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    Art of Comics, The - Meskin, Aaron & Cook, Roy T

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    Szimii Madar
    This document provides a table of contents for a book on comics and philosophy. It lists the book's editors, contributors, and chapters. The chapters cover topics like defining comics, the relationship between images and text, genres of comics, and how comics relate to other art forms like film.

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    Art of Comics, The - Meskin, Aaron & Cook, Roy T

    Uploaded by

    Szimii Madar
    241 views5 pages
    This document provides a table of contents for a book on comics and philosophy. It lists the book's editors, contributors, and chapters. The chapters cover topics like defining comics, the relationship between images and text, genres of comics, and how comics relate to other art forms like film.

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    This document provides a table of contents for a book on comics and philosophy. It lists the book's editors, contributors, and chapters. The chapters cover topics like defining comics, the relationship between images and text, genres of comics, and how comics relate to other art forms like film.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    241 views5 pages

    Art of Comics, The - Meskin, Aaron & Cook, Roy T

    Uploaded by

    Szimii Madar
    This document provides a table of contents for a book on comics and philosophy. It lists the book's editors, contributors, and chapters. The chapters cover topics like defining comics, the relationship between images and text, genres of comics, and how comics relate to other art forms like film.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
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    of 5

    Contents

    Editors Acknowledgments Figures Contributors Foreword The Art and Philosophy of Comics: An Introduction
    1 Introduction to the Introduction 2 What We Are Doing, and Why 3 A Short History of Comics 4 Comics Scholarship and the Philosophy of Comics: A Brief History 5 The Contributions

    Part One The Nature and Kinds of Comics


    1 Redefining Comics
    McClouds Definition Pictures and Comics Panels, Panels Everywhere Seeing-in and Closure Pictureless Comics? Wordless Prints, Unprinted Words Spaces Between Words The Air of Non-Pictures A Continuum of Cases Comic Books and Ideal Books

    2 The Ontology of Comics

    Introduction Multiplicity How Are Instances of Comics Created? Autographic and Allographic Conclusion

    3 Comics and Collective Authorship


    Introduction A Cautious Set-Up Minimal Authorship (of Sorts) Minimal Authorship (of the Comic Sort) Some Work for a Theory of Comic Authorship Illustrating Robust Comic Authorship Comic Authorship of the McCloudian Sort Appropriation Cases Commission Cases Collaborative Cases Non-Collaborative Cases Final Thoughts

    4 Comics and Genre


    Introduction Desiderata for an Account of Genre Existing Accounts of Genre An Account of Genre Conclusion

    Part Two Comics and Representation


    5 Wordy Pictures: Theorizing the Relationship between Image and Text in Comics
    Illustrated Books: A First Step The Image-Text Complex in Comics

    The Image The Text How Comics Work An Objection Conclusion

    6 Whats So Funny? Comic Content in Depiction


    Where are the Funnies? Writing Images, Drawing Words Without Words Just Looking Wheres the Fun? Whats That For? Arts and Artifacts

    7 The Language of Comics1


    Introduction A Pre-Emptive Strike How Comics Mean The Unified Comic Conclusion

    Part Three Comics and the Other Arts


    8 Making Comics into Film 9 Why Comics Are Not Films: Metacomics and Medium Specific Conventions1
    The Problem The Filmstrip Argument Metacomics Bomb Queens Editor Girl The Filths Max Thunderstone Conventions and Aesthetic Analysis

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