People often play games unconsciously to avoid responsibility or reality. Some common games include "Now I've Got You, You Son-of-a-Bitch" where one sets up traps to gain power over others, "Ain't It Awful" where one expresses distress but is covertly gratified by the attention, and "Why Don't You...Yes, But" where proposed solutions are constantly objected to, giving the player a sense of winning. These games involve taking on roles as the persecutor, victim, or rescuer in order to blame others for one's feelings while fulfilling internal beliefs about these roles.
People often play games unconsciously to avoid responsibility or reality. Some common games include "Now I've Got You, You Son-of-a-Bitch" where one sets up traps to gain power over others, "Ain't It Awful" where one expresses distress but is covertly gratified by the attention, and "Why Don't You...Yes, But" where proposed solutions are constantly objected to, giving the player a sense of winning. These games involve taking on roles as the persecutor, victim, or rescuer in order to blame others for one's feelings while fulfilling internal beliefs about these roles.
People often play games unconsciously to avoid responsibility or reality. Some common games include "Now I've Got You, You Son-of-a-Bitch" where one sets up traps to gain power over others, "Ain't It Awful" where one expresses distress but is covertly gratified by the attention, and "Why Don't You...Yes, But" where proposed solutions are constantly objected to, giving the player a sense of winning. These games involve taking on roles as the persecutor, victim, or rescuer in order to blame others for one's feelings while fulfilling internal beliefs about these roles.
People often live their lives by consistently and predictably playing out identifiable games in their inner and interpersonal relationships. They play games to avoid reality, conceal ulterior motives, rationalize their reactive behavior or to avoid the responsibility of active participation in life situations. Some of the more common games are: Now I've Got You, You Son-of-a Bitch (NIGYSOB) Used to justify anger that has built up over an extended time period. The aggressor (usually unconscious) identifies their victim, sets up a trap and springs it as a form of getting even or gaining perceived power. Ain' t It Awful Person overtly expresses distress, but it is covertly gratified at the prospect of the satisfaction they can wring from their misfortune. Blemish Person seeks to find the blemish or weakness in another or themselves. They exploit others around the discovered blemish from an authoritarian posture. In themselves, it is used for negative reinforcement for inability to perform. Why Don't you... Yes, But Played out as a person presents a problem while others present solutions each beginning with Why dont you...? followed by the objection, Yes, but.... The payoff is the silence or masked objection when the solution giver has exhausted their data bank of solutions. This gives the Yes, but player evidence that they have won by demonstrating that it is the other person who is inadequate. If It Weren't For You Common games played between spouses and business people as a means to avoid responsibility for individual decisions. Debtor Often becomes a script.., a life-time plan. Used as a means to create purpose in life. Reaching the top often leaves the player feeling depressed and aimless. It is the struggle to get there that provides purpose. Look What You Made Me Do Played by someone who is feeling hurt and angry, who becomes engrossed in an activity which tends to isolate them from people. When interrupted, an accident or error occurs. Player then turns on the intruder. Also used to direct cause or failure in a task the player is angry about having to do or does not know exactly how to do. Harried, Hurried, Hassled, Hustled Often played out by the harried housewife or business person whose position requires he/she be proficient in 10 or 12 different occupations or roles: mother, housemaid, provider, achiever, etc. All are conflicting and fatiguing. He/she takes on more and even asks for more, agreeing with other persons criticisms and accepting all demands from them. Eventually, he/she collapses, letting down everyone. His/her self-reproach adds to his/her misery. The players act out of inadequacy and fear of being seen as such. Let's You and Him Fight Player maneuvers two others into fighting. They align themselves with the winner. Sometimes, while the two are fighting, they will align with a third party who appears to be above fighting or sees honest competition as a suckers game. Wooden Leg Used to excuse dysfunctional behavior. What do you expect of a person with a wooden leg? Often used in statement form, i.e., I'm a redhead and have a temper, or I drink because Im Irish, etc. Kick Me Played by people whose social manner invites them to be kicked. If people will not kick them, they will behave more and more provocatively until they have exceeded the limits, thereby forcing them to oblige. The jilted. . .the job losers.., the rejected. Conditional Love I will love you if... then comes the checklist. If you dont accept my checklist in every way, Ill withdraw attention, acceptance, affection. If you do match my checklist, Ill reward you. Push-Pull Played by people who have a fear of closeness/intimacy but are also afraid of being left alone. They will entice or seduce the other person to come close, open up and then when the person has opened up, the push-pull player will retreat, leaving the other person confused. The 3 Roles in Games All games are played unconsciously when we experience a threat. Game playing serves the purpose of blaming others for our bad feelings/experience. Below are the three role-positions we can play and the characteristics of those roles: Role Persecutor Victim Rescuer Triggers Threat to my ability to get thing done right" Threat to my ability to escape responsibility Threat to my ability to help you. Initial Emotion Anger (Guilt) Hurt (Fear) Fear (Sadness) Social Artifice "I'm just making things right." "Life shouldn't be this hard. I can't do it alone." "I'll make you succeed; you can't do it alone Initial Belief I'm OK, You're Not I'm Not OK, You're OK I'm, OK, You're Not Operating Belief I'm better than you are; I know more than you. I'm helpless Only I can help them; they're incapable. Opening Discount Others Self Others Originating Position Critical Parent Adaptive or rebellious child Nurturing Parent Plays With Victim Child (best if Rebellious Child) Parent (Persecuting or Rescuing) Victim Child (best if Adaptive Child) Payoff Artifice "I'm better than you, even though it's painful." "I'm no good, but can't you love me anyway?" "Why can't you be more like me, and take care of yourself?" Switched Role Victim Persecutor Victim Switched Role Payoff "Don't you care about quality? You think I don't deserve better?" "Why don't you mind your own business?" "If you don't want me to help you, then leave me Alone" Games NIGYSOB Top Dog FMFY Blemish Withhold/Withdraw Know-it-all Nitpicker Poor Me/Pity Me Ain't It Awful Wooden Leg Threadbare Hurried/Hassled Let's You and Him Fight Kick Me/Underdog Why Don't You? I Was Only Trying to Help Here l Come, To Save Day! Sunnyside Up