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Magical Theory Cordey
Magical Theory Cordey
By Marcus Cordey
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"Magic is the Highest, most Absolute, and most Divine Knowledge of Natural Philosophy, advanced in its
works and wonderful operations by a right understanding of the inward and occult virtue of things; so that
true Agents being applied to proper Patients, strange and admirable effects will thereby be produced.
Whence magicians are profound and diligent searchers into Nature; they, because of their skill, know how to
anticipate and effect, which to the vulgar shall seem a miracle."
- Lemegeton, Preliminary Definition of Magic
Magic, in all its myriad forms, is the exercise of will upon the natural forces in order to effect
change. The Universe abounds with the living energies of Creation -- what has been defined by
science as gravity, electromagnetism, and the strong and weak nuclear forces. So to do all things
abound with the supernal forces of magic. The former is merely an aspect of the latter, and the
latter a manifestation of the former. Any division that is perceived to exist between science and
magic is but an illusion. Both are true and proper natural philosophies, inseparable and
intertwined. Physics, chemistry, and medicine all draw upon these natural forces, as does magic,
alchemy, and the occult arts. It is only how we perceive of the nature of those powers that
changes with time. And yet, in this Universe of infinite possibilities, there still exists an endless sea
of phenomenon hitherto unfathomed by science.
Herein is proposed one collection of such principles as they are believed to govern the nature of
magic. These principles have been derived from those described by Isaac Bonewits in his book
Real Magic, as well as The Golden Bough of the 19th century anthropologist Sir James George
Frazer, but have been further simplified and organized to embody their meaning as clearly as
possible. It should also be remembered that these rules are only meant to help guide and direct a
student of the Occult arts, and are most likely represent only the smallest fragment of the greater
laws underlying the true nature of reality.
The third law of Sympathy is the Principle of Contagion, or Contact, which embodies the concept
that objects once in contact will remain in contact regardless of their degree of separation.
"Contagious magic is founded on the association of ideas by contiguity," says Frazer in The
Golden Bough. A lock of hair, a fingernail, or drop of blood, may all be used to cast spells on the
individual from whom they were once part. Anything that that a person or object may have been in
contact with, such as a piece of clothing or any personal possession, may be used to affect that
person or object. Only recently has science touched upon the Principle of Contagion. New
discoveries in quantum mechanics demonstrate that two subatomic particles remain in contact
even after they have been separated -- when one particle changes state the other also instantly
changes state, no matter their separation in space. Indeed, by this extraordinary discovery of
science, the Principle of Contagion has been empirically validated.
The Principle of Entropy, which has already been mentioned, is known and defined by science in
the Second Law of Thermodynamics (entropy is the measure of disorder in a system) It is,
however, important enough to magic that it should be defined as a principle of magic as well. This
acts as an Antipathy because it is a great hindrance to magic. The Principle of Entropy states that
energy cannot be transferred from a region of lower energy to a region of higher energy without the
exertion of work, and the greater the difference in energy levels the greater amount of work is
needed. The very act of creating and casting a spell draws ambient energy into a closed system of
equal or higher energy (often called "the magic circle"). Thus, the magician and any participants
must exert their own will and energy for any spell to be created, and the greater the potential effect
or effectiveness of the spell, the greater amount of energy the magician must himself expend. This
energy may take the form of natural energy released from herbs, potions, and items already
charged (such as the wand, ritual knife, crystals, etc.), and the energy lent by spirits who may be
called to attend. Nevertheless, the Principle of Entropy is the greatest limiter of magic -- you can
never get something for nothing, and energy must always be exerted in order to perform work.
The Principle of Equilibrium, also know as the Law of Balance, states that for anything to exist in
reality it must be capable of being canceled by its opposite. This automatically implies that an
opposite of equal power, or opposite powers totaling an equal power, must also exist. Proof of this
can be expressed in pure mathematics, as all equations must be balanced to be true. The concept
can also be shown in Newton's Third Law of Motion ("for every action there is an equal and
opposite reaction"). We see can this principle applied in philosophy as well -- for there to be light,
so must there be darkness; for there to be death, so must there be life; for there to be hate, so
must there be love. This being the case, equilibrium also acts upon magic. If a spell is cast to
bring rain to a field, then crops may wither in another fields somewhere else on earth. If a spell is
cast to attain a new job, then someone else will lose the opportunity for that job. Consequence, as
we shall see, also affects equilibrium.
The Principle of Consequence is more commonly known as "karma". It has also come to be called
"the threefold law" since many believe that one receives in return "three times" what one puts out.
If you sow good, you shall receive three times good in return, and if you sow ill you shall suffer
three times the ill. This is, however, in violation of the Principle of Equilibrium. Any perception that
"three times" is returned is purely psychological. More simply, Consequence works with
Equilibrium resulting in Causality -- for every action there is a consequence. Cast a spell to help
someone in need and one day you may yourself be helped. Cast a curse to harm, and one day
you may befall a similar fate. In this way, so-called "karma" is affected by the Principle of
Homeopathy in that like attracts like. Do good and good things will come your way, do bad and
According to this view of the Universe, all particles of matter are "strings" of energy vibrating at
distinct resonances. The vibrations of strings make up the harmonies which define every
subatomic particle, together which form the particles of both matter and energy. The very laws of
nature exist as a grand composition, like the notes and scales of a musical work with all its
octaves, tones, and melodies. These notes and tunes govern how matter and energy interact, the
laws of gravity and electromagnetism, and dictates how atoms are held together. It explains
quantum gravity, space-time topology, singularities, galactic structures, and solidifies the Theory of
Relativity. Creation, it would seem, is one great song -- the Music of the Spheres and Symphony
of the Divine.
Though this may be the key to unraveling the mysteries of the Universe, such scientific revelations
are far from astounding to those versed in the magical arts. Occult philosophy does not explicitly
define Universe in such terms as the String Theory, nevertheless, magic operates on these same
laws and principles, functioning at the most basic and elemental level of nature. However, you
need not understand, nor even accept, the precepts of science in order to work magic. After all,
science alone can never prove the ultimate model of the Universe, for its scale is beyond the
boundaries of human comprehension and is far more perfect and sublime a thing than we can
imagine. Neither must you accept the Universe as an ever-flowing, ever-changing song, though
the elegant symbolism of this should not be lost on the learned magical practitioner. To
understand and work magic, one need only accept that in our Universe all things are connect, that
matter is energy made manifest, and that there exists within our grasp an vast infinity of unlimited
possibility.
The existence of the Astral Light can fully account for a wide range of occult and paranormal
phenomenon, ranging from the manifestation of ghost and specters (even perhaps "UFOs", if you
like), the existence of spirits (elemental, angelic, demonic, etc.), the nature of reincarnation, past-
life-regression, out-of-body-experience, clairvoyance and telepathy, the Collective Unconscious (or
the Universal Soul or Akashic Record), and the medium through which all discrete occult
associations (that is to say, "spells") are conveyed.
Reflections of events yet to be are also recorded in the Astral Light, but only those events which
are of such magnitude that "ripples" cascade across the Astral Light regardless of the division of
time (alternatively, some hold that time is irrelevant in the Astral Light, and all events, past, present,
and future, are recorded eternally). Thus, divination of future events by means of enumerable
techniques becomes possible. Such techniques operate by either allowing the diviner to "see"
through some medium into the Astral Light (by a black mirror, for example), or to arrange items in a
seemingly random pattern (casting lots, drawing tarot cards), while establishing a psychical
connection with the Astral Light, such that the randomly is affected by the impressions in the Astral
Light. In both cases, however, further interpretation may be required on the part of the diviner.
It is virtually unnecessary to speak of the connection between the Astral Light and precognitive
dreams. When one dreams, one is experiencing events in the astral world with their astral body
(that is, the psyche). It therefore becomes possible for any individual to experience the memory of
future events in their dreams (either related to themselves, close associates, or of significant global
impact). However, not all dreams are remembered due to the tenuous links between the psyche
and the brain, which is can be more or less receptive to recording astral memories depending on
its state of awareness during sleep.
Divine Magic
Historically, Divine Magic has been the most widely
practiced and universally accepted form of magic in
existence. Put simply, it is the power of prayer. Prayer
to the gods by the common people is known as demotic
prayer, or demotic magic (from the Greek demotikos
meaning "popular, common", or literally "of the people").
Everyone who practices any form of religion is practicing
demotic magic when they pray, whether they pray before
a statue of Buddha, kneel before the Crucifixion, or bow
toward Mecca.
In some cultures, only hieratic magic is practiced, and demotic prayer is either forbidden or
performed only for the purposes of giving thanks or imploring forgiveness. Catholic Mass is an
example of a ceremony which is mostly hieratic with some limited practice of demotic prayer.
Communion, the transubstantiation of bread and wine to flesh and blood, is the most familiar form
of hieratic magic which is observed by hundreds of millions of people on a weekly basis. Divine
magic is practiced by all religious in the form of prayers, rituals, and miracles, though it may not be
called magic by its followers. Indeed, most religions forbid the practice of magic since magic and
magicians may often times "compete" with the priesthood.
High Magic
Directly descended from Divine Magic is High
Magic (or Transcendental Magic), which takes
the power of prayer one step further. High
Magic differs from Divine Magic in that it is rarely
performed for religious purposes and spells are
ultimately controlled by the magician, not the
Divine. The magician uses signs, seals, and
sacred names to assist in conjurations,
invocations, and exorcism intended to summon
and control various spirits. High Magic evolved
from two major sources, that is from Kabala
(Jewish Mysticism) and Greek hermetic
traditions (namely, the Corpus Hermeticum of
Thrice Greatest Hermes). Such writers as
Simon Magus, Abramelin, Albertus Magnus,
Cornelius Agrippa, and may others, brought
these traditions into synthesis creating High, or
Hermetic, Magic.
Göetic magic, on the other hand, is concerned with summoning evil or neutral spirits, which are
demonic or potentially hostile in nature. The word "göetia" comes from the term "Göetes", used to
describe Greek and Egyptian magicians of the first century. By the Middle Ages it had come to
mean "Low" Magic, that is, magic concerned with earthly matters, physical pleasures, wealth, and
prestige. Needless to say, göetic magic was quite popular in spite of its dangers. Such danger
came not only from the spirits roused, but also from being caught by the Church! Many Göetic
works, such as the Legemeton, got away with their demonic content on the virtue of being filled
with prayers and supplications to God. Other works were much more overt, but these grimoires
were copied in such limited numbers (or were all destroyed), such that few examples remain to this
day. The Codex Latinus Monacensis 849 (Clm 849), held in the Bavarian State Library, is an
example of a work that is purely göetic in
nature, the complete Latin transcription of
which may be found in Forbidden Rites by
Richard Kieckhefer. This necromantic
grimoire is concerned with invoking spirits
for interrogation, creating wondrous
illusions, spells of invisibility, spells to find
treasures, and various spells of
necromancy that go as far as to resurrect
the dead!
Necromancy can also be considered a form of göetic magic, though it is more accurately termed a
perversion of natural magic. The afore citied work, Codex Latinus Monacensis 849 (the true title
has been lost to history) is a genuine example of a medieval treatise on necromancy. The word
"necromancy" comes from the Greek word nekromanteia, meaning "divination by way of a dead
body". In this context, necromancy involves certain rites performed with the intention of calling the
spirit of a deceased individual to be interrogated. The ritual may even call for the spirit to possess
a corpse and speak through the body. Such practices continued through the late Middle Ages, and
experiments 10 and 28 in Clm 849 involve true necromancy in this regard. However, black magic,
or nigromancy as it was called (from the Latin niger, meaning black), eventually became
synonymous with necromancy. Yet, the difference between necromancy and göetic magic is only
a matter of intention. Necromancers had little desire to summon demons, and the necromantic
rites from the Middle Ages hold little resemblance to the lofty rituals of High Magic. There is only
one ritual in Clm 849 for actually conjuring a demon, the rest are concerned with creating illusions,
obtaining love, catching thieves, assisting in thievery, and calling forth the spirits of the dead.
Indeed, demons may be named in many of the incantations, but this appears only to be a means to
empower the spell. Necromancy is therefore one step lower ("lower", meaning more material and
earth-bound) than göetic magic, and may also be described as "gothic witchcraft". Though in some
ways it is similar to thaumaturgy, necromancy relies on spiritual and demonic forces as source of
power, and unlike true witchcraft, it does not tap any sort of natural or elemental forces.
High Magic has also been extensively practiced in modern times. The practices arose with the
revival of various spiritual movements in the 19th century, not the least of which was Spiritualism.
Eliphas Levi has been credited with the revival of High Magic in Europe, which quickly spread to
England where it was propagated by the newly formed Hermetic Order of the Golden Dawn. The
Theosophical Society, founded by Madam Blavatsky in America, also incorporate many Hermetic
ideas in synthesis with Eastern mysticism. The Golden Dawn, and its various spin-off societies,
eventually made its way to continental Europe and America, and it is from these societies that most
modern magical traditions are derived, including Wicca, which was developed by Gerald Gardner
who based his rituals on those taken from the Golden Dawn, Aleister Crowley, the Key of Solomon,
and various Masonic rites.
Thaumaturgy
Thaumaturgy, from the Greek Thaumatourgos, meaning "Wonder
Working", is a form of magic done without calling upon any sort of
natural, divine, or demonic sources. Thaumaturgy can be more simply
defined as "magic performed without religious intervention".
Thaumaturgy is the science of magic, applied with skillful technique by a
practitioner who himself possesses the power to work wonders, or can
harness such power from a secondary medium. Thus, the term
thaumaturgy could be applied to any sort of miracle a priest or magician
might work, but has of late been used to describe the philosophy that
magic is a power unto itself. There are three types of magic which can
fall into the category of Thaumaturgy: psychic powers, illusions, and applied alchemy.
The best example of thaumaturgy we have today is the so-called "Psi Phenomenon". Though most
people consider telepathy to be an entirely different power from magic, those who possess such
psychic powers are indeed "wonder workers" by ever definition of the word. Thus, they may be
In another sense, it may be argued that thaumaturgy is the application of scientific principles with
the intent to amaze and work miracles. Lodestones have long been held to be magical for their
ability to attract metal, and magicians of the past (and even today) could used magnates to
spectacular effect. Before electricity was fully understood, lightning was a magical force.
Archeological evidence shows that electric "batteries" were being made in the Middle East as far
back as the 3rd century BCE and these were likely used by magicians for a variety of effects and
healing techniques.
This would make modern day stage magicians thaumaturgist following in the tradition of every
court magician of centuries past. They are illusionist who trick our eyes and minds by way of their
secret craft. However, most of us do not consider their illusions to be real magic for two reasons --
for one, most admit they are performing a trick or slight-of-hand, and two, if they do not admit this
fact, we simply their performance to be a trick. We are not
content to believe that employing smoke and mirrors to disappear
is a "wonder of magic". But it some regards, it is. Take David
Copperfield back four hundred years and he will be either be
hailed as the greatest of all sorcerers, or burned at the stake (or
perhaps both). The point is, many magicians of the past were
skilled optical illusionists, knowing how to employ natural
phenomenon to wondrous effect. Illusionary magic such as this
can still be employed by occult magicians of today for the purpose
of creating special effects, but there remains the daunting risk of
being labeled a fraud if you are caught.
Alchemy can also be considered a form of thaumaturgy. During the early Bronze Age, blacksmiths
were magicians who could transmute rocks into metal. This idea has been perpetuated through
the ages, and the alchemists of China, the Middle East, and Europe have all sought the ultimate
goal of mystical transmutations -- the turning of lead into gold. In addition to this, alchemist also
sought formulas for such things as the Elixir of Youth, potions of healing, and explosives, the
search for which resulted in black powder. Indeed, as alchemy became better understood it
dropped its mystical tenets and eventually became chemistry as we know it today.
Witchcraft
The etymology of the word "witch" appears to come from the Old English
word wicce, which in turn related to a word that meant either "wise" or "to
bend" depending on whom you ask (the exact etymology is unclear).
Though Witchcraft can trace its roots to Divine Magic, it evolved along a
divergent path from High Magic, for witches and shamans took to using the
divine powers imbued within nature. Witchcraft is the practice of magic both
natural and divine, worshipping pagan deities, making herbal potions and
remedies, and casting spells that tend to implore spirits, rather than gods.
The pagan religions of Europe include those of the Greeks and Romans, the Norse, Celts, and
several others. Each of these had their own traditions of magic and mysticism, but much of it has
been lost or has faded into superstition. Italian folk-magic and witchcraft, called Strega, has its
Shamanism is a form of witchcraft that was common throughout Africa, with the native tribes of
North and South America, and Aborigines of Australia. It is still practiced as a matter of tradition in
some of these regions. For shamans, witchcraft and religion were one in the same. The shaman
was the priest, healer, and wiseman of his tribe, and may have had one or more assistants under
his guidance. The shaman could communicate with the gods, either through prayer, meditation, or
possession, and may have used herbal potions to enter meditation and altered states of
consciousness. In some traditions, the shaman could also contact spirits of the dead, see into the
future, and seek the advice of animal spirit guides.
Vodoun (Voodoo) and Santeria are highly developed forms of Shamanism which incorporated
various African tribal traditions with Catholicism. Followers of Vodoun worship a pantheon of gods
and spirits collectively called the Loa, and Santeria has a similar pantheon as well, and in both
cases the gods and spirits are guised as Catholic saints. Vodoun rituals are led by a priest
(houngan) or priestess (mambo) and incorporate singing, dancing, and drumming. Healing magic
and blessings is the most common sort of vondoun spells -- "voodoo curses" are mostly a thing of
Hollywood fantasy. However, animal scarifies are practiced, and evil sorcerers called "bokors" do
practice black magic, including voodoo doll curses and reviving the dead as zombie servants.
Modern witchcraft (in its true form) is known as Wicca. Wicca is the largest organized movement
dedicated to reviving the Old Ways of European mythology, folklore, and traditional witchcraft. The
number of Wiccans is believed to be on the order of three quarters of a million to one million in
North America alone, a number that is said to be doubling every few years. However, just as there
are many different Christian paths, there is also more than one Wiccan path, and the differences
between them are often a matter of how rituals are performed or what basic tenets they adopt.
Some, such as the Dianic Path, choose to worship only the goddess Diana. Others, such as the
Georgian Path, are more open and eclectic. The Gardnerian Path was the first Wiccan
organization, and was founded by Gerald Gardner, who was himself also associated with Aleister
Crowley and the Golden Dawn. Because of this, some Wiccan groups have tried to disassociate
themselves from Gardner and dig deeper into Europe's mythical past for further inspiration. Even
so, most of the rituals and practices used in Wiccan ceremonies are very similar to, if not the same,
as those which Gardner originally developed.
FINIS
Edge, Henry T., The Astral Light, Point Loma Publications. 1975
Frazer, Sir James G., The Golden Bough, Simon Schuster Trade. 1978
Waite, Arthur E., The Book of Black Magic, Samuel Weiser, 1972