta we saw vedan associated with perception (sa), and these two described as bound to the mind (cittapaibaddha). In the Mahvedallasutta we come across the following passage: Vedan, perception, and consciousness, friend -- these states are conjoined, not disjoined, and it is impossible to separate each of these states from the others in order to describe the difference between them. For what one feels, that one perceives; and what one perceives, that one cognizes.31 Vedan here seems to be classed as a purely mental phenomenon. Again, however, we find our view on this matter modified by other information from the same sutta. In the passage immediately preceding the one just quoted, the three phenomena--perception (sa), consciousness (via) and vedan--are described in different terms. Part of these descriptions do little to clarify the meanings of the terms: they merely give the verbal forms related to each noun. For vedan, for example, we find the Pali phrase vedeti vedetti kho vuso, tasm vedan ti vuccati.32 We could translate this as one feels, one feels, friend, therefore it is called feeling. For consciousness (via) we find one cognizes, one cognizes, friend, therefore it is called consciousness ;33 and for perception (sa) one perceives, one perceives, therefore it is called perception. 34 The examples given after each of these etymological explanations, however, may throw some light on the subject. The example given for consciousness is as follows: One cognizes: [This is] pleasant; one cognizes: [This is] painful; one cognizes: [This is] neither-painful-nor-pleasant.35 The difference with the example given for vedan is slight but significant:
31
Y cvuso vedan y ca sa ya-ca via ime dhamm sasah no visasah, na ca labbh imesa dhammna vinibbhujitv nnkaraa papetu. Ya hvuso vedeti ta sajnti, ya sajnti ta vijnti, tasm ime dhamm sasah no visasah, na ca labbh... MN I 293 32 MN I 293 33 vijnti vijntti kho vuso, tasm vian ti vuccati MN I 292 34 sajnti, sajntti kho vuso, tasm sa ti vuccati MN I 293 35 sukhan ti pi vijnti, dukkhan ti pi vijnti, adukkhamasukhan ti pi vijnti. MN I 292
86 One feels pleasure, one feels pain, one feels neither-pain-nor-pleasure.36 In the case of consciousness, the object experienced--pleasure, pain, etc.--is followed by ti in the Pali, indicating that the object is actually only thought of, or conceptualized. In the case of vedan, there is a direct experience of the object. The text does not elaborate on this point, but one could suppose that this direct experiencing could take place at either the mental or the physical level, or both.
Vedan and the term nmarpa Some more clues as to the mental or physical nature of vedan can be found in an examination of the term nmarpa. The standard definition of this term in the Nikyas includes the term vedan as a part of nma. In the Sammdihisutta of the Majjhimanikya, for example, we find the following passage: Vedan, perception, volition, contact, and attention--these are called nma. The four great elements and the material form derived from the four great elements-these are called rpa.37 This seems to place vedan squarely in the field of mental events, and to contrast it with things of a physical nature. Indeed one sometimes finds nma translated as mentality in this context, and rpa as physicality or materiality. It is possible, however, that these translations have been influenced by usages of the terms nma, rpa and nmarpa which are later than those found in the four (mainly) prose Nikyas. These terms have a complex history. The literal meaning of nma is name. By the time of the early commentarial literature, in the context of the five aggregates (khandhas), the term is regularly used to refer to the four immaterial (arpino) aggregates38--vedan, perception (sa), sakhra, and consciousness (via)--which is contrasted with the aggregate of matter (rpa). Some of this early commentarial literature has canonical status, such as the Niddesa, which is a commentary on parts of the Suttanipta. Thus the
sukham pi vedeti, dukkham pi vedeti, adukkhamasukham pi vedeti. MN I 293 Vedan sa cetan phasso manasikro, ida vuccatvuso nma; cattri ca mahbhtni catunna ca mahbhtna updya rpa, ida vuccatvuso rpa. MN I 53 38 cattro arpino khandh, Nd1 435 = Nd2 339
36 37
87 commentaries take nmarpa as a designation of the five aggregates, which together are given as a description of the functioning of an individual person. In the four prose Nikyas, however, the term nmarpa is not used as a designation of the five aggregates. The above passage, for instance, is taken from a sutta of which the purpose is in part to explain each of the members of the dependent origination schema (paicca-samuppda). Now in this series, consciousness (via) is said to give rise to nmarpa.39 According to the commentarial classification, though, consciousness, as one of the five aggregates, is a part of nmarpa. And while we do find other elements in the above definition of nma which are from the aggregates without rpa--that is perception (sa), and in some places volition (cetan) is equated with the sakhras40--there are some elements which are extraneous to this group. The most significant of these in the present discussion is the term contact (phassa). Contact is usually understood in the Nikyas to have both a physical and a mental aspect. Indeed in the same sutta in which the above passage is found, six types of contact are listed, corresponding to the five physical senses and the mind.41 So we find contact of the body (kyasamphassa) alongside contact of the mind (manosamphassa), as well as contact of the eye (cakkhusamphassa), etc. The term vedan may well not be intended here in a purely mental sense. Vedan, and nma, may well include here physical as well as mental events.
88 Vedan: mind and body We come now to look at those passages in the Nikyas which are explicitly concerned with both the mental and the physical aspect of vedan. The most significant of these is found in the Sallasutta of the Vedansayutta. The soteriological significance of this sutta has already been referred to in the first chapter of this thesis. Here we will examine in detail what it has to say on the mental and physical aspects of vedan. The theme, as announced in the opening lines, is the difference between an ordinary person who has not heard (sc. the Buddhas teaching) (assutav puthujjano) who feels pleasant, painful and neither-pleasant-nor-painful vedan, and a noble disciple who has heard (sc. the Buddhas teaching) (sutav ariyasvako) who feels pleasant, painful and neitherpleasant-nor-painful vedan. The explanation of this is given firstly in terms of painful vedan. The ordinary person who is touched (puho) by painful vedan is upset by this experience. We are told that he feels two vedans, bodily (kyika) and mental (cetasika).42 This is likened to a man whom people pierce with one arrow, and whom they then pierce with a second arrow. The noble disciple, on the other hand, when touched by painful vedan, is not upset. We are told that he feels one vedan, which is bodily, and that he does not feel a mental vedan.43 Accordingly, the simile in this passage is of a man whom people pierce once with an arrow, but who is not pierced by them a second time. This view on the relationship between bodily vedan and mental vedan is not expressed in these terms at any other place in the Nikyas. This passage in the Vedansayutta is a clear description of a close relationship between physical and mental vedan which has a bearing on the status of the noble disciple (ariyasvaka). These two sentences could perhaps provide a key to the understanding of this relationship in the Nikyas. Moreover, they occur in a sutta which is significant from the soteriological point of view as well, as shown in the first chapter.
42 43
so dve vedan vediyati kyika ca cetasika ca SN IV 208 so eka vedana vediyati kyika, na cetasika SN IV 209
89 A study of passages which have a bearing on the Sallasutta passage: the Kakacpamasutta (MN 21) These phrases may be unique in the Nikyas, but the theme of this passage is an important one which is found echoed in many places. Leaving aside for a moment the question of the mental and physical aspects of vedan, let us take a look at some of the passages which have a bearing on the Sallasutta passage. The best known description in the Nikyas of a person whose mind is unaffected by physical discomfort is found in the Kakacpamasutta of the Majjhimanikya. The simile of the saw, from which this sutta takes its title, is also referred to in another Majjhimanikya sutta as we will see below, as well as in a verse of the Theragth.44 It comes at the end of the sutta: Bhikkhus, even if bandits were to sever you savagely limb by limb with a twohandled saw, he who gave rise to a mind of hate towards them would not be carrying out my teaching.45 This is the classic statement of the case of one who experiences physical pain but is not affected by it at the mental level. Or, put in the terms of the Sallasutta, one could say that this person feels one vedan, which is bodily, and he does not feel a mental vedan. The context of this dramatic statement is much more mundane than the statement itself. The sutta is about people who become upset over relatively minor matters. Firstly we hear of a bhikkhu who becomes angry and displeased and raises a dispute46 with others when they speak dispraise of the bhikkhuns (nuns) with whom he associates. The Buddha is represented as telling this bhikkhu that he should abandon any desires and any thoughts based on the household life, and that he should remain with a mind of lovingkindness (mettacitta). The Buddha also tells this bhikkhu that he should practice in the same way if the bhikkhuns with whom he has been associating are give a blow with the hand, with a clod, with a stick, or with a knife. And he should practice in the same way
Thag. 445 Ubhatodaakena ce pi bhikkhave kakacena cor ocarak agamagni okanteyyu, tatrpi yo mano padseyya na me so tena ssanakaro. MN I 129 46 PED for adhikaraam pi karoti.
44
45
90 if he himself is spoken to in a dispraising way, or if he is given a blow with the hand, with a clod, with a stick, or with a knife. In this last instance, the bhikkhu is in effect, in the spirit of the Sallasutta, being told that he should feel only one unpleasant vedan, the bodily, and not the mental: his mind should be unaffected by physical discomfort. Later in the sutta the Buddha tells the bhikkhus of the kinds of speech that they may have addressed to them, and he tells them what their reaction should be: When others address you, their speech may be timely or untimely; when others address you, their speech may be true or untrue; when others address you, their speech may be gentle or harsh; when others address you, their speech may be connected with good or with harm; when others address you, their speech may be spoken with a mind of loving-kindness or with inner hate. Herein, bhikkhus, you should train yourself thus: Our minds will remain unaffected, and we shall utter no evil words; we shall abide compassionate for their welfare, with a mind of loving-kindness, without inner hate. ...47 And to further emphasise the point, the Buddha gives the simile of the saw, quoted above. After this, however, he returns to the topic of speech: Bhikkhus, if you keep this advice on the simile of the saw constantly in mind, do you see any course of speech, trivial or gross, that you could not endure? -No, venerable sir.48 The last verb in the Buddhas phrase is familiar to us from passages that we looked at earlier in this chapter. Adhivseti, meaning he bears or he endures, is used in conjunction with painful vedan in the passage that we first noticed in the Sabbsavasutta, and which recurs in many places in the Nikyas. It is also found at
47
Klena v bhikkhave pare vadamn vadeyyu aklena v; bhtena v bhikkhave pare vadamn vadeyyu abhtena v; sahena v bhikkhave pare vadamn vadeyyu pharusena v; atthasahitena v bhikkhave pare vadamn vadeyyu anatthasahitena v; mettacitt v bhikkhave pare vadamn vadeyyu dosantar v. Tatrpi kho bhikkhave eva sikkhitabba: Na ceva no citta vipariata bhavissati na ca ppika vca nicchressma hitnumkamp ca viharissma... MN I 126-27 48 Ima ca tumhe bhikkhave kakacpama ovda abhikkhaa manasikareyytha, passatha no tumhe bhikkhave ta vacanapatha au v thla v ya tumhe ndhivseyythti. -- No heta bhante. MN I 129
91 significant junctures in the Mahparinibbnasutta, again in connection with vedan. Here, though, it is used in connection with speech which one hears which is in some way unpleasant. This provides an interesting connection with the other sutta of the Majjhimanikya in which the simile of the saw appears, the Mahhatthipadopamasutta.
A study of passages which have a bearing on the Sallasutta passage: the Mahhatthipadopamasutta (MN 28) This discourse is represented as being given not by the Buddha, but by one of his leading disciples, Sriputta. In it we find the following passage: So then, if others abuse, revile, scold, and harass a bhikkhu, he understands thus: This painful vedan born of ear-contact has arisen in me. This is dependent, not independent. Dependent on what? Dependent on contact. Then he sees that contact is impermanent, that vedan feeling is impermanent, that perception is impermanent, that formations are impermanent, and that consciousness is impermanent. And his mind ... acquires confidence, steadiness and decision.49 Again we have an instance of speech which is to be endured. Here, however, the analysis of this phenomenon is taken to another level. The bhikkhu of this passage understands that from the contact (samphassa) of this speech, an unpleasant vedan has arisen. This is the crucial step; the speech itself is not analysed, but its effect on the hearer. The nature of this vedan is then further examined: it is understood to be dependent upon contact. The bhikkhu then sees (passati) that the contact is impermanent and that the vedan is impermanent. Thus one of the key notions of the Nikyas, with which these texts characterize all phenomena, is brought in at this juncture in the bhikkhus thought process. It is not said, however, that he experiences this as a thought: rather, he sees (passati) these elements as impermanent. This verb implies a direct experience of the phenomenon, rather than a conceptualization of it. The other mental aggregates (that is perception (sa), the sakhras, and consciousness
49
Ta-ce vuso bhikkhu pare akkosanti paribhsanti rosenti vihesenti, so eva pajnti: Uppann kho me aya sota-samphassaj dukkh vedan, s ca kho paicca no appaicca, ki paicca: phassa paicca. So: phasso anicco ti passati, vedan anicc ti passati, sa anicc ti passati, sakhr anicc ti passati, vina aniccan ti passati. Tassa ... citta pakkhandati pasdati santihati adhimuccati. MN I 185-86
92 (via)) are also seen as impermanent. As a result of this process, the bhikkhus mind becomes calm. Sriputta then quotes the simile of the saw. Using the simile of the Sallasutta, we could say that the bhikkhu of this sutta is pierced by only one arrow. There is the unpleasant vedan which comes about from having heard offensive speech, but, by the use of wisdom, he is able to keep his mind calm, that is, there is no unpleasant mental vedan. This interpretation, however, is only possible if we understand the vedan which comes from the contact of hearing (sotasamphassaj vedan) as being bodily vedan. Now the sense of hearing is normally understood to operate independently of the body, except of course for the involvement of the parts of the body which make up the ear. It is usually understood as being largely a mental process, especially the process of hearing words which are understood as offensive. That this process involves the body in some way can be explained by interpreting the vedan that is associated with hearing as having an aspect that is related to the body. On the topic of bearing offensive speech, we may recall that this is associated with the bearing of painful bodily vedan in the passage from the Sabbsavasutta which we looked at above: he endures ill-spoken, unwelcome words and arisen bodily vedan that are painful, racking, sharp, piercing, disagreeable, distressing, and menacing to life.50
The two vedans of the Sallasutta passage The above passages from the Kakacpamasutta and the Mahhatthipadopamasutta show that the distinction that is made in the Sallasutta between a person who feels two vedans when he or she feels a painful vedan, that is, both bodily and mental, and a person who feels only the bodily vedan on this occasion, echoes an important theme in the Nikyas. The association of this theme with the analysis of vedan into its physical and mental aspects puts the discourse onto a different level. The simile of the saw is a striking
50
duruttna durgatna vacanapathna, uppannna srrikna vedanna dukkhna tippna kharna kaukna astna amanpna paharna adhivsakajtiko hoti. MN I 10
93 image which is used by the Buddha to make the bhikkhus whom he is teaching realize the importance of not becoming upset by adverse events. The analysis of vedan into mental and physical aspects, on the other hand, gives this process another dimension: now it can be understood without reference to the specific circumstances of the outside event. The passage which follows these lines that we have been looking at from the Sallasutta are a description of a soteriological process in which vedan plays a key role. This passage was pointed out in the first chapter. To briefly recapitulate, the noble disciple is described as not having aversion to unpleasant vedan and thus eradicating the underlying tendencies (anusaya) associated with unpleasant vedan; as not delighting in pleasant vedan and thus eradicating the anusayas related to pleasant vedan; and as understanding the impermanent nature of sensations which are neither pleasant nor unpleasant and thus eradicating the anusayas which are associated with them. In the context of this sutta, it is clear that in all of these cases the vedan that is being referred to is vedan at the physical level. Vedan is here the first of the barbs, the physical barb, and the noble disciple does not experience the barb of mental vedan which an ordinary person (puthujjana) does on this occasion. In this way he allows the soteriological process to take place.
Emphasis on bodily aspect of vedan in the ksasutta of the Vedansayutta The importance given to the physical aspect of vedan in the Sallasutta may come as some surprise to a reader of these texts who is accustomed to the commentarial classification of vedan as one of the four immaterial (arpino) aggregates which are contrasted with the aggregate of matter. It is not, however, the only place in the Nikyas where the bodily (kyika) aspect of vedan is emphasised. The twelfth sutta of the Vedansayutta, the ksasutta, is of great interest in this respect. The sutta begins with a simile: just as various types of winds blow in the sky, from various directions, of various strengths, etc., so various types of vedan, that is pleasant vedan, painful vedan, and vedan which is neither
94 pleasant nor painful, arise in this body (imasmi kyasmi).51 This simile, which is given first in prose, is then given again in verse. The wording for our key terms is almost identical: tathevimasmi pi kyasmi, samuppajjati vedan sukhadukkhasamuppatti, adukkhamasukkh ca y.52 So again we are told that vedan arises in this body (imasmi pi kyasmi). These statements are then followed by four lines of verse which conclude the sutta, and which also occur as the final lines of another sutta of the Vedansayutta, the Pahnenasutta.53 The last two lines we also find as the final lines of the Dahabbenasutta of the Vedansayutta.54 We have already examined these lines in the first chapter, because they put great emphasis on the role of vedan in the soteriological process. The wise person (paita) is said to have full comprehension of (parijnti) all vedans, and, having fully understood vedan (so vedan pariya), to be free from the savas. He is called one who has knowledge (vedagu), and at death he does not return to the finite world (sakha). There are hardly any statements in the Nikyas which give as much importance to vedan in the description of a soteriological process as these which are found here, in this sutta which also contains one of the clearest statements of the physical aspect of vedan. The thirteenth sutta of the Vedansayutta , also called the ksasutta, repeats the prose section of the preceeding sutta, so that the information that this sutta gives is that vedans arise in this body. The fourteenth sutta of the collection, the grasutta,55 also gives this information, but it uses a different simile to illustrate the point. Here, the various vedan which arise in the body are compared to the various visitors who come to stay at a rest house: they may come from different directions, and they may be of
51
imasmi kyasmi vividh vedan uppajjanti, sukh pi vedan, dukkh pi vedan, adukkhamasukh pi vedan uppajjanti. SN IV 218 52 SN IV 218 53 SN IV 206 54 SN IV 207 55 SN IV 219
95 various castes, nobles (khattiyas), brhmans, etc. The central concern of these two suttas is therefore simply to highlight the fact that vedan arises in the body. The soteriological dimension of the first ksasutta is not found in these suttas.
Emphasis on bodily aspect of vedan in the Gelaasutta of the Vedansayutta There is another sutta in the Vedansayutta which gives some information on the relationship between vedan and the body. This is the seventh sutta of the collection, the Gelaasutta. The first part of the sutta is concerned with describing a bhikkhu who is aware (sato) and who has complete understanding (sampajno). These are key terms from the description of the practice of the establishing of mindfulness (satipahna). The remainder of the sutta presupposes that the bhikkhu is possessed of these qualities. The sutta continues, Now, bhikkhus, as that bhikkhu dwells aware, with complete understanding, earnest, ardent, strenuous, there arises in him vedan that is pleasant, and he thus understands: There is arisen in me this pleasant vedan. Now that is dependent, not without cause. Dependent on what? Dependent on this very body.56 The relationship between vedan and the body is given here in somewhat different terms than it is in the ksasutta. Vedan is here described as being dependent (paicca) upon the body. In this section pleasant vedan is being discussed. Further on in the sutta there is a parallel section dealing with painful vedan and one dealing with vedan which is neither pleasant nor painful. The ramifications of vedan being dependent on the body are now taken up: Now this body is impermanent, compounded, arisen owing to something. It is owing to this impermanent body, which has so arisen, that pleasant vedan has arisen as a consequence, and how can that be permanent?57
56
Tassa ce bhikkhave bhikkhuno eva satassa sampajnassa appamattassa tpino pahitattassa viharato uppajjati sukh vedan, so evam pajnti, Uppann kho me aya sukh vedan, s ca kho paicca no apaicca, kim paicca, ima eva kyam paicca. SN IV 211 57 aya kho pana kyo anicco sakhato paicca samuppanno, anicca kho pana sakhatam paicca samuppanna kyam paicca uppann sukh vedan kuto nicc bhavissatti. SN IV 211
96 Again, as we have seen in many places in the Nikyas, vedan is associated with the key notion of impermanence. This leads to the bhikkhu taking up a specific practice for which the body and vedan are the base. This leads in turn to the abandoning of the underlying tendencies (anusaya) in relation to the body and to vedan: Thus he dwells contemplating impermanence in body and pleasant vedan, he dwells contemplating their transience, their waning, their ceasing, the giving of them up. As he thus dwells contemplating impermanence in body and pleasant vedan, contemplating their transience ... the underlying tendency to lust for body and pleasant vedan is abandoned.58 In the Chachakkasutta of the Majjhimanikya, one who abandons the anusayas is said to make an end of suffering.59 So we have here a very strong emphasis on vedan and its relation to the body in the context of the description of a soteriological process. This sutta has parallels with passages from other suttas in the Nikyas, but there are also important aspects in which it is unique. The fact that it describes vedan as being dependent (paicca) on the body is particularly noteworthy. In the dependent origination sequence, vedan is said to be dependent--and a closely related word, paccaya, is used-on contact (phassa). One of the passages from the Mahhatthipadopamasutta that we looked at above is based on this vedan-phassa link, and its similarity to and difference from our Gelaasutta passage are striking. Let us look at them side by side. Here is the passage from the Gelaasutta: There is arisen in me this pleasant vedan. Now that is dependent, not without cause. Dependent on what? Dependent on this very body. Now this body is impermanent.60 And now those from the Mahhatthipadopamasutta:
58
So kye ca sukhya ca vedanya aniccnupass viharati, vaynupass viharati, virgnupass viharati, noridhnupass viharati, painissaggnupass viharati, tassa kye ca sukhya ca vedanya aniccnupassino viharato vaynupassino viharato virgnupassino viharato nirodhnupassino viharato painissaggnupass viharato yo kye ca sukhya ca vedanya rgnusayo so pahyati. SN IV 211-12. 59 dukkhass antakaro bhavissati MN III 286 60 Uppann kho me aya sukh vedan, s ca kho paicca no apaicca, kim paicca, ima eva kyam paicca, aya kho pana kyo anicco... SN IV 211
97
he understands thus: This painful feeling born of ear-contact has arisen in me. This is dependent, not independent. Dependent on what? Dependent on contact. Then he sees that contact is impermanent, that feeling is impermanent ...61 The second example forms part of a brief narrative: we are given the hypothetical situation of a bhikkhu who is insulted, and we are shown the best way for him to deal with this. In the Gelaasutta, on the other hand, the situation is not specified; the teachings here apply universally: we are shown how to make use of pleasant, painful, and neither-pleasant-nor-painful vedan to abandon underlying tendencies (anusaya). And we are told that the way to do this is firstly by understanding the relationship of vedan with the body.
The significance of the phrase So kyapariyantika vedana vediyamno ... in the Gelaasutta The bodily aspect of vedan is referred to again in the Gelaasutta. The following Pali phrase appears in the concluding paragraphs: So kyapariyantika vedana vediyamno Kyapariyantika vedana vediymti pajnti. SN IV 213 This phrase has elicited varying responses from translators over the years. Let us briefly survey their translations. (Some of these translations are of this phrase as it appears in other suttas). C.A.F. Rhys Davids arrived at the following, though it is difficult to see how she did so: When he feels a feeling that his powers have reached their limit, he knows that he feels such a feeling.62
61
so eva pajnti: Uppann kho me aya sota-samphassaj dukkh vedan, s ca kho paicca no appaicca, ki paicca: phassa paicca. So: phasso anicco ti passati, vedan anicc ti passati, sa anicc ti passati, sakhr... vina... MN I 185-86. 62 C.A.F. Rhys Davids, The Book of the Kindred Sayings, London, Pali Text Society, vol. II, 1922, p.58 (on SN II 83).
98
F.L. Woodward translated this phrase a number of times. On the earlier occasions he seems to have been influenced by C.A.F. Rhys Davids interpretation, giving, for example: When he feels a feeling that his bodily endurance has reached its limit, he knows that he so feels.63 On the last occasion that he translated it, however, he gives: When he feels a feeling limited by body, he knows that he so feels.64 He adds a footnote to this translation, stating that he is not sure that his earlier translation is right. He refers in this footnote to the Pali commentary on this text, which explains kyapariyantika as kyaparicchinna, which Woodward translates as confined to the limits of the body ... The earlier translations seem to belong to a type which K.R. Norman refers to as intuitive translations.65 The translators have chosen their renderings because they believed that they have understood the entire passage, without looking closely enough at the individual words and phrases. In this case they seem to have been influenced by the fact that a few lines further on, the state after death (kyassa bhed uddha) of the bhikkhu, who is the subject of this passage, is described. The phrase kyapariyantika vedana, however, is not related to death or dying. The word pariyantika is given in the PED as a term which is used at the end of compounds, meaning ending in, bounded or limited by. In Sanskrit the cognate word paryanta seems to be used in a similar sense: Monier-Williams gives bounded by, extending as far as.66 The translation that Woodward later arrived at appears, therefore, to be closer to what the meaning of the Pali may be. R. Gombrich in a recent article paraphrases this phrase as ... if he has a
F.L. Woodward, The Book of the Kindred Sayings, London, Pali Text Society, vol. IV, 1927, p.143. F.L. Woodward, The Book of the Gradual Sayings, London, Pali Text Society, vol.II, 1933, p.210. 65 K.R. Norman, A Philological Approach to Buddhism, London, School of Oriental and African Studies, 1997, p.9. 66 M. Monier-Williams, Sanskrit-English Dictionary, Oxford, Oxford University Press, 1899, s.v.
63 64
99 sensation co-extensive with his body ..., he feels it as such....67 It seems clear that the phrase kyapariyantika vedana is giving a great deal of emphasis to the bodily aspect of vedan. Vedan is here being identified with the body. There are, however, two translations which have appeared since Woodward revised his original opinion on this phrase which seem to revert to the older, inaccurate interpretation. aamoli, whose translation of this passage was published after his death from the draft that he left, gives: When he feels feeling of the body ending, he understands: I feel feeling of the body ending.68 And Nyanaponika, in 1983, gives, in a similar vein: When having painful feelings endangering the body, he knows: I have painful feelings endangering the body.69 The translators who failed to arrive at a correct translation of this phrase were no doubt influenced by the context in which we find it; the text which follows this phrase a little later in the passage is concerned with what happens after death (kyassa bhed). It could also be, however, that they were reluctant to identify vedan with the body because they were influenced by the commentarial interpretation of vedan as one of the formless aggregates (arpino khandh). Not all of the translations of the phrase kyapariyantika vedana that we have looked at here are taken from translations of the Gelaasutta of the Vedansayutta. This phrase appears in a number of other places in the Nikyas. The distribution of these appearances is of considerable interest. It occurs once in the Majjhimanikya,70 once in the Aguttaranikya,71 and four times in the Sayuttanikya. Within the
R. Gombrich, The Buddha and the Jains, Asiatische Studien, XLVIII, 4, 1994, p.1092. aamoli, ed. Phra Khantipalo, A Treasury of the Buddhas Discourses from the Majjhima-nikaya (Middle Collection), vol.ii, Wisemans Ferry, N.S.W., Wat Buddha-Dhamma, no date, p.64. 69 Nyanaponika, Contemplation of Feeling, Kandy, Buddhist Publication Society, 1983, p.19. 70 MN III 244-5 71 AN II 198
67 68
100 Sayuttanikya, it appears firstly in the Nidnasayutta,72 the main section of the second volume, devoted to texts dealing with the schema of dependent origination (paiccasamuppda); then in the Khandhasayutta,73 the main section of the third volume, devoted to texts dealing with the five aggregates; then in the fourth volume, in the Vedansayutta74; and finally in the fifth volume, the Mahvagga,75 in a section with texts on mindfulness of in-breathing and out-breathing (npnasati). The first volume of the Sayuttanikya, from which this phrase is absent, is largely made up of verse suttas, which do not lend themselves easily to analysis of these kinds of terms. The phrase is also absent from the Dghanikya, where we find texts of a rather different nature to those in the three other principal Nikyas. Thus we find this phrase represented in most of the major groups of texts in the Nikyas, and within the Sayuttanikya, where the texts are arranged according to their subject matter, we find it in each major subdivision except for the verse collection. It is possible that the fact that this phrase is distributed in such a manner points to it being considered of some significance by the compilers of these texts. In truth, though, we know little about the process by which these texts were compiled, and suggestions like this must necessarily remain speculative. This phrase, which puts so much emphasis on the connection of vedan with the body, is embedded in the same passage on each of its appearances, and this passage is of great soteriological significance. This passage, which was examined in detail in the first chapter, puts emphasis on the understanding of the impermanent (anicca) nature of vedan, and of the importance of remaining detached (visayutto) from vedan. In the context of the important role of vedan in the soteriological process described here, the phrase on the bodily nature of vedan takes on even greater significance. And in the Gelaasutta of the Vedansayutta, as we saw above, this passage follows on from one which explains how vedan is intimately connected with the body.
101 Another sutta which was commented upon in the first chapter of this thesis in order to highlight the emphasis which is put on vedan in a description of a soteriological process is also of some interest in terms of our understanding of the relationship between vedan and the body as represented in these texts. This is the Dghanakhasutta of the Majjhimanikya. In this sutta we find the following description of the body: Now, Aggivessana, this body made of material form, consisting of the four great elements, procreated by a mother and father, and built up out of boiled rice and porridge, is subject to impermanence, to being worn and rubbed away, to dissolution and disintegration.76 A passage very similar to this one is used in a number of places in the Nikyas to explain the term which refers to the body in extended metaphors. For example, earlier on in the Majjhimanikya, we find the term ant-hill (vammka) used to refer to the body, and it is explained in the following manner: Bhikkhu, the ant-hill is a symbol for this body, consisting of the four great elements, procreated by a mother and father, built up out of boiled rice and porridge, and subject to impermanence, to being worn and rubbed away, to dissolution and disintegration.77 In other metaphors, the terms boil,78 town,79 and chariot80 are explained in exactly the same way. In other contexts as well, we find this passage used when reference is made to the body.81 This passage is, therefore, a kind of standard, paradigmatic description of the body in the Nikyas. The passage in the Dghanakhasutta continues in the following manner:
76
Aya kho panAggivessana kyo rp ctummahbhtiko mtpettikasambhavo odanakummspacayo aniccucchdana-parimaddana-bhedana-viddhasanadhammo. MN I 500 77 Vammko ti kho bhikkhu imasseta ctumahbhtikassa kyassa adhivacana mtpettikasambhavassa odanakummsupacayassa anicc-cucchdana-parimaddana-bhedana-viddhasanadhammassa. MN I 144 78 SN IV 83 and AN IV 386 79 SN IV 194 80 SN IV 292 81 DN I 76, MN II 17, SN V 369-70
102 It should be regarded as impermanent, as suffering, as a disease, as a tumour, as a dart, as a calamity, as an affliction, as alien, as disintegrating, as void, as not self.82 There follows a brief passage which states that if one views the body in the terms with which it is described here, desire towards the body will be abandoned. Immediately after this comes a blunt statement of the three vedans: There are these three vedans, Aggivessana, pleasant vedan, unpleasant vedan, and vedan which is neither pleasant nor unpleasant.83 There is no preparation for this sudden change of topic. This same phrase, or phrases almost identical with it, occurs quite a number of times in the Nikyas. When it does occur, it is either the subject matter of the entire sutta, as in many of the suttas of the Vedansayutta;84 or it is related to the broader context of the sutta, as for example, in discussion of the place of vedan in the dependent origination schema (paiccasamuppda)85; or it is in a sutta which is concerned with enumerating various types of phenomena (dhamma), as in the Sagtisutta and the Dasuttarasutta of the last volume of the Dghanikya.86 Finding it suddenly cropping up as it does here without any preparation is quite unusual. What we have in effect is a stark juxtaposition of a significant passage on the body with a significant passage on vedan. For, as we have seen in the first chapter, the theme of vedan is now developed: vedan plays a central role in a description of a soteriological practice, so much so that the sutta has an alternative title in the commentarial literature, as the Vedanpariggahanasutta, the Discourse on the Grasping of Vedan. A significant feature of this passage is the emphasis on the impermanent nature of vedan:
82
aniccato dukkhato rogato gaato sallato aghato bdhato parato palokato suato anattato samanupassitabbo. MN I 500 83 Tisso kho im Aggivessana vedan: sukh vedan dukkh vedan adukkhamasukh vedan. MN I 500 84 See SN IV 204, ff. 85 SN II 53 and SN II 99 86 DN III 216 and 275
103 Pleasant vedan, Aggivessana, is impermanent, conditioned, dependently arisen, subject to destruction, vanishing, fading away and ceasing.87 Even though there is no explicit link made in the jump from a description of the nature of the body to that of the nature of vedan, there is an important thematic link between these descriptions. That is the emphasis in both descriptions on impermanence, one of the key concepts of the Nikyas. The body is subject to impermanence, to being worn and rubbed away, to dissolution and disintegration (aniccucchdana-parimaddanabhedana-viddhasanadhammo). It should be regarded as impermanent... (aniccato... samanupassitabbo). Bearing this connection in mind, and bearing in mind the juxtaposition of these two significant passages, one is tempted to conclude that the bodily aspect of vedan is being emphasised in this sutta. This is not, however, stated explicitly, so any conclusions on this matter must remain conjectural.
Emphasis on bodily aspect of vedan in the Mahtahsakhayasutta There is another sutta in the Majjhimanikya which we have seen as giving an important role to vedan in a description of a soteriological process, and which also implies a connection between the body and vedan. This is the Mahtahsakhayasutta. The relevant passage begins in this manner: When he has seen a material shape through the eye, he does not feel attraction for agreeable material shapes, he does not feel repugnance for disagreeable material shapes; and he dwells with mindfulness aroused as to the body, with a mind that is unlimited; and he comprehends that freedom of mind and that freedom through intuitive wisdom as they really are, whereby those evil unskilled states of his are stopped without remainder. Having abandoned thus compliance and antipathy, whatever vedan he feels--pleasant or painful or neither painful nor pleasant--he does not delight in that vedan, does not welcome it and persist in cleaving to it.88
87
Sukh pi kho Aggivessana vedan anicc sakhat paiccasamuppann khayadhamm vayadhamm virgadhamm nirodhadhamm (MN I 500)
104 Some key terms for our discussion can be extracted from this passage, without, I hope, distorting the overall sense of the passage. Let us look at two of the phrases from this passage side by side. Firstly: he dwells with mindfulness aroused as to the body... (So... upahitakyasati ca viharati ... MN I 270) and then: ... whatever vedan he feels--pleasant or painful or neither painful nor pleasant--he does not delight in that vedan, does not welcome it and persist in cleaving to it. (.... yam kaci vedana vedeti sukha v dukkha v adukkhamasukha v, so ta vedana nbhinandati nbhivadati njjhosya tihati. MN I 270) The practice which leads to the stage at which the person described in this passage is able to remain unaffected by vedan which is pleasant, painful or neither-pleasant-norpainful is a practice which in part at least is based on the body. This suggests that the bodily aspect of vedan may have a role to play in the process described in this passage.
Vedan exemplifies the link between mind and body in the Nikyas The interest that we find in the Nikyas in pointing out the physical and mental aspects of vedan echoes a broader theme. In a number of places, we find mental and physical aspects of various phenomena. The mind and the body are both given importance in the description of a number of practices. Sometimes we find this theme related in some way to the concept of vedan. This theme seems to have presented some difficulties to the early commentators on these texts, for we find a certain amount of inconsistency in their treatment of it.
88
So cakkhun rpa disv piyarpe rpe na srajjati, appiyarpe rpe na bypajjati, upahitakyasati ca viharati appamacetaso, ta-ca cetovimutti pavimutti yathbhta pajnti yatthassa te ppak akusal dhamm aparises nirujjhanti. So eva anurodhavirodhavippahno ya kaci vedana vedeti, sukha v dukkha v adukkhamasukha v, so ta vedana nbhinandati nbhivadati njjhosya tihati. MN I 270
105 The following passage appears in several places in each of the four principal Nikyas: When he is glad, joy is born in him; in one who is joyous, the body becomes tranquil; one whose body is tranquil feels pleasure; in one who feels pleasure, the mind becomes concentrated.89 Gethin has made the following observations on this passage: It is perhaps of some interest that passaddhi [tranquillity] is described in [this] ancient formula as being mediated through the body... Some form of movement from mind to body and back again is ... quite clearly indicated in the ancient formula concerned with the dynamics of pti [joy] and passaddhi [tranquillity].90 It is indeed a remarkable description of a process in which mental and physical events both play important roles and interact with each other in important ways. Moreover, a term related to vedan plays a role in this process. The phrase sukha vedeti (he feels pleasure) uses a verb which is cognate with the term vedan. Extrapolating from the mental and physical aspects of vedan that we have noticed in the above discussion, we can interpret the phrase sukha vedeti (he feels pleasure) as a link between the body (kya) of the preceding phrase (the body becomes tranquil, kyo passambhati) and the mind (citta) of the phrase which follows (in one who feels pleasure, the mind becomes concentrated, sukhino citta samdhiyati). The commentaries, however, have different views on the meaning of this passage. The commentaries on the Dghanikya take kya in this passage to mean the mind. They understand the term kya as a way of saying nmakya, that is, in the terms of the commentaries, the four immaterial aggregates.91 Other commentaries, however, are less unequivocal. The commentary on this passage as it appears in the Majjhimanikya
89
pamuditassa pti jyati, ptimanassa kyo passambhati, passaddhakyo sukha vedeti, sukhino citta samdhiyati. DN I 73, DN III 241, 288; MN I 37, 283; SN IV 78-79, 351-58; SN V 156, 398; AN I 243-4; AN III 21-23, 285-87; AN V 329-34 90 R. Gethin, The Buddhist Path to Awakening, Leiden, Brill, 1992, p.155-6. 91 Sv I 217 on DN I 73 nmakyo passambhati and Sv III 1032 on DN III 241 kyoti nmakyo paipassambhati.
106 simply glosses kya as kya.92 This gives us little further information on how this commentary wants us to understand the term. It is possible that we are being asked to take kya at face value, as meaning simply the physical body. On its first appearance in the Aguttaranikya, the commentary on that text has another interpretation of this passage: the body becomes tranquil [means] the group of the mind (nmakya) and the group of matter (rpakya) are without agitation.93 Interestingly, here the commentary seems to be taking kya as meaning mind and body together, using its customary terminology of nmakya for the four immaterial aggregates and rpakya for the aggregate of matter, that is, the body. Later on in the Aguttaranikya commentary, however, commenting on this same phrase, we find kya glossed as nmakya only, that is, the group of mental aggregates.94 When this passage appears in the Sayuttanikya, as it does in numerous places, the commentary is silent on the term kya. The term whose body is tranquil (passaddhakyo), does, however, occur in a verse passage in the Mrasayutta of the first volume of the Sayuttanikya.95 And here we find yet another explanation of this term: Whose body is tranquil [means] whose body is tranquil because of the tranquillising of the body of in- and out-breathing by the fourth jhna.96 This is related to another explanation of kya that we find in the Nikyas. In the Cavedallasutta of the Majjhimanikya, the lay disciple Viskha asks the bhikkhun Dhammadinn the meaning of the term kyasakhra (sakhra of the body).97 She tells him that it means in- and out-breathing (asssapasss). When he asks the reason that this definition is given, she says that it is because in- and out-breathing is bodily (kyika), that these phenomena are bound up with the body (ete dhamm kyapaibaddh). So the commentary on the Sayuttanikya appears not to take kya in the term passaddhakya to be the mental body, as some of the other commentaries do; it seems to understands kya here as the physical body.
kyo passambhatti kyo passaddho hoti vpasantadaratho Ps I 174 on MN I 37 kyo passambhatti nmakyopi rpakyopi vigatadaratho hoti Mp II 357 on AN I 243 94 kyoti nmakyo Mp III 230 on AN III 21 95 SN I 126 96 passaddhakyoti catutthajjhnena asssapasssakyassa passaddhatt passaddhakyo Spk I 187 97 MN I 301
92 93
107 This survey of the commentarial interpretations of the term passaddhakya reveals some tensions. They seem to stem from a reluctance to take the term kya in this context at face value. It is one whose body is tranquil (passaddhakya) who feels pleasure (sukha vedeti). This allows us to speculate that the pleasure spoken of here may be related to the body. The text continues: in one who feels pleasure, the mind becomes concentrated (sukhino citta samdhiyati). Here, we may be tempted to speculate that the pleasure involved here is of a mental nature. Or we could take the two phrases together and conclude that pleasure (or happiness) in this context is of both a mental and a physical nature. The fact that the verb vedeti, related to vedan, is used here, and that vedan is shown in many places in the Nikyas to have both a physical and a mental aspect, supports this third interpretation. The commentaries are divided in their interpretation of the nature of pleasure in this context. The Dghanikya commentary and the Aguttaranikya commentary say that it is both bodily and mental.98 The Majjhimanikya commentary, on the other hand, specifies that pleasure in this passage is mental pleasure.99 It is curious to note that it is the Majjhimanikya commentary, which does not define kya in this passage as nmakya (mental group), which nevertheless represents pleasure only in mental terms. And it is the Dghanikya commentary, which sees kya as being a mental phenomenon (nmakya), which explains pleasure as being both bodily and mental (kyikampi cetasikampi). This seems to be further evidence of the confusion in the minds of the commentators on these questions. Some kind of relationship between the mind and the body is described in other places in the Nikyas as well, and examining these passages can help to put into perspective the question of the mental and bodily aspects of vedan. The following passage bears some strong resemblances with the passage which we have just been looking at, and it too appears at numerous places in the Nikyas:
Sv I 217 on DN I 73: sukha vedetti kyikampi cetasikampi sukha vedeti. Mp II 357 on AN I 243: sukha vediyatti kyikacetasikasukha vediyati 99 Ps I 174 on MN I 37: passaddhakyo sukhanti eva vpasantakyadaratho cetasika sukha paisavedeti
98
108 Tireless energy, o brahman, was aroused in me and unremitting mindfulness was established, my body was tranquil and untroubled, my mind concentrated and unified.100 We find this passage in all of the Nikyas except for the Dghanikya, and it occurs in several places in the Majjhimanikya and the Aguttaranikya. We also find it in the Itivuttaka.101 As with the previous passage, if we read kya as the physical body here, the interaction between physical and mental events can be seen to be of great importance in this description of a spiritual practice. Some of the terms in this passage bear a very close resemblance to those in the passage examined above. Yet when we turn to the commentaries, we find that they explain these words quite differently. The term passaddho kyo (my body was tranquil) is very nearly the same as the compound passaddhakyo found in the first passage. Yet the commentary on the Majjhimanikya gives an explanation for it which is very different to that given by the commentaries for the term passaddho kyo. The passage from the Majjhimanikya commentary is as follows: The body is tranquil (means) by the production of tranquillity of mind and body, my body too was tranquil. In this connection, when the mind-body (nmakya) is tranquil the material-body (rpa-kya) is also tranquil, therefore without having made a distinction between the mind-body and the material-body, the phrase the body is tranquil is used.102 This commentary is making full use of the possibility of interpreting kya as both a mental and a physical phenomenon. The Aguttaranikya commentary gives another interpretation of passaddho kyo, which is different again from any of the various explanations which the commentaries give for passaddhakya:
100
raddha kho pana me brhmaa viriya bhavissati asallna upahit sati asamuh passaddho kyo asraddho samhita citta ekaggan ti. 101 MN I 21, 117, 186, 189; SN IV 125; AN I 148, 282, AN II 14, AN IV 176; Itivuttaka, p.119-20 102 passaddho kyoti kyacittappassaddhisambhavena kyopi me passaddho ahosi, tattha yasm nmakye passaddhe rpakyopi passaddhoyeva hoti, tasm nmakyo rpakyo ti avisesetvva passaddho kyo ti vutta. Ps I 124 on MN I 21.
109 The body is tranquil (means) the mental group and the body born of action is tranquil, has its agitation calmed.103 Here, kya, besides being described as the group of mental aggregates, is also called the body born of action (karajakya), a term which we have not encountered in our examinations of the traditional exegeses of kya. Whether this term is referring to a physical or a mental phenomenon is not immediately clear. In the Dghanikya commentary, however, it is clearly shown to be the physical body, firstly in a passage which relates it to the description of the body as made of material form, consisting of the four great elements, procreated by a mother and father, and built up out of boiled rice and porridge, and secondly in a passage which describes it as being the four great elements.104 The commentary on passaddho kyo in the Itivuttaka is practically identical with this one from the Aguttaranikya commentary. So again we see here the commentaries interpreting the term kya as both a physical and a mental phenomenon. The variety of commentarial interpretations of the term kya in the phrases passaddhakya and passaddho kyo is of great interest in assessing the commentators views on how the Nikya texts see the relationship between the mind and the body. Some of the commentaries do not allow kya any physical aspect. When they do interpret kya as being both physical and mental, they use a wide variety of expressions to describe this dual aspect.
Mental and physical aspects of descriptions of the factor of awakening of tranquillity (passaddhisambojjhango) We come away from our survey of the commentaries opinions on the terms passaddhakya and passaddho kyo somewhat perplexed by their contradictions and their efforts to make what could appear to be a simple matter appear rather complicated. When we look into the Nikyas, however, for more information on these terms, the situation seems to be somewhat clearer. The term passaddhi (tranquillity), a noun
passaddho kyoti nmakyo ca karajakyo ca passaddho vpasantadaratho. Mp II 243 on AN I 148. Sv III 722 on DN II 278: vatthu nma karajakyo, ya sandhya vutta -- idaca pana me via ettha sita ettha paibaddhanti. This is a reference to DN I 76 where consciousness is said to be bound to the body which is rp ctummahbhtiko mtpettikasambhavo... Sv III 764 on DN II 291: karajakyo nma cattri mahbhtni updrpace ti (sic).
103 104
110 related to the perfect past participle passaddha, is found in a series known as the seven factors of awakening (bojjhaga). R. Gethin has commented on the significance of this series: A statement to the effect that the Buddhist path consists essentially in the abandoning of the five hindrances, the development of the establishings of mindfulness and subsequent development of the awakening-factors is found several times in the Nikyas: AN V 194-5 (cf. DN II 83 = III 101 = SN V 161; AN III 387; Nett 94).105 At a number of places we find a passage which describes the factors being developed in a sequential manner. The term tranquillity is preceded by joy (pti) and is followed by concentration (samdhi). We can note in passing that this part of the series bears a close resemblance to the passage which we examined at the beginning of this section, which gives these terms in the following form: joy (pti) is born in him; in one who is joyous, the body becomes tranquil (passambhati); one whose body is tranquil feels pleasure; in one who feels pleasure, the mind becomes concentrated (samdhiyati).106 In a number of suttas which deal with the seven factors of awakening we find the following passage: Of one who is joyous body is tranquil and mind is tranquil. Now, bhikkhus, when a bhikkhu who is joyous has body and mind tranquillized, then it is that the limb of wisdom which is tranquillity is established in him. ... Happy is he whose body is tranquillized. Of him that is happy the mind is concentrated.107
R. Gethin, The Buddhist Path to Awakening, Leiden, Brill, 1992, p.58. pti jyati, ptimanassa kyo passambhati, passaddhakyo sukha vedeti, sukhino citta samdhiyati. DN I 73, etc. 107 Ptimanassa kyo pi passambhati, cittam pi passambhati. Yasmi samaye bhikkhave bhikkhuno ptimanassa kyo pi passambhati cittam pi passambhati, passaddhisambojjhago tasmi samaye bhikkhuno raddho hoti. ... passaddhakyassa sukha hoti, sukhino citta samdhiyati. SN V 68, cf. 332 and 338. MN III 86
105
106
111 Here we have a clear statement of the involvement of both mind and body in this process. Equally as clear are other statements found in the Bojjhangasayutta of the Sayuttanikya. The following passage occurs three times: There are, bhikkhus, tranquillity of body and tranquillity of mind. Systematic attention thereto, if made much of, is this food for the arising of the limb of wisdom which is tranquillity if not yet arisen, or for its cultivation and fulfilment if already arisen.108 Another passage from the Bojjhagasayutta gives a similar impression: Now, bhikkhus, tranquillity of body, that is a limb of wisdom that is tranquillity. Tranquillity of mind, that also is a limb of wisdom that is tranquillity.109 The calming of the body and the mind is also one of the benefits of the conscientious practice of mindfulness of the body (kyagat sati) mentioned in the Aguttaranikya: Bhikkhus, if one thing be practised and made much of, body is calmed, mind is calmed... What one thing? It is mindfulness centred on the body.110 This context is particularly significant because the practice of mindfulness of the body is explicity concerned with the physical body--the term kya in kyagat sati is never interpreted as the mental group (nmakya). From the context of these suttas there is no reason to think that anything other than the physical body is meant by kya and anything other than the mind is meant by citta. Once again, though, the commentaries give contradictory interpretations of these passages. The commentary on the Aguttaranikya passage111 just quoted glosses kya
108
Atthi bhikkhave kyapassaddhi cittapassaddhi, tattha yonisomanasikrabahulkaro ayam hro anuppannassa v passaddhisambojjhagassa uppdya uppannassa v passaddhisambojjhagassa bhvanya pripriy. SN V 66, 104 & 107 109 Yad api bhikkhave kyapassaddhi tad api passaddhisambojjhago yad api bhikkhave cittapassaddhi tad api passaddhisambojjhago. SN V 111. 110 Ekadhamme bhikkhave bhvite bahulkate kyo pi passambhati citta pi passambhati ... Katamasmi ekadhamme? Kyagat-satiy. AN I 43 111 Mp II 79 on AN I 43
112 in the phrase the body becomes tranquil (kyopi passambhati) as nmakyopi karajakyopi, that is the mental body and the body born of deeds. This is the same gloss that this commentary gives on the term passaddho kyo when it appears at AN I 148, as noted above. In that place, of course, the term citta (mind) is not mentioned in the text. Here the commentary makes no mention of the fact that the phrase kyo pi passambhati is followed immediately by cittam pi passambhati. In fact, it has placed itself in a difficult position to give a coherent explanation for citta here, having already given the mental body as a part of its definition of kya. When the Sayuttanikya commentary gives its interpretation of the phrase there are, bhikkhus, tranquillity of body and tranquillity of mind (atthi bhikkhave kyapassaddhi cittapassaddhi), we find an interpretation of these terms which we have not yet encountered: Tranquillity of the body (means) tranquillity of the agitation of three aggregates. Tranquillity of the mind (means) tranquillity of the aggregate of consciousness.112 This explanation is related to a passage which occurs a number of times in the Dhammasagai, the first book of the Abhidhamma. This passage is an explanation of kyapassaddhi and cittapassaddhi: the first is explained as tranquillity of the aggregates of vedan, perception (sa) and the sakhras, and the second as tranquillity of the aggregate of consciousness (via).113 So the Sayuttanikya commentary explains kya in this passage not as the mental body but as a particular aspect of the mental body, that is, as three of the four mental aggregates. The term citta (mind) is understood as referring to the fourth mental aggregate, consciousness (via). R. Gethin has made the following suggestive comments on the Dhammasagai passage:
112
kyapassaddhti tia khandhna darathapassaddhi. cittapassaddhti viakkhandhassa darathapassaddhi. Spk III 141 on SN V 66, same as Spk III 170 on SN V 111 113 Katam tasmi samaye kyapassaddhi hoti? Y tasmi samaye vedankkhandhassa sakkhandhassa sakhrakkhandhassa passaddhi paipassaddhi passambhan paipassambhan paipassambhitatta, aya tasmi samaye kyapassaddhi hoti. Katam tasmi samaye cittapassaddhi hoti? Y tasmi samaye viakkhandhassa passaddhi paipassaddhi passambhan paipassambhan paipassambhitatta, aya tasmi samaye cittapassaddhi hoti. Dhs. 14-15, 66.
113 If one is to take this at face value, it seems to indicate that vedan, sa and sakhras are seen as in some sense able to bridge the gap between mind and body. They are, as it were, what mediates ones state of mind to the body, and vice versa.114 These comments may not apply, however, to the passage from the Sayuttanikya commentary. In the context of commentarial interpretations of similar passages, it seems, rather, that the commentary here is taking body (kya) as the mental body (nma-kya), or at least as a part of the mental body (ie. vedan, sa and sakhra). The commentary still has to explain citta, and rather than remain silent, as the commentary on the similar Aguttaranikya passage does, it takes citta as the aggregate of consciousness (via). It seems, however, that the Sayuttanikya commentarys analysis of kyapassaddhi and cittapassaddhi is not entirely coherent, perhaps as a result of an unwillingness to take the term kya at face value, as meaning the physical body. Indeed, the interpretation of body as vedan, perception and the sakhras and of mind as consciouness seems somewhat strained in view of the fact that a few lines earlier in the text we find mention of bodily energy (kyika viriya) and mental energy (cetasika viriya), which the commentary is quite happy to interpret in a straightforward manner, that is with body taken as referring to the physical body, and mind as meaning simply the mind in a non-technical sense.115 Nevertheless, Gethins comments are interesting and deserve consideration. His suggestion that vedan, sa and sakhras are, as it were, what mediates ones state of mind to the body, and vice versa seems especially true of the way that we have seen vedan used in the Nikyas. Gethin goes on to make the following observations: The notion of the reciprocal nature of the relationship between mind and body is further brought out by the way in which in the Dhammasagai (followed by the later Abhidhamma) tranquillity of body and mind forms a group with five other pairs of items. These are lightness (lahut) of mind and body, softness (mudut) of mind and body, readiness (kammaat) of mind and body, fitness (pguat) of mind and body, straightness (ujukat) of mind and body [Dhs 9].
114 115
114 The relationship that these factors bear to the body is underlined by the fact that precisely the same terminology in part is applied to the physical world. Among the twenty-seven varieties of rpa distinguished by the Dhammasagai are lightness, softness and readiness of rpa [Dhs 134, 144]. So what at one level seems to represent a quite staightforward observation of the relationship between body and mind is potentially a conception of some subtlety and precision.116 These are certainly very interesting ideas; Gethin does not, however, explore them in any further detail. Let us return to the Nikyas to see if these texts can help us in understanding these concepts. There are many other places in the Nikyas where the body and the mind are show as working together, apart from those that we have noticed in which this theme is treated in the context of tranquillity (passaddhi). It is worthwhile here investigating some of these passages because, as we have seen, the physical and mental aspects of vedan are important characteristics of that phenomenon. An appreciation of the view that we find in the Nikyas of the relationship between the mental and the physical may help us in our understanding of the nature of vedan.
The expressions the body with consciousness (saviaka kya) and in this fathomlong body, along with its perceptions and thoughts (imasmieva vymamatte kaevare saimhi samanake) There are two pithy expressions, found in a number of places in the Nikyas, which are used to refer to the human being as a combination of mind and body. The more common of these is the phrase saviaka kya (the body with consciousness). It is found a number of times in each of the principal Nikyas, except for the Dghanikya.117 The term via (consciousness) seems to be used in this expression in a non-technical sense as referring to the mental activities of a person in general. As S. Hamilton puts it: ... savia kya (sic.) is a general expression which serves well in a situation where one wants to convey the meaning of the whole human beings bodily and mental faculties.118 As far as it goes, this is a perfectly adequate description of this expression.
R. Gethin, 1992, p.156. MN III 18, 32, 36; SN II 252, 253 ; SN III 80 (twice); 103; 136-37, SN III 169-70; AN I 132 & 133, and AN IV 53. 118 S. Hamilton, Identity and Experience, London, Luzac Oriental, 1996, p.103
116 117
115 It fails, however, to take account of the emphasis that this expression puts on the body in its description of a human being. In the expression this body with its consciousness the mental activities are based upon the body. In the texts, this expression is always found in the locative: imasmi ca saviake kye. The body with its consciousness is described as the place where the underlying tendencies (anusayas) are eradicated. The use of the locative is reminiscent of the passage which we looked at above from the ksasutta of the Vedansayutta in which different kinds of vedans are said to arise in this body (imasmi kyasmi). This puts similar emphasis on the body in its description of a phenomenon which is associated both with the mind and the body. The other important expression which refers to a person as composed of physical and mental activities is found only three times in the Nikyas. Friend, in this very fathom-long body, along with its perceptions and thoughts, I proclaim the world to be, likewise the origin of the world and the making of the world to end, likewise the practice going to the ending of the world.119 The image of the body here is striking in its vivid physicality: this fathom-long body. The term for body is not the usual kya, nor the less common sarra, but a term which is also used to refer to a dead body: kaevara. Indeed C.A.F. Rhys Davids, the first translator of this passage, rendered kaevara as carcase, not in the sense of a dead body but as a deprecating way of referring to a living body.120 The phrase also gives us a rough measure of this thing. And again, as in the previous expression, the mental activities are based on this body. C.A.F. Rhys Davids brings this out in a note which she gives to her translation which explains the literal meaning of the phrase: this be-saed be-mano-ed carcase.121 As with the previous expression, the connotations of the terms for the mental activities seem to be, in this context, quite general and nontechnical; the commentary glosses manas, one of the words for mind, with another word
119
api khvham vuso imasmieva vymamatte kaevare saimhi samanake loka ca papemi lokasamudaya ca lokanirodha ca lokanirodhagmini paipadan ti. SN I 62 (= AN II 48, 50) 120 C.A.F. Rhys Davids, The Book of the Kindred Sayings, London, Pali Text Society, vol.II, 1922, p.86. 121 Ibid., p.86, n.3.
116 for mind, citta.122 One is reminded of the Sayuttanikya passage which associates these terms, along with the term via, which we found in the previous expression: that which is called citta, manas and via.123 The expression imasmieva vymamatte kaevare saimhi samanake has other features in common with the expression imasmi ca saviake kye. Both of them clearly are in the locative case, making the body with its mental activities the locus of the action of the sentence. As noted above, there is a parallel with the description of vedan arising in this body (imasmi kyasmi) in the ksasutta of the Vedansayutta. Another point to note concerning the passages where we find a human being described as a fathom-long body with perceptions and thoughts, is that the context is of the utmost importance from the point of view of soteriology. What we have here, in effect, with these four aspects of the world (loka), is a recasting of one of the central soteriological formulas of the Nikyas, the four noble truths. The body with its mental activities is where the Buddha declares this form of the four noble truths. Whether we take the locative as a locative of reference or whether we take it in a more literal sense, the emphasis on the body in this important passage is striking. We have noted that vedan is often described as having both mental and bodily aspects, and that it is associated with the four noble truths on numerous occasions in the Vedansayutta. In the first chapter, we noted the significance of the following passage: Now to him who has feeling, bhikkhus, I make known: This is suffering. I make known: This is the arising of suffering. I make known: This is the cessation of suffering. I make known: This is the practice that leads to the cessation of suffering.124 The term vediyamnassa of this passage is not only linked etymologically to the term vedan, it must also be seen as standing in, as it were, for vedan because the preceding passage is a presentation of the twelve-fold dependent origination schema (paiccaSpk I 117 on SN I 62. Ya ca kho eta bhikkhave vuccati citta iti pi mano iti pi via iti pi, SN II 94 124 Vediyamnassa kho panha bhikkhave ida dukkhan ti papemi, aya dukkhasamudayo ti papemi, aya dukkhanirodho papemi, aya dukkhanirodhagmin paipad ti papemi. AN I 176-77
122 123
117 samuppda) which stops short at the term before vedan. The correspondence with our fathom-long body passage is striking. It is all the more so if we recall in this context the statement in the ksasutta that the various vedans arise in this body (imasmi kyasmi vividh vedan uppajjanti). The overall picture from these passages is thus one in which the physical body plays a very significant role in representations of the Buddhas soteriological strategy.
Passages which give equal emphasis to bodily and mental events There are a number of suttas which appear to give equal emphasis to the body and the mind in certain aspects of their descriptions of soteriological practices. In the Bojjhagasayutta of the Sayuttanikya, the following passage is repeated for each of the six sense doors: Herein, Kualiya, a bhikkhu, seeing a delightful object with the eye, does not hanker for it, does not thrill thereat, does not develop lust for it. His body is unmoved, his mind is unmoved, inwardly well established and released. If with the eye he behold an object repulsive, he is not troubled by that, his mind is not unsettled or depressed or resentful because of that, but his body is unmoved, his mind is unmoved, inwardly well established and released.125 A passage in the Udna uses similar terms: With mind and body firmly set, Standing, seated or lying down, If a bhikkhu should set up mindfulness, Hed win the prize in first and last.126
125
Idha Kualiya bhikkhu cakkhun rpa disv manpa nbhijjhati nbhihasati na rga janeti, tassa hito ca kyo hoti hita citta ajjhatta susahita suvimutta. Cakkhun kho paneva rpa disv amanpa na maku hoti, apatihitacitto dnamnaso avypannacetaso, tassa hito ca kyo hoti hita citta ajjhatta susahita suvimutta. SN V 74 126 hitena kyena hitena cetas tiha nisinno uda v sayno eta sati bhikkhu adhihahno labetha pubbpariya visesa. Ud. 61
118 There are also passages which speak of both the mind and the body suffering: ... he meets with pain, With pain of body, pain of mind. Tormented By body that burns and mind that burns, alike By day and night such live painfully.127 In a passage which is found a number of times in the Aguttaranikya, there is a similar image of both mind and body burning, the cause in this case being a purely mental event: ... passion overwhelms his mind; in that state he burns in body, he burns in mind...128 Again in the Aguttaranikya, both the body and the mind are said to be affected by craving, aversion and delusion (rga, dosa, and moha) in the following passage, which is repeated for each of these: Would there not arise in that housefather or housefathers son burning fevers of body or of mind that are born of lust so that, tortured by them, he would live unhappily? They would arise, sir.129 Here as well the image is of both body and mind burning. These themes are treated somewhat more fully in a sutta of the Majjhimanikya, the Mahsayatanikasutta. The following passage is repeated for each of the sense doors: Bhikkhus, when one does not know and see the eye as it actually is, when one does not know and see forms, when one does not know and see the eyeconsciousness as it actually is, when one does not know and see the eye-contact
127
kyadukkha cetodukkha dukkha so adhigacchati ayhamnena kyena ayhmnena cetas div v yadi v ratti, dukkha viharati tdiso ti. Itivuttaka, 23-24. 128 ... rgo citta anuddhaseti. So rgnuddhasena cittena pariayhateva kyena pariayhati cetas. AN III 95, 96, 98. 129 Api nu tassa gahapatissa v gahapatiputtassa v uppajjeyyu rgaj parih kyik v cetasik v yehi so rgajehi parihehi pariayhamno dukkha sayeyy ti. Eva bhante. AN I 137
119 as it actually is, when one does not know and see as it actually is [the feeling] felt as pleasant or painful or neither-painful-nor-pleasant that arises with eye-contact as condition, then one is inflamed by lust for the eye, for forms, for eyeconsciousness, for eye-contact, for [the feeling] felt as pleasant or painful or neither-painful-nor-pleasant that arises with eye-contact as condition. When one abides inflamed by lust, fettered, infatuated, contemplating gratification, then the five aggregates affected by clinging are built up for oneself in the future; and ones craving--which brings renewal of being, is accompanied by delight and lust, and delights in this and that--increases. Ones bodily and mental troubles increase, bodily and mental torments increase, ones bodily and mental fevers increase, and one experiences bodily and mental suffering.130 The image of both the body and the mind burning is found again in this passage, with two different terms used to describe this phenomena: pariha, as in the passage looked at above, and santpa, from the verbal root tap, to burn. Also of great interest in the present context is the passage which leads into the description of pairs of bodily and mental phenomena. In this passage, which occurs very often in the Nikyas with numerous variations, the term vedayita plays an important role. For a number of reasons, vedayita here must be very close in meaning to vedan. The two words are clearly connected etymologically. And vedayita is here caused by (paccay) the contact (samphassa) of the eye, just as vedan is caused by contact (phassa) in general in the dependent origination schema (paicca-samuppda). Furthermore, vedayita is given in a three-fold classification of pleasant, painful, and neither pleasant nor painful, which is one of the standard classifications for the various types of vedan. Not knowing, not seeing the vedayita which results from the contact of the eye (and of the other sense organs), leads to attachment to this vedayita, and thence to craving, and thence to bodily
130
Cakkhu, bhikkhave, ajna apassa yathbhta, rpe ajna apassa yathbhta, cakkhuvia ajna apassa yathbhta, yam pida cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkhamasukha v, tam pi ajna apassa yathbhta, cakkhusmi srajjati rpesu srajjati cakkhuvie srajjati cakhusamphasse srajjati, yam pida cakkhusamphassapaccay uppajjati vedayita sukha v dukkha v adukkhamasukha v tasmim pi srajjati. Tassa srattassa sayuttassa sammhassa assdnupassino viharato yati pacupdnakkhandh upacaya gacchanti, tah cassa ponobhavik nandrgasahagat tatra tatrbhinandin, s cassa pavahati. Tassa kyik pi darath pavahanti, cetasik pi darath pavahanti, kyik pi santp pavahanti, cetasik pi santp pavahanti, kyik pi parih pavahanti, cetasik pi parih pavahanti. So kyadukkha pi cetodukkham pi paisavedeti. MN III 287-88.
120 and mental suffering. The final phrase used to describe this suffering brings us back once again to the theme of vedan: He experiences suffering of the body and suffering of the mind (So kyadukkha pi cetodukkham pi paisavedeti), which brings us in turn to the final important topics of this chapter: the verb pai-sa-vid, its relationship to the term vedan, and its significance in descriptions of the relationship between the mind and the body.
Terms derived from pai-sa-vid, and their relationship to vedan, and to physical and mental events Pai-sa-vid is usually translated as to experience or to feel. The verbal root of this word, vid, is related to the term vedan. Moreover, there are a number of passages in the Nikyas which give strong indications that there are very close links between the ranges of meanings of the verb pai-sa-vid and the noun vedan. In the second chapter of this thesis we saw that in a number of significant passages pai-sa-vid stands in for vedan in statements of the dependent origination schema (paicca-samuppda) which do not conform to the standard statement of that schema. We also find pai-sa-vid used together with the triad pleasant, painful and neither-pleasant-nor-painful (sukha, dukkha, adukkhamasukha), which is regularly associated with the term vedan throughout the Nikyas. In a sutta of the Majjhimanikya, for example, we find the following: Whatever this person experiences (paisavedeti), whether pleasant or painful or neither-painful-nor-pleasant, unwholesome states diminish in him and wholesome states increase.131 Furthermore, this passage is parallelled by a passage further on in the sutta which is repeated for pleasant, painful and neither-pleasant-nor-painful, and which uses the term vedan instead of the verb pai-sa-vid:
131
Ya kicya purisapuggalo paisavedeti sukha v dukkha v adukkhamasukha v, tassa akusal dhamm parihyanti kusal dhamm abhivahanti... MN I 475 and cf. MN III 273.
121 Here, when someone feels a certain kind of pleasant vedan , unwholesome states increase in him and wholesome states diminish...132 Consider also the manner in which pai-sa-vid is parallelled by vedan in the following passage from the Devadahasutta of the Majjhimanikya: ... if, bhikkhus, the pleasure and pain which creatures experience [paisavedenti] are due to what was previously done, certainly, bhikkhus, the Tathgata was formerly a doer of deeds that were well done in that he now feels [vedeti] such cankerless pleasant vedan.133 In the Mahnidnasutta of the Dghanikya, we find the two terms in one phrase: My self is not vedan, my self does not feel [apaisavedano].134 Because of these close connections between the term vedan and forms derived from pai-sa-vid, an investigation of the role that forms derived from pai-sa-vid play in descriptions of the relationship between the mind and the body is warranted in the present context. In the passage quoted above from the Mahsayatanikasutta, pai-sa-vid is used in connection with both bodily suffering and mental suffering; the two are juxtaposed.135 There are also a number of passages in the Nikyas in which pai-sa-vid is associated either with physical events or with mental events. Let us first take a look at those passages in which the physical aspect is most important. The following passage appears in the Sayuttanikya: Were he struck, lord, by but one arrow, he would because of that suffer [paisavediyetha] pain [dukkha] and sorrow [domanassa]; what need to speak of being struck by three hundred.136
132
Idhekaccassa evarpa sukha vedana vediyato akusal dhamm abhivahanti kusal dhamm parihyanti... MN I 475 133 Sace bhikkhave satt pubbekatahetu sukhadukkha paisavedenti, addh bhikkhave Tathgato pubbesukatakammakr, ya etarahi evarp ansav sukh vedan vedeti. MN II 227 134 na heva kho me vedan att, appaisavedano me att, DN II 66 135 So kyadukkha pi cetodukkham pi paisavedeti. MN III 287-88. 136 Ekissa pi bhante sattiy haamno tato nidna dukkha domanassa paisavediyetha ko pana vdo thi sattisatehi haayamno ti. SN II 100
122 The two terms used here to describe the suffering caused by the arrow, dukkha and domanassa, are of some interest in the present discussion. These terms are glossed in the Mahsatipahnasutta in a manner which once again reveals the interest that the Nikyas have in the physical and mental aspects of various phenomena: And what is pain (dukkha)? Whatever bodily painful feeling, bodily unpleasant feeling, painful and unpleasant feeling results from bodily contact, that, bhikkhus is called lamentation. And what is sadness (domanassa)? Whatever mental painful feeling, mental unpleasant feeling, painful or unpleasant sensation results from mental contact, that, bhikkhus, is called sadness.137 The mental nature of domanassa is clear from the term itself: domanassa is a formation from manas (mind) with the prefix du(r), implying difficulty or badness. This is made explicit in the above gloss. We also find the two terms sukha and somanassa paired in a similar way, and at SN V 209 they are described as bodily (kyika) pleasure and mental (cetasika) pleasure respectively. This neat exegesis of these terms does not, however, fit with all the contexts in which they occur. In the passage quoted above from the Mahsayatanasutta, for example, we find suffering (dukkha) specified as suffering of the mind (cetodukkha). In the above passage from the Sayuttanikya, the suffering (dukkha) that the person who is struck by an arrow would experience (paisavediyetha) is clearly bodily suffering. At the same time he would experience mental suffering (domanassa).
Pai-sa-vid used in connection with mental events We turn now to those passages which in which pai-sa-vid is used in the context of purely mental events. There are a number of places in which pai-sa-vid occurs with the phrase mental suffering and distress (cetasika dukkha domanassam).138 The following passage occurs in two places in the Sayuttanikya; on each occasion it is
137
Katama ca bhikkhave dukkha? Ya kho bhikkhave kyika dukkha kyika asta kyasamphassaja dukkha asta vedayita, ida vuccati bhikkhave dukkha. Katama ca bhikkhave domanassa? Ya kho bhikkhave cetasika dukkha cetasika asta manosamphassaja dukkha asta vedayita, ida vuccati bhikkhave domanassa. DN II 306 138 eg. AN I 157, AN I 216.
123 repeated five times to illustrate the breaking of each of the laypersons five precepts (cf. AN III 203-5; 208-12): That guilty dread, housefather, which he who kills begets in this very life, as a result of his killing; that guilty dread about the future life, which he who kills begets; that mental suffering and distress experienced [paisavediyati] by him...139 Pai-sa-vid is also used in connection with mental events without reference to the phrase mental suffering and distress (cetasika dukkha domanassa). The following passage is from a sutta in the Majjhimanikya which describes some of the Buddhas students (svakas) who pay attention to his teaching, and others who do not. The Buddha remains balanced with both of these types of students: With that the Tathgata is not satisfied and experiences [paisavedeti] no satisfaction, and he is not dissatisfied and experiences no dissatisfaction.140 The Buddha does not experience (paisavedeti) attamanat (satisfaction or pleasure). This is another term which contains the word manas (mind), the first part of the compound being a past participle from -d, taken up. The literal meaning of the term is thus the state of one who has an up raised mind. So here again pai-savid is used in connection with mental activity.141 The above passages give an overview of the use of the term pai-sa-vid in connection with mental and physical events.
139
Ya gahapati ptipt ptiptapaccay dihadhammikam pi bhaya veram pasavati samparyikam pi bhaya vera pasavati, cetasika pi dukkha domanassam paisavediyati. SN II 68 & SN V 387-88 140 Tatra bhikkhave Tathgato na ceva attamano hoti na ca attamanata paisavedeti, na ca anattamano hoti na ca anattamanata paisavedeti. MN III 221 141 Cf. a similar usage at DN III 60, rj... dibbe cakkaratane antarahite anattamano ahosi, anattamanata ca paisavedesi.
124 There is a very important practice described in many places in the Nikyas in which terms derived from pai-sa-vid play a significant role, and for which the above discussion will serve as a useful introduction, because the question of mental and bodily events is raised by this practice: this is the practice of the awareness of the incoming and outgoing breath (npnasati). Descriptions of this practice occurs in the Satipahnasuttas of the Dghanikya and the Majjhimanikya.142 An entire sutta of the Majjhimanikya, the npnasatisutta, is devoted to a full exposition of the practice and its relation to other important practices. In the Mahrhulovdasutta of the Majjhimanikya, the Buddha is represented as teaching this practice to his son, Rhula, who had become a bhikkhu.143 And there is an entire section (sayutta) of the fifth volume of the Sayuttanikya devoted to suttas dealing with this topic. The practice is also described in a sutta of the Aguttaranikya.144 The very name of the practice of npnasati indicates that it is connected with both the body and with the mind. Breathing in and breathing out (npna) is clearly a physical function, and the awareness of this (sati) is a mental activity. In the npnasayutta of the Sayuttanikya which deals with this topic, there are, moreover, explicit references to the mental and bodily effects of this practice. In one sutta there is a description of Mahkappina, a senior bhikkhu, seated in meditation. The Buddha asks the bhikkhus if wavering (ijitatta) or shaking (phanditatta) of the body of this bhikkhu is ever seen. They reply that such things are never seen, whether he is sitting amid the Sagha or on his own. The Buddha goes on to make the following statement: It is by cultivating and making much of the concentration on in-breathing and out-breathing that there is no wavering or shaking of body, no wavering or shaking of mind.145 The effects of the practice of npnasati are here given in both physical and mental terms.
DN II 291 and MN I 56 MN I 425 144 AN V 111 145 npnasatisamdhissa bhikkhave bhvitatt bahulkatatt neva kyassa ijitatta v hoti phanditatta v, na cittassa ijitatta v hoti phanditatta v. SN V 316
142 143
125 In another sutta of this sayutta the Buddha explains the benefits, physical and mental, that he gained from this practice before he was fully enlightened, and he recommends that the bhikkhus practice in this way if they wish to experience similar benefits: Formerly, bhikkhus, before I myself was enlightened with the perfect wisdom, and was yet a Bodhisattva, I used generally to spend my time in this way of living [that is, concentrated on npnasati]. As I generally lived in this way, neither my body nor my eyes were fatigued, and my mind was freed from the savas. Wherefore, bhikkhus, if a bhikkhu should desire: May neither my body nor my eyes be fatigued, and by not clinging may my mind be free from the savas, --he must give strict attention to this same intent concentration on in-breathing and out-breathing.146 The third sutta of the npnasayutta in which the body plays an important role is the Veslsutta. The sutta relates that on a certain occasion the Buddha gave a discourse on the impure (asubha). No details of this discourse are given, but it is related that after the Buddha had withdraw, requesting not to be disturbed for a fortnight, the bhikkhus tried to put the teachings of this discourse into practice with disastrous results: As to this body, they worried about it, felt shame and loathing for it, and sought for a weapon [to kill themselves].147 When the Buddha returned, and found out that the bhikkhus had misunderstood his teaching on the impure and interpreted it as revulsion for the body, he taught them mindfulness of in- and out-breathing. It is possible to see npnasati here being considered as a corrective to the aversion for the body that the bhikkhus had developed.
Aham pi sudam bhikkhave pubbeva sambodh anabhisambuddho bodhisatto va samno imin vihrena bahula viharmi, tassa mayham bhikkhave imin vihrena bahula viharato neva kyo kilamati na cakkhun, anupdya ca me savehi citta vimuccati. Tasm ti ha bhikkhave bhikkhu ce pi kakheyya Neva kyo kilameyya na ca cakkhun, anupdya ca me savehi citta vimucceyy ti. Ayam eva npnasatisamdhi sdhukam manasi ktabbo. SN V 317 147 Te imin kyena aiymn haryamn jigucchamn satthahrakam pariyesanti. SN V 320.
126
Let us turn now to the descriptions of the actual practice of npnasati that we find in these texts. If the text is laid out in point form, the important role that the term pai-savid plays is immediately evident. This also highlights the roles of bodily and mental functions in this practice: 1) Breathing in long, he understands: I breathe in long; or breathing out long, he understands: I breathe out long. 2) Breathing in short, he understands: I breathe in short. ... 3) He trains thus: I shall breathe in feeling the whole body (sabbakyapaisaved); he trains thus: I shall breathe out feeling the whole body. 4) He trains thus: I shall breathe in tranquillising the bodily formation (passambhaya kyasakhra). ... 5) He trains thus: I shall breathe in feeling rapture (ptipaisaved). ... 6) He trains thus: I shall breathe in feeling pleasure (sukhapaisaved). ... 7) He trains thus: I shall breathe in feeling the mental formation (cittasakhrapaisaved). ... 8) He trains thus: I shall breathe in tranquillising the mental formation (passambhaya cittasakhra). ... 9) He trains thus: I shall breathe in feeling the mind (cittapaisaved). ... 10) He trains thus: I shall breathe in gladdening the mind. ... 11) He trains thus: I shall breathe in concentrating the mind. ... 12) He trains thus: I shall breathe in liberating the mind. 13) He trains thus: I shall breathe in contemplating impermanence. ... 14) He trains thus: I shall breathe in contemplating fading away. ... 15) He trains thus: I shall breathe in contemplating cessation. ... 16) He trains thus: I shall breathe in contemplating relinquishment. ...148
148
dgha v assasanto dgha assasmti pajnti, dgha v passasanto digha passasmti pajnti. rassa v assasanto rassa assasmti pajnti... sabbakyapaisaved assasissmti sikkhati, sabbakyapaisaved passasissmti sikkhati... passambhaya kyasakhra assasissmti sikkhati... ptipaisaved assasissmti sikkhati... sukhapaisaved assasissmti sikkhati... cittasakhrapaisaved assasissmti sikkhati... passambhaya cittasakhra assasissmti sikkhati... cittapaisaved assasissmti sikkhati...
127
In the npnasatisutta and in several of the suttas of the npnasayutta149 this presentation is followed by an exposition of the same sixteen items divided into four groups of four items each. Each of these groups is associated with one of the four establishings of mindfulness (satipahnas): the first with the observation of the body (kynupassan), the second with the observation of vedan (vedannupassan), the third with the observation of the mind (cittnupassan), and the fourth with the observation of mental phenomena (dhammnupassan). In fact in some of these suttas, this second presentation of the sixteen items comes as the answer to the question And how, bhikkhus, does mindfulness of breathing, developed and cultivated, fulfil the four establishings of mindfulness?150 This system of classification is partly reflected in the Satipahnasuttas themselves. The description of npnasati there includes only the first four items of this list, and, in accordance with the above classification, is found in the section on the observation of the body (kynupassan). The other sections, however, have no mention of npnasati. In the context of the present discussion, the first phrase to catch our attention in this first group is He trains thus: I shall breathe in feeling the whole body (sabbakyapaisaved). Here pai-sa-vid is clearly used in the context of bodily activity. This expression seems to be saying that the bhikkhu is training himself to feel his whole body as he breathes in, and, in the following phrase, as he breathes out. If one takes into account here the connection between pai-sa-vid and vedan, and the statement in the Vedansayutta that vedan arises in this body (imasmi kyasmi vividh vedan uppajjanti), this interpretation seems quite plausible. The commentaries almost invariably give very few comments on the practice of npnasati; instead, they refer to the Visuddhimagga. The Visuddhimagga sees the
abhippamodaya citta assasissmti sikkhati... samdaha citta assasissmti sikkhati... vimocaya citta assasissmti sikkhati... aniccnupass assasissmti sikkhati... virgnupass assasissmti sikkhati... nirodhnupass assasissmti sikkhati... painissaggnupass assasissmti sikkhati... MN I 425; III 82-83; SN V 311-41, passim.; AN V 111 149 Numbers 10, 13-16 150 Katha bhvit ca bhikkhave npnasati katha bahulkat cattro satipahne paripreti? MN III 83, cf. SN V 329, 334
128 above phrase in a quite different light. As we have noted in connection with other passages, there appears to be a reluctance on the part of the commentarial tradition to take the term kya in its most straightforward meaning as the physical body. Here, despite the fact that we are in the section related to the observation of the body, which is explicitly the observation of the physical body of the person undertaking this practice, the Visuddhimagga interprets the term body (kya) as the in-breath body and the outbreath body.151 The texts whole body (sabbakya) is understood in this interpretation as the beginning, middle and end (dimajjhapariyosna) of this body of the breath of which the meditator is to be aware. The next item from this list of interest in our study is the fourth one. This phrase is paralleled by the eighth member of the list: 4) He trains thus: I shall breathe in tranquillising the bodily formation... (passambhaya kyasakhra assasissmti sikkhati...) 8) He trains thus: I shall breathe in tranquillising the mental formation ... (passambhaya cittasakhra assasissmti sikkhati...) With these two phrases we see once again the concerns that these texts show for both the bodily and mental aspects of certain phenomena. The word passambhaya (tranquillising) is the present participle of the verb passambheti, which is the causative form of the verb passambhati. This verb is related to the past passive participle passaddha (tranquillized) and the noun passaddhi (tranquillity). We have seen that the mental and physical aspects of these notions are mentioned in the texts, for example in the phrase There is, bhikkhus, tranquillity of the body and tranquillity of the mind.152 There are five places in the Nikyas in which the description of the practice of npnasati, which includes of course items 4) and 8) quoted above, occurs in the same sutta as the phrase the body becomes tranquil, the mind becomes tranquil, (there is) the awakening-factor of tranquillity.153 The parallels between these phrases is immediately apparent. In each of these suttas, a connection is explicitly made between the practice of
asssakya and passsakya Vism. 273 Atthi bhikkhave kyapassaddhi cittapassaddhi SN V 66, 104, 107 153 kyo pi passambhati cittam pi passambhati, passaddhisambojjhago MN III 86; SN V 332, 338; and SN V 334 and 335, though here the text has been much abbreviated
151 152
129 nnpnasati and the practice of the seven factors of awakening. The awakening-factor of tranquillity (passaddhisambojjhanga) is the fifth of these factors of awakening. It seems, then, quite reasonable to pair the fourth and eighth items of the description of npnasati, and to see in them a parallelling of physical and mental phenomena. There is, however, an obvious difference between the npnasati phrases and the description of the awakening-factor of tranquillity: in the npnasati setting we are dealing with the sakhra of the body (kya) and the sakhra of the mind (citta); the passaddhisambojjhaga mentions only body (kya) and mind (citta). The term sakhra is a notoriously difficult one to interpret. Paul Griffiths considers it to be effectively untranslatable154. Sometimes its meaning is quite general, and in the present context it is possible to understand kyasakhra and cittasakhra as bodily and mental activities in general. The Visuddhimagga, however, again sees the matter differently. It understands kyasakhra and cittasakhra in these phrases as having very specific meanings: for the Visuddhimagga, kyasakhra is in-breathing and out-breathing (asssapasss)155 and cittasakhra is perception and vedan (sa ca vedan ca).156 These definitions are connected with a passage in the Cavedallasutta of the Majjhimanikya which we have had occasion to refer to earlier in this chapter. There kyasakhra and cittasakhra are defined in just this manner. There are two points which support the Visuddhimaggas interpretation. Firstly, understanding kyasakhra as in-breathing and out-breathing in the context of a description of the practice of mindfulness of in-breathing and out-breathing seems to make perfect sense. Secondly, in those suttas where the npnasati practice is divided into four groups corresponding to the four satipahnas, cittasakhra occurs as a member of the group which belongs
Paul J. Griffiths, On Being Mindless: Buddhist Meditation and the mind-body problem, La Salle, Ill., Open Court, 1986, p.108. 155 The Visuddhimagga quotes from the Paisambhidmagga on this point: Katame kyasakhr? Dgha asssa ... passskyik ete dhamm kyapaibaddh kyasakhr... PTS ed. of Vism, p.276. 156 The Visuddhimagga and the commentaries to the relevant passages in the npnasatisutta of the Majjhimanikya (MA IV 141 on MN III 84) and the npnasayutta of the Sayuttanikya (SA III 271 on SN V 324) all quote from the Paisambhidmagga: Perception and feeling belong to the mind, these things being bound up with the mind are mental formations (amoli) (sa ca vedan ca cetasik, ete dhamm cittapaibaddh cittasakhr) Pais. i.188. The Visuddhimagga also says [t]he mental formation consists of the two aggregates of feeling and perception (amoli, p.310) (Cittasakhro ti vedandayo dve khandh) PTS ed. of VM, p.288.
154
130 to the practice of the observation of vedan (vedannupassan). Understanding cittasakhra, therefore, as perception and vedan is a quite convincing explanation of the term. One way in which this explanation falls short, however, is that it fails to make a complete correspondence between the description of npnasati and the description of the three types of sakhras found in the Cavedallasutta because it does not account for one of these sakhras, namely, the sakhra of speech (vacsakhra), which is explained in a metaphorical manner in the Cavedallasutta as referring to modes of thinking (vitakkavicra). Nevertheless, the commentaries may well be justified in their interpretation of the terms kyasakhra and cittasakhra, though we cannot rule out the possibility that the intention of the author(s) of the sutta passages was to parallel bodily activities in a general sense and mental activities in a general sense. The Visuddhimagga quotes from the Paisambhidmagga, an exegetical work from the Khuddakanikya, the fifth Nikya, to give another interpretation of the term kyasakhra. This second interpretation appears to take the term to mean activities associated with the physical body in general, whereas the first interpretation specifies inand out-breathing as kyasakhra. The passage quoted proceeds as follows: When there are such bodily formations [sakhras] whereby there is bending backwards, sideways, in all directions, and forwards, and perturbation, vacillation, moving and shaking of the body, he trains thus I shall breathe in tranquillizing the bodily formation, he trains thus I shall breathe out tranquillizing the bodily formation. When there are such bodily formations whereby there is no bending backwards, sideways, in all directions, and forwards, and no perturbation, vacillation, moving and shaking of the body, quietly, subtly, he trains thus I shall breathe in tranquillizing the bodily formation, he trains thus I shall breathe out tranquillizing the bodily formation.157
amoli. Vism. viii.181 quotes Paisambhidmagga, p.184-6 Yathrpehi kyasakhrehi kyassa naman, vinaman, sannaman, paaman, ijan, phandan, calan, kampan passambhaya kyasakhra assasissm ti sikkhati, passambhaya kyasakhra passasissm ti sikkhati. Yathrpehi kyasakhrehi kyassa na naman, na vinaman, na sannaman,
157
131
The emphasis here is clearly on the physical body as a whole, which we may compare with cittasakhra as referring to mental activities in general. Thus descriptions of the practice of npnasati reflect the interest that we find in the Nikyas in mental and physical aspects of various phenomena.
Conclusion This survey of descriptions of the mental and physical aspects of vedan in the Nikyas shows that the widely held assumption that vedan is a purely mental phenomenon is not borne out by a close study of the texts. Furthermore, the interest that the texts show in describing both mental and physical aspects of vedan reflects a general interest in the Nikyas in mental and physical aspects of various phenomena. Given the important role that vedan plays in certain descriptions of soteriological practices and of causal sequences, as seen in the first two chapters of this thesis, the attempt made in this chapter to further our understanding of the nature of vedan assumes considerable significance.
na paaman, anijan, aphandan, acalan, akampan santa sukhuma passambhaya kyasakhra assasissmi passasissm ti sikkhati. PTS ed., p.276.
132 Chapter Four: A survey of the use of the term vedan in descriptions of the workings of kamma in the Nikyas In certain characteristic descriptions of the results of kamma that are found in the Nikyas, the term vedan features prominently. J. McDermott comments on one aspect of kamma in the following terms: The usual position of the Pli Nikyas ... is that there are five possible courses, or realms of existence (gati), into which sentient beings may be born. These five courses, or destinies--as the term is often translated--are listed in ascending order as (1) niraya, purgatory or hell; (2) tiracchnayoni, brute creation, the realm of animals; (3) pettivisaya, the world of the shades; (4) manuss, men, human existence; (5) dev, the gods, heavenly existence.1 He adds in a footnote that these five gatis are listed at Dgha-Nikya 3.234; AguttaraNikya 4.459; Majjhima-Nikya 1.73....1 In the last mentioned, a part of the Mahshandasutta, we find some elaboration on these states. For the first gati, the Buddha is represented as speaking in the following terms: And then later on, with the divine eye, which is purified and surpasses the human, I see that on the dissolution of the body, after death, he has reappeared in a state of deprivation, in an unhappy destination, in perdition, in hell, and is feeling extremely painful, racking, piercing vedan.2 The experiencing of the fruit of ones actions is here explained in terms of the type of vedan that one feels in ones next life. Similarly, for the remaining four destinies, the state in which one is born is spoken of in terms of the vedan which one feels (vediyamna) in that state. For one reborn in the realm of animals (tiracchnayoni), the vedan felt there is painful, racking, piercing (dukkha tipp kauk). For one reborn in the the realm of the departed spirits (PED for pittivisaya) there is abundantly painful vedan (dukkhabahul). For one reborn amongst human beings, there is much
Ibid., p.172, note 25. tam ena passmi aparena samayena dibbena cakkhun visuddhena atikkantamnusakena kyassa bhed param mara apya duggati vinipta niraya upapanna ekantadukkh tipp kauk vedan vediyamna. MN I 74
1 2
133 pleasurable vedan (sukhabahul vedan). And for one reborn in a good destiny (sugati), that is in heaven (sagga), there is only pleasant vedan (ekantasukh vedan). In a sutta of the Aguttaranikya, these five destinies are listed in connection with a term which is related to the term vedan--vedaniya. This comes as the reply to the question And what, bhikkhus, is the diversity of kamma?3: There is action that is experienced (vedaniya) in hell, there is action that is experienced in the realm of animals, there is action that is experienced in the realm of the departed, there is action that is experienced in the world of humans, there is action that is experienced in the world of the gods.4 This passage is especially noteworthy because it follows on immediately from one of the most remarkable statements on kamma/karma in Indian thought, in which the Buddha is represented as declaring that he says that kamma is intention (cetana).5 R. Gombrich has commented that this marks a turning point in the history of civilisation in its ethicizing of the universe. 6
The Kukkuravatikasutta and vedan So in these significant passages on the concept of kamma, vedan and a term closely related to vedan feature prominently. This happens again in another of the key passages on kamma in the Nikyas. The following passage is found at a number of places; the locus classicus is its appearance in the Kukkuravatikasutta of the Majjhimanikya. The Buddha is represented as addressing a certain Pua: Pua, there are four kinds of action (kamma) proclaimed by me after realising them for myself with direct knowledge. What are the four? There is dark action with dark result; there is bright action with bright result; there is dark-and-bright
Katamo ca bhikkhave kammna vemattat? AN III 415 Atthi bhikkhave kamma nirayavedaniya, atthi kamma tiracchnayonivedaniya, atthi kamma pittivisayavedaniya, atthi kamma manussalokavedaniya, atthi kamma devalokavedaniya. AN III 415 5 Cetanha bhikkhave kamma vadmi; cetayitv kamma karoti ... AN III 415 6 R. Gombrich, How Buddhism Began, the Conditioned Genesis of the Early Teachings, London, Athlone Press, 1996, p. 51.
3 4
134 action with dark-and-bright result; and there is action that is neither dark nor bright with neither-dark-nor-bright result, action that leads to the destruction of action.7 Following this announcement of the theme, each of the four kinds of action are described. Firstly the dark action (kamma kaha): Here someone generates an afflictive bodily formation, an afflictive verbal formation, an afflictive mental formation. Having generated an afflictive bodily formation, an afflictive verbal formation, an afflictive mental formation, he reappears in an afflictive world. When he has reappeared in an afflictive world, afflictive contacts touch him. Being touched by afflictive contacts, he feels afflictive vedan, extremely painful, as in the case of the beings in hell.8 As in the Mahshandasutta, the end result of an action (kamma) is expressed in terms of vedan. Similarly, when the bright action with bright result (kamma sukka sukkavipka) is explained, the result is given in terms of vedan: the person who generates unafflictive bodily, verbal and mental formations subsequently reappears in an unafflictive world and feels vedan which is unafflictive and extremely pleasant (ekantasukha), as in the case of the Subhakia devas. And again, for action which is both dark and bright (kamma kahasukkha), that is for one who generates bodily, verbal and mental formations which are both afflictive and unafflictive, the result is reappearance in a world which is both afflictive and unafflictive where one feels vedan which is both afflictive and unafflictive, vedan which is a mixture of pleasure and pain (vokia sukhadukkha), as is the case of human beings and some gods and some beings in the lower worlds.9
Cattr imni Pua kammni may say abhi sacchikatv paveditni, katamni cattri: Atthi Pua kamma kaha kahavipka, atthi Pua kamma sukka sukhavipka, atthi Pua kamma kahasukka kahasukkavipka, atthi Pua kamma akaha asukka akahsukkavipka kamma kammakkhayya savattati. MN I 389 8 Idha Pua ekacco sabybajjha kyasakhra abhisakharoti ... abhisakharitv sabybajjha loka upapajjati... sabybajjh phass phusanti... sabybajjha vedana vedeti ekantadukkha seyyath pi satt nerayik. MN I 389-90. 9 seyyath pi manuss ekacce ca dev ekacce ca viniptik
135 Thus these three passages give a prominent role to vedan in the working out of kamma. The fourth passage, which describes action which leads to the destruction of action (kamma kammakkhayya savattati), makes no mention of vedan.10
The term duggati-vedaniya In a phrase which occurs in many places in the Nikyas, a person who sees with the divine eye (dibba cakkhu) sees beings who have arisen according to their actions (yath-kammpage) in happy and unhappy destinations (sugate duggate)11. In the Ca-assapurasutta of the Majjhimanikya the term vedaniya is compounded with a similar term for unhappy destination--duggati--in the Buddhas following statement: I, bhikkhus, say that if he does not follow the practice fitting for recluses, there is no getting rid of these stains on recluses, defects in recluses, faults in recluses, occasions for the sorrowful states, of what is to be experienced in an unhappy destination (duggativedaniya).12 Of the five destinations into which one may be reborn in accordance with ones kamma,13 three are duggatis, unhappy destinations. Here these duggatis are to be felt or to be experienced (vedaniya) by the ascetic (samaa) who behaves wrongly.
Cf. L. Schmithausens comments on this fourth category: This Sutta not only makes black (bad), white (good) and mixed karma responsible for rebirth, but also establishes neither black nor white karma as a kind of counter-karma conducive to the destruction of ordinary, retributive karma, in Ronald W. Neufeldt (ed.), Karma and Rebirth: post classical developments, Albany, State University of New York Press, 1986, p.205. 11 DN I 82, MN I 22, etc. 12 ... imesa kho aha bhikkhave samaamalna samaadosna samaakasana pyikna hnna duggativedaniyna appahn na samaasmcipaipada paipanno ti vadmi. MN I 281 13 Compare the commonly occurring phrase yath-kammpage, according to their actions, which is used in conjunction with sugate and duggate,happy and unhappy destinations DN I 82, MN I 22, etc.
10
136 Vedan and kamma in the Devadtasutta In the Devadtasutta of the Majjhimanikya, the term vedan is once again found in an account of the ripening of kamma. In this sutta the fate after death of a person who has conducted himself badly in body, speech and mind is related. He is reborn in hell (niraya), and led before King Yama, the god of death, by the warders of hell (nirayapl). They address Yama: Sir, this man had no respect for mother and father, recluses and brhmins. He showed no deference to the elders of his clan. Let the king order his punishment.14 Yama admonishes the man, and when the admonishing is over and Yama falls silent, there follows a long description of the various tortures that are inflicted upon him by the warders of hell.15 After the description of each torture, two phrases recur. The second of these relates to the doctrine of kamma expounded in the Nikyas: Yet he does not do his time (kla karoti) so long as that evil action has not exhausted its results.16 The first phrase which follows the description of each torture introduces vedan into this process: there he feels painful, racking, piercing vedan.17 Thus once again we find the term vedan used in an important account of the ripening of kamma. In the Mratajjaniyasutta, also of the Majjhimanikya, we find a description of the fate of the evil Ds, who attacked one of the disciples of a previous Buddha by the name of Kakusandha. He is reborn in the Great Hell (mahniraya). We are told that this goes by a number of names: one of these is related to the term vedan, Paccattavedaniya, variously translated as the Separate Feelings,18 and the hell to be felt for oneself.19 In the verse section of this sutta, it is said of the hell in which Ds suffers
Aya deva puriso ametteyyo apetteyyo asmao ... imassa devo daam paet ti. MN III 179 = AN I 138. 15 MN III 182-86 16 na ca tva kla karoti yva na ta ppakamma vyantihoti. MN III 183-86 passim. 17 so tattha dukkh tipp kauk vedan vedeti MN III 183-86 passim. 18 I.B. Horner, The Collection of Middle Length Sayings, London, Pali Text Society, 1954-1959, vol. iii, p.36. 19 Bhikkhu amoli and Bhikkhu Bodhi, The Middle Length Discourses of the Buddha, Boston, Wisdom Publications, 1995, p.435.
14
137 that it has one hundred stakes of steel, each with its own vedan.20 Ds also suffers in another part of the Great Hell, and there he experiences vedan called vuhnima. The exact significance of this last term is unclear. What is clear from this passage, however, is that vedan plays an important role in the fruition of Dss evil deeds. In the Cadhammasamdnasutta of the Majjhimanikya as well, painful vedan is said to be experienced in hell (niraya) by religious men (samaa-brhmana) who indulge in sense pleasures.21 These painful, racking, piercing vedan (dukkh tipp kauk vedan) are used to illustrate the way of undertaking things (dhammasamdna) which is pleasant now and ripens in the future as pain (paccuppannasukha yati dukkhavipka).
Kamma which is dihadhamma-vedaniya, samparya-vedaniya, etc. AN IV 382 We find the term vedaniya used repeatedly in connection with kamma in a dialogue between Sriputta and a bhikkhu in the Aguttaranikya. The bhikkhu puts the following question to Sriputta: How is it, reverend Sriputta? Does one live the godly life under the Fortunate One in the hope: May an action [whose result] is to be experienced here and now (kamma dihadhammavedaniya) become an action [whose result] is to be experienced by me in the next life (kamma samparyavedaniya)?22 Sriputta replies in the negative to this question. The bhikkhu puts nine more questions which all include kamma which is to be experienced (vedaniya) in various ways, which are all replied to in the negative. The second is the opposite of the first: may an action [whose result] is to be experienced in the next life (kamma samparyavedaniya) become an action [whose result] is to be experienced by me here and now (kamma dihadhammavedaniya). The third and fourth questions combine vedaniya with terms which are often found in conjunction with vedan, pleasant (sukha)
sata si ayosank, sabbe paccattavedan MN I 337 MN I 305 22 kin nu kho vuso Sriputta ya kamma dihadhammavedaniya, ta me kamma samparyavedaniya hot ti etassa atthya Bhagavati brahmacariya vussat ti? AN IV 382
20 21
138 and painful (dukkha); the third question has: may an action [whose result] is to be experienced as pleasant (kamma sukhavedaniya) become an action [whose result] is to be experienced by me as painful (kamma dukkhavedaniya). The fourth is the reverse of this. Thus we see in this sutta a significant combination of a discussion on the theme of the workings of kamma and the use of a term which is closely related to vedan. In the above passage the phrase kamma which is to be experienced here and now (kamma dihadhammavedaniya) is found. In a sutta in the Majjhimanikya the idea of kamma being experienced here and now (dihe va dhamme) is expressed with a verb formed from pai-sa-vid, rather than with the gerundive vedaniya: You are experiencing (paisavedesi) here and now the result of actions (kammassa vipkam) because of which you might have been tortured in hell for many years, for many hundred of years, for many thousand of years.23 The close connection between these terms is clear when passages like these are compared.
The term pai-sa-vid in descriptions of the working of kamma: the Devadtasutta and the Makhdevasutta Forms from pai-sa-vid are very often found in connection with the term vipka, which literally means fruit and which is often translated as result, implying the result of ones actions (kamma). This combination is so common that C.A.F. Rhys Davids, in her translation of a text studied below supplies the word result in square brackets where the text has only he experiences (so paisavediyati).24 We see pai-sa-vid used in passages connected with expositions of the doctrine of kamma in the Devadtasutta of the Majjhimanikya, which as we saw above, also uses the term vedan in this connection. Before the descriptions of the results of kamma which include the term
23
Yassa kho tva kammassa vipkena bahni vassni bahni vassasatni bahni vassasahassni niraye pacceyysi, tassa tva, brhmaa, kammassa vipka dihe va dhamme paisavedesti. MN II 104 24 C.A.F. Rhys Davids and F.L. Woodward, The Book of the Kindred Sayings, London, Pali Text Society, 1950-1956, vol. ii, p.16.
139 vedan, there occurs a passage in which Yama the god of death admonishes the evildoer. Several times he tells this man: ... this evil action of yours was not done by your mother or your father, or by your brother or your sister, or by your friends and companions, or by your kinsmen and relatives, or by recluses and brahmins, or by gods: this evil action was done by you yourself, and you yourself will experience (paisavedissasi) its result (vipka).25 Thus we see a verb from pai-sa-vid playing an important role in a description of the process of kamma. Forms from pai-sa-vid are not used only in connection with the experiencing of the results of evil deed. As a part of a narrative passage in the Makhdevasutta of the Majjhimanikya, a certain charioteer by the name of Mtali, who is about to take his king to an assembly of gods in his divine chariot (dibba yna), addresses the king in the following manner: But, great king, by which route shall I drive you: by that on which doers of evil experience (paisavedenti) the results of evil actions, or by that on which doers of good experience (paisavedenti) the results of good actions?26 The term paisavedenti is used to express the experiencing of the results of actions (kammna vipka) both good and bad. The king replies to the charioteer Drive me by both routes, Mtali (ubhayeneva ma, Mtali, nehti); and the commentary informs us that Mtali led the king first through the hell realm (niraya), and then he led him through the heavenly world (devaloka).
25
Ta kho pana te etam ppa kamma neva mtar kata na pitar kata na bhtar kata na bhaginiy kata na mittmaccehi kata na tislohitehi kata na samaabrhmaehi kata na devathi kata; tay v eta ppa kamma kata; tva eva etassa vipka paisavedissasti. MN III 179-80 26 Api ca, mahrja, katamena ta nemi. --yena v ppakamm ppakna kammna vipka paisavedenti, yena v kalyakamm kalyna kammna vipka paisavedentti? MN II 80
140 The terms pai-sa-vid and vedaniya in descriptions of the results of kamma experienced in the present existence. Forms from pai-sa-vid are not only found in connection with the experiencing of the fruits of kamma in subsequent lives; they are also used to describe the experiencing of these fruits in the present life. The following passage from a sutta in the Aguttaranikya is repeated for acts (kamma) born of aversion (dosa)and for acts born of delusion (moha): An act performed in lust, born of lust, orginating in lust, arising from lust, has its fruit wherever ones personal self (attabhva) is reborn. Wherever that act come to fruition, there one experiences (paisavedeti) the fruit thereof in the present existence or when born into future existences.27 We looked above at a sutta from the Aguttaranikya (AN I 134) which has an example of the term paisavedeti used in conjunction with the phrase the result of ones kamma (kammassa vipka). This same sutta concludes with a verse passage which includes the term vedaniya28 in the description of kamma experienced in this life: From lust or malice or delusion born, An action, great or small, performed by fools Just here (idheva) is felt (vedanya): no other ground is seen [For its fulfilment].29 Similar terms are used in a verse in the Theragth: Whatever evil was done by me previously in other births,
27
Ya bhikkhave lobhapakata kamma lobhaja lobhanidna lobhasamudaya yatth assa attabhvo nibbattati tattha ta kamma vipaccati, yattha ta kamma vipaccati tattha tassa kammassa vipka paisavedeti diheva dhamme uppajje v apare va pariyye. AN I 134 For the last phrase in this passage I have followed O. von Hinbers translation of his restored text: The original text thus restored [ie change of v to va] translates as: in the present existence or when born into future existences . O. von Hinber, Selected Papers on Pli Studies, Oxford, Pali Text Society, 1994, p.48. 28 The text here has vedanya. Both forms are found, without, apparently, any difference in meaning. 29 Lobhaja dosaja ceva mohaja cpi viddasu Ya tena pakata kamma appa v yadi v bahu Idheva ta vedanya vatthu aa na vijjati... AN I 136
141 that must now be experienced (idheva ta vedaniyam). No other basic cause exists.30 A prose passage in the Aguttaranikya uses these terms in a significant discussion of aspects of the process of kamma: He comes to know thus: Whatever evil deed has been done by me here with this body born of action, all of that must be felt here (sabban ta idha vedanya); then it will not follow me and come to be hereafter.31
The term pai-sam-vid and the Agulimlasutta The Agulimlasutta of the Majjhimanikya has a particularly interesting example of the use of the term pai-sa-vid in connection with kamma. The following passage purports to describe an incident which occurred after the notorious murderer Agulimla had met the Buddha, ceased his life of crime, become a bhikkhu, and attained arahantship: Then, when it was morning, the venerable Agulimla dressed, and taking his bowl and outer robe, went into Svatth for alms. Now on that occasion someone threw a clod and hit the venerable Agulimlas body, someone else threw a stick and hit his body, and someone else threw a potsherd and hit his body. Then, with blood running from his cut head, with his bowl broken, and with his outer robe torn, the venerable Agulimla went to the Blessed One. The Blessed One saw him coming in the distance and told him: Bear it, brahmin! Bear it, brahmin! You are experiencing (paisavedesi) here and now the result of actions because of which you might have been tortured in hell for many years, for many hundred of years, for many thousand of years.32
30
Ya may pakata ppa pubbe asu jtisu, idheva ta vedaniya, vatthu aa na vijjati. Thag.81 31 So eva pajnti: Ya kho me idha kici pubbe imin karajakyena ppakamma kata, sabban ta idha vedanya, na ta anuga bhavissat ti. AN V 300 32 Tena kho pana samayena aena pi leu khitto yasmato Agulimlassa kye nipatati ... Adhivsehi tva, brhmaa; adhivsehi tva, brhmaa. Yassa kho tva kammassa vipkena bahni vassni bahni vassasatni bahni vassasahassni niraye pacceyysi, tassa tva, brhmaa, kammassa vipka dihe va dhamme paisavedesti. MN II 104
142 Besides noticing the use of the experiencing or feeling (pai-sam-vid) of the results of actions, it is also worth noting that the Buddha tells Agulimla to bear (it) (adhivsehi). As we have seen in the first chapter of this thesis, there are quite a number of passages in the Nikyas in which we find the term adhivseti (to bear or to endure), and other terms related to it, in connection with vedan, and especially in connection with unpleasant physical vedan. Here the word vedan is not used, but clearly Agulimla has undergone an experience which is unpleasant both physically and mentally.
The phrase vado vedeyyo MN I 258 The use of forms derived from pai-sa-vid in the context of discussion of the nature of kamma, and the combination of this usage with terms related to vedan is found in a significant phrase which occurs in two of the suttas of the Majjhimanikya. This phrase represents a view which is condemned by the Buddha. In the Mahtahsakhayasutta it is said to be spoken by the bhikkhu Sti who uses it to qualify the consciousness (via) which, according to him, runs and wanders through the round of rebirth (sandhvati sasarati): Venerable sir, it is that which speaks (vado) and feels (vedeyyo) and experiences ( paisavedeti) here and there the result of good and bad actions.33 When this phrase occurs in the Sabbsavasutta it qualifies the self (att) in the last of a series of views on the self which are condemned by the Buddha; in this view the self is considered to be permanent, everlasting, eternal, not subject to change and it is claimed that this self will endure as long as eternity.34 In the phrase which is common to both suttas, we again find paisavedeti used in conjunction with the results of kamma. The subject of this phrase is consciousness or the self, and one of the points of interest in the phrase is the two unusual terms used to qualify the subject: consciousness or the self is said here to be vado vedeyyo. Both of
Yvya bhante vado vedeyyo tatra tatra kalyappakna kammna vipka paisavedeti. MN I 258 34 nicco dhuvo sassato aviparimadhammo sassatisama tatheva hassatti MN I 8
33
143 these terms are used very rarely in the Nikyas; indeed these appear to be the only occurrences of them apart from the use of vada in compounds. The commentaries on both of these passages gloss these two terms respectively as vadati (it speaks) and vedayati (it feels). It is the second term which concerns us here: it is clearly related to the verbal root vid, and to the noun vedan.35 This consciousness or self which feels (vedeyyo) also experiences (pai-sa-vid) the results of kamma. A close connection is thus established between the terms vedeyyo and pai-sa-vid, and the doctrine of kamma.
S vedan so vediyatti ... SN II 23 Along with the term vedan, verbal forms derived from pai-sa-vid are also used in conjunction with the concept of kamma at numerous places in the Nikyas. The parallelism between the usage of these two terms in this context can be seen in two suttas of the Nidnasayutta of the Sayuttanikya. In one of these, the Buddha is represented as saying that the following two phrases do not represent his views: S vedan so vediyatti ... A vedan, a vediyatti...36 The meaning of these phrases is not immediately apparent. They can, however, be compared with two phrases which occur in a similar context in the sutta which immediately precedes this one. Again, the Buddha is represented as saying that he does not hold these views: So karoti so paisavediyatti ... Ao karoti ao paisavediyatti ...37 C.A.F. Rhys Davids, in her 1922 translation of this passage gives: One and the same person both acts and experiences [the result]... One acts, another experiences [the result].38
The PED does not notice this word. SN II 23 37 SN II 20
35 36
144 She has clearly modelled her translation of the first quoted passage on this one: The experience (vedan) and he who experiences [hereafter] (vediyati) are one and the same. ... The experience and he who experiences [hereafter] are different one from the other.39 The noteworthy aspect of these two passages is the striking parallellism between the use of the term vedan and vediyati in one, and the use of the terms karoti and paisavediyati in the other. All of these terms are here used in a discussion of an aspect of the doctrine of kamma.
Loaphalasutta, AN I 249 ff. The term vedaniya is also used to express the experiencing of kamma in this life in an important sutta on kamma from the Aguttaranikya, the Loaphalasutta: Now, for instance, there may be some trifling evil action of some person or other which may take him to hell. Or again there may be a like trifling evil action of some person or other which is to be experienced (vedanya) in this very life 40 This follows on from an especially interesting use of the term vedaniya. This same sutta opens with two statements, the first of which does not allow an opportunity for the utter destruction of suffering; the second does allow this to happen: 1) Just as this man does a deed, so does he experience (paisavediyati) it. 2) Just as this man does a deed that is to be experienced (vedanya) so does he experience (paisavediyati) its fulfilment (vipka).41
38
C.A.F. Rhys Davids and F.L. Woodward, The Book of the Kindred Sayings, London, Pali Text Society, 1950-1956, vol.ii, p.16. 39 Ibid., vol.ii, p.18. 40 Idha bhikkhave ekaccassa puggalassa appamattakam pi ppa kamma kata tam ena niraya upaneti. Idha pana bhikkhave ekaccassa puggalassa tdisa yeva appamattaka ppa kamma kata dihadhamme c eva vedanya hoti... AN I 249 41 ... yath yathya puriso kamma karoti tath tath ta paisavediyat ti ... yath yath vedanya ayam puriso kamma karoti tath tathssa vipka paisavediyat ti. AN I 249.
145 Vedaniya is one of the key terms of the second statement. In the first, the mans action (kamma) is not an action which is to be experienced (vedanya), as it is in the second. The other difference between the two statements is that in the first the man experiences the action itself, whereas in the second it is specified that he experiences the result (vipka) of the action.42 An important distinction is being draw here between an action that is to be experienced or to be felt (vedaniya), and an action that is simply an action. La Valle Poussin, as long ago as 1913, made the following perceptive observations on these concepts: The action of the body, of the voice or of thinking ... killing, stealing, etc., is not really an act (karman) in the Buddhist sense of the word, i.e., is not vedanya, capable of being felt, pregnant with retribution, unless it is perfect or finished (abhisakhata = abhisaskta), i.e., thought, reflected upon, or wished (abhisacetayita).43 For La Valle Poussin, then, the term vedaniya plays an important role in its connection with kamma; it signifies that the act (kamma) which it qualifies is not just to be experienced, but is pregnant (grosse) with retribution. For this to be the case, the act must also be abhisakhata, constructed or formed.
Old kamma and the terms vedaniya and vedan La Valle Poussins observations come as part of a discussion of two similar passages from the Nikyas. He gives a translation which conflates the two passages:
42
This distinction is explored further in certain Abhidhamma texts. W. Halbfass notes that Kathvatthu 7.10 establishes a sharp distinction between kamma and kammavipka. W.D. OFlaherty, ed., Karma and Rebirth in Classical Indian Traditions, Berkely, University of California Press, 1980, p.296, note 95. 43 Louis de La Valle Poussin, Bouddhisme, tudes et matriaux, Thorie des douze causes, Ghent, Universit de Gand, 1913, p.9: ... laction du corps, de la voix ou de la pense, ... tuer, voler, etc., nest vraiment un acte (karman) au sens bouddhique du mot, cest--dire nest vedanya, capable dtre sentie, grosse de retribution, que si elle est parfaite ou acheve (abhisakhata = abhisaskta), cest--dire pense, rflchie, ou voulue (abhisacetayita).
146 The body, the eye, the tongue should be considered as being the old act, the act which is completed, reflected on, a cause of sensation 44 The first passage is from the Nidnasayutta of the Sayuttanikya: The body, bhikkhus, is not your own, neither is it that of any others. It is to be viewed as action that is old, brought about and intentionally done, as a base for feeling (vedaniya).45 The second is from the Sayatanasayutta of the same nikya. The eye, bhikkhus, is to be viewed as action that is old, brought about and intentionally done, as a base for feeling (vedaniya).46 This is then repeated for the other five sense doors, which includes the mind (mano) in the schema of the Nikyas. In his translation, La Valle Poussin renders vedaniya as cause for sensation (cause de sensation). Woodward in his 1927 translation gives a base for feeling, which I have followed in the above translations. Woodward indicates that he is following the commentary which on the Sayatanasayutta passages gives vedanya vatth, a ground (or reason) for vedan, for vedaniya.47 The term vedaniya is thus seen playing an important role in these significant passages on kamma. The theme of old kamma (pura-kamma) occurs also in the Udna in relation to the topic of this thesis. We find there a short sutta which labels certain types of painful vedan as being born from the result of old kamma.
Ibid., p.11: Le corps, loeil, la langue ... il faut le considrer comme tant lacte ancien, lacte parfait, rflchi, cause de sensation. 45 Nyam bhikkhave kyo tumhka na pi aesa. Pura idam bhikkhave kamma abhisakhatam abhisacetayita vedaniya dahabba. SN II 65. 46 Cakkhum bhikkhave purakamma abhisakhatam abhisacetayita vedaniya dahabba. SN IV 132 47 Spk II 402
44
147 Mindful and fully understanding, he bears without wavering vedan which is born from the result of old kamma, painful, racking, sharp, piercing.48
The Mahkammavibhagasutta The term vedaniya also plays a significant role in another important statement on kamma, the Mahkammavibhagasutta, the Great Discourse on the Analysis of Kamma, of the Majjhimanikya. A certain wanderer by the name of Potaliputta is shown as asking a bhikkhu the following question: Friend Samiddhi, having done an intentional action by way of body, speech, or mind, what does one feel (vediyati)?49 The bhikkhu gives an unsatisfatory answer, and later the Buddha is asked for the proper way to answer this question. He replies in the following manner: Having done an intentional (sacetanika) action by way of body, speech, or mind [whose result is] to be felt as pleasant (sukhavedanya), one feels pleasure (sukha so vediyati). Having done an intentional action by way of body, speech, or mind [whose result is] to be felt as painful, one feels pain. Having done an intentional action by way of body, speech, or mind [whose result is] to be felt as neither-pain-nor-pleasure, one feels neither-pain-nor-pleasure.50 This discussion of kamma has a number of points in common with the Sayuttanikya passages which we have just been examining. Potaliputta asks about kamma which is intentional (sacetanika). The old kamma (pura kamma) which is the body at SN II 65 and the six sense doors at SN IV 132, is intentionally done (abhisacetayita; PED raised into consciousness, thought out, intended, planned). The connection between these terms and the term vedaniya is brought out by La Valle Poussin in his
48
purnkammavipkaja dukkha tippa khara kauka vedana adhivsento sato sampajno avihaamno. Ud. 21 49 Sacetanika, vuso Samiddhi, kamma katv kyena vcya manas, ki so vediyatti. MN III 207 50 Sacetanika, vuso Potaliputta, kamma katv kyena vcya manas sukhavedanya, sukha so vediyati. Sacetanika, vuso Potaliputta, kamma katv kyena vcya manas dukkhavedanya, dukkha so vediyati. Sacetanika, vuso Potaliputta, kamma katv kyena vcya manas adukkhamasukhavedanya, adukkhamasukha so vediyati. MN III 209
148 paraphrase of the Sayuttanikya passages, which is worth repeating here: [t]he action of the body, of the voice or of thinking ... , is not really an act ... i.e., is not vedanya, capable of being felt, pregnant with retribution, unless it is perfect or finished (abhisakhata = abhisaskta), i.e., thought, reflected upon, or wished (abhisacetayita).51 The term vedaniya is used in a somewhat different way in this Majjhimanikya passage than it is in the Sayuttanikya passages: here it is qualified as either pleasant (sukha), painful (dukkha), or neither pleasant nor painful (adukkhamasukha). This corresponds to one of the standard classifications of vedan which is commonly found in the Nikyas. In fact, prior to the Buddhas statement quoted above, the Buddha tells the bhikkhus that Potaliputta had been asking about the three vedans.52 Curiously, though, when the term vedaniya is used again, later in the sutta, it is used in conjunction with sukha- and dukkha- only. These words occur in the final section, which is, according to the commentary, the expounding of the knowledge of the great exposition of action; the earlier part of the sutta is the setting up of the outline for the purpose of presenting that exposition. In this final section the following passage occurs: Therein, nanda, as to the person who kills living beings, takes what is not given, misconducts himself in sensual pleasures, speaks falsehood, speaks maliciously, speaks harshly, gossips, is covetous, has a mind of ill will, and holds wrong view, and on the dissolution of the body, after death, reappears in a state of deprivation, in an unhappy destination, in perdition, even in hell: either earlier he did an evil action to be felt as painful (dukkhavedaniya), or later he did an evil action to be felt as painful, or at the time of death he acquired and undertook wrong view.53
LVP, 1913, p.11. diso va, nanda, Potaliputtena paribbjakena tisso vedan pucchit. MN III 208 53 Tatr, nanda, yvya puggalo idha ptipt hoti adinndy hoti kmesu micchcr hoti musvd hoti pisuvco hoti pharusvco hoti samphappalp hoti abhijjhl hoti vypannacitto hoti micchdih hoti, ... kyassa bhed param mara apya duggati vinipta niraya uppajjati, pubbe v ssa ta kata hoti ppakamma dukkhavedanya, pacch v ssa ta kata hoti ppakamma dukkhavedanya, maraakle v ssa hoti micchdihi samatt samdi. MN III 214
51 52
149 Here again the term vedaniya plays a key role in a passage which explains the working of kamma. An evil deed (ppakamma) is to be felt as painful (dukkhavedaniya). Later on, a good deed (kalyakamma) is said to be felt as pleasant (sukhavedaniya). Other factors, however, come into play in the rebirth process, and even one who has done good deeds may, if he takes hold of wrong views at the time of death, be reborn in a lower realm. It is stated, however, that this person does experience the result of his deeds (vipka paisavedeti) in the present existence or when born into future existences.54 Another word related to vedan (paisavedeti) is used here to express the experiencing of the results on kamma.
kammna ... appaisaviditv ... AN V 292. We have noticed that in the last three suttas that we have examined, kamma is described as vedaniya (or sukhavedaniya, etc.) and as intentional (sacetanika) or willed (abhisacetayita). There is a series of three suttas in the Aguttaranikya (AN V 292301) in which kamma which is intentional (sacetanika) is used in conjunction with a verbal form from pai-sa-vid: I, declare, bhikkhus, that of intentional (sacetanika) deeds done and accumulated there can be no wiping out without experiencing (appaisaviditv) the result thereof, and that too whenever arising, either in this same visible state or in some state hereafter. I declare, bhikkhus, that there is no ending of suffering as regards intentional deeds done and accumulated without experiencing (appaisaviditv) the results thereof.55 This passage is repeated five times in the course of the three suttas.
dithe va dhamme ... uppajja v apare va pariyye. MN III 214 Nha bhikkhave sacetanikna kammna katna upacitna appaisaviditv vyantibhva vadmi, ta ca kho diheva dhamme upapajja v apare v pariyye. Na tvevha bhikkhave sacetanikna kammna katna upacitna appaisaviditv dukkhass antakiriya vadmi. AN V 292, 294, 297, 298, 299.
54 55
150 Conclusion There is a great deal of complexity surrounding many of the passages on kamma in the Nikaayas. Many aspects of this question have not been touched on in this chapter. One thing I hope, though, has been made clear, and that is the fact that in many descriptions of the workings of kamma the term vedan and terms related to it play a very significant role.
151 Chapter Five: Conclusion. In chapter three of this thesis I made a brief study of an oft-quoted line from the Nikyas: Bhikkhus, even if bandits were to sever you savagely limb by limb with a twohandled saw, he who gave rise to a mind of hate towards them would not be carrying out my teaching.56 I pointed out there that this is the classic statement of the case of one who experiences physical pain but is not affected by it at the mental level, and I tried to establish a connection between this statement and what we can glean of the Buddhas teachings on vedan as represented in the Nikyas. Everyone who reads this statement must surely be struck by the extraordinary demands that it is making on a practitioner of the Buddhas teaching: what kind of person would be able to remain balanced enough in a situation like this not to react with some negative emotion? If S.N. Goenka is correct in his understanding of the role of the objective observation of all kinds of physical sensations in the practice of the Buddhas teaching, perhaps it is one who is an expert in such observation. In all of the vast writings on Buddhist thought and literature, there has not been, as far as I am aware, a study of the use of the term vedan in the Pali Nikyas. The purpose of this thesis has been, therefore, to explore the use of this term vedan in the Pali texts. This was done by focussing on a number of themes in connection with vedan. The first chapter focussed on passages in which vedan features in descriptions of practices which lead to liberation from suffering. The passages studied in this chapter clearly give great emphasis to vedan in their descriptions of soteriological processes. As far as I am aware, none of these passages have been grouped together and examined by those who have written on these texts. This survey shows that Goenkas emphasis on vedan in his meditation teachings has a firm basis in the texts of the Nikyas.
Ubhatodaakena ce pi bhikkhave kakacena cor ocarak agamagni okanteyyu, tatrpi yo mano padseyya na me so tena ssanakaro. MN I 129
56
152 When drawing conclusions from any study of passages in the Nikyas, however, it is important to bear in mind the disparate nature of these texts. R. Gethins comments, quoted in the introduction to this thesis, are worth repeating here: We are faced not so much with a single finished canvas as with a bewildering array of sketches and detailed studies which it is impossible to take in at once. Their subject is seen from different angles and in various aspects; it is viewed from near and afar.57 There are of course many suttas in the Nikyas which make no mention of the term vedan. This is not to say, however, that these suttas contradict the hypothesis that the correct understanding of vedan is an important element in the path to liberation. The second chapter was an extension of the first, studying the use of the term vedan in passages dealing with the causal sequence which has profound soteriological significance, the paicca-samuppda (dependent origination), and in other passages dealing with related causal sequences. This detailed study of the role of vedan in causal sequences found in the Nikyas showed that there are indeed passages in which this term is given marked emphasis, and that the striking statements quoted at the beginning of the second chapter from the writings of three Buddhist scholars, Kalupahana, Nyanaponika and Bhikkhu Bodhi, do have a basis in the texts, especially when taken in conjunction with the passages explored in the first chapter of this thesis. In causal sequences of different kinds we find vedan being given an important role. As far as I know, this thesis is the first study to explore this question in any detail. The third chapter looked at passages in the Nikyas which deal with mental and physical aspects of vedan. Goenka places great emphasis on the role that bodily sensations play in the meditation technique that he teaches: Vipassan means a special kind of vision: observation of the reality within oneself. This is achieved by taking as the object of attention ones own physical sensations. The technique is the systematic and dispassionate observation of
R. Gethin, The Buddhist Path to Awakening: A Study of the Bodhi-Pakkhiy Dhamm, Leiden, Brill, 1992, p.20.
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153 sensations within oneself. This observation unfolds the entire reality of mind and body.58 This chapter examined texts from the Nikyas which put vedan in physical and mental contexts. It also placed this issue in the broader context of descriptions of physical and mental aspects of other phenomena in the Nikyas. This survey of descriptions of the mental and physical aspects of vedan in the Nikyas showed that the widely held assumption that vedan is a purely mental phenomenon is not borne out by a close study of the texts. Furthermore, the interest that the texts show in describing both mental and physical aspects of vedan reflects a general interest in the Nikyas in mental and physical aspects of various phenomena. Given the important role that vedan plays in certain descriptions of soteriological practices and of causal sequences, as seen in the first two chapters of this thesis, the attempt made in this chapter to further our understanding of the nature of vedan assumes considerable significance. An important aspect of the third chapter is a detailed investigation of the conflicting views found in the Pali commentaries on many passages relating to the mind-body theme. The interest that we find in the Nikyas in pointing out the physical and mental aspects of vedan echoes a broader theme: in a large number of places we find descriptions of mental and physical aspects of various phenomena. This theme seems to have presented some difficulties to the early commentators on these texts, for we find a certain amount of inconsistency in their treatment of it. For example, the following passage appears in several places in each of the four principal Nikyas: When he is glad, joy is born in him; in one who is joyous, the body becomes tranquil; one whose body is tranquil feels pleasure; in one who feels pleasure, the mind becomes concentrated.59 It is a remarkable description of a process in which mental and physical events both play important roles and interact with each other in important ways. Moreover, a term related
W. Hart, The Art of Living, Vipassana Meditation as Taught by S.N. Goenka, San Francisco, Harper and Row, 1987, p.91. The italics are mine. 59 pamuditassa pti jyati, ptimanassa kyo passambhati, passaddhakyo sukha vedeti, sukhino citta samdhiyati. DN I 73, DN III 241, 288; MN I 37, 283; SN IV 78-79, 351-58; SN V 156, 398; AN I 243-4; AN III 21-23, 285-87; AN V 329-34
58
154 to vedan plays a role in this process: the phrase sukha vedeti (he feels pleasure) uses a verb which is cognate with the noun vedan. We can interpret the phrase sukha vedeti (he feels pleasure) as a link between the body (kya) of the preceding phrase (the body becomes tranquil, kyo passambhati) and the mind (citta) of the phrase which follows (in one who feels pleasure, the mind becomes concentrated, sukhino citta samdhiyati). The commentaries, however, have different views on the meaning of this passage. The commentaries on the Dghanikya, for example, take kya in this passage to mean the mind. They understand the term kya as a way of saying nmakya, that is, in the terms of the commentaries, the four immaterial aggregates.60 Other commentaries, however, are less unequivocal. The commentary on this passage as it appears in the Majjhimanikya simply glosses kya as kya.61 This gives us little further information on how this commentary wants us to understand the term. It is possible that we are being asked to take kya at face value, as meaning simply the physical body. On its first appearance in the Aguttaranikya, the commentary on that text has another interpretation of this passage: the body becomes tranquil [means] the group of the mind (nmakya) and the group of matter (rpakya) are without agitation.62 Interestingly, here the commentary seems to be taking kya as meaning mind and body together, using its customary terminology of nmakya for the four immaterial aggregates and rpakya for the aggregate of matter, that is, the body. The commentaries are divided in their interpretation of the nature of pleasure in this context. The Dghanikya commentary and the Aguttaranikya commentary say that it is both bodily and mental.63 The Majjhimanikya commentary, on the other hand, specifies that pleasure in this passage is mental pleasure.64 It is curious to note that it is the Majjhimanikya commentary, which does not define kya in this passage as nmakya (mental group), which nevertheless represents pleasure only in mental
Sv I 217 on DN I 73 nmakyo passambhati and Sv III 1032 on DN III 241 kyoti nmakyo paipassambhati. 61 kyo passambhatti kyo passaddho hoti vpasantadaratho Ps I 174 on MN I 37 62 kyo passambhatti nmakyopi rpakyopi vigatadaratho hoti Mp II 357 on AN I 243 63 Sv I 217 on DN I 73: sukha vedetti kyikampi cetasikampi sukha vedeti. Mp II 357 on AN I 243: sukha vediyatti kyikacetasikasukha vediyati 64 Ps I 174 on MN I 37: passaddhakyo sukhanti eva vpasantakyadaratho cetasika sukha paisavedeti
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155 terms. And it is the Dghanikya commentary, which sees kya as being a mental phenomenon (nmakya), which explains pleasure as being both bodily and mental (kyikampi cetasikampi). This seems to be further evidence of confusion in the minds of the commentators on these questions. This confusion seems to stem from a reluctance to take the term kya in this context at face value. The study in chapter three of the tension within the commentarial tradition of this important aspect of the interpretation of these key passages has not, as far as I am aware, been carried out prior this thesis. It may well constitute the most important contribution that this thesis makes to the furthering of our understanding of why it is that comparatively little attention has been payed to the study of the importance of the term vedan in the Pali texts. At an early stage in the tradition, there seems to have arisen some confusion on these matters. The fourth chapter surveyed passages in the Nikyas which highlight vedan in their descriptions of the workings of kamma (Skt. karma). There is a great deal of complexity surrounding many of the passages on kamma in the Nikyas. Many aspects of this question have not been touched on in this chapter. The passages surveyed in this chapter do, however, show that in many descriptions of the workings of kamma the term vedan and terms related to it play a very significant role.
156
157
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