Tame Impala
Tame Impala
Tame Impala
OP.,&IT""!
Yeah. He >tiU kicks me out of the room for two or three h
while t . .
,' pu s It togt:ther. I give him a rouqh mix after
domg a" much I can to malo-.e it wund how I
no I!J: . . want, but
one " - a mix hh, Dave. I don't know
how he doe-" rt. !here ju1t thi depth
. . , ' ' prl!SI;nce, and
Impact that I cant get anywhere near; though l'vP been
[lrrJud of my drum lately. ru qive it to him .-
muqh rn!l and '.ily, i, what I'm l n the
ha "' ''rlf' fadrr with my d . 'VI g to do.. We11
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So I knOW that If l
whole other I
another sessiof1,
drums in "Endo!S
loud. But t:hafs the
They lfl'/ that a pcdntUii
Exactly. You never finish it,
went back; he spent an
bumped down the drums.
sitting there pulling my
frustrated. I asked him, "Mal"'- +o4f
a little bit? can you hear the
can hear the difference." He
changes we were making were
back of the sun. People were
is going to think that the synth
louder, or it's too quiet in the mix.
going to accept it for what it is.
www.tameimpala.cam
Special thanks to Doug Sutton, The
and Matty Chequer.
bonus article:
http:jjtapeop.comjinteiViews/95/tJ1rrle.inl
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3-band
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